The Chronicle of the Fallers by Peter F. Hamilton

[Werthead]

Book 1: The Abyss Beyond Dreams

AD 3326. Nigel Sheldon, the originator of wormhole technology and the person responsible for the creation of the Intersolar Commonwealth, is semi-retired and planning to leave this galaxy for a new one. However, his plans are interrupted by the enigmatic Raiel, the powerful aliens who guard the Milky Way from the expansion of the Void, the mysteriously growing mini-universe hidden in the galactic core. The Raiel need Sheldon to go into the Void and help recover one of their ancient warships. Sheldon agrees...but soon finds himself on the wrong planet in the wrong time and the only way out is to support a full-scale revolution.


The Abyss Beyond Dreams is the first novel in a duology, to be followed by Night Without Stars. This series, The Chronicle of the Fallers, is the latest work in Peter F. Hamilton's Commonwealth universe. Familiarity with the previous works in this universe (the Commonwealth Saga duology and the Void Trilogy) is recommended as this book contains spoilers for the earlier ones, but is not strictly essential.

As with the preceding Void Trilogy, this novel is divided into two sections and almost two distinct genres. In the opening sequence we have far-future SF, set thirteen centuries hence when humanity is immortal, can cross the galaxy in a matter of weeks and live any kind of life imaginable. The bulk of the book is set within the Void itself, where high technology does not work but the inhabitants gain the powers of telepathy and telekinesis. Whilst the Void sequence was set on Querencia, which was more of a fantasy setting, the Fallers books are set on Bienvenido. Unlike Querencia, where a lot of history was lost after the human refugees settled on it, Bienvenido has maintained more of a history and identify, as well as a slightly higher level of technology. This gives the novel more of a steampunk feel, allowing Hamilton to mix up some more genres.

The Abyss Beyond Dreams starts off by feeling a little bit too much like The Dreaming Void. One of our primary POVs is Svlasta, a soldier wounded in battle with the mysterious Fallers (hostile aliens who can assume human appearance) who soon becomes the architect of social change. The similarities with Edeard's story in the earlier books are uncanny. However, Hamilton is clever enough to subvert the reader's expectations and soon moves off in another direction. It's not long before we're meeting some clever (and very conscious) Russian Revolution parallels and seeing how all revolutions carry within them their own capacity for self-destruction.

As usual, Hamilton's prose is unornamented but highly readable. His characters are well-delineated, although they're all a little too prone to using British swear words and idioms. The book is structurally similar to the Void novels but this is deliberate and soon used to set up and then undercut expectations in an interesting way. There are a few complaints, however. One of these is how quickly the ending unfolds (bordering on the abrupt) and how rapidly one of our main characters descends into outright madness. Whilst foreshadowed earlier on, the actual transition feels a little too rapid.

Another is only an issue for long-standing fans. The Commonwealth universe is undeniably a fascinating place, but we've now spent four (out of a planned five) big novels on the subject of the Void. Given the size and variety of the Commonwealth, it would be nice to see more of it than this same bit of it. I can see the fascination, as it allows the author to experiment with different genres without having to fully abandon his SF roots to do it, but there is the feeling that it would be nice to wrap up the Void and move on. The next book in the series will hopefully do just that.

Otherwise, The Abyss Beyond Dreams (****) is a very solid Hamilton SF novel: big ideas, fun characters and affecting moments of gut-wrenching horror. The novel is available now in the UK and USA.

 

[Vertigo]

So it seems my thoughts echo much of your own @Werthead :


Following on from Hamilton’s Void trilogy this is a very different kind of book despite being set in the same universe. Whilst the Void trilogy spends maybe a third of the book in the Void and the rest outside in the Commonwealth, The Abyss Beyond Dreams is almost entirely set in the Void but in a very different setting to the Querencia of the Void. This time the story takes place on a different planet within the Void where technology hasn’t regressed quite as far as in the case of Querencia (possibly because it didn’t have a convenient ‘city’ like Makkathran waiting for them) resulting in a slightly steampunk feel. We also learn a lot more about the origins of the humans in the Void both on Querencia and on Bienvienido (the planet of this book).

At first the story seems to follow a similar plot to the Void stories but fairly rapidly starts going its own way and Bienvenido has far more SF elements than Querencia ever did so, even though there is little of the Commonwealth, it is still very much science fiction. It is also a much simpler book (despite its usual Hamilton length) having only two main threads. The first follows a young man from the country who moves to the big city eventually becoming a revolutionary. The second follows a ‘representative’ from the Commonwealth sent in to the Void to investigate its nature.

I have enjoyed all of Hamilton’s work so the length of the book and what some might consider his overly detailed narrative is very much what I enjoy and I was not disappointed. The picture he builds of Bienvenido, its society and problems is so detailed and full of colour that it’s hard not to end up with an incredibly detailed mental image and that is what I love about his work. All the main characters are well developed, though some of their later development felt a bit forced and rather less than natural.

The plotting is, as always, excellent as is the pacing which can sometimes be a bit lacking in Hamilton’s work but this time around he certainly kept me turning the pages. However the ending, though nicely surprising, did feel somewhat rushed. Nevertheless it also left me looking forward to the next book! The Abyss beyond Dreams is not as intricate a story as Hamilton’s previous Commonweath books and for me, as a lover of his more typical intricacy, it was therefore not quite as good; hence my 4/5 star rating (It’s four and a half really!).

 

[Werthead]

Book 2: Night Without Stars

Two hundred and fifty years ago, the planet Bienvenido was expelled from the Void, ending up orbiting a lonely star in intergalactic space, 23 million light-years from the Milky Way galaxy. The people of Bienvendio lost their Void-imbued telepathic powers but regained the ability to develop technology. They now go into battle against the alien Fallers using jet aircraft and primitive space rockets. And they are still, gradually, losing the war. The arrival of a child from the Commonwealth acts as a catalyst for the final showdown between humans and Fallers, a battle that the humans cannot afford to lose.

Night Without Stars is a more momentous book than it first appears. It's the second half of the Chronicle of the Fallers duology which began with The Abyss Beyond Dreams, but it's also the eighth and - reportedly - concluding novel set in the Commonwealth universe. Hamilton kicked off this setting with 2002's stand-alone, near-future novel Misspent Youth before taking it into far-future space opera territory with the excellent Pandora's Star. Night Without Stars draws an end to this sequence of books, which is both a cause for disappointment - it still feels like there's a lot of untapped potential to the setting - and also excitement, as Hamilton will be moving into a new milieu for his next project, a new trilogy.

Night Without Stars is, again, mostly set in Bienvenido, but it's no longer the same planet we saw in Abyss. Being expelled from the Void means that its people can now develop electricity and industry, meaning high-powered machine guns, aircraft, motor vehicles, spacecraft (based on Soyuz space capsules)...and nukes. Unfortunately, it also means losing their telepathic powers which provided a more reliable means of exposing Fallers, hostile aliens able to mimic human form. Although the better technology makes it easier to eliminate the Fallers when they are found and to destroy their orbiting spacecraft, it cannot do anything to expose the Faller nests on the planet itself and the Faller numbers are multiplying.

As is his wont, Hamilton sets up an enormous, complicated and multi-stranded storyline and a large cast of characters and then orchestrates events like Napoleon sending troops into battle. We flip between different locations, characters and events with rapid and enviable ease, the plot building up an irresistible momentum in the process. Hamilton's characters are fairly standard archetypes and that continues here, with no major breakout personalities like the irrepressible Paul Myo (who still manages to check in, despite being 23 million light-years from where the action is), but they're a likable bunch: the back-country isolationist warden who inadvertently is given guardianship of the most important item on the planet; the gung-ho astronaut whose curiosity gets the better of him; and one of the survivors from the previous novel who is functionally immortal and indestructible, but finds that is no help whatsoever in solving the Faller crisis once and for all.

Just as The Abyss Beyond Dreams melded hard, posthuman SF with steampunk, so Night Without Stars switches things up by introducing historical elements. Bienvenido's technology has reached the level of the 1950s or 1960s, which is a big improvement on where they were but still not good enough to stop the alien menace, putting our Commonwealth-born heroes used to instant teleportation and traversing the galaxy in weeks on the back foot. There's also the problem that Bienvendio's government is an effective dictatorship, but Hamilton clearly had his fill of ideological battles in the previous novel. This time around there are musings on whether the planet could survive as a democracy given the overwhelming threat of the Fallers, but overall there is less of a political bent to this novel than the previous one.

Where there is a tremendous, relentless sense of pace. The novel takes place in a period of about four weeks and once it gets going in the first few pages, it just does not stop. Catastrophes multiply, pages fly past and the book become fiendishly addictive. This is typical of Hamilton and if Night isn't quite as unputdownable as his finest novels - The Reality Dysfunction and Pandora's Star - it's still nipping at their heels. This is a 700-page hardcover novel that feels as tightly-paced and immaculately-structured as the finest 300-page thriller.

Some weaknesses do creep in. There is the feeling that the Fallers could really have won the conflict at almost any time since the events of Abyss and the timing of events is a little on the convenient side. There's also the sheer number of flukes of good luck our heroes have in finding a final solution to the crisis. The fact that our Commonwealth characters are functionally immortal - if they failed and all died then they would be re-lifed at some future point - does also remove some tension from proceedings even if human immortality is a core feature of the setting. Finally, the chapters set back in the Commonwealth feel like a slight indulgence. Understandably so, if this is indeed the final Commonwealth novel, but characters from as far back as Misspent Youth showing up does feel a little random without this knowledge. More seriously, it feels like the Commonwealth has become as immortal and unbeatable as Iain M. Banks's Culture at this point, and a bit more of an interrogation of the society's problems would be interesting beyond the occasional character musing it can be a bit boring.

But ultimately Night Without Stars (****½) is standard and classic Peter F. Hamilton: bursting at the seams with good ideas, unfolding with a relentless and unstoppable pace, and it's just a tremendously fun and smart piece of SF. The novel will be released next week in both the UK and USA.

 

[Vertigo]

Excellent review! I'm looking forward to it though, as is my want, I shall probably wait for the post hardback price to come down to something sensible!

 

[Jojo999]

I just finished both books and enjoyed each very much. The Fallers were an interesting alien race in terms of horror but PFH never managed to justify what kind of societies they did/would create if they took over a world.

As I said elsewhere, my big complaint with Night Without Stars was how rushed the final 100 pages felt. Hamilton could have easily given us much more detail to mull over and savor, stretching that last 100 pages to another 100 easily.

Inside the spoiler tags below are some questions and comments that I need answers to.

Spoiler

After all, at the end of NWS, there are two new alien races introduced plus the revival of the old Raiel race (who despite a million years in statis, did not seem any different than modern Raiel's), the breaking up the Raiel prison world, wormholes bouncing all over the place and miracle Commonwealth technology being reintroduced.

For example, how did they get that wormhole terminus to open on the sun so the Planters could use plasma power to break the Raiel out of their prison? How did they know they were 23 million light years from the Milky Way galaxy? Supposedly the ANAdroids determined this but how? What was the meaning that the Void had "transcended"? Say what? Just like that, the Void offed itself? WHY? Did it go somewhere else? Why did it exist? How long had it existed? What caused it? That was really weak way to kill off the Void!

And how did Paula and Kysandra get to Nigel at the very end of NWS? Seemed like some sort of quantum wormhole thingy but that wasn't there when Paula first visited Nigel, when Nigel said it took Paula 5 years to fly out to to the new galaxy Nigel was living in. Was this new technology PFH just threw at us?

Also, has PFH ever attempted to justify where the power is supposed to come from that drives the offensive weapons and individual force fields that bionomics enhanced Commonwealth people posses?

 

[picklematrix]

Man i love these books. Hamilton definitely sacrifices pace on favour of world snd character development, but for me its his expansive settimg and likeable characters that make it all work. Most authors shy away from heavy exposition for good reason, but in the commonwealth universe it feels necessary.