2000 Post critique: The Fey Lock (1312 words)

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chopper

Steven Poore - Epic Fantasist & SFSF Socialist
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blimey, i haven't posted over here for quite a while!

so, since it's my Chroniversary, and also the occasion of my 2000th post, here's an excerpt from my current WIP, provisionally entitled The Fey Lock. it's a sort of urban portal fantasy boating holiday gone wrong, with a 60' iron-hulled narrowboat called the Ransom transported to the faerie realm after the two brothers who have inherited it from a recently deceased "Uncle" take it through a lock that isn't on the maps.

this particular section is set in the faerie realm. the Ransom's engines - as well as all the other electrically-powered technology - have stopped working, and Tom and Grim (Graham) have "borrowed" a horse to tow the boat...


“There's somebody up there, watching us,” Tom called into the cabin. He sounded nervous.

I came up from below and peered along the length of the boat to the bridge we were slowly approaching.

Here, the waterway had become a little wider, although never broad enough to allow us to turn about. The land had also turned hilly again, rising into the sort of cutting that wouldn't have looked out of place on the Shroppie. The towpath was little more than a muddy ledge, and even the poor horse was having trouble in places. If the engine had still worked, we wouldn't have been travelling at much more than idling speed. Still we kept going forward. There wasn't much else we could do.

Unlike many of the bridges we had encountered so far, this one was elevated high over the waterway. Impossibly slender, it was neither brick nor iron – as we came closer I thought it looked more like marble, which was quite incongruous in this setting. There were delicate carvings on the rail that faced us, and even a supporting column that dropped down into the middle of the canal. Thankfully it looked as though the cut on either side of that column would be wide enough to accommodate the Ransom, otherwise we would have been properly stuck.

And yes, there was a man leaning upon the rail, watching our approach. He suited his surroundings: like the bridge, he was tall and slender, with fair hair and a richly-coloured shirt. Not the sort of man to fade into the background.

I raised my hand, and waved at him.

“What are you doing, Grim?” Tom said.

“Being friendly,” I said.

“But we don't know who it is. Or what it is.”

“That's why I'm being friendly.”

The man didn't wave back. He just watched us. As we came closer, I saw that his shirt was loose and open-necked, and was patterned with a sort of vine and thorn motif that would be eye-wateringly dominant at any party. His hair was light and wavy, caught by even the faintest breeze. I couldn't tell for certain, but I hoped he was smiling.

I forced myself to look away for a moment, conscious that I was staring at him as much as he was staring at me. Tom was very determinedly not looking up at all, his attention focused entirely upon the front end of the boat. I wondered if he was actually aware of the fact that he needed to steer us past the bridge, not right through it – the Ransom was currently pointed right at the piling in the middle of the cut.

“Left span, Tom,” I said.

“What?”

Left span. Unless you want the horse to swim.”

“I know that.” He jerked the tiller and steered us closer to the bank. The horse plodded along regardless of what we were doing, but I don't imagine it would have thanked us for pulling it into the waterway.

I looked back up at the bridge, but it was so close now that I could hardly see the rail above us. If he was still there, perhaps he had crossed to the other side.

The column that divided the bridge's two spans looked far too delicate to support the weight of the structure. I could reach out to touch it as we passed it, and I did so just to convince myself that it was real. It was smooth and cool, and definitely some kind of marble. I started to wonder who on earth would be rich enough, or mad enough, to transport marble out here to the middle of nowhere before remembering that we weren't really anywhere remotely normal at all.

We left the bridge behind as slowly as we had approached it. Our colourful spectator was no longer watching us. I wasn't sure if I should be relieved or disappointed.

“You want to take a break?” I asked Tom.

He gave up the tiller without an argument, a sure sign that he was struggling, and disappeared below. After a moment I heard him clattering in the small galley.

The cutting continued to rise up around us, taking the light and heat of the sun further away from the canal. My jacket was down in the cabin: I thought about asking Tom to fetch it up, but I had got the impression that he wanted to be alone for a while, to shut out his surroundings while he tried to deal with them. At least, I hoped he was trying to deal with them. It wasn't as if we could actually do anything about them for now; all we could do was keep going. A couple of miles every hour, and hopefully a couple of miles closer to a way out.

“He doesn't belong here.”

The voice was light, perfectly balanced, silvered, and sharp-edged. Just like a butcher's knife. Even a winter coat wouldn't have stopped the goosebumps crawling all across my skin.

It was the man from the bridge, of course. He had made his way down to the towpath and caught up to us. Now he walked effortlessly alongside, seemingly unbothered by the muddy path. Tight trousers emphasised the curves of his thighs, and his calf muscles were similarly distracting. As was the knife hilt that protruded from the top of his right boot, though for different reasons.

Now I had a better view of his face. A well-defined, smooth jaw; a face with no fat at all; eyes so blue that they could cut the clouds to shreds. And I really hoped that was a smile.

“I'm sorry?”

“You should not apologise to me – that is not my horse. Nevertheless, he does not belong here.”

Okay, this wasn't exactly how I had expected any conversation to go. I took a breath, used a moment to make sure I wasn't steering the Ransom at the bank, and tried again.

“Our engine died and we kind of needed some help. We thought he was just out to pasture. We're not mistreating him.”

“He is happy enough,” the man agreed. “He likes to work. But he knows where he belongs. What about you?”

I didn't like the question. “Look mate, if you know a way out of here, I'll be glad to take it.”

“I'm certain you would be.”

That wasn't helpful either. At this point I could have happily punched this bloke in his all-too-pretty face if I thought I could get away with it. Unfortunately my getaway vehicle could be outpaced by a troop of hiking boy scouts – and whoever this man was, he was actually talking to us. We needed information.

“This boat does not belong here either,” the man said.

“You're good at stating the obvious, I'll give you that.”

The sarcasm might have ruffled his hair slightly. “How did you come by it?”

“The boat?” I got a bit angry with him. “Alright, so we borrowed the horse. But the boat belongs to us. We've got the will to prove it.”

“He left it to you?” the man actually sounded surprised.

“We've got the will,” I repeated. “The boat's ours. Come aboard and check it if you want.”

“Aboard that?” A perfect eyebrow raised to underscore his incredulous laugh. “I think not.”

“Not good enough for you, are we? Okay, be like that. Your loss, not mine.” I shrugged and nudged the tiller again to keep the Ransom straight.

“I am beginning to like you,” the man said. “I think I shall keep you.”

I looked back around to tell him to f*ck right off – and he had gone. Just like that. Vanished into thin air, just as if he had never been there at all.

And then I thought about what he had said some more.

He left it to you?

sh*t.
 
it's a sort of urban portal fantasy boating holiday gone wrong, with a 60' iron-hulled narrowboat called the Ransom transported to the faerie realm after the two brothers who have inherited it from a recently deceased "Uncle" take it through a lock that isn't on the maps.

Just about to knuckle down to work, so haven't got time to do justice to reading the snippet in detail, but I do love the pitch!
 
Just about to knuckle down to work, so haven't got time to do justice to reading the snippet in detail, but I do love the pitch!
:)
i had this vision of someone trying to flee from a Horde of angry fey... at 3mph.... and it just wouldn't leave me alone after that!
 
Congrats.

Now for the ritual mauling. *sharpens claws*

Here, - axe.

had become - became

had also turned - axe 'also' and change 'turned' ['turn' used in the previous sentence, so it's repetitive]

having trouble - could add something about mud spattered on the horse's legs, if you wanted to

Still we kept going forward. There wasn't much else we could do. - not sure you need this, but if you keep it, add a comma after 'still'

Unlike many of the bridges we had encountered so far, this one was elevated high over the waterway. - could axe the comparison with previous bridges.

which was quite incongruous in this setting - axe from the sentence. If you want to keep the sentiment, make it a new sentence and reword it somewhat (it's a little clunky, especially 'in this setting')

There were delicate carvings on the rail that faced us, - but it's elevated and a long way off. Would they be able to see the detail?

Thankfully it - comma after 'thankfully'

with fair hair and a richly-coloured shirt - new sentence for this bit. Unless the bridge also has fair hair and a richly coloured shirt (I'd axe the hyphen).

As we came closer, I saw that his shirt was loose and open-necked, and was patterned with a sort of vine and thorn motif that would be eye-wateringly dominant at any party. - again, would they be able to see this level of detail if he's so far away?

needed information - and yet, no questions asked.
 
Congrats.

Now for the ritual mauling. *sharpens claws*
....

with fair hair and a richly-coloured shirt - new sentence for this bit. Unless the bridge also has fair hair and a richly coloured shirt (I'd axe the hyphen).

As we came closer, I saw that his shirt was loose and open-necked, and was patterned with a sort of vine and thorn motif that would be eye-wateringly dominant at any party. - again, would they be able to see this level of detail if he's so far away?

needed information - and yet, no questions asked.
maulings are cool - turn and turn about :)
all fair comments - this is total first draft stuff, and to be honest some of it is me writing to remind myself of bits prior to this that i haven't even written yet (if that makes sense).
the bridge used to rock a beard, but having shaved it off, now looks ten years younger :)
the shirt description will be moved :)
 
Congrats on the 2,000 -- took you long enough to honour tradition here after starting it!

Only had a very quick dekko as I'm meant to be working, so no time to nit-pick. Some punctuation I think needs looking at and some clunky lines you'll pick up on a second draft. The only major thing for me is the conversation -- is Grim always so aggressive? Granted the handsome stranger is annoying, but nonetheless, when he's the only person who can help them find out where they are and how to get out of there, the aggression seems rather misplaced and wholly counterproductive.

Anyway, that caveat aside, I enjoyed it and I loved the premise. Good luck with it!
 
yeah, Grim is a little quick to anger sometimes. he and Tom don't always see eye to eye either. i tried to make it so that the fey prince (as he is revealed to be) is baiting Grim somewhat, does that come across? because their relationship becomes quite an important one... ;)
 
I got that he wasn't being helpful, of course, but I didn't read it as his deliberately baiting Grim for whatever purpose, hence the aggression seemed out of place. I think it's the "Not good enough..." para which for me went perhaps a little too far, even allowing for Grim being worried/frightened/generally bamboozled, since he needs help from someone and antagonising the only person in miles doesn't seem a good move. Mind, he's a man, of course. And what man lost in a car ever agreed to stop and ask for directions... :rolleyes: :p
 
Do they know they're in the fey realm? Because Tom says 'Or what it is', so I kinda expected them to be a lot more circumspect about people/things they met. Naturally I'm assuming that's backstory, and we've seen their amazement/fear/awe at where they are? But in the opening, is there a tad too much detail of the hills, when you've (rightly) drawn our attention to the man on the bridge?

“There's somebody up there, watching us,” Tom called into the cabin. He sounded nervous.

I came up from below and peered along the length of the boat to the bridge we were slowly approaching.

Unlike many of the bridges we had encountered so far, this one was elevated high over the waterway. Impossibly slender, it was neither brick nor iron – as we came closer I thought it looked more like marble, which was quite incongruous in this setting. There were delicate carvings on the rail that faced us, and even a supporting column that dropped down into the middle of the canal. Thankfully it looked as though the cut on either side of that column would be wide enough to accommodate the Ransom, otherwise we would have been properly stuck.

And yes, there was a man leaning upon the rail, watching our approach. He suited his surroundings: like the bridge, he was tall and slender, with fair hair and a richly-coloured shirt. Not the sort of man to fade into the background.


This stays with the action in hand, logically following the bridge's appearance, rather then the narrator (Grim) telling us about the hills, which doesn't add a great deal to the story, possibly even distracts a bit. See, if they know they're strangers in a strange land, I'd expect the strangeness of the land to have been remarked on before. I know it has because before remembering that we weren't really anywhere remotely normal at all should cover it all, if this is the first time the reader's seen it, but they must have debated where the heck they were when they went through the magic lock. A long-winded way of saying don't describe the land any more unless it's relevant?

I like the conversation between them - his strangeness comes over very well, and Grim's perplexed rejoinders drew me in very well. Less is more, as you've shown!

Good work.
 
... length of the boat to the bridge... it's ... is it okay? Should it be 'at the bridge', to avoid the little tiny thought that it might be a special 'boat to the bridge' we are approaching ? I know, your gaze moved 'to' but, well it's all I noticed. ****
 
Congrats::
Then on to this::
I came up from below and peered along the length of the boat to the bridge we were slowly approaching.
to clarify perhaps either::
I came up from below and peered along the length of the boat; to the bridge we were slowly approaching.
or::
I came up from below and peered along the length of the boat and then to the bridge we were slowly approaching.

length of the boat to the bridge seems narrowly close to two actions that shouldn't be simultaneously munged together.
But that could just be me looking at something strange coming out odd making complaints.
 
Congratulations!

Other people can do critiques far better, so just want to say I really got pulled into this and would have continued reading.
 
The scene was slow to get going and the bridge description (the bridge was described twice, as was description for the man, but the man felt right) didn't help speed the start either and I wondered if there was any real importance to the bridge at all, that it needed describing so much. Consider moving descriptions away from the opening and mixing in with the dialogue more. What was really key here was the man and the conversation and I felt the bridge was a distraction. However, the writing was good and the over described bridge is a minor niggle. The conversation ending was very well handled. I was beginning to think nothing was actually going to happen, but when I got to the end I really wanted to know more, so well done. A very nice style of writing that pulled me along.

Well done on your 2k posts, these milestones sneak up on you (I have a close eye on my post counter these days too).
 
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