Opening Chapter draft

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WinterLight

In the marshes
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East Sussex
Hey guys

Here is the start of the piece I am working on (playing with). Purposely not going to explain any premise as I suppose the piece should be a scene-setter.

I did do some sculpting and second-guessing - and not sure if the POV switch works toward the end - but really above all just looking to see how i'm doing.

Thanks!

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The man called Herger watched the young boy, one foot on the step of The Worm’s pilot cabin, peering in. The child appeared to be holding himself back, restraining an adolescent urge to climb in fully and fire the old monster up.

Herger had just finished a designated quarter-hour break in the temporary wreck-room, a cavity on a previous tunnel route with a reasonably flat floor to it, offset from the current dig-tunnel still a half-mile underground but at least a little closer to the surface. He was a big man for a Galogian, years at the pick-axe shaping his form into a bulk. The miles of tunnels had always felt cramped for him, but he had long since gotten used to it. He was returning to his second shift operating the giant rock separator to be met with the child stood at the entrance of the pilot cabin - his pilot cabin - studying the pod with keen interest. Most people knew Herger wasn't one to have people muddle with his things, let alone his old darling and especially not if it was one of the grubby little tunnel-monkeys.

The scrawny boy’s grounded foot lifted an inch as he craned his neck in to see further. It was far enough for the man. “What you doin’, boy?” he called, his tone firm and his voice gruff.

The boy froze, hanging at the cabin, his head turning fearfully to look to the voice asking of him. “Um..n-nothing, sir.” He stepped down, almost silently,eyes dropping to the ground as he made to slip away.

“Hold it.” There was something about this one, the big man couldn’t pin it, something odd. A fleeting notion, but there all the same. The boy had stopped, halted mid-step. “Do you even know what you’re lookin’ at, boy?” he asked.

For a moment the child hesitated, an inquiring but wary expression on his face when he turned back. “I was just looking at the controls, sir,” he gulped. “I…I wanted to see how it works.”

Herger eyed the child from his feet up. Typically dirty for a tunnel-monkey, he thought. Shoes made of steppe-hare hide, but more worn than they should be. His clothes looked home-made instead of hand-made by the town tailor, like everyone else. They were hanging from his slight frame, tattered and frayed. One of the poor ones, he thought, maybe lost a father down there. Wouldn’t have been the first. But nestled in behind the blackened face, hiding under a mop of dark muddy hair, the man saw a pair of sharp, crystal-blue eyes, more wary than fearful and with a brightness not dimmed by the low light in the tunnel.

“I ain’t reprimandin’ you, son. Calm down.” Herger tried to speak gently, but his ever dust-coated throat rasped somewhat. “Are you leaving or do you wanna see how she works?” He gestured toward the cabin, inviting the boy to step up. The boy didn’t move, and just stood with his arms down at his sides, staring curiously. Not being a patient man, Herger changed his tact, “Ain’t gon’ tell you twice, boy. Get on in there, move it.”

Visibly relaxing at the tone he was more accustomed to the boy moved swiftly, pulling himself up to disappear into the cabin. The big man approached the cabin door to find him sat eagerly in the pilot seat, eyes wide at the plethora of glowing dials and buttons in front of him.

“So, you don’t have even the slightest on how this thing works and you think you’re gonna drive her? Move over.”

A flash of fear but the boy obliged, lightly hopping over into the next seat.

Herger hauled himself into the pilot seat. His head almost touched the steel roof. “Now. If you wanna see what she can do, you’re gonna be the co-pilot - needs two men driving this thing.” He looked down at the boy, just a rodent to his big size but a piercing look in those blue eyes. He ignored the pressing feeling of curiosity. “Your job is to monitor these displays, see what’s up ahead and make sure I ain’t getting into nothing funky. Alright?”

“Yes, sir.” The boy nodded, a faint hint of cheerfulness peeking out from behind the dirt on his face.

“We ain’t in the Fleet, boy, we’re in the mines - my name ain’t sir, it’s Herg.” Herger let that sink in for a moment before asking, “Now, d'ya know why she’s called The Worm?”

The boy looked up to the man, screwing his face up a little but the apprehension fading. “Because.. it digs holes in the dirt?” His features told that he knew his answer was amiss.

Herger shook his head, snorting a little, but smiling through his wiry beard. “No, not cuz she 'digs holes in the dirt'. If that was all she did, they woulda called her The Mole, wouldn’t they?”

“What’s a mole?”

“Sheesh, you’re a wet one, int ya? Forget it. She’s called The Worm cuz a worm digs so it can eat. If it don’t dig, it don’t eat. If it don’t eat, it can’t dig. You know what this machine digs for, right?”

“Cataclys.”

“That’s right. And you know what she runs on?”

“Cataclys?”

“Bingo. Smart one, int ya. She done run’s on the cataclys she’s done diggin’ for. If she ain’t diggin’, she ain’t finding no cataclys, and she ain’t runnin’. That’s why they call her The Worm.”

The boy digested the mans’words for a moment before asking, “How did they start her in the first place?”

Sharp little beggar, thought the old miner. Maybe too sharp to be breaking rocks with the rest of the men. “Well they must’ve brought some with them, didn’t they, boy?”

“Oh.”

Keen to guide the lesson from something he did not know much about to something he knew a whole lot of, Herger rested his big hand on a domed red button on the control panel. “OK, this here’s the ignition button. It’s also the kill switch, nice and large in case you need to power down in a hurry, so you ain’t gaffing around looking for some dinky thing while Galogi is fallin’ in on ya.”

The boy watched Herger press the button in firmly, holding it down for a moment as if feeling some balance mechanic of the machine. A series of penetrating clicks rung out from somewhere way toward the front of The Worm, echoing along the cave walls, loosing small piles of dust from the seals of the cabin interior. The clicks gave way to a seemingly distant but loud report contained within the belly of the beast, unleashing a tremor that shook everything about them. It would have surprised anyone who was not expecting it, but the boy Jonsen Spar had heard The Worm fired up a thousand times before. He had not though been sat in the pilot cabin while it happened and when the blast was immediately followed up by another and another, sending wave after pulsing wave from up front, a thrilling charge ran through his core, something inside of him stirring as The Worm’s engine slowly rumbled itself to life. The massive machine began to thunder like some godly hammer, its firing rate ever increasing until the sound became a deafening roar, the power dissipated by each blast of the barrage rocking the very world around him until his view became just a blurred smash of instruments, metal and rock. Just as the boy wondered if Galogi would give in to the thunderous rumbling of The Worm deep in her earth, the sound and the shaking stopped, the last fire echoing away and the world in front of him returned to normal except for a dull vibration and the distant low frequency hum that resonated as the background music to life underground for all the miners.

Herger seemed satisfied. “Alright, she’s purring.”
 
I had a few problems with the scene, mostly of nit-picking nature.
The man called Herger [perhaps better if just starts with "Herger" -- putting "The man" distances us in a way that isn't helpful] watched the young boy, one foot on the step [as written it's ambiguous whose foot is on the step; suggest making it clearer it's the boy's eg "boy, whose foot"] of The Worm’s pilot cabin, peering in. The child appeared to be holding himself back, restraining an adolescent [adolescence is between puberty and adulthood, which doesn't equate in my mind to "young boy" and "child" --so perhaps better to give an idea of the boy's age here. Surely Herger can guess how old he is?] urge to climb in fully and fire the old monster up.

Herger had just finished a designated quarter-hour break in the temporary wreck-room, a cavity on a previous tunnel route with a reasonably flat floor to it, offset from the current dig-tunnel still a half-mile underground but at least a little closer to the surface. [a long sentence full of things we don't fully understand/know about. If needed, suggest breaking it down into more manageable chunks, but is it needed?] He was a big man for a Galogian, years at the pick-axe shaping his form into a bulk. [surely not "a" bulk; suggest something like "shaping his bulky form"] The miles of tunnels had always felt cramped for him, but he had long since gotten used to it. [these last two sentences aren't helping to propel the story forward here; suggest moving them to somewhere a bit later in the scene when the info is more useful eg when his head nearly touches the roof of the cab] He was returning to his second shift operating the giant rock separator to be met [except he hasn't met the boy, he's only seen him] with the child standing [stood] at the entrance of the pilot cabin - his pilot cabin - studying the pod with keen interest. Most people knew Herger wasn't one to have people muddle [meddle?] with his things, let alone his old darling [comma needed] and especially not if it was one of the grubby little tunnel-monkeys. [no need for italics, unless you're wanting to suggest he's saying it with a sour voice; also strictly the sentence needs to be finished eg "doing the meddling"]

The scrawny boy’s grounded foot lifted an inch as he craned his neck in to see further. It was far enough for the man. [here and thereafter suggest using "Herger" not "the man" or "the big man", so we're with him, not watching him] “What you doin’, boy?” he called, his tone firm and his voice gruff.

The boy froze, hanging at the cabin, his head turning ["froze" means stationary, so having him "turning" in the same sentence without any qualifier such as "after a moment" is contradictory. Also suggest you don't use the continuous past of "turning", as it's an immediately completed action, not one which goes on a long time] fearfully to look to the voice asking of him. [suggest deleting from "to the voice" which adds nothing] “Um..n-nothing, sir.” He stepped down, almost silently, [rogue spacing] eyes dropping [although not strictly incorrect here, do watch your use of the continuous past -- again this is an action soon completed, not one which lasts] to the ground as he made to slip away.

“Hold it.” There was something about this one, the big man couldn’t pin it, something odd. A fleeting notion, but there all the same. The boy had stopped, halted mid-step. “Do you even know what you’re lookin’ at, boy?” he [strictly "he" is the boy, as he's the last-named person; suggest you omit the dialogue tag as it's not needed] asked.

For a moment the child hesitated, an inquiring [comma splice aggravated by putting the "inquiring" before he turns, and having no verb relating to the expression; suggest a new sentence or inverting the clause so he turns first] but wary expression on his face when he turned back. “I was just looking at the controls, sir,” he gulped. [not possible to gulp eight words I wouldn't have thought! Change it from a dialogue tag to an action tag by a full stop at "sir" and capital for "He"] “I…I wanted to see how it works.”

Herger eyed the child from his feet up. Typically dirty for a tunnel-monkey, [even if required in italics the first time, certainly not needed here] he thought. Shoes made of steppe-hare hide, but more worn than they should be. His clothes looked home-made instead of hand-made by the town tailor, like everyone else. They were hanging from his slight frame, tattered and frayed. One of the poor ones, he thought, [rather stating the obvious, perhaps] maybe lost a father down there. Wouldn’t have been the first. But nestled in [odd verb to use; are the eyes really nestling there?] behind [um... the eyes are behind the face?!] the blackened face, hiding under a mop of dark muddy hair, [the man saw] [dangling participle. Strictly as written this means it's Herger's face which is blackened, and his hair which is muddy -- you have to make the boy the subject of both. Anyway, no need for "saw" which is a veil word, putting distance here] the boy had a pair of sharp, crystal-blue [is crystal-blue a colour?] eyes, more wary than fearful and with a brightness not dimmed by the low light in the tunnel.

“I ain’t reprimandin’ you, son. Calm down.” Herger tried to speak gently, but his ever dust-coated throat [coated throat is an unfortunate rhyme. Clogged perhaps?] rasped somewhat. “Are you leaving or do you wanna see how she works?” He gestured toward the cabin, inviting the boy to step up. The boy didn’t move, and just stood with his arms down at his sides, staring curiously. ["curiously" in that he is curious, or in a strange manner? Perhaps best if made clear] Not being a patient man, Herger changed his tack [tact], “Ain’t gon’ tell you twice, boy. Get on in there, [comma splice; suggest full stop and capital] move it.”

Visibly relaxing at the tone he was more accustomed [the "visibly" keeps us in Herger's POV, but in the absence of "probably" or similar, the "more accustomed to" is from the boy's POV] to [comma needed] the boy moved swiftly, pulling himself up to disappear into the cabin. The big man approached the cabin door to find him sitting [sat] eagerly in the pilot seat, eyes wide at the plethora [is this a word which would come out of Herger's mouth? If not, suggest an alternative used] of glowing dials and buttons in front of him.

“So, you don’t have even the slightest on how this thing works [I'm assuming the missing "idea" is deliberate, but it still makes for awkward construction. Also the sentence feels too long for something he says] and you think you’re gonna drive her? Move over.”
I'll end there as you've probably had enough! With the exception of my comments about the second paragraph and the distancing issue (and using stood/sat instead of standing/sitting which I hereby designate a capital offence :p), each of the things I've raised is relatively minor, but it might be worth just refreshing your memory about grammatical and other issues in The Toolbox, as polished prose is easier to digest than slightly lumpy!

As for POV, if you are wanting to go with close third, I'd recommend you lose the POV switch at the end of the piece. Even if you're aiming for omniscient, hence your repeated distancing use of "the man" etc, I'm not sure it works to see the boy's reaction, since it isn't really needed. What of importance do you show us from the boy's view that we couldn't see from Herger's? If you want to show some of the shock of the roar and power, how about Herger recalling his first experience of sitting there, feeling it?

Overall, an interesting start, with hints the boy might not be all he seems, and a promise of some good interaction between them. Some work to do on polishing your prose, and I think it would read better if it were written in closer third, but a good first draft to get you underway. Well done.
 
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Hi this good in some ways and I found it interesting enough to follow.
But I had some problems getting into it. There seemed to be problems with the flow and few other things.

For instance the first paragraph.

The man called Herger watched the young boy, one foot on the step of The Worm’s pilot cabin, peering in. The child appeared to be holding himself back, restraining an adolescent urge to climb in fully and fire the old monster up.

As pointed out 'The man called' doesn't seem necessary and that seems to be a set marker for a lot of the writing throughout.
Also 'The child appeared to be' is getting close to being passive and generates even more awkwardness to the sentences which pile up together. Also the ambiguity of who is putting one foot on the step would go away if you put the verb back in. I know there is some style preference to leave off verbs and conjunctions and rely on commas in a lot of popular writing' but sometimes that causes rather jerky rhythm and I've never fully understood why writers prefer that.
::you could take out some commas and extraneous wordage and end up with this::
Herger watched the young boy put one foot on the step of the Worm's pilot cabin: peering in. The child held back as though restraining his youthful urge to climb in fully and fire up the old monster.
::Your writing contains a lot of this element and could be cleaned up; but be mindful that this is my personal preference.

As for the POV change; it might not be necessary. Unfortunately I don't feel I know Herger well enough from this writing to help without making assumptions. That might be something you need to work on or if my assumption is correct you could even use that moment where the POV switched and instead keep it in Herger's POV and show us something more about Herger.

What I mean by that is that my assumption is that Herger might not be quite as gruff as he sounds and he may get pleasure out of watching the enjoyment that the boy has sitting in the Worm. So if we got the boys reaction from Herger watching him closely and showing us the boys reaction through his eyes you would not only get a similar effect; but you would also get insight into what Herger is really all about in his own reaction to how the boy is awed by the machinery. If you can understand what I mean. And again it might be more difficult than that because I might be assuming something wrong about Herger.
 
For me, this piece lacks immediacy and pace - the story seems to be how a heavy plant driver allows a random boy to watch him start up his machine, with quite a bit of background information thrown in. The POV is distant from Herger, so it's difficult to feel engaged with him, and the action doesn't really add anything to this.

I would recommend you look more closely on how to use a close third person POV, so that we get a sense of emotions. Also, make your prose more direct - there are about three references to the boy thinking of stepping into the machine cockpit, which drags out the narrative unnecessarily. Give us a reason why this is meaningful - the boy hesitates, so is there an interesting reason for this?

If the boy were the POV character, how would this change the opening?
 
I was interested in the story, at least once I got through the first two paragraphs.

I liked the character of Herger, and I would have liked to get his reaction to things a bit more, especially to the kid. There were a couple of bits, one that I marked below that I thought was especially good, but overall I wanted to know more about what Herger was thinking or feeling.

Not sure why you switched POV's in the end, it was a bit distracting.

What I do is I read through, and when things jump out at me I mark them. Covering some of the same areas as others:
-------------

...

Herger had just finished a designated quarter-hour break in the temporary wreck-room, [I think it would be “rec” room, as in for recreation]a cavity on a previous tunnel route with a reasonably flat floor to it, offset from the current dig-tunnel still a half-mile underground but at least a little closer to the surface. [I had trouble reading that first sentence, I had to read it several times to put all the data together into something coherent. Do we need all that detail just there in one sentence? It seems like we get some of it in the rest of the paragraph, like that they are in tunnels]He was a big man for a Galogian, years at the pick-axe shaping his form into a bulk. The miles of tunnels had always felt cramped for him, but he had long since gotten used to it. He was returning to his second shift operating the giant rock separator to be met with the child stood at the entrance of the pilot cabin - his pilot cabin - studying the pod with keen interest. [Okay, so the pod is the same thing as the giant rock separator, is also the same thing as The Worm? I wouldn’t have followed that if ‘pilot cabin’ hadn’t been repeated, and I still had to re-read]Most people knew Herger wasn't one to have people muddle with his things, let alone his old darling and especially not if it was one of the grubby little tunnel-monkeys.

...

The boy froze, hanging at the cabin, his head turning fearfully to look to the voice asking of him. “Um..n-nothing, sir.” He stepped down, almost silently, eyes dropping to the ground as he made to slip away. [‘almost silently’ seemed out of place to me. Do children here normally make a ton of noise when they step?]

...

“I ain’t reprimandin’ you, son. Calm down.” Herger tried to speak gently, but his ever dust-coated throat rasped somewhat. “Are you leaving or do you wanna see how she works?” He gestured toward the cabin, inviting the boy to step up. The boy didn’t move, and just stood with his arms down at his sides, staring curiously. Not being a patient man, Herger changed his tact, “Ain’t gon’ tell you twice, boy. Get on in there, move it.” [I like the flow of this as the gruff old guy maybe has a good heart beneath his rough exterior. Would have liked maybe another hint as to what about the boy triggers the softness. You said above ‘there was something’, maybe that’s enough, but consider maybe another clue.]

...

Herger hauled himself into the pilot seat. His head almost touched the steel roof. “Now. If you wanna see what she can do, you’re gonna be the co-pilot - needs two men driving this thing.” [I thought it was going to be just one pilot if the random kid hadn’t wandered up?]He looked down at the boy, just a rodent to his big size but a piercing look in those blue eyes. He ignored the pressing feeling of curiosity. “Your job is to monitor these displays, see what’s up ahead and make sure I ain’t getting into nothing funky. Alright?”

...

Sharp little beggar, thought the old miner. Maybe too sharp to be breaking rocks with the rest of the men. [Nice reflection here]“Well they must’ve brought some with them, didn’t they, boy?”
 
The terms passive, close third and omniscient are new to me so I will have a dig around the site to learn. I suspected it, but did not realise I am such a rogue!

There is a reason I have stayed with Chrons, such valuable feedback and kind attitude, so thank you all.
 
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