Evil Roots (abt 1500 words - Mayhem's sequel)

Status
Not open for further replies.

AnyaKimlin

Confuddled
Joined
Sep 21, 2011
Messages
6,099
Location
North Scotland
I'm rewriting this but it's the difficult getting the opening to the sequel right. The basic scene is right but I'm not sure what is confusing to someone who doesn't know the story. It's epic fantasy and I'm hoping to have something on the cover to indicate it is not set in the past. It's a royal family with trappings of the past with where they live and how they dress but they are very much modern complete with smartphones, tablets etc

Wardrobes are safe. Wardrobes are secure. Wardrobes are sanctuary. It seems a lot smaller than it was when I was child. The thick oak doesn't even let in a pin prick of light and it smells of centuries of use. Napathlene has seeped into the grain from many years of mothball use even though we haven't used them in decades. The smell reminds me of my dad. Although it's my wardrobe now and has been for a year, I still think of it as his. I can practically feel him smack the back of my head as I realise I've forgotten my handkerchief. Using a clean tunic that's hanging on the rail, I wipe the tears from my eye and blow my nose. My valet's going to be less than impressed at the extra laundry.

I've never worked out how I manage to breathe in here. Dad said he'd put air holes in but I'd never managed to find them and I suspect he used magic of some description. In those days it was illegal. When my grandfather was on a deadly rampage my father would make me up a bed and put me to sleep in here. All I have today is a tunic for my pillow and my school uniform great-coat for a blanket, unfortunately the latter leaves my feet bare. Galileo, my dad's cat and curls up near my neck. His purring soothes me and I tickle his ears. “Hey, Cat.” As much as I would like to cry there are no tears left to fall. My eye closes and I block out the world. The place where my schoolmaster doesn't want my homework in; my adopted daughter wants a story or to play football; the place where my equerry is making me sign official papers; the place where over a million people rely on me and the place where my wife wants me buried in my family's mausoleum.

A loud thud wakes me up. A knock on dad's bedroom door. Like the wardrobe I've never really thought of the room as mine. There it goes again. Did they not get the memo that I hate the world and I don't want to see anyone? I explained it to my chief-captain, equerry and valet when I told them they were miserable lowly servants who needed to f*ck off. They're my friends and I pray they'll accept my apology.

“Angus!” my half brother's shout tears me in two. I don't want to leave my sanctuary but he's the only person I really want to see. He's like my mortal version of a wardrobe but he's less wooden and smells better. Well except he's not really mortal we found that out last year when the DNA test revealed he wasn't the king's son.

I open the door of the wardrobe enough to shout into the darkened room. “Go away.” Although I know he won't and I don't really want him to. Right now I want him to take charge.

“No.”

“It's an order.”

He laughs which puts me into a petulant sulk. My lip sticks out.

“And if I don't obey?”

“I'll have you flogged and imprisoned.” I won't and he knows that. It's not a serious threat.

“Love to see you try.” He tries shaking the door handle.

I used the iron key to lock it as unlike the digital panel it can't be hacked by an outside source – not without considerable force as the door is even thicker oak than the wardrobe. It's almost impenetrable.

“I'm not planning on doing it myself – I've got an army. It's one of the perks of being king...” I stop and squeeze shut my eye. The other beneath the patch tries to but the muscles are no longer in a position to do so. The last time I saw my dad he said something very similar to me. From the pocket of the king's tunic, I remove a very small tin. I take one of the pills from it and swallow it. Closing the wardrobe door I retreat back into the dark and shut my eyes. In about ten minutes it will hit. My heart rate will increase, pound in my chest, and make my legs tingle. I'll feel alive.

An explosion jolts me. Once I've taken rush it turns even minor events into heart attack moments. I push the door open, a little, so I can see what is happening. Flaming splinters are raining down and my brother is standing illuminated in the door. Rain – well the sprinklers kick in, potentially ruining eight hundred years of history.

Soc, plays with his cuff and looks down before stepping over the threshold. “What a mess. I was only supposed to blow the bloody door open. Sprinklers off and lights on.”

Before he sees me I close the door. Except I already know he will find me. He always does because he can sense the presence of other people. My eye blinks when he exposes me to light. He looks down at me and says, “Coming out?”

“No.” Not yet anyway. I'm not ready to face the world. I am here on my own so nobody sees me make an arse of myself crying. Picking my nose the wrong way gets me headlines so I can just imagine what crying would do to the image of the man they already call “Baby King”.

He sighs. My brother had a whole repertoire of sighs. They range from the minor “I'm bored” to the more serious “You've totally and utterly ruined my life.” Today I suspect it's more “You've ruined my nice cosy evening and now I have to sit here and be miserable with you.”

His face screws up as he sits on the floor near the wardrobe. “It's really soggy.” It forces a weak smile onto my face. My brother hates to be less than perfect in his appearance. As well as a wet arse he's got splinters all over his clothes and his very neat short hair is even more plastered to his head than usual.

Galileo meows in delight at seeing his favourite person in all the world. He leaves my shoulder and settles down in my brother's cross-legged lap. Soc tickles his ears. “I've been hearing reports that you're in a rather bad mood.” His tone is light and he is still smiling a little. However, he doesn't know why I'm in a bad mood yet.

I pull up my knees and bury my head in my hands. All I can do is groan.

Idiot.” He punches me in the arm.

It forces me to glare at him and wish him all sorts of evil ends. Whilst my hand is rubbing the bruise that is forming. “What on Litae have I done to you?”

“Nothing. I just didn't know what else to do. This time it means I'll help you work it out.” The way he strokes the cat he resembles an evil witch from a TV show I used to watch when I was a child. I stopped watching TV, reading newspapers and paying attention to any media when they started paying me too much attention.

“You can't, Soc. This time not even you can make this better.” I nibble my lip and try not to weep again. “Bea hates me.”

“Your wife adores you and has done since you were four.” He's matter of fact and I can see he thinks I'm overreacting. Soc think I'm a drama queen at the best of times. “It will blow over and you'll soon kiss and make up I'm sure.”

“No. Not this time. I... I told her to get rid of it.” There's no way I can look at him now. I've told someone. It was the worst thing I've ever done in my life and not something I can make right. How do you unsay something like that?

“Rid of what?”

“Our baby.”

“Angus, no, you didn't.” Now he's mad at me. Soc is scary when he's mad. He's the only person who ever stood up to grandfather and lived to tell the tale.

I rub my face and the patch rides up, revealing the place where my eye used to be. “I didn't mean to. It came out.” Tears form and I turn my head to face the back of the wardrobe. “Daisy wanted me to walk her to school, Jack and Nate were talking about a major security risk and Matt had a treaty for me to sign.” With my fist I pound the back of the wardrobe. It doesn't give way. “And then I couldn't find my damn homework. I was packing for school and the world was going to fall apart if I didn't do everything else but you were going to give me a bloody detention if I didn't find my homework.” I cradle my bruised knuckles in the other hand. “Bea picked that exact moment to tell me. When on Litae am I ever going to find time to be a father to another person?”

“Angus?” His voice is softer. “Look at me.”
 
Hi Anya. The writing on this is pretty solid so I don't feel the need to go line by line critiquing. Yay! So I'll give you my thoughts and impressions as I read.

.....


I straight away get the impression that this isn't your typical fantasy. The mention of wardrobes, school, uniforms, handkerchiefs, Napathlene and mothballs all give me a more close to modern day setting, while the mention of tunic and valet puts it in the period drama range, something along the lines of the late 1800s to early 1900s like the show Downton Abbey.

While the first paragraph lets us know the character isn't a child, I still got the impression they were young, perhaps a teenager, because you mentioned school, and hiding in the wardrobe is a more childlike thing to do. Then you threw the "adopted daughter" and "wife" curveball at us which confused me, but not just because it messed up my impression of the character, but I'd also assumed, based on the writing, that the character was female. They just seemed to read female to me at first and I can't really figure out where that came from, but I suppose if this is the same character from the first book, then context would solve that. In the next paragraph he sounds much older but then after that slips back into that teenager impression I got.

I loved the comparing his brother to the wardrobe bit. But I noticed a missing comma there too: "Well except he's not really mortal[,] we found that out last year..." I'm also not sure how not being the king's son relates to being mortal or not, but that's probably a context thing from the first book that I'm missing? You wanted to know what confused new readers. ;)

In the next paragraph you have him telling his brother to go away, but that's contradicting what he wanted in the previous paragraph. He can always stay in the wardrobe while talking to his brother.

"Flogged" seems like a very archaic threat for my impression of the setting. But after googling it I noticed that flogging was a legal form of punishment up until 1948 in England, so I guess you get away with it? (As long as my impression is correct) Although I suppose if it's a fictional world then you could get away with saying flogging is still a main form of punishment.

And "digital panel" threw out my entire impression of the year/setting. So as you can see, my impression is being thrown all over the place, but in hindsight I can see that in places of authority, like a king's palace, there would still be manservants like valets and such. Something firmly rooted in modern times needs to come much sooner than this, would be my suggestion.

"I used the iron key to lock it" When I first read this, I thought he was locking the door now, but the past tense of "used" confused me. I think it's because of the missing "had". "I HAD used/I'd used."

"Once I've taken rush it turns even minor events into heart attack moments" I don't understand this sentence.

The explosion was a pretty cool scene. Scary! And I start to see what you meant by he wasn't mortal, but that still doesn't connect to my confusion about what his parentage has to do with that.



Ok, so in the end, my main concern is that the characters didn't read at all like the adults I was being told they were, but it was well written and close to being in a finished, polished state. Good work!
 
It's actually an early draft.

I clearly need to work in that Angus is 18 and Soc 30 somehow. (Soc has a childlike tendency when he's with Angus and I did have to mention his age outright in the previous story) -- Both have been brought up in a rather dysfunctional and very violent bubble which does make them seem younger at times. Angus can't even make himself a sandwich but he's talented engineer. He's an absolute monarch and whilst he's a much more liberal man than his grandfather it's within his lifetime that a lot of punishments we consider archaic have been phased out. The closest idea for the country I can think of would be North Korea but with influences from other places.

******

Does this help a couple of other issues:

Wardrobes are safe. Wardrobes are secure. Wardrobes are sanctuary. It seems a lot less cavernous than it was when I was a small boy. The thick oak doesn't even let in a pin prick of light and it smells of centuries of use. Napathlene has seeped into the grain from many years of mothball use even though we haven't used them in decades. The smell reminds me of my dad. Although it's my wardrobe now and has been for a year, I still think of it as his. I can practically feel him smack the back of my head as I realise I've forgotten my handkerchief. Using a clean tunic that's hanging on the rail, I wipe the tears from my eye and blow my nose. My valet's going to be less than impressed at the extra laundry.

****


“Angus!” my half brother's shout tears me in two. I don't want to leave my sanctuary but he's the only person I really want to see. He's like my mortal version of a wardrobe but he's less wooden and smells better. Well except he's not really mortal we found that out with last year's DNA test. Not only did we discover he wasn't the king's son but that his real father was a pre-mortal.

I open the door of the wardrobe enough to shout into the darkened room. “Go away.” Although I know he won't and I don't really want him to. But there's no way I want him thinking I need him.

****

“I'm not planning on doing it myself – I've got an army. It's one of the perks of being king...” I stop and squeeze shut my eye. The other beneath the patch tries to but the muscles are no longer in a position to do so. The last time I saw my dad he said something very similar to me. From the pocket of the king's tunic, I remove a very small tin. I take one of the pills from it and swallow it. Rush is highly illegal but everyone keeps telling me as king I can't break the law. I now understand my dad so much more, because there aren't enough hours in the day to do everything. Only last year I could lie in bed all day at the weekend but now I'm lucky if I get three hours sleep a night. Closing the wardrobe door, I retreat back into the dark and shut my eyes. In about ten minutes it will hit. My heart rate will increase, pound in my chest, and make my legs tingle. I'll feel alive.

An explosion jolts me. Once I've taken the rush it turns even minor events into heart attack moments. I push the door open, a little, so I can see what is happening. Flaming splinters are raining down and my brother is standing illuminated in the door. Rain – well the sprinklers kick in, potentially ruining eight hundred years of history.
 
Oh, so he is a teenager, then the young sounding narrative is fine. Very young to have both a daughter and a wife, but when I think about it, I guess he would marry young, given his position. I didn't have a problem with Soc, he sounds like the caring, older brother role, although I wouldn't have guessed he was 30, but I don't think that matters at this point.

Wardrobes are safe. Wardrobes are secure. Wardrobes are sanctuary. It seems a lot less cavernous than it was when I was a small boy. The thick oak doesn't even let in a pin prick of light and it smells of centuries of use. Napathlene has seeped into the grain from many years of mothball use even though we haven't used them in decades. The smell reminds me of my dad. Although it's my wardrobe now and has been for a year, I still think of it as his. I can practically feel him smack the back of my head as I realise I've forgotten my handkerchief. Using a clean tunic that's hanging on the rail, I wipe the tears from my eye and blow my nose. My valet's going to be less than impressed at the extra laundry.

I know it's a boy now, but I preferred the: "It seems a lot smaller." You don't need the purple.

“Angus!” my half brother's shout tears me in two. I don't want to leave my sanctuary but he's the only person I really want to see. He's like my mortal version of a wardrobe but he's less wooden and smells better. Well except he's not really mortal we found that out with last year's DNA test. Not only did we discover he wasn't the king's son but that his real father was a pre-mortal.

I open the door of the wardrobe enough to shout into the darkened room. “Go away.” Although I know he won't and I don't really want him to. But there's no way I want him thinking I need him.

I think the older version was better. This might be going too far to explain everything. I think this is one of those situations where less is more. Perhaps the better route is to not mention anything about the king in that sentence? Do we need to know this right here this moment? What if all that was mentioned was the DNA test showing he wasn't mortal so that we aren't surprised when he uses his powers?

“I'm not planning on doing it myself – I've got an army. It's one of the perks of being king...” I stop and squeeze shut my eye. The other beneath the patch tries to but the muscles are no longer in a position to do so. The last time I saw my dad he said something very similar to me. From the pocket of the king's tunic, I remove a very small tin. I take one of the pills from it and swallow it. Rush is highly illegal but everyone keeps telling me as king I can't break the law. I now understand my dad so much more, because there aren't enough hours in the day to do everything. Only last year I could lie in bed all day at the weekend but now I'm lucky if I get three hours sleep a night. Closing the wardrobe door, I retreat back into the dark and shut my eyes. In about ten minutes it will hit. My heart rate will increase, pound in my chest, and make my legs tingle. I'll feel alive.

An explosion jolts me. Once I've taken the rush it turns even minor events into heart attack moments. I push the door open, a little, so I can see what is happening. Flaming splinters are raining down and my brother is standing illuminated in the door. Rain – well the sprinklers kick in, potentially ruining eight hundred years of history.

Go back to the old version and reconsider it. I understand that "rush" is the name of the drug now but I'm afraid I don't think this is better. The red is problematic to me because it's both too much information and doesn't feel like the right place to mention it. If you really wanted the information in there, then it's possible, but needs to be much tighter than this.

I think the other problem with this bit is that there is no follow through in the narrative. We don't see any apparent effect on the character's perspective from taking the drug. If the character's perspective of the explosion scene is skewed by the drug use, then it is very vague. I have no way of knowing if anything is a drug induced hallucination and what's normal.

But here's the thing, I don't think there is anything wrong with the original version, I just didn't make the connection that the drug is called Rush, and somebody else might come along and read the original and make the connection straight away. It might just be me. :oops::rolleyes:

You should probably wait for more opinions before changing anything, but if I was going to make a suggestion. I think you can treat it as a proper noun and have a capital R, I think... (Resident grammaticians please confirm) for instance, this is an example I grabbed off a grammar site: "Tina offered Antonio one of her mother's homemade oatmeal cookies but only an Oreo would satisfy his sweet tooth." Cookies = common noun; Oreo = proper noun.

If I saw: "Once I've taken Rush it turns even minor events into heart attack moments" I would understand that rush is the name of something and probably make the connection to the drug.

Or you could take that line out altogether and nothing would be lost in the narrative. I'm guessing it's also supposed to describe his emotional state, but it doesn't really do that for me.
 
Last edited:
His drug addiction is a major part of the story so I do want it in early ;) also the chapter has another 1500 words and it does kick in before the end of the chapter. I'll think about the DNA - I may just leave it at except he's not really mortal. It was why Angus became king.

They have an evil sister, Soc's twin. Their father did the DNA test to prove she had no blood claim to the throne but in doing so he disinherited Soc.

And I find trying to work out all the kinks with people who say OY this pulled me out the story makes me a better writer. If this is making you go "huh" then it will others.
 
Last edited:
I enjoyed it well enough. I agree that the age the age disparity, between reality and what we assume straight off the bat from the situation, was a bit of a hurdle, but only in the sense of fully understanding. I could still follow the plot and thoughts and characters et al. The 'fully understanding' can come either later in this story for me, or preferably in the previous installment.

However, the childlike tendencies I think we're a nice touch. Security and saftey, familiarity, all things that point to me that he is a new king and struggling in his role. And a few lines make this clear, where he wished the world didn't exists and all the million people didn't rely on him etc. again I was a little thrown by exactly how young, in the last paragraph where he is worrying abut homework, this whole art felt very young to me, 8-9 or so, (it probably didn't help that I read treaty as 'treat' and assumed some adult servant was giving him a sweet for being good).

I think in regards to your setting, I wouldn't have seen much out of place in a modern world if you hadnt mentioned it in your intro. I wild have put down the valet and flogging and things like that to the fact that it is a royal household and they could maintain archaic roles/traditions etc. But then again the fact that it is a royal household with all of these trope assumptions, mixed with the modern keypads and sprinklers (and magic/immortality) make for a very interesting setting, and one that I didn't stumble over at all. At least not in this scene. Maybe if the older elements were more pronounced I might have, if they travelled in horse drawn carts, but had smartphones, for example.

I did assume that the character was female initially, and only about halfway through did I change that. I can't say why I thought that, it was just the impression I got, similar to WP.

And just to weigh in in the 'rush' debate. I stumbled on the sentence because of rush didnt make sense there, re-read it, and picked up immediately that it was a drug. So no real problem, but maybe just a capitalised 'Rush' would solve any issues?
 
Thanks Little Star. I'm thinking a text message at the start and maybe him trying to do his homework, not wanting to be disturbed will help this scene. But it seems like it's not that far wrong.
 
Status
Not open for further replies.

Similar threads


Back
Top