Max Prime - In The Beginning... - Chapter 1

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Tim Kinder

Somewhere in the gap between time and eternity...
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Ohio
I found the critiquing of my Prologue to be most beneficial. In fact, it may find life, in some condensed form, as something other than a Prologue entirely. I've concluded that it is not really needed and have tabled the idea for now.

With that in mind, I'm posting (hopefully for your enjoyment, my first installment of Chapter 1.

This is, as the subtitle intones, the very beginning of this sci-fi saga that I am endeavoring to write. This is meant be the reader's introduction into how the protagonist, Max Blackson, got involved in this saga.

It's written in 3rd Person Close, Present, Omni. (I think that covers the bases for description of the PoV.)

If you have any questions at all, please feel free to ask. I hope you enjoy it.

___________________________________________________________________________

Max Prime

In The Beginning...

Chapter 1

It’s a little known fact, but early summer mornings in southwestern Ohio can be quite beautiful. Unfortunately, one’s eyes must be open physically, mentally, and emotionally if one expects to both see and appreciate this little heralded beauty.

“Up next on Channel 11 Early AM News…things seem to be taking a turn for the worse for a local man as the United States Attorney General’s office says it believes the filing of criminal fraud charges appears imminent. More about that, and other stories that affect you, after this brief commercial break.”

Why Max even bothered to turn the television on this morning is a mystery. Perhaps something deep inside of him was hoping that a freak turn of events might have changed things for the better over night. Clearly that had not happened.

As the anchor man’s words echo inside Max’s tormented mind, his grip tightens around the television remote control causing the plastic housing on the small device to contort. His brow begins to furrow and his eyes narrow as his breathing becomes more and more ragged and shallow. His heart is pounding so violently within his chest that he can literally feel the blood surging through the vein that now bulges from his forehead. Clenching his teeth together tightly, he works hard to summon up enough self-restraint to keep from grabbing up the heavy, ceramic coffee mug that sit just in front of him and chucking it through the fragile LCD television that hangs on his living room wall.

Max is lost in a world that has tipped completely upside down in only a few short months. This is not how things were supposed to be. This is not what is supposed to be happening. This…this…this…this is maddening.

Just as the Channel 11 news bumper begins to play indicating the imminent return of the morning newscast Max switches the television off and with an agitated flick of his wrist sends his poor remote control flying through air, across the room, smashing it into the wall just inches to the side of the delicate television screen.

“That’s enough of that garbage.” He mutters under his breath then begins striking the arm of his couch with his fist, once between each syllable, as he cries out, “Why…won’t…they…be…lieve…me? Ahh…ahh…ahh…ahh!”

Finding an outlet for his frustration finally allays the anger within him. He takes a few, calming, deep breathes and straightens himself before rising to go pick up the remote control and batteries that lie sprawled out all over his floor.

As he turns to work his way around his coffee table, his eye catches a glimpse of a flashing instant message notification on his laptop that sits on his desk across the room. He walks over to the desk to take a closer look and sees that the message is from some unnamed, anonymous sender, but just before he deletes it, he notices that this message didn’t come in on his public IM account. It came in through his work IM account which happens to be connected to one of the most secure networks in the world. When you do work for the federal government and the Department of Defense, you don’t have cheap or flimsy network security. Whoever sent this anonymous message has clearly gone through an immense amount of effort to get Max’s attention.

Anger now forgotten and curiosity momentarily piqued, he ponders his options, the possibilities, and the ramifications of responding to this unknown person. He squints an eye and skews his jaw slightly as his mind frenetically works through several scenarios. Everything within him, intellectually, tells him he should ignore this message and report the intrusion to Spectrum Engineering’s IT Security department immediately. However, his emotional side also knows that, at least of late, upper management at Spectrum has started distancing themselves from him. The support they once promised him has seemed to wane of late.

Before his conflicted mind can reach a definitive decision another message arrives, “Mr. Blackson, I know you’re there. I know you’re reading this message. Please respond…”

Max glances over his shoulder toward his living room picture window, then toward the room’s side windows, and lastly toward the French doors and windows of his kitchen. All are covered by draperies and no other windows in his house have a view of his current location. How can this mystery person possibly know he’s standing right there reading their message?

He double checks his webcam. Yep. It’s capped so no one can use it to see him. His cell phone is lying face up on the coffee table beside his coffee mug so all its camera can see from its current location is the ceiling, he deduces. Puzzled, but even more so irritated, by this intrusion upon his privacy, he turns to get his cell phone. He’s calling Spectrum’s IT Security offices.

Just as he reaches his hand toward his cell phone, the screen flashes brightly, once, then twice. This is followed almost instantly by an audible pop then loud crackle that causes him to quickly recoil his arm away from the device. Moments later, the unmistakable smell of burnt electronics permeates the air.

Turning back toward his laptop he sees yet another message, “Mr. Blackson, I beg you, before you force me to take further action, please respond.”

Max can feel his blood pressure rising once again. He’s had about enough of this game. That was a brand new, $600 Smartphone this fiend just fried.

“Who are you and what do you want?!” he at last pounds out upon his keyboard.

“Who I am does not matter.”

“It most certainly does matter if you expect me to take your threats seriously.”

“I have not threatened you personally, sir. I merely did what I did to ensure that I have your undivided attention.”

“At this point in my life, having my attention may not necessarily be the best thing for you.”

“Now who’s threatening whom, sir?”

Max pauses for a moment. Whether the baiting was intentional or not, he had walked right into that accusation. A bit miffed at himself for falling for such a setup, he sits down in the chair at his desk and takes an additional moment to rub his forehead. It’s not even 6am yet and he can already feel a migraine building.

“Come now, Mr. Blackson. Don’t be sore. That was rather too easy, don’t you think?”

Max lets his arms drop to his sides and rolls his eyes toward the ceiling. He can hardly believe the audacity of this person. How dare this pompous coward now turn to mockery? Reaching for his keyboard, Max decides to respond in a more measured manner, “I ask again, what do you want with me?”

“Well, if you wish to dispense with the pleasantries and get straight to the purpose of my contact with you, that’s fine by me.”

“Yes, I wish for you to please GET TO THE POINT.”

“Certainly, but no need to shout. This morning an article was published on the website of a Cincinnati newspaper. This article will be buried deep in their archives and difficult to find within a few hours as it’s not really their typical kind of sensationalized reporting and will not likely stay near the top of their most read list for the day. It’s the kind of article that some might think only nuts or crack pots would be likely to read. That said, all I can tell you, for now, is that the article does contains some factual information that you will find quite useful later today. Quite useful indeed.”

“Forgive my ignorance, but how do you know anything about me?”

“It’s true, I don’t know much about you…yet. But I will soon enough.”

“You’re inching closer and closer toward the line of becoming threatening. Or at least menacing.”

“Fair enough, Mr. Blackson, but suffice to say, I’ve come into some intel about you. It says that, later today, you’ll be coming face to face with someone who plays no small role in what the article is about.”

“Ok. Fine. I’ll play along. What article?”

These is a brief pause in the exchange before Max receives his next installment in the IM chain, “I just sent a link for the article to your Spectrum e-mail account and, Mr. Blackson, regardless of how ludicrous the article may seem to you, I promise you, it will be to your benefit to read it. All of it. Do you understand?”

Max inhales deeply and exhales with a snort before answering, “Understood.”

“Good. Rest assured, I’ll be in touch with you later… Oh, and that’s a promise, not a threat.”
* <Connection Terminated…>
 
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It’s a little known fact, but early summer mornings in southwestern Ohio can be quite beautiful. Unfortunately, one’s eyes must be open physically, mentally, and emotionally if one expects to both see and appreciate this little heralded beauty. This is where it could benefit to read up on POV use, as mentioned in the other piece.
“Up next on Channel 11 Early AM News…things seem to be taking a turn for the worse for a local man as the United States Attorney General’s office says it believes the filing of criminal fraud charges appears imminent. More about that, and other stories that affect you, after this brief commercial break.” Bring us in with something punchy, not something that sounds general and unspecific
Why Max even bothered to turn the television on this morning is a mystery. Perhaps something deep inside of him was hoping that a freak turn of events might have changed things for the better over night. Clearly that had not happened. This comes across as the author being not sure how to start the story. So we get a little superficial existentialism - oh, why did I turn on the TV?! - and it doesn't really work.

Read about first sentence hooks in the Writers Resources section - they'll give you an idea of how to open with a punchy beginning.

As the anchor man’s words echo inside Max’s tormented mind telling, telling, telling - why is he tormented? Don't just tell us he is - show us!, his grip tightens around the television remote control causing the plastic housing on the small device to contort. His brow begins to furrow and his eyes narrow as his breathing becomes more and more ragged and shallow. His heart is pounding so violently within his chest that he can literally feel the blood surging through the vein that now bulges from his forehead. Clenching his teeth together tightly, he works hard to summon up enough self-restraint to keep from grabbing up the heavy, ceramic coffee mug that sit just in front of him and chucking it through the fragile LCD television that hangs on his living room wall.

You've moved into a Third Person Limited (present tense) POV - but that is designed to provide immediacy and intimacy with the character - a means to show. What you're doing is simply telling us, and it's all generic telling - the only specific information we have is the geographic location - as anywhere along 400 miles of South America - and it's early summer. We still knowing nothing about Max except that he's mentally squeezing himself.

Max is lost in a world that has tipped completely upside down in only a few short months. This is not how things were supposed to be. This is not what is supposed to be happening. This…this…this…this is maddening.
Just as the Channel 11 news bumper begins to play indicating the imminent return of the morning newscast Max switches the television off and with an agitated flick of his wrist sends his poor remote control flying through air, across the room, smashing it into the wall just inches to the side of the delicate television screen.Still telling
“That’s enough of that garbage.” He mutters under his breath then begins striking the arm of his couch with his fist, once between each syllable, as he cries out, “Why…won’t…they…be…lieve…me? Ahh…ahh…ahh…ahh!” Believe what? We still know nothing about Max.
Finding an outlet for his frustration finally allays the anger within him. He takes a few, calming, deep breathes and straightens himself before rising to go pick up the remote control and batteries that lie sprawled out all over his floor.
As he turns to work his way around his coffee table, his eye catches a glimpse of a flashing instant message notification on his laptop that sits on his desk across the room. He walks over to the desk to take a closer look and sees that the message is from some unnamed, anonymous sender, but just before he deletes it, he notices that this message didn’t come in on his public IM account. It came in through his work IM account which happens to be connected to one of the most secure networks in the world. When you do work for the federal government and the Department of Defense, you don’t have cheap or flimsy network security. Whoever sent this anonymous message has clearly gone through an immense amount of effort to get Max’s attention. Is this the story starting?


And I'll stop there. This is why I suggested you consider some of the feedback on the previous piece before reposting. You're potentially making fundamental errors with POV use, and need to learn the same lessons about starting a story with a hook. You're also telling a lot, instead of showing, which was mentioned before.

You do have a good use of words with visceral actions, but at the moment they are not focused on anything. IMO you need to learn to provide definite information, be less generic, and get straight into exactly what's going on. Someone accused of something they didn't do, or feeling misunderstood, could be a great opener. But we need something to focus on, not someone going through the motions of feeling conflicted, without ever showing us what they are conflicted over.

Good try, but needs focus. Research some of those books in the other thread. Wonderbook by Jeff Vandermeer makes is fairly comprehensive and entertaining, but if you want to get to the meat, look at 38 Common Mistakes in Fiction and Save the Cat for potential pointers. And read other genre fiction to see how the various principles are applied in relatively recently published works.

EDIT: Whoops - my apologies - I originally commented that you were writing First Person (present) when it's obviously Third Person Limited (present). I got confused because present tense is something I normally see in first person, not third. My apologies for that!
 
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little-heralded looks better here.
bothered to turn the television on this morning (was) a mystery
isn't overnight one word?
Brian made some points, but it's a good draft at the least.
 
It’s a little known fact, but early summer mornings in southwestern Ohio can be quite beautiful. Unfortunately, one’s eyes must be open physically, mentally, and emotionally if one expects to both see and appreciate this little[-]heralded beauty. [I don't really understand how this opening sentence relates to the rest of the opening -- and Max's eyes weren't? I do like the voice, though, and the humour running through this. I just think it needs to be more explicit about how it relates to Max]

“Up next on Channel 11 Early AM News…things seem to be taking a turn for the worse for a local man as the United States Attorney General’s office says it believes the filing of criminal fraud charges appears imminent. More about that, and other stories that affect you, after this brief commercial break.”

Why Max even bothered to turn the television on this morning is [present tense] a mystery. Perhaps something deep inside of him was hoping [had hoped? or is hoping?] that a freak turn of events might have changed things for the better over night. Clearly that had not happened.[past tense]

As the anchor man’s words echo inside Max’s tormented mind, his grip tightens around the television remote control causing the plastic housing on the small device to contort. [present tense again] His brow begins to furrow and his eyes narrow as his breathing becomes more and more ragged and shallow. His heart is pounding so violently within his chest that he can literally feel the blood surging through the vein that now bulges from his forehead. Clenching his teeth together tightly, he works hard to summon up enough self-restraint to keep from grabbing up the heavy, ceramic coffee mug that sits just in front of him and chucking it through the fragile LCD television that hangs on his living room wall. [I don't know why Max is upset so I'm not involved in his anger -- this makes me feel less than sympathetic towards him. I also think that though the descriptions of rage are very strong, it would be more effective to only use one of them -- perhaps two. I think the scene would be stronger if you dropped everything after 'contort'. Otherwise it feels like you're telling us again and again that Max is angry but we got it the first time and now I want to know why]

Max is lost in a world that has tipped completely upside down in only a few short months. This is not how things were supposed to be. This is not what is supposed to be happening. This…this…this…this is maddening.

Just as the Channel 11 news bumper begins to play indicating the imminent return of the morning newscast[,] Max switches the television off and with an agitated flick of his wrist sends his poor remote control flying through air, across the room, smashing it into the wall just inches to the side of the delicate television screen.[so he has little self-control?]

“That’s enough of that garbage,he (?) mutters under his breath then begins striking the arm of his couch with his fist, once between each syllable, as he cries out, “Why…won’t…they…be…lieve…me? Ahh…ahh…ahh…ahh!” [as above -- he comes over as a bit childish to me. Because I don't know why he's upset, this is just me watching him from the outside. I'd like to know what's wrong and why he's angry and then maybe I could sympathise with it]

Finding an outlet for his frustration finally allays the anger within him. He takes a few, calming, deep breathes [breaths] and straightens himself before rising to go pick up the remote control and batteries that lie sprawled out all over his floor.

As he turns to work his way around his coffee table, his eye catches a glimpse of a flashing instant message notification on his laptop that sits on his desk across the room. He walks over to the desk to take a closer look and sees that the message is from some unnamed, anonymous sender, but just before he deletes it, he notices that this message didn’t come in on his public IM account. It came in through his work IM account which happens to be connected to one of the most secure networks in the world. When you do work for the federal government and the Department of Defense, you don’t have cheap or flimsy network security. Whoever sent this anonymous message has clearly gone through [to] an immense amount of effort to get Max’s attention.

[I still don't know why he's angry, and it looks like you're not going to tell me. That's frustrating. If you are writing close third, you're in the character's head -- he'd probably have thought a little bit about what annoyed him].

Anger now forgotten [he's a bit fickle, isn't he?] and curiosity momentarily piqued, he ponders his options, the possibilities, and the ramifications of responding to this unknown person. He squints an eye and skews his jaw slightly as his mind frenetically works through several scenarios. Everything within him, intellectually, tells him he should ignore this message and report the intrusion to Spectrum Engineering’s IT Security department immediately. However, his emotional side also knows that, at least of late, upper management at Spectrum has started distancing themselves from him. The support they once promised him has seemed to wane of late. [repeat of 'of late']

Before his conflicted mind can reach a definitive decision another message arrives, [not sure that should be a comma]“Mr. Blackson, I know you’re there. I know you’re reading this message. Please respond…”

Max glances over his shoulder toward his living room picture window, then toward the room’s side windows, and lastly toward the French doors and windows of his kitchen. All are covered by draperies and no other windows in his house have a view of his current location. How can this mystery person possibly know he’s standing right there reading their message?

He double checks his webcam. Yep. It’s capped so no one can use it to see him. His cell phone is lying face up on the coffee table beside his coffee mug so all its camera can see from its current location is the ceiling, he deduces. Puzzled, but even more so irritated, by this intrusion upon his privacy, he turns to get his cell phone. He’s calling Spectrum’s IT Security offices.

Just as he reaches his hand toward his cell phone, the screen flashes brightly, once, then twice. This is followed almost instantly by an audible pop then loud crackle that causes him to quickly recoil his arm away from the device. Moments later, the unmistakable smell of burnt electronics permeates the air.

Turning back toward his laptop he sees yet another message, “Mr. Blackson, I beg you, before you force me to take further action, please respond.”

Max can feel his blood pressure rising once again. He’s had about enough of this game. That was a brand new, $600 Smartphone this fiend just fried.

“Who are you and what do you want?!” he at last pounds out upon his keyboard.

“Who I am does not matter.”

“It most certainly does matter if you expect me to take your threats seriously.”

“I have not threatened you personally, sir. I merely did what I did to ensure that I have your undivided attention.”

“At this point in my life, having my attention may not necessarily be the best thing for you.”

“Now who’s threatening whom, sir?”

Max pauses for a moment. Whether the baiting was intentional or not, he had walked right into that accusation. A bit miffed at himself for falling for such a setup, he sits down in the chair at his desk and takes an additional moment to rub his forehead. It’s not even 6am yet and he can already feel a migraine building.

“Come now, Mr. Blackson. Don’t be sore. That was rather too easy, don’t you think?”

Max lets his arms drop to his sides and rolls his eyes toward the ceiling. He can hardly believe the audacity of this person. How dare this pompous coward now turn to mockery? Reaching for his keyboard, Max decides to respond in a more measured manner, “I ask again, what do you want with me?”

“Well, if you wish to dispense with the pleasantries and get straight to the purpose of my contact with you, that’s fine by me.”

“Yes, I wish for you to please GET TO THE POINT.”

“Certainly, but no need to shout. This morning an article was published on the website of a Cincinnati newspaper. This article will be buried deep in their archives and difficult to find within a few hours as it’s not really their typical kind of sensationalized reporting and will not likely stay near the top of their most read list for the day. It’s the kind of article that some might think only nuts or crack pots would be likely to read. That said, all I can tell you, for now, is that the article does contains some factual information that you will find quite useful later today. Quite useful indeed.”

“Forgive my ignorance, but how do you know anything about me?”

“It’s true, I don’t know much about you…yet. But I will soon enough.”

“You’re inching closer and closer toward the line of becoming threatening. Or at least menacing.”

“Fair enough, Mr. Blackson, but suffice to say, I’ve come into some intel about you. It says that, later today, you’ll be coming face to face with someone who plays no small role in what the article is about.”

“Ok. Fine. I’ll play along. What article?”

These is a brief pause in the exchange before Max receives his next installment in the IM chain, “I just sent a link for the article to your Spectrum e-mail account and, Mr. Blackson, regardless of how ludicrous the article may seem to you, I promise you, it will be to your benefit to read it. All of it. Do you understand?”

Max inhales deeply and exhales with a snort before answering, “Understood.”

“Good. Rest assured, I’ll be in touch with you later… Oh, and that’s a promise, not a threat.”
* <Connection Terminated…>

So, what happens is interesting -- Max has been accused of something and a mysterious stranger tells him to go and read an article.

I think it could be trimmed -- Max spends a lot of time reacting emotionally to something mysterious and that makes him read as a little unbalanced. Because it's mysterious, the scene isn't as involving as it might be -- it's great that the character is in a difficult place, but not knowing what the place is makes it impossible to sympathise.


The conversation about the magazine article seemed to me to spend a little too much time going in circles, but I can't quite decide what I think about it.

Present tense third person is potentially tricky to write -- some people aren't fans because it reminds them of children's books (Tim sits on the swing. Lamby bounces in the tall grass...) but I think it will work for you if you let us see inside Max's head a bit rather than just sticking to his behaviour.

As before, the writing is clean and impressive and I like the structure of the scene. I don't think you need a really desperate hook to make this more involving -- it has a lot of potential to involve us anyway. However, to sympathise, we need to know what's going on.

I changed the formatting in your post so it corresponds to the Critiques Forum's formatting guidelines by putting an empty line between paragraphs. When you paste into the box, your work loses its indents, and adding a line between paragraphs makes it look less off-putting to potential critters.
 
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Hi Tim, hope this is helpful:

It’s a little known fact, but early summer mornings in southwestern Ohio can be quite beautiful. Unfortunately, one’s eyes must be open physically, mentally, and emotionally if one expects to both see and appreciate this little heralded beauty. <-- that's telling. You're in narrating voice and you're telling us mornings can be beautiful (but not how)

“Up next on Channel 11 Early AM News…things seem to be taking a turn for the worse for a local man as the United States Attorney General’s office says it believes the filing of criminal fraud charges appears imminent. More about that, and other stories that affect you, after this brief commercial break.”

Why Max even bothered to turn the television on this morning is a mystery. Perhaps something deep inside of him was hoping that a freak turn of events might have changed things for the better over night. Clearly that had not happened.<-- here, you're telling again. There's nothing really wrong with telling. Often it can be the way to get information across quickly. Some authors are pretty much all telling. However, showing is normally thought to engage readers in the scene more effectively, and it's popular just now.

As the anchor man’s words echo inside Max’s tormented mind, <-- you're telling us he's "tormented" his grip tightens around the television remote control causing the plastic housing on the small device to contort. <-- you're showing us he's angry (and it's very effective) His brow begins to furrow and his eyes narrow as his breathing becomes more and more ragged and shallow. His heart is pounding so violently within his chest that he can literally feel the blood surging through the vein that now bulges from his forehead. Clenching his teeth together tightly, he works hard to summon up enough self-restraint to keep from grabbing up the heavy, ceramic coffee mug that sit just in front of him and chucking it through the fragile LCD television that hangs on his living room wall.<-- you're showing us his anger over and over again. I think you could trust the reader to understand you without needing all these ways to show the anger. Nonetheless, I think this is effective showing.

Max is lost in a world that has tipped completely upside down in only a few short months. This is not how things were supposed to be. This is not what is supposed to be happening. This…this…this…this is maddening. <-- telling again (/narrative voice)

Just as the Channel 11 news bumper begins to play indicating the imminent return of the morning newscast Max switches the television off and with an agitated flick of his wrist sends his poor remote control flying through air, across the room, smashing it into the wall just inches to the side of the delicate television screen.<-- showing

“That’s enough of that garbage.” He mutters under his breath then begins striking the arm of his couch with his fist, once between each syllable, as he cries out, “Why…won’t…they…be…lieve…me? Ahh…ahh…ahh…ahh!” <-- showing (though for me, you're kind of overdoing it now)

Finding an outlet for his frustration finally allays the anger within him. <-- telling He takes a few, calming, deep breathes and straightens himself before rising to go pick up the remote control and batteries that lie sprawled out all over his floor. <-- showing pretty much the same thing

I hope that's helpful :)
 
I like the beginning but it is definitely disconnected from the rest. I'd hope that there is some explanation coming up or some loose thread of connection to pin it into the story. Otherwise I'd go with italics to set it off as some random quote.

This is intriguing but again I hope it starts to make a point or at least get a bit closer to Max so I can sympathize with him. Right now I feel more sympathetic to the remote and the wall.

There was some raw emotion there though; but the mystery of the why is getting in the way of helping us relate to him. Maybe he just woke up on the wrong side of the bed.

It's always hard to tell with these short pieces because you have to either jamb it all into a small space or hope it will slide by as it is.

As it is with some others I see he's in some trouble [maybe] and some mysterious caller has pointed him at something that might have some obscure affect on his life and tried to coerce him into looking into it.

Pretty good over all but I'd have to see more to know if I'd want to read the whole story.
 
Definately change the point of view. You have quite a bit of "He goes" and "He does" type thing. This makes the whole thing sound like a synopsis or screenplay.

The Newscast. Unless its a radio, the first thing you notice about a television broadcast is what's on, unless it was left on overnight or something and had dulled down into background noise, only registering when he heard the bit about himself. But then if something on the television caught our attention, we would look at the set. Notice the annoyingly perfectly groomed anchorperson, spitting out our doom with a cheerful smile.

The piece is well paced and the ideas are there. Just work on making it more immediate.
 
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