Alternative Worlds
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The Urban Fantasy Anthology
Peter S. Beagle and Joe R. Lansdale (Editors)
Tachyon, Aug 15 2011, $15.95
ISBN: 9781616960186
The Urban Fantasy Anthology is divided into three sections: Mythic Fiction, Paranormal Romance and Noir Fantasy. Each contains an introduction essay defining the section and several stories.
In his essay on Mythical Fiction, Charles De Lint defines the category as having mythological and supernatural beings in modern day society. His entry “Make a Joyful Noise” stars a shapeshifting Native American spirit helping a depressed ghost. “On the Road to Egypt” by Jeffrey Ford has Jesus, smoking a camel, and a companion traveler stopping at MacDonald’s for a burger and shake.
Paula Guran defines Paranormal Romance as key characters possessing special powers; females typically kick butt. Suzy McKee Charnas’ “Boobs,” stars a teenage girl dealing with the changes of her body due to being a werewolf in puberty. “Farewell, My Zombie” by Francesca Lia Black’s protagonist opens with that Attitude when she asks what to call a female investigator if a male is called a private dick. Two lovers, one recently reanimated, star In “She’s My Witch” by Norman Partridge.
In defining Noir Fiction, Joe R, Lansdale states not to categorize tales as a “club”, but instead makes the case that the Noir is the link not the fantasy/paranormal background. His short contribution “On the Far Side of the Cadillac Desert with Dead Folks” stars a bounty hunter working with the reanimated dead.
The essays are interesting attempts to define three subcategories, but come across more like a Venn diagram. The collection includes nineteen reprints and one new tale (“Talking Back to the Moon” by Steven R. Boyett). The anthology is fun to read with no clinkers, but few are excellent; as Ms. Guran says novels are the prime method of Paranormal Romance.
Peter S. Beagle and Joe R. Lansdale (Editors)
Tachyon, Aug 15 2011, $15.95
ISBN: 9781616960186
The Urban Fantasy Anthology is divided into three sections: Mythic Fiction, Paranormal Romance and Noir Fantasy. Each contains an introduction essay defining the section and several stories.
In his essay on Mythical Fiction, Charles De Lint defines the category as having mythological and supernatural beings in modern day society. His entry “Make a Joyful Noise” stars a shapeshifting Native American spirit helping a depressed ghost. “On the Road to Egypt” by Jeffrey Ford has Jesus, smoking a camel, and a companion traveler stopping at MacDonald’s for a burger and shake.
Paula Guran defines Paranormal Romance as key characters possessing special powers; females typically kick butt. Suzy McKee Charnas’ “Boobs,” stars a teenage girl dealing with the changes of her body due to being a werewolf in puberty. “Farewell, My Zombie” by Francesca Lia Black’s protagonist opens with that Attitude when she asks what to call a female investigator if a male is called a private dick. Two lovers, one recently reanimated, star In “She’s My Witch” by Norman Partridge.
In defining Noir Fiction, Joe R, Lansdale states not to categorize tales as a “club”, but instead makes the case that the Noir is the link not the fantasy/paranormal background. His short contribution “On the Far Side of the Cadillac Desert with Dead Folks” stars a bounty hunter working with the reanimated dead.
The essays are interesting attempts to define three subcategories, but come across more like a Venn diagram. The collection includes nineteen reprints and one new tale (“Talking Back to the Moon” by Steven R. Boyett). The anthology is fun to read with no clinkers, but few are excellent; as Ms. Guran says novels are the prime method of Paranormal Romance.
