Alternative Worlds
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Full Moon City
Darrell Schweitzer and Martin H. Greenberg (Editors)
Gallery (Pocket), Mar 9 2010, $15.00
ISBN: 9781416584131
Full Moon City contains fourteen dark werewolf and one leaning more towards vampire (Darrell Schweitzer’s “Kvetchula’s Daughter”) urban fantasies written by some of the genre’s most renowned authors. None are clinkers, but only a few can be considered as super. For the most part the environs are places not anticipated in werewolf tales such as the Plaza Hotel in Esther M. Friesner’s where “No Children, No Pets” prevail but six years old Emmeline lives next door in Central Park; at Houston Community College where the Lycanthropy Support Group meets in “The Truth About Werewolves” by Lisa Tuttle and Carrie Vaughn’s Kitty returns to Vegas in “Kitty learns the Ropes”. More typical locales are used too but less frequently like in Ian Watson’s “The Weredog of Bucharest”; the Bayou is the setting for Peter S. Beagle’s “La Lune D’Attend” and Hollywood in “I Was a Middle Aged Werewolf” by Ron Goulart. In my opinion the best contribution is Holly Black’s “The Aarne-Thompson Classification Revue” as the werewolf actress looks deeply at conversion. Overall this is a very good collection worth reading only by fans of the modern take on the werewolf mythos
Darrell Schweitzer and Martin H. Greenberg (Editors)
Gallery (Pocket), Mar 9 2010, $15.00
ISBN: 9781416584131
Full Moon City contains fourteen dark werewolf and one leaning more towards vampire (Darrell Schweitzer’s “Kvetchula’s Daughter”) urban fantasies written by some of the genre’s most renowned authors. None are clinkers, but only a few can be considered as super. For the most part the environs are places not anticipated in werewolf tales such as the Plaza Hotel in Esther M. Friesner’s where “No Children, No Pets” prevail but six years old Emmeline lives next door in Central Park; at Houston Community College where the Lycanthropy Support Group meets in “The Truth About Werewolves” by Lisa Tuttle and Carrie Vaughn’s Kitty returns to Vegas in “Kitty learns the Ropes”. More typical locales are used too but less frequently like in Ian Watson’s “The Weredog of Bucharest”; the Bayou is the setting for Peter S. Beagle’s “La Lune D’Attend” and Hollywood in “I Was a Middle Aged Werewolf” by Ron Goulart. In my opinion the best contribution is Holly Black’s “The Aarne-Thompson Classification Revue” as the werewolf actress looks deeply at conversion. Overall this is a very good collection worth reading only by fans of the modern take on the werewolf mythos