Alternative Worlds
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Child of a Rainless Year
Jane Lindskold
Tor, May 2005, $25.95
ISBN: 0765309378
When Mira Fenn turned nine years old her mom Colette disappeared and the preadolescent moved to Ohio to be raised by foster parents there. Several decades later, when her adoptive parents die, Mira finds the deed that proves she owns the Las Vegas, New Mexico home that she originally lived in. Having no excuse to rationalize avoiding her past, Mira heads home to learn why Colette vanished without a trace.
In Las Vegas, Mira feels at home in Phineas House with mirrors everywhere especially in odd places. She learns from the caretaker Domingo that the house has pleaded with him to colorfully paint it over; Mira agrees that the house needs vibrant pastorals. As they work in harmony restoring Phineas House, Mira and Domingo begin to understand the ancestral link between their families and the intelligence of the edifice that whispers colors to the artists. They also begin to learn what happened to Colette and more about each other, but will a growing fondness be enough to prevent family history from repeating?
This is an interesting fantasy tale in which the mundane contains magic, depending on the color as varying shades have differing charms. The middle aged Mira is a solid protagonist while Domingo serves as a fine balance to her whose acceptance of magic is in her genetic make up to do so. The story line contains complex concepts of reality; however, too much remains unresolved so that the audience at the end of the day will feel blue having to wait for an apparent sequel.
Jane Lindskold
Tor, May 2005, $25.95
ISBN: 0765309378
When Mira Fenn turned nine years old her mom Colette disappeared and the preadolescent moved to Ohio to be raised by foster parents there. Several decades later, when her adoptive parents die, Mira finds the deed that proves she owns the Las Vegas, New Mexico home that she originally lived in. Having no excuse to rationalize avoiding her past, Mira heads home to learn why Colette vanished without a trace.
In Las Vegas, Mira feels at home in Phineas House with mirrors everywhere especially in odd places. She learns from the caretaker Domingo that the house has pleaded with him to colorfully paint it over; Mira agrees that the house needs vibrant pastorals. As they work in harmony restoring Phineas House, Mira and Domingo begin to understand the ancestral link between their families and the intelligence of the edifice that whispers colors to the artists. They also begin to learn what happened to Colette and more about each other, but will a growing fondness be enough to prevent family history from repeating?
This is an interesting fantasy tale in which the mundane contains magic, depending on the color as varying shades have differing charms. The middle aged Mira is a solid protagonist while Domingo serves as a fine balance to her whose acceptance of magic is in her genetic make up to do so. The story line contains complex concepts of reality; however, too much remains unresolved so that the audience at the end of the day will feel blue having to wait for an apparent sequel.
