A new beginning for The Strangers

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TitaniumTi

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I posted some early excerpts of The Strangers when I first joined Chrons. I stopped writing this book at around 10000 words, due to other commitments. Since then, I've been working on some shorter narratives, but this is the story that calls to me. I need to totally re-write what I've done so far, starting with this new first scene.

I'm open to any and all criticisms, but I particularly want to know:
Do I clearly show what happens?
Is Zac believable? I've tried to make him a teenager, but not a brat, with the sort of situational competence that waivers when he's outside his comfort zone -- hence the uncertainty about first aid.
Can I finish the scene here, or do I need to describe his unsuccessful attempts at resuscitation? The man's death is made clear in the next scene, when the police are called in, and I thought it might be better to describe the resuscitation attempt in the context of a police interview or discussions with friends.

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He’d stuffed up. Zac huddled low over the handlebars of his trailbike as he gunned it up the long ridgeline towards the crest of Shadow Mountain. He should have noticed the baldy-faced heifer when he’d brought the cattle down to the home paddock yesterday. He should have realised that she’d left her calf behind.

But Australia had been playing the poms at the MCG. The poms had set 370 to beat and he’d settled down with a packet of chips to watch the home team shred the visitors. He’d been pissed off when Dad had turned off the TV and told him to bring the cattle in from the high paddock. He’d been irritated when three steers played hide-and-seek in a patch of blackberry. He’d been infuriated when the blackberry had snagged and ripped his new jeans.

He hadn’t been paying attention.

Now there was a cold, hungry, thirsty calf on the mountain – if the dingos hadn’t killed it overnight – and he needed to find it.

A flap of wings caught his eye and he scowled. He hated crows. Sure, they were part of that ecosystem that old Mr Fitch was always rabbiting on about, but they were vicious. They wanted their bite to eat – or peck, or whatever – and they weren’t too fussy about waiting until their victims were dead.

They were worth watching though, because they often gave the first sign of trouble. A flock of crows was clustered in a dead eucalypt and their greedy calls made Zac’s stomach churn. They’d found something. A patch of white shone against the dusty ground beneath the tree, but he couldn’t make out any details. Whatever it was, it was still alive, and big and strong enough to put up a fight, or the crows would already be feasting.

Zac accelerated towards the crows. He almost came off the bike when he swerved around a sandstone outcrop. A shrubby wattle snatched at him, ripping his jeans further and adding more scratches to his shins. He ignored it all. No way was he going to let those crows have the calf.

The crows cawed their protests and flew to higher branches as Zac got his first clear view of their find. What the hell? How did he get here? This wasn’t the calf – in some distant part of his mind, Zac noted that he still needed to find the calf. This was a man, lying limply in the dirt with his head kilted back, twisting his neck awkwardly. His blank eyes did not focus when Zac knelt beside him, but his lips moved in a soundless mutter.

Sitting back on his heels, Zac forced himself to breath slowly. There was no obvious reason why the man was just lying there. His skin was bleached white but, judging by his snowy hair and pale blue eyes, that might be due to albinism. His arms and legs were scratched – unsurprisingly, given the rugged country and the weird dress-like garment he was wearing – but Zac couldn’t see much blood or any sign of serious injury. Despite that, there had to be something wrong with him. What is it? Zac wondered. What’s wrong? And what am I going to do about it?

Confused memories of a school first-aid course flicked through his mind. The man should be lying in the recovery position, but he wasn’t supposed to move the victim, was he? If the man had a spinal injury, movement might paralyse or even kill him. Still, it couldn’t be easy to breath in that position, all skew-whiff with his feet uphill and his head downhill.

Zac fumbled in his pocket. At least he had his phone and – yes – reception, this high on the mountain. He was halfway through dialling when the man coughed, hard and rough, with his body spasming. Dropping his phone, Zac knelt. The man coughed again. Bright, red flecks flew from his lips and Zac winced, throwing his hands up to shield his face.

The man was breathing loudly now, although his lips were still working. I can’t leave him lying like that, Zac thought. He’ll suffocate. He reached forward, but the man said something that sounded like, “Vergluff”, coughed a third time, gurgled and stopped breathing.
 
I found it well and clearly written, I wouldn't change anything big, and the scene ends at just the right moment. If you add more it might become too long, right now the pace is good. It wasn't clear to me that Zac was a teenager, maybe you could add a more noticeable clue, like mention that he has school tomorrow or something. Overall, I liked it!
 
Yeah TiTi, this is pretty good. It's clear and the flow is good. The end is fine. I've made a couple of comments that might help a little. Usual caveat: Take what works and feel free to ditch the rest. It's an interesting opening with a very good question mark at the end. Good luck with it.

He’d stuffed up. Hmm, not sure that's necessary. Zac huddled low over the handlebars of his trailbike as he gunned it up the long ridgeline towards the crest of Shadow Mountain. He should have noticed the baldy-faced heifer when he’d brought the cattle down to the home paddock yesterday. He should have realised that she’d left her calf behind.

But Australia had been playing the poms at the MCG. The poms had set 370 to beat and he’d settled down with a packet of chips to watch the home team shred the visitors. He’d Zac had (since it's following on from dad) been pissed off when Dad had turned off the TV and told him to bring the cattle in from the high paddock. He’d been irritated when three steers played hide-and-seek in a patch of blackberry. He’d been infuriated when the blackberry had snagged and ripped his new jeans.

He hadn’t been paying attention.

Now there was a cold, hungry, thirsty calf on the mountain – if the dingos hadn’t killed it overnight – and he needed to find it.

A flap of wings caught his eye ear Perhaps and he scowled. He hated crows. Sure, they were part of that ecosystem that old Mr Fitch was always rabbiting on about during class, but they were vicious. They wanted their bite to eat – or peck, or whatever – and they weren’t too fussy about waiting until their victims were dead. that comes across awkwardly.

They were worth watching though, because they often gave the first sign of trouble. A flock of crows was clustered in a dead eucalypt and their greedy calls made Zac’s stomach churn. They’d found something. A patch of white shone against the dusty ground beneath the tree, but he couldn’t make out any details. Whatever it was, it was still alive, and big and strong enough to put up a fight, or the crows would already be feasting.

Zac accelerated towards the crows. He almost came off the bike when he swerved around a sandstone outcrop. A shrubby wattle snatched at him, ripping his jeans further and adding more scratches to his shins. He ignored it all. No way was he going to let those crows have the calf.

The crows cawed their protests and flew scattered to higher branches as Zac got his first clear view of their find. What the hell? How did he get here? This wasn’t the calf – in some distant part of his mind, Zac noted that he still needed to find the calf. This was a man, lying limply in the dirt with his head kilted back, twisting his neck awkwardly. His blank eyes did not focus when Zac knelt beside him, but his lips moved in a soundless mutter.

Sitting back on his heels, Zac forced himself to breath slowly. There was no obvious reason why the man was just lying there. His skin was bleached white but, judging by his snowy hair and pale blue eyes, that might be due to albinism. His arms and legs were scratched – unsurprisingly, given the rugged country and the weird dress-like garment he was wearing – but Zac couldn’t see much blood or any sign of serious injury. Despite that, there had to be something wrong with him. What is it? Zac wondered.What’s wrong? And what am I going to do about it? What do I know. I'm only sixteen (or whatever)

Confused memories of a school first-aid course flicked through his mind. The man should be lying in the recovery position, but he wasn’t supposed to move the victim, was he? If the man had a spinal injury, movement might paralyse or even kill him. Still, it couldn’t be easy to breath in that position, all skew-whiff with his feet uphill and his head downhill. Perhaps now would be a good time for Zac to talk to him. Ask him where he hurts and so forth.

Zac fumbled in his pocket. At least he had his phone and – yes – reception, this high on the mountain. He was halfway through dialling when the man coughed, hard and rough, with his body spasming. Dropping his phone, Zac knelt. The man coughed again. Bright, red flecks flew from his lips and Zac winced, throwing his hands up to shield his face.

The man was breathing loudly now, although his lips were still working. I can’t leave him lying like that, Zac thought. He’ll suffocate. He reached forward, but the man said something that sounded like, “Vergluff”, coughed a third time, gurgled and stopped breathing.
 
Thanks Jackie and Droflet, I'm glad you liked it.

I'm second-guessing myself now and thinking the last few paragraphs sound a bit thin. I've got some ideas about adding more substance, but I'll wait for other comments first.

It was really useful to know that he wasn't obviously a teenager; one of my weaknesses is a tendency to assume that the reader will know what I know. Thanks for the suggestions on how to correct this, Droflet. I'll adopt those and most of your other suggestions.
 
The only thing than caught me out was rocking back on his heels - I couldn't tell if he was still on the bike or not. Otherwise I love it and the clear Aussie voice and sense of place. :)

Just read Drof's, btw - I got the sense he was a teen.
 
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The first thing that strikes me is just how many of your terms and references are uniquely Australian. This could be severely limiting in terms of accessibility. By all means, make it clear your character is Aussie, but be careful about confusing non-Aussie readers. More neutral language may be better recommended, where possible.

As to the opening - having to go out after the cow was a fine enough scenario, but the urgency felt diminished by talk of a football game (I think that's what it was!) and ecosystems. Aside from that, it seemed a decent piece of writing.

However, it's nowhere near as memorable or urgent as your opening with the kids driving fast and almost coming off the mountain road. Does this one replace that??
 
there was a cold, hungry, thirsty calf on the mountain – if the dingos hadn’t killed it overnight – and [Zac] needed to find it.

Could this be your first line? For me, it's much hookier. You could slip in the stuff about the game after that, but maybe less of it than you have at the moment. I'm not sure we really need so much justification of why the calf got missed.

They were worth watching though, because they often gave the first sign of trouble.

This kind of thing is very good -- it shows that although he's young, he knows stuff about the stuff he knows about (if you get my drift). In general, I thought he came across well -- sure of himself in areas he's trained in, unsure of himself in others, as someone that age would be.


Do kids still use this word? Even if so, it pulled me up because I visualise an actual dial. Maybe "tapping out the number"?

Bright, red flecks

Normally you wouldn't have a comma here: "bright red flecks", because the "bright red" is one adjective, not two.

Those are just some random comments. I thought it read well.
 
Thanks Brian, you have answered some of my unspoken concerns. They're the answers that I feared I'd get rather than the answers I hoped for, but it is really useful feedback.

be careful about confusing non-Aussie readers.
football game (I think that's what it was!)
I thought local dialect (and sport) was likely to be an issue, but I dislike the other extreme of blandly generic writing. This will need careful editing to find the happy medium, I think.

However, it's nowhere near as memorable or urgent as your opening with the kids driving fast and almost coming off the mountain road.
Yes, this is a replacement. I'm having difficulty balancing the action in that scene; the near-accident is dramatic, but the stranger on the mountain should have been the focal point and the most memorable element of that scene. I've now placed the car-accident scene after the scene in this thread, in the hope that readers will link the body in this scene with the stranger in the car accident scene, and wonder about the explanation.

Could this be your first line?
That's a brilliant suggestion! I can downplay or even remove the cricket game and the reasons why he missed the calf, which will help me address the issues that Brian identified.

Do kids still use this word?
Well spotted. No, they don't. I could substitute "calling Dad" or "phoning Dad", perhaps.
 
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uniquely Australian. This could be severely limiting in terms of accessibility.
I wonder if the urban/rural divide is another issue. If the story is inaccessible to non-Australian readers and also inaccessible to urban and suburban readers, that could severely limit my readership. What do you think?
 
I didn't have an issue with it being Australian. Apart from 'eucalypt' I didn't spot anything. I wouldn't worry about its accessibility at this stage, anyway. Everyone's always going on about increased diversity, so be diverse.

So... I very much like the way your write. Your voice/ style really works for me. I thought this scene was fast and the bit about why he hadn't been thinking about the calf was funny (but I agree that HB's suggestion would get us into the action faster, and some of the other bits could come a little later).

Yes, he reads like a teenager, and I don't think you need the resuscitation happening in this scene -- it'd be fine later.

The only things that occurred to me were that Zac might say something to the man (right now he's very silent), and that this:

What is it? Zac wondered. What’s wrong? And what am I going to do about it?

Didn't work for me as well as the rest of your writing does. It felt a bit redundant.

Honestly, though, I think this is great stuff and you should put it away for now and finish the story.
 
Hi,

Well-written and compelling, but I wonder if you should start with the bit about there being a lonely calf on the mountain when there are dingos abroad.

I assumed that you are writing in Australia? It's so lovely to read something that has a different setting from UK or US. I liked that, but I think you may have to expand on some terminology. I'm pretty sure American readers will largely be unfamiliar with the term 'poms'.

I'm not sure how relevant this is, as it didn't strike me when I read it, but one of the things I do when I crit is sort of defocus my eyes and look at the page for patterns. In your piece, the name Zac jumps out. It is really, really used a lot. I wonder if that needs tweaking.

At first I thought he was an adult, but by the end I had placed him as a teen. I'm sorry but I can't identify when this happened. Definitely I think the scene ending here is a good judgement.

pH
 
Perhaps now would be a good time for Zac to talk to him. Ask him where he hurts and so forth.
The only things that occurred to me were that Zac might say something to the man (right now he's very silent), and that this:

What is it? Zac wondered. What’s wrong? And what am I going to do about it?
Of course! I knew the lack of dialogue was problematic, and even considered adding a second protagonist, so that he wasn't alone. But he's not alone, is he?

I'm pretty sure American readers will largely be unfamiliar with the term 'poms'.
You're right. I'm not sure that a teenager would use that term either.

In your piece, the name Zac jumps out. It is really, really used a lot.
It's just a place-holder at the moment. I chose it because it's a good candidate for Find...Replace.

Inish Carraig is in Northern Irish (a lot less well known) and it has never been a barrier, but only a selling point.
I've just finished reading Inish Carraig. It is one of my favourite books of 2015.
 
Ahh... I see. I did find that difficult, particularly after he found the dying man, because I needed to make clear which "he" it was doing what.
 
Of course! I knew the lack of dialogue was problematic, and even considered adding a second protagonist, so that he wasn't alone. But he's not alone, is he?

I'm in the process of adding a second protagonist to one of my wips for precisely this reason.

Maybe he could speak to a sheep? (that's not entirely a joke)
 
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