Prelude - Complete Rewrite (650 Words)

Status
Not open for further replies.

Perpetual Man

Tim James
Supporter
Joined
Jun 13, 2006
Messages
6,381
Prelude was originally written as a comic strip over 20 years ago, and it is something that I have been playing around with over the last few weeks.

The first rewrite came up a little short, so I have completely rewritten it, trying to take in the help the previous posting (Prelude Original) had brought up with kind members who read it and getting my head around the fact that translating from strip to prose was going to be a bit trickier that I initially imagined.

So I guess the main question is does this work in its own right, does it work better than the first attempt?


Prelude

Half consumed by the darkness Paul Redgrave sat alone in the room that was once part of his home and consumed his thoughts and memories like a bitter wine.

There was not much there any more, not really. After the orders had been given his apartment had been stripped of all meaning and furniture, leaving only the bare-essentials and those things he had felt he needed, a space as naked as he was. He was so still that the shark-tooth earing in his left ear did not even tremble, his square jawed, bearded face just looked at the items on the table.

Even then there was nothing that other people would have felt were special.

His gun all black and white ceramic and rubber, directly at odds with the old Webley revolver that had seen service in the Second World War. There was a photo, of himself and it seemed odd that he might have kept that, perhaps even a bit egotistical but it was one of a few that he really liked, a reminder of different, happier times.

Then there were his shades. Everyone knew him through the shades. In a profession where everyone seemed to have bizarre eccentricities, his dark glasses were virtually mundane, yet everyone knew them.

Then there was his wedding ring. Simple, but not a band of gold, it had a face in which two jewels had been inset. One had a starburst radiating out from it. Each gem represents us, he had been told by his wife, mine is basking in your light.

He carefully picked the ring up, holding it between thumb and forefinger.

What light there was penetrated the room through the circular window in the wall, cars on raised driveways, glittering signs, craft moving through the air, all cast their illumination, some of which caught the edge of the golden loop, causing it to shine for the briefest of moments.

Paul’s face did not change though, after a moment his fingers opened and the band bounced on the hard surface below before coming to a rest.

Above him a sphere floated silently, the dimmed display showing the time and not much else, the numbers changed as another minute passed, and the seated man raised his head enough to take his eyes from the table and to look at the glass cabinet opposite him. It held the one thing that was truly him. It summed him up more than anything else in the room. It was what people across the human worlds knew him in, but in the cabinet it looked like just another piece of furniture.

A suit of body armour, made from the same kind of ceramic material as the gun on the table, covered in scratches and grazes it looked as though it had been used and used well. White in colour with a black, rubber under-suit it seemed to stand on its own, another person in the room, silent and accusing.

Paul ignored it and lowered his head, closed his eyes and took a deep breath.

It was time.

He picked up the Webley, clicked it open to make sure it was still loaded, then snapped it shut.

I’m sorry, he thought, no one saw this coming, who could have known we were all being played? I know we hoped for our time together, a quiet life until the end of our days, but it cannot happen. Not now.

Chartrise was working on a different level. How could we have known?

It seems that I am at the heart of it all, and the only way to undo what he has done is to remove me from the equation.

I am sorry.

Then he raised the revolver, put the barrel against his head and pulled the trigger.
 
You have guided the opening between the twin perils of being too informative and too obscure. I felt your previous effort was simply too obscure. Now the significance of the objects has been explained, but you have left us with questions that will keep us attached. We now see the inner workings of Redgrave's thoughts, and you have set us a set of clear questions. What did no one see coming? Who is Chartise? How is Redgrave at the heart of this crisis? Finally - and most importantly for this opening - how does Redgrave killing himself help to resolve the crisis?

I do not wish to appear rude about your earlier work, but this is much better.

Good luck.
 
This engages my interest and makes me curious about a lot of things: what is the suit, who are the people mentioned, why is Paul brooding, etc. At the same time it gives a flavor of the world and grounds me in the setting. Also, unlike many prologues, it is very clear from the last line why this is a separate piece and not a chapter one flowing into the rest of the narrative!
 
Michael - Thanks, no you were not being rude and I appreciate what you have said here. I think it was hard to disengage my mind from the original comic book format. The comments that everyone made on the first posting have really helped with that. At the same time I have been musing over what happens next and I could not make the story work as it existed. I've just about found the way in, but that also helped me realise that I would have to look at Prelude in a totally different way.

Denise - Thank you very much for the kind words, it is greatly appreciated and I think I can see I am going in the right direction at last :D
 
Much better for this reader.

One caution: you have some past perfect here and five time it shows in the construct 'had been', which may begin to sound passive; which I honestly vacillate as to whether that helps or hinders this piece. It's bunched up together and so becomes more prominent.

But overall it is vastly different from the other piece and it is more transparent in presenting the elements necessary to draw the reader into the story.
 
The description of the gun gave me pause right off the bat. Maybe describe it as matte black? And the ceramic part wouldn't make much sense unless it was just the handles?

Also ceramic breaks on bullet impact for the body armor. Ceramic plates are used under or slipped into body armor for additional protection.

Maybe when talking about the webley most people wont know what you're talking about. So if you speak about popping out its six shot cylinder and snapping it back into place most would know its a revolver and most laymans will unwittingly recognize it as antiquated in a futuristic setting.

Good luck!
 
Thanks for taking the time to comment, Rhein13 and welcome to the Chrons.

I'm glad you pointed out the ceramic on the gun and armour. The whole thing is meant to be pretty vague, only to give the reader an idea of what is going on, and I may well have cut a out a few more words then needed when I rewrote. As far as the gun and armour are concerned the missing part needs to say ceramic looking or appeared to be ceramic. My bad, and I pleased you noticed other I would have carried on regardless.

I take your point about the Webley, I'd hope that people reading would know what a revolver was, but I think adding a bit about opening it and snapping it shut, not only makes sure people know what it is, but adds to the tension just before he shoots himself.

Thanks again.
 
I love the feel of this. I like that you've moved it to prose, but it's still very visual and I can see the graphic novel standing in the shadows. Killer last line (pun intended).

First line could do with a bit of work; you have 'consume' twice and it's not clear what is consuming Redgrave's memories: himself or the room. Being nit-picky on that one because you want a smooth, perfect entry line. ;)
 
Thanks Juliana, glad you liked it.

And all help is greatly appreciated, especially when it is something I really should have noticed!!!! (Well I'm saying that anyway)
 
I thought this was decent for the most part, it didn't really grip me but I did get a nice sense of place and character. I've picked out a few simple things that I think should be fixed:



Half consumed by the darkness Paul Redgrave sat alone in the room that was once part of his home and consumed his thoughts and memories like a bitter wine.

Repetition of consumed, one of them should be changed.

his square jawed, bearded face just looked at the items on the table.

A bit nitpicky perhaps, but it doesn't quite sit right that his face looked at things, rather than his eyes.

Even then there was nothing that other people would have felt were special.

The subject here is "nothing", which is singular and therefore takes the 'I' form - there was nothing that other people would have felt was special
 
Status
Not open for further replies.
Thread starter Similar threads Forum Replies Date
Perpetual Man Critiques 25
willwallace Critiques 16
willwallace Critiques 17
A Critiques 5
MstrTal Writing Discussion 12

Similar threads


Back
Top