I've read through both this thread and
the other one and will reference both indiscriminately. Everybody's covered everything pretty well so I don't have much original to add but maybe some.
Long story short: "better than the prequels" - though not as good as the originals. Derivative but fun with a lot of pros and cons. Abrams had one way to succeed and two ways to screw up - he picked the better of the two screwups. He could have created something in the same old universe that was yet
new that yet recaptured the
spirit of the old. That would have been a thrilling success. He could have done something prequel-different that would have prequel-sucked. That would have been the disastrous screw up. Or he could have rehashed most of the good stuff from the earlier flicks with little of the bad and made a fun flick that revived the franchise and kept the road clear for improvements in the future. That's a "screw up" but not a bad one and that's what I feel like I got. I think I agreed with most of
@Dave 's main post and also agree with a point that Cul made - Abrams actually has to thank the prequels because, without them to compare against and breathe a sigh of relief over, I don't think the reaction would be anywhere near as positive.
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Now just some random other comments that struck me. There are a million little niggles such as Han apparently never having used Chewie's crossbow before (as someone brought up - sorry, I forgot who) but I'll try to stick to larger scale comments.
@Culhwch : "They couldn't seriously rustle up some more ships than that? No Y-Wings or B-Wings sitting around available for what was really a bombing mission?"
As others have mentioned, this is a thin, rushed, underexplained film so they don't explain it and do leave us wondering. But it might not be unreasonable to assume that everyone thought the War was Over and they could all go home and relax and what we're seeing is the result of massive downsizing of the Rebellion military. Could also explain why we apparently need a Republic and a Rebellion - the Republic is probably too weak to do anything against a concentrated Empire Strikes Back Back counterattack. But, apparently, the Rebellion is weak, too. Good point about the ship monoculture, though - ashamed to say I didn't even realize it but, yes, the absence of anything but the X-wings was weird.
@Bick asked "Didn't the Republic win in Episode VI? What was the point of the first 3 movies if its all gone to hell anyway?"
Agreed. Shades of
Alien 3. Completely undid the greatness of
Aliens though, at least, I can respect them for trying something different and trying to create a tragedy trilogy. They were doing blockbuster Hollywood sequelitis and trying to make it a kind of art. Failed, but nice try. Here, we just kind of undo the original trilogy in this hybrid sequel/reboot for no real artistic win. But, art imitates life (or is it the other way round?
) where this can also apply to what I said to Cul's point. We had WWII and we're having Cold War II so why not Empire-Rebellion III? I guess. Maybe.
@ratsy mentioned Luke running away. It might not be cowardly fear. It seems Luke started a new training academy and things went pear-shaped. This might have made him realize he'd repeated Obi-wan's failing and created a new Vaderish guy and so on - it could be guilt and penance rather than cowardice. Either way, it's no more or less than Yoda did, running off to Dagobah.
Only slightly different notes:
@Heir mentions "when Rey pulls Luke's lightsaber to her. That was one of those magical moments I imagine was reminiscent of the originals. It's one of those things like when Luke blows up the Death Star, or when Vader saves Luke from the Emperor, it will never get old."
It may never get old, but maybe I have. I imagine that scene will be very popular with many people but I remember the whole setup of the Vader/Luke/Emperor thing. And as Luke is being zapped, I thought, "Oh crap, what's going to happen?" I was emotionally involved. And when the camera cuts to Vader and he eventually looks back and forth, I thought, "Can he just let this happen? He's his dad! But how can he stop it? It's 'too late for him now' and that's his Emperor!" and being balanced on edge and when Vader suddenly lifts the Emperor up and the lightning goes everywhere and Vader's helmet briefly lights up skull-like (though that may have been afterward), the amazement and exhilaration in this kid's spirit was fantastic. Indeed, a magical moment that never gets old. But I watched the camera watch the saber sit there in the snow and I thought to myself, "Rey's gonna do the Luke-in-the-Hoth-monster-cave trick," and she did. Big deal. I can recognize the neatness of the thing in the abstract but I couldn't
feel it. The character dynamics weren't there, and I'd already seen the action dynamics. Not to mention that it's a minor part of other light saber duels. But that's maybe just me not being a kid anymore, dammit.
@kythe : "Oddly, I didn't even feel strongly about Solo's fate."
Similar to the above point, I'm right there with you, kythe. That is the most amazing and disappointing thing about the movie to me. I knew Ford was reluctant even as far back as Empire to be Solo again but I didn't have the specific knowledge others seem to have had regarding the extra-movie contract stuff. Still, as soon as he and Ren were in the same place, I knew he or they were going to die (perhaps all trapped when the bombs go off) but, as soon as he stepped out towards Ren I knew he alone was going to die on the catwalk, so there was no surprise anywhere near that moment. Now, if you'd have said, "Han dies in this movie," I'd have been shocked and extremely upset. But when it actually goes down in the movie, it somehow muffs all that. My biggest problem with it was just that it was a rather ignominious Boba Fett kind of death for the Reluctant Hero. Han deserved something bigger and better, such as trying to save Leia from something horrible or whatever. That is the one saving grace, in that he was trying to "save" his son but not in a dramatically satisfying way.
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On to some oddities and possible additions or variants to the general reactions:
Several people mentioned audience reaction while they were in the theater. That was actually a disappointing part to me. There were several lines or references that I responded to or which got a laugh from me but the theater was mostly pretty quiet. It was all respectful, but little cheering or participation.
I've heard several people mention the music and, indeed, I've often wondered how bad
Star Wars would have bombed with a pop music or synth soundtrack and how many SF movies might have been saved with a Williams soundtrack. I've always loved the music but, in retrospect, I didn't really notice the music except in a spot or two and have no new melody in my head at all. Now, you don't want it to be obtrusive but the original balanced perfectly - you noticed it without it being distracting. Much like Abrams' fork, Williams missed the ideal in this while avoiding the worst - the music, insofar as it was new, was just "fine" for me in this one.
And someone (sorry, forgot who) mentioned the BIG villain being too
Guardians of the Galaxy-ish, which is exactly what I thought. But no one's complained about the
name. I'm waiting for the next SFF flick's villain to be called Skake or something. Snape. Snoke. All these sound stupid to me and the only excuse I can think of is that they're supposed to be reminiscent of "Snake."
Snoke? Have a Snoke and a grimace! "I'd like to teach the world to scheme in perfect villainy!"
And, on the lesser villain, I'm with most people who weren't overly impressed by Vader-lite and his lite-saber and I'm with
@Brian Turner in having the "Han and Leia produced that?!?" reaction when he unmasked.
One thing I especially did like that seemed like a nod to the originals in the best way, was that the cast (except for von Sydow) was pretty completely unfamiliar to me. I know this isn't true for everyone as most all of them had done things that got them well known to some, especially UK, audiences, but there were no Liam Neesons and Samuel L. Jacksons in the cast. And I have heard one and only one person, in real life, on the boards, elsewhere on the net or anywhere, say anything significant against Daisy Ridley and her Rey and I'm not a second. She (as actress and character) was the brightest spot of the movie, to me. She's got the Force and "goodness" of Luke without his sort of "Goody Two-Shoes" vibe. She's got some Han "can-do" coolness to her. She's got some Leia attitude and effect. But (allowing that she intuitively groks the Force all too easily) she's a believable character. Akin to that "extra-character" issue with the Force, there's another "in-story" problem with her, though. That she would be furious after her mind probe and Han's death is obvious but there was no apparent "in-story" concern with her rage and we all know "that way leads to the Dark Side." Now, personally, I don't buy the kind of Tao aspects of the Force, being more of a Western "the biggest gun wins" guy but I hope they don't disregard their own Mythos in the later movies.
Despite how good the character is, there is another problem I thought of when I thought of Luke and Leia swinging across the void when Luke had shot the extension bridge controls. As much action as there was and as much was lifted from the earlier movies, there were very few swashes buckled. I'm not saying the new movie should have lifted this "lifted from Errol Flynn" moment itself, but surely they could have found more Three Musketeers or Flash Gordon or whatever moments to steal? And that moment also contains Leia's kiss "for luck" to Luke. Now, contrary to Lucas' "I was a genius from the start with it all planned out" revisionism, he - and certainly
we and
they - had no idea they were brother and sister and part of the energy of the original movie (that even little kids weren't oblivious to) was the sexual tension. That same sequence had Leia looking admiringly after Han as he hilariously dashed off after a bunch of stormtroopers and saying, "He certainly has courage!" Now, I don't want my SF movie to be a romance, but there are advantages to triangles and sexual tension and this movie had none. (
Pirates of the Caribbean rips of this part of Star Wars the best of any movie I know of, where the hobbit is Luke and Johnny Depp is Han and Keira is Leia but with a different outcome because Luke and Leia aren't related.) The actor who played Dameron did fine with the nothing he was given and the ex-stormtrooper also did fine but there was nothing but a thin, unconvincing connection between him and Rey with nothing approaching so much as a kiss. Putting a toe into dangerous waters here, but this may have something to do with Hollywood's weird conflict with politically correctly casting an often obligatory Black Hero combined with their continued resistance to letting that Black Hero manifest much masculinity such as, y'know, letting him kiss the freakin' girl! I dunno. Either way, it was strange. And this all also connects to another problem in this nexus: Rey has had a hard life and doesn't manifest as overly saccharine and may naturally get angry when people mindrape her and kill her friends but she's pretty purely good. The ex-stormtrooper may be an ex-stormtrooper but he's somehow pretty purely good and behaves like he's on a chaperoned date. And, of course, Mr. Hero Pilot is a Good Guy. There are no "scoundrels" (or even scruffy-looking nerf herders) in this movie. And that's sorely missed, especially as they kill off Han (the Last Scoundrel?) in this movie.
On another note, akin to the music in that it's a subtle "there but not all there" is a sense of scale. Leia was a kickass proto-feminist character but she had to go along for the ride with Luke twice (bridge and the skiff/sail barge in Jedi) though she was also the one who had to save their skins at other moments. Anyway, in this, an out-of-Luke Rey is busily saving herself alone in the giant chasm of the Death Planet and it occurred to me how little sense of "bigness" this movie had aside from that moment. I think Grim mentioned the galaxy seeming to be a few square miles large and that's true but there was also little sense of scale even on a human level. The opening scene "homages" the Star Destroyer opener of the original and it does show a triangle enlarging over the face of a (already forgot - moon or sun?) but that conveys none of the awe and power of the thunderous Star Destroyer going overhead in the original. Abrams homages the
scene, but not the
effect. And a lot of this movie is like that.
All that from reflecting on a bridge scene between Luke and Leia while Han's running around after and from stormtroopers. Now,
that was a movie!
But this one was still good fun and I have a Christmas present of movie gift certificates that ensure that I'll see it in the theaters at least once more to see if my impressions change.