My first novel - The Last Astronaut

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Adam Stubbings

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Hi guys,

I am currently 80% of the way through the first draft of my debut novel The Last Astronaut. At this stage I am keeping the specific plot details to myself, but the story is a science fiction yarn set in the near future. I was hoping for some good critiquing of my writing style, so I have a section of the Prologue available here.

To set the scene, humanity left Earth not long from now and colonised a new planet, Kepler. We thought Kepler was abandoned and devoid of life, but people are disappearing and that may not be the case.

This is where two police officers finally decide to investigate reports of strange goings on in the subway system of the capital city...

1480 words. Strong language censored.



KEPLER-186f

2055


“Are you ready?”

“I am.”

“Are you sure?”

“Yes.”

“Really?”

“How many times are you gonna ask me the same goddamn question?”

Jonathan Reynolds grimaced. It wasn’t that he didn’t have much faith in Lowell, it was that he had, well, no faith in him.

Alex Lowell, sweating already, stared up at him. The immense physical effort attached to climbing down fifteen ladder rungs had really taken it out of him. His bulging waistline was shuddering from each breath he sucked through his gullet, and he looked like he could collapse at any moment. Reynolds marvelled once again at the fact that this unfit, utterly useless piece of meat had ever made it into the city’s police force. He ran a hand through his thick, jet black hair, eyeing the bald spot on top of his partners head and hoping dearly that he was light years away from the same predicament.

“Sometime today would be nice,” Lowell muttered.

“Okay.” Reynolds turned to his side and with a grunt, lifted the heavy black bag up. He turned back to the open access shaft and held the bag over the hole. Lowell held out his hands. Reynolds dropped the bag. Lowell, to his credit, had looked ready. However Lowell, as expected, messed up, letting the large bag slam to the ground in front of him.

“Aw sh*t, I f***ing missed it. You need to watch your aim!” Lowell snapped, glaring at him.

Reynolds considered a range of different responses, most focusing around his partner’s inability to get anything right, but settled for the reply that would spark the least amount of whining. “Yeah you’re right, sorry. My fault.” He crouched down, put his foot on the top rung of the ladder, and began to descend. He took one last lingering look up into the maintenance office on his way, before focusing his attention on the wet, slimy substance at the bottom of the ladder. His feet touched the ground and he immediately regretted putting on his nicest pair of shoes and not a pair of thick, hefty boots.

Lowell made no move to pick the bag up, waiting for Reynolds to do the honours. Instead, he looked around anxiously. “I don’t like it. I already don’t like it.”

Reynolds grabbed the bag and picked it up. “I guess I’m carrying this then? Still?”

Lowell didn’t answer, his anxious gaze covering every square inch of the dimly lit tunnel around them. “I really don’t like it.”

Reynolds pulled a small flashlight from his belt, flicking it on and shining it one way and then the other. The light pouring through the access shaft above them was illuminating the immediate area but darkness was waiting a few meters in either direction. The tiny flashlight barely pierced the foreboding veil of black.

Lowell looked up at the access shaft. “Why don’t we just wait up there, play cards or something, then call in that we didn’t find anything down here?”

Reynolds started trudging through black filth that had accumulated on the floor of the tunnel. “Well firstly, because that would dishonest.” He looked up, his eyes catching sight of a strange brown smear on the ceiling. He passed under it. “Secondly, I’m actually intrigued about what we might find down here.” He glanced back at Lowell. “And lastly, I forgot my cards.”

Lowell rolled his eyes. “I was kidding about that bit.”

Reynolds carried on into the darkness. “Get your ass down here.”

Lowell hesitated but didn’t want to be left alone, following Reynolds through the gloom, looking over his shoulder at the light from the access shaft as it began to fade away behind him.

Reynolds sighed. Lowell was a pain in the ass, and had no right to be a cop. Still, in a city still finding its feet and rife with crime, where the law wasn’t cherished by many, the local law enforcement establishments needed every body they could pay enough to make a stand.

The tunnel made a slow curve left, and Reynolds continued on, a distant dripping echoing through the air. His footsteps were careful; a stark comparison to Lowell’s heavy thudding behind him.

“You trying to be a hero?” Lowell asked.

“What do you mean?”

“Doing this. We could have just waited up there and avoided wading through all of this sh*t.”

“No we couldn’t. Trying to be a hero? No, I’m not. I’m just trying to do my job. We lost two guys down here yesterday. They might be dead, they might be lost, injured, we don’t know. And nobody will know until this place is combed over.”

“But-”

Reynolds turned sharply, the flashlight beam striking Lowell in the face. “Go back if you want.”

Lowell swallowed hard. “No. I’m just trying to make a point.”

“Make it later.”

Lowell nodded and Reynolds turned back, heading down the tunnel again.

Minutes passed, the only sounds wafting back and forth down the tunnel coming from their footsteps. Occasionally there was the odd errant sound, a hum here, a throb there, and the ever present dripping of fluid. Reynolds kept the flashlight pointing mainly ahead, his arm beginning to ache from the heavy bag. He debated asking Lowell to carry it but as the thought formed in his head, a new sound made itself known.

A rumble.

A few seconds passed before the inevitable happened and Lowell’s dumbed down senses caught up. “You hear that?”

Reynolds stopped. The noise was rising in pitch and volume. “I do. I’m guessing it’s a train. Above us.”

Lowell looked back behind them. A thin layer of mist was beginning to form further down the tunnel. The rumble died down before disappearing entirely almost as fast as it had arrived.

Reynolds moved forward again. “Let’s pick up the pace. I reckon we’ve got about a hundred feet before we hit the intersection.”

Lowell followed him, almost treading on the back of Reynolds’ shoes. “How do you know?”

“There are maps of the subway tunnels back at the department in the city infrastructure files. I studied them before we left.”

“You didn’t think to bring the maps with you?”

“Of course I did.”

“So…?”

Reynolds grimaced. “The Captain said I couldn’t have them because of the likelihood of us not getting out of here.”

They reached the expected intersection, actually a crossroads, a few seconds later. Reynolds gave his partner a smug grin.

Lowell sighed. “Lucky guess. So which way?”

Reynolds flicked the flashlight in each direction, noting the thick mist slowly drifting along each tunnel. He shrugged. “No idea. Want to split up?”

Lowell’s mouth dropped open. “Are you f***ing serious?”

Reynolds chuckled. “Why? Scared of the dark?”

Lowell glanced at the bag. “I get the gear.”

Reynolds chuckled again, louder. “Somehow I don’t think so.” He patted Lowell on the shoulder. “Come on, I’m f***ing with you. Let’s go right.”

“Why?”

“Someone used to say when in doubt, turn right.”

“Where’s the logic in that?”

Reynolds started heading down the right-hand tunnel. “No idea. But it’s as good a guess as any.”

Lowell was breathing so heavy he sounded seconds away from a coronary. “Remind me again, how did we land this fantastic assignment?”

Reynolds didn’t answer immediately. He’d been deliberately vague about the whole situation so far. But now they were down here, he doubted Lowell would turn tail and head back by himself. “I requested it.”

Lowell put a firm hand on Reynolds’ shoulder. “What the hell did you just say?”

Reynolds looked at the hand and slowly, Lowell moved it. “I said I requested it.”

“Why would you do a f***ing stupid thing like that?”

“Why? What do you mean why? Because it’s our f***ing job.”

Lowell narrowed his eyes. “My job is somewhere with bright lights and a sh*tload of other people. Not down here running around in the dark.”

Reynolds stared at him, mentally shaking his head. Lowell was halfway through a pretty unspectacular career, coasting along without doing anything notable. It was surprising he had even made it this far into the tunnels. “Listen to me. People are vanishing all over the city. Have been for years. Anyone who sets foot near the subway is running the risk of disappearing. We have no idea why. Two cops, two of our colleagues, they came down here and never came back out.” He paused. “Don’t you want to know why?”

“I’d rather find out on the news.”

Reynolds rolled his eyes. “Act like a f***ing cop for once.”

“I know what would make me feel safer,” Lowell said pointedly.

Reynolds didn’t respond, releasing his grip on the strap of the bag. He crouched down and unzipped it, fumbling around inside and pulling out two chunky, fully loaded shotguns. He handed one to his partner. “Then feel safer.”

Lowell took it gratefully, nodding. “Alright hotshot, lead the way.”
 
Be warned, I have teeth. (Also, if you're being cagey about the plot in case someone might steal it, I wouldn't worry. We all have too many ideas of our own to get time to get to....)

Hi guys,






KEPLER-186f

2055


“Are you ready?”

“I am.”

“Are you sure?”

“Yes.”

“Really?”

“How many times are you gonna ask me the same goddamn question?” If Jonathon spoke this line, I'd put the grimaced here as it makes it clearer who is speaking this line

Jonathan Reynolds grimaced. It wasn’t that he didn’t have much faith in Lowell, it was that he had, well, no faith in him.

Alex Lowell, the use of full names immediately lifts me out of close pov - who thinks of the people around them byt their full names? sweating already, stared up at him. The immense physical effort attached to climbing down fifteen ladder rungs had really taken it out of him. His bulging waistline was shuddering from each breath he sucked through his gullet, and he looked like he could collapse at any moment. Reynolds marvelled once again at the fact that this unfit, utterly useless piece of meat had ever made it into the city’s police force. He unclear which he ran a hand through his thick, jet black hair,but if it's Jonathon, this is pure info-dump. Who thinks about their own thick, jet black hair? eyeing the bald spot on top of his partners partner's head and hoping dearly that he was light years away from the same predicament.

“Sometime today would be nice,” Lowell muttered.

“Okay.” Reynolds turned to his side and comma? Feels like an ellipsis with a grunt, lifted the heavy black bag up. He turned back to the open access shaft and held the bag over the hole. Lowell held out his hands. Reynolds dropped the bag. Lowell, to his credit, had looked ready. However Lowell, as expected, messed up, letting the large bag slam to the ground in front of him. I found it hard to follow the placement here. Also, there's not really much happening. I know what they look like but nothing about what's interesting about them.

“Aw sh*t, I f***ing missed it. I'd drop this line - we already know this. You need to watch your aim!” Lowell snapped, glaring at him.

Reynolds considered a range of different responses, most focusing around his partner’s inability to get anything right, but settled for the reply that would spark the least amount of whining. “Yeah you’re right, sorry. My fault.” He crouched down, put his foot on the top rung of the ladder, and began to descend. He took one last lingering look up into the maintenance office on his way, before focusing his attention on the wet, slimy substance at the bottom of the ladder. His feet touched the ground and he immediately regretted putting on his nicest pair of shoes and not a pair of thick, hefty boots.really starting to hope something will happen soon.

Lowell made no move to pick the bag up, waiting for Reynolds to do the honours. Instead, he looked around anxiously. “I don’t like it. I already don’t like it.”

Reynolds grabbed the bag and picked it up. “I guess I’m carrying this then? Still?”

Lowell didn’t answer, his anxious gaze covering every square inch of the dimly lit tunnel around them. “I really don’t like it.”

Reynolds pulled a small flashlight from his belt, flicking it on and shining it one way and then the other. The light pouring through the access shaft above them was illuminating the immediate area but darkness was waiting waited would be more active - keep an eye on was, it often leads to passive voice. a few meters in either direction. The tiny flashlight barely pierced the foreboding veil of black.nice

Lowell looked up at the access shaft. “Why don’t we just wait up there, play cards or something, then call in that we didn’t find anything down here?”

Reynolds started trudging through black filth that had accumulated on the floor of the tunnel. “Well firstly, because that would dishonest.” He looked up, two looked up - stands out a bit. Also, do you need this one? It seems to be a filter word - an action that removes us from the immediate character experience his eyes catching sight of a strange brown smear on the ceiling. He passed under it. “Secondly, I’m actually intrigued about what we might find down here.” He glanced back at Lowell. “And lastly, I forgot my cards.”

Lowell rolled his eyes. “I was kidding about that bit.”

Reynolds carried on into the darkness. “Get your ass down here.”

Lowell hesitated but didn’t want to be left alone,feels like a pov jump following Reynolds through the gloom, looking over his shoulder at the light from the access shaft as it began to fade away behind him.

Reynolds sighed. Lowell was a pain in the ass, and had no right to be a cop. Still, in a city still finding its feet and rife with crime, where the law wasn’t cherished by many, the local law enforcement establishments needed every body they could pay enough to make a stand.

The tunnel made a slow curve left, and Reynolds continued on, a distant dripping echoing through the air. His footsteps were careful; a stark comparison to Lowell’s heavy thudding behind him.

“You trying to be a hero?” Lowell asked.

“What do you mean?”

“Doing this. We could have just waited up there and avoided wading through all of this sh*t.”

“No we couldn’t. Trying to be a hero? No, I’m not. I’m just trying to do my job. We lost two guys down here yesterday. They might be dead, they might be lost, injured, we don’t know. Oooh, this at the start instead of now it would have been hookier. Now we have danger. This is your hook - use it. And nobody will know until this place is combed over.”

“But-”

Reynolds turned sharply, the flashlight beam striking Lowell in the face. “Go back if you want.”

Lowell swallowed hard. “No. I’m just trying to make a point.”

“Make it later.”

Lowell nodded and Reynolds turned back, heading down the tunnel again.

Minutes passed, the only sounds wafting back and forth down the tunnel coming from their footsteps. Occasionally there was the odd errant sound, a hum here, a throb there, and or - it's not an occasion errant sound if its ever present ;) the ever present dripping of fluid. Reynolds kept the flashlight pointing mainly ahead, his arm beginning to ache from the heavy bag. He debated asking Lowell to carry it but as the thought formed in his head, a new sound made itself known.

A rumble.

A few seconds passed before the inevitable happened and Lowell’s dumbed down senses caught up. “You hear that?”

Reynolds stopped. The noise was rising in pitch and volume. “I do. I’m guessing it’s a train. Above us.”

Lowell looked back behind them. A thin layer of mist was beginning to form further down the tunnel. The rumble died down before disappearing entirely almost as fast as it had arrived.

Reynolds moved forward again. “Let’s pick up the pace. I reckon we’ve got about a hundred feet before we hit the intersection.”

Lowell followed him, almost treading on the back of Reynolds’ shoes. “How do you know?”

“There are maps of the subway tunnels back at the department in the city infrastructure files. I studied them before we left.”

“You didn’t think to bring the maps with you?”

“Of course I did.”

“So…?”

Reynolds grimaced. “The Captain said I couldn’t have them because of the likelihood of us not getting out of here.”that makes no sense to me? On several levels - in a city struggling for experienced police why risk two like this? If it is that dangerous, this would be a specialist squad, not two cops on their own surely. That, I think, is the biggest plot risk with this - your hook is this is dangerous, but the scene doesn't support that. It might be better to downplay the danger (leaving the hook that people have vanished) and then have it reveal itself so the reader has the satisfying knowledge that they shouldn't go into that tunnel. But, also, the city only has one map? He doesn't have a phone that he could have taken a picture of the section with?

They reached the expected intersection, actually a crossroads, a few seconds later. Reynolds gave his partner a smug grin.

Lowell sighed. “Lucky guess. So which way?”

Reynolds flicked the flashlight in each direction, noting the thick mist slowly drifting along each tunnel. He shrugged. “No idea. Want to split up?”

Lowell’s mouth dropped open. “Are you f***ing serious?”

Reynolds chuckled. “Why? Scared of the dark?”

Lowell glanced at the bag. “I get the gear.”

Reynolds chuckled again, louder. “Somehow I don’t think so.” He patted Lowell on the shoulder. “Come on, I’m f***ing with you. Let’s go right.”

“Why?”

“Someone used to say when in doubt, turn right.”

“Where’s the logic in that?”

Reynolds started heading down the right-hand tunnel. “No idea. But it’s as good a guess as any.”

Lowell was breathing so heavy he sounded seconds away from a coronary. “Remind me again, how did we land this fantastic assignment?”

Reynolds didn’t answer immediately. He’d been deliberately vague about the whole situation so far. But now they were down here, he doubted Lowell would turn tail and head back by himself. “I requested it.”

Lowell put a firm hand on Reynolds’ shoulder. “What the hell did you just say?”

Reynolds looked at the hand and slowly, Lowell moved it. “I said I requested it.”

“Why would you do a f***ing stupid thing like that?”

“Why? What do you mean why? Because it’s our f***ing job.”

Lowell narrowed his eyes. “My job is somewhere with bright lights and a sh*tload of other people. Not down here running around in the dark.”

Reynolds stared at him, mentally shaking his head. Lowell was halfway through a pretty unspectacular career, coasting along without doing anything notable. It was surprising he had even made it this far into the tunnels. “Listen to me. People are vanishing all over the city. Have been for years. Anyone who sets foot near the subway is running the risk of disappearing. We have no idea why. Two cops, two of our colleagues, they came down here and never came back out.” Yep - it makes no operational sense why this would play out like this, to me, but I'm not operational expert. @ralphkern might be able to help re how a police operation for something like this would play out, but it's not by sending two unsupported cops into danger and hoping they cope. He paused. “Don’t you want to know why?”

“I’d rather find out on the news.”

Reynolds rolled his eyes. “Act like a f***ing cop for once.”

“I know what would make me feel safer,” Lowell said pointedly.

Reynolds didn’t respond, releasing his grip on the strap of the bag. He crouched down and unzipped it, fumbling around inside and pulling out two chunky, fully loaded shotguns. He handed one to his partner. “Then feel safer.”

Lowell took it gratefully, nodding. “Alright hotshot, lead the way.”

Okay, some stuff for you to think about in there. The writing is mostly fine, but could be tighter for my taste. Also, I think the scene feels padded, especially for an opener where not a lot happens and I think you could get the word count down and make it zip along much more.

Hope it helps /)
 
I personally found it to be reasonably well written - no biggies with spelling or grammar - but it's awful chatty, not much happens, and Reynolds isn't really driven by anything other than his dislike of his partner.

You could really make this piece shine by being more clear on what's fundamentally driving the protagonist, being more concise and cutting extraneous dialogue, and thinking about issues such as giving us stakes to give us a reason to care.

Overall, not bad, but as ever I'll recommend you read Wonderbook by Jeff Vandermeer and Save the Cat by Blake Snyder, as you're potentially missing out on the key technical points both books succinctly relate.
 
I have to agree with Brian and Jo - it is very nicely written. I liked it, and would read on. The set-up and the characters are enjoyable, and I want to see what lies at the heart of the mystery.

However, it does need a reasonably heavy trim, and while the dialogue is ok there's too much of it. I personally found the swearing a bit OTT, too. Don't get me wrong, it doesn't offend me – my characters swear when necessary, but it seemed a little forced in this instance. But it might just be personal taste.

The big, big problem you've got was alluded to by Jo, and it struck me on reading as well. If the city has lost two coppers already to this whatever-it-is, there is no way on Keplar the authorities would send down another two after them. They'd be sending SWAT teams (or the equivalent) or at least be doing some sort of desk research before dispatching officers. You'd better have a good reason for sending two more men down there, especially as you've intimated they've got a serious manpower shortage. Are they expendable? Or are they being framed by their superiors? It just reads like an oversight at present. If you solve that then plot-wise it works.

I'm not sure I agree with Brian about having to reveal what's driving the protagonist right away - the hook is that he and his partner are on the trail of a dirty great whatever-it-is; for now, that's enough motivation IMO. You can bring in the wider motivations of the character at a more opportune moment.

But the writing is fine, it flows well and kept my interest. Keep up the good work!
 
Hi Adam,

To be brief, (y)

To preface my longer thoughts, they are based of course, only on what's above, so some of them may be answered in other parts of your work.
  • I think you've got good characterisation, of stock characters - which is not a problem, just something to be aware of. Assuming this is very early on in the prologue, it moves along nicely, while building the scene, the characters and the relationship between them.
  • That said, I would leave it for a while and then go back through it ruthlessly removing a word or two throughout the whole thing. It feels in places that there are just too many words; it's not baggy, it just feels like it could be tighter. I use loads of words for detailed descriptions when I want to emphasise a situation or atmosphere, otherwise I try and keep the word count down.
  • I can see two cops going to investigate two other cops who've just disappeared, but it would be far more likely to be a team effort at least, and probably quite a big search team at that. You'd need to push the lack of resources pretty hard, or have another explanation (perhaps the other cops weren't liked? tech is in short supply?) to convince the reader that only two cops would go looking without human or tech backup.
  • I think there's a few things that investigators on a new planet wouldn't pass by, especially when people have gone missing - the strange brown smear on the ceiling, the thin mists, the rumbling. At least they would record them somehow for future analysis, if not work out what they were.
  • Why do the cops on a future planet not have a PDA of some kind? On which they could display the maps that they couldn't take from the department? A future astronaut environment where data isn't freely available to those authorised to hold it is pretty unusual and would need explanation.
  • I would strongly suggest only using said to show who's speaking, instead of muttered, yelled, etc. I'm being a bit unfair in that you are good at using the dialaogue, the grammar of the dialogue and actions round the dialogue to show how something is being said, but even so the ones you did use stood out for me as being unecessary. And you have a "said pointedly."...which I believe is a real sin :(
Think that's it, hope it's of use.

Cheers,

ABS
 
Okay, this is a good piece to start with; it just needs some cleaning up.

Everyone so far have covered many of the finer points, so I will come right to the point on how this piece works for me.

First, the dialogue at the beginning is not helpful nor does it move the story forward; although it does set the pace which seems to be one step forward two step back and two step forward one step back. It reads to me as though you keep circling back to say the same things a bit differently and it feels like the wheels are spinning.

What I mean by that is that Reynolds does not appreciate Lowell and he doesn't just say it and get that out of the way but he keeps coming back to it and back to Lowell's unfit condition.

Lowell doesn't seem to trust or respect Reynolds and he keeps circling back to that. And I suppose that could work if that was all this story was about. (And if it were a comedy.) Lowell is frightened either of the dark tunnels or what might lurk here and would rather be somewhere else and he doesn't want us to forget that.

But as far as plot it seems that people have been disappearing from the subway and some of their men have disappeared from the tunnels. Reynolds is determined to find out who or what is doing this.

You have a lot of dialogue and that would work okay except for the major portion sounds like the "as you know" type of exposition which could be inserted just as easily with narrative, but with dialogue it helps perpetuate the feeling of going back and forth. Each sentence in a paragraph should take the reader forward by adding to the previous with something new and should avoid backpedaling down the same ideas.

That is a fault that I have-trying to say the same thing six different ways so that the reader can better understand. Better to say it once and trust the reader.

You could tighten this by assembling the loose pieces and fitting them together where they belong and make this half as long while still getting to the point.

That brings me to the place where I'm not sure the people missing thing is all you have here but if there is more then that's more reason to tighten and get to the point quicker.

The map thing doesn't track right here. They just lost some people in the tunnels and now they send two more in without a map. Do they want to get rid of these two? It doesn't add up. You need to resolve this with a tangible reason or don't use it because I'm not sure it moves the story forward. It honestly sounds like one of those things where it's there because the author felt a need for more conflict. It would make more sense if one of them knew the tunnels like the back of their hand and then if you wanted to get them lost from there you could work that out some way.

Now one last thing; I can see him thinking about thick hair because he can feel that. Jet black hair needs to come from somewhere else because I don't usually think of my brown thin hair as much as I do about the thin hair when I brush my hand through it.
 
As you want to keep the specifics to yourself, it is difficult to comment on your world building, but these two things stand out:

Others have mentioned, two cops going missing would be all hands to the pumps, in the same way as any high risk missing person would be.

You have 2055 at the start. If that's the time, fine. But if that's the date, it seems remarkably near-future to have a colony on an extra-solar world, with a city over what seems to be a vast network of tunnels. And, of course, where people have been shipped in such quantities to require Police officers.
 
Alex Lowell, sweating already, stared up at him. The immense physical effort attached to climbing down fifteen ladder rungs had really taken it out of him. His bulging waistline was shuddering from each breath he sucked through his gullet, and he looked like he could collapse at any moment. Reynolds marvelled once again at the fact that this unfit, utterly useless piece of meat had ever made it into the city’s police force. He ran a hand through his thick, jet black hair, eyeing the bald spot on top of his partners head and hoping dearly that he was light years away from the same predicament. – Could be shorter and a lot more concise.

Lowell hesitated but didn’t want to be left alone, - this felt like a head hop.

following Reynolds through the gloom, looking – He followed and looked, more immediate and controls the characters actions better.

Reynolds sighed. Lowell was a pain in the ass, and had no right to be a cop. Still, in a city still finding its feet and rife with crime, where the law wasn’t cherished by many, the local law enforcement establishments needed every body they could pay enough to make a stand.- Repeating/telling

“No we couldn’t. Trying to be a hero? No, I’m not. I’m just trying to do my job. We lost two guys down here yesterday. They might be dead, they might be lost, injured, we don’t know. And nobody will know until this place is combed over.” – ruined the suspense for me and didn’t feel too realistic.

Reynolds grimaced. “The Captain said I couldn’t have them because of the likelihood of us not getting out of here.” – Really!!! My sense of realism is being push hard here.

They reached the expected intersection, actually a crossroads, a few seconds later. Reynolds gave his partner a smug grin. – Intersection or crossroads, one description please and not two.

Reynolds stared at him, mentally shaking his head. Lowell was halfway through a pretty unspectacular career, coasting along without doing anything notable. – Repeating again.


I’ve gone over the reviews and I’m more or less repeating what has been said before. Too much padding in places, those big paragraphs of description etc. could easily be trimmed down.

Repeated images and repeated set up of the plot, which slowed everything way down. This was 1.5k words of not a lot actually happening.

My sense of realism and belief in the scene had gone by the end. Sending two cops to investigate the disappearance of other cops didn’t do it for me and the map comment really annoyed me. You’re not getting a map as you’re not coming back… ok boss, I’ll go anyway!!! The question I ask is simple, would you go in that situation? I think not. Trust your reader more. Assume your reader is your intelligent equal and write that way. Right now your spoon feeding me and I’m not having it.

So aim for being tighter, more concise, keep the plot moving and surname or first names, but not both unless there is a reason why – which there wasn’t this time. Less of the large sections with character introspection and thinking, have some if needed, but keep it under control.

Good attempt at an opening, but I don’t like dialogue hanging like that, but others I’m sure will go for it. Good technical writing overall and good control of dialogue that felt realistic. Tidy up on the details and you’ll shine. Despite the mauling I’ve just given you, I felt you did well and have a nice touch.

What I think only, and I could easily be wrong. Welcome to Chrons Adam.
 
Hi Adam,

I like the writing generally and I was smiling at some of the characterisation and frank exchanges. I was happy enough to read on, although it could be leaner in style.

I'm not sure if everyone will agree with the following comments, but at times we seem to slightly stray from Reynold's point of view.

If we are closely following Reynolds POV, then would he really be able to say definitively that Lowell had expended an immense physical effort climbing down a ladder, or that Lowell was waiting for Reynolds to pick up the bag?

We are told that Lowell looks back to see the mist rather than Reynolds.

How can Reynolds see that Lowell is almost treading on the backs of his shoes?

Bowler1 mentioned how Lowell feeling anxious about being left alone feels like a headhop.

There are other examples of Lowell's rolling eyes etc. Which Reynolds would most likely not see with Lowell behind him in a dark tunnel. It is the author telling us more than the main POV character would know.

A small point, but why did Reynolds put on his best shoes if he had volunteered to scour service tunnels?

Hopefully this is not too pedantic, because it is promising writing. I'd be interested to know if others feel your less confined POV works as well here?
 
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