Chapter 1 of Newest Book

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Christopher Lee

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This is the first chapter of my newest book that I'm working on. It's a fantasy revenge story and this is where it all begins. The book's almost done and I decided to post this here to get some feedback and whatnot. It's the first draft but this particular chapter has been revised a couple times.

Any and all advice is welcome. Be cruel, be brutal, and be honest. Thanks guys!

By the way, it's 1500 words in length.

Chapter 1

Breaking the Heart of a Killer


Kelf stood beneath a clear sky with a bright sun beating down on him from above. An ax hang limply from one hand as he used the other to hold a glass of water to his mouth, gulping it down furiously. Water dripped from his beard as he tossed the glass aside, and then resumed chopping wood. Inside the house, Mary would be preparing dinner by now while Susan and Lily sat at the table, studying their alchemy books. His wife had insisted they be allowed to take alchemy this year, despite his opposition. Kelf frowned.

He paused, feeling the wind on his burned cheeks. He could hear the padded footsteps of something small trying to sound big as it stomped through the leaves. He could hear the grass being disturbed as someone advanced on him from behind. He whirled around and... smiled. Lily was standing there in a blue and yellow dress, her curly hair floating about her head like tiny dark clouds, holding a plate of cookies.

“Hey, Daddy. Momma’ said you might want a little snack.”

Kelf rubbed one calloused hand through her hair and laughed. “I’ll bet the cookies were your idea, eh sweetie?”

“Yeah,” she said. She looked so much like her mother it thrilled and terrified him at the same time. The same high cheekbones and sparkling pale blue eyes of a Blessed. He’d have his hands full in another six years or so. “She said you might be hungry so I brought you cookies!”

“Well,” he said, snatching one of the cookies from her plate. “You were right, young lady. I was just thinking how delicious a cookie would taste right about now.”

Lily laughed. “You were? Well it’s because i could read your mind!”

Kelf dropped to one knee. “That you did, my young lady. Now hurry back to the house and help your mother finish dinner. Tell your sister she’s spent enough time on that alchemy for one day.” He kissed her forehead.

“Yes, daddy,” she said, scurrying away as quickly as her short legs would carry her. She dropped probably half a dozen cookies before she made it to the house.

Kelf smiled and turned back to the pile of wood. He set up another block and brought his axe down, splitting it down the middle with little force. He decided he would finish this pile before heading to the house. He was feeling good. Feeling Strong.


A piercing scream rent the air like a knife through butter. Kelf spun around, looking to the house. He could see the front door was open and he saw a stranger poke their head outside and then disappear back inside. Kelf took off through the field, running faster than he had ran in nearly a decade. Floating strands from dandelions being carried on the wind caressed his cheeks as he ran, his chest heaving with each gasping breath. He reached the house and stood outside the door. He could hear no screams, not even a whimper. As he planted one boot on the front porch, a knife soared out of the darkness beyond the doorway and lodged itself firmly in his left shoulder.

He staggered back as a figure slowly emerged from that darkness.

"You play a dangerous game, brother. You've avoided our detection for nearly ten years now." The slim figure standing before him was cloaked and hooded, clad in a familiar black and proud. Kelf could just make out her flawless complexion beneath her cowl. A knife dropped from one sleeve and into her hand.

"I would not have taken you for a farmer had I not seen it with my own eyes."

"Silith," Kelf hissed, unbelieving. "Why are you here?"

The woman named Silith laughed. "I am not alone, brother."

Three more figures emerged from the darkness. Similarly cloaked and hooded, though one stood taller than the rest. This one was holding a sword, the thick blade pointed to the ground. Tendrils of crimson ran down the length of the blade, dripping onto the front porch.

Kelf's eyes widened, his jaw dropped. His only thought, It can’t be. He gritted his teeth, and in one fluid motion, ignoring the fire burning in his left shoulder, he leaped to his feet and threw himself at the tall figure. The figure stepped aside with the grace of a cat, it's feet hardly seemed to touch the porch. The figure slammed the flat of its bloody blade down on Kelf's back. He dropped to the ground in a sweaty heap. Another figure stepped forward and kicked a boot into Kelf's ribs. Kelf gasped, struggling for air. The woman called Silith stepped forward and removed her hood, revealing a face fit only for a Goddess. Her thick, red lips formed a smile.

"You made a grave mistake thinking you could hide from me, Raven."

Kelf spat at the ground, lifting himself to his hands and knees. "My name is Kelf. Raven died with your foul ideology. Where’s my family?"

"Your family," she said, softly, "is right here, Raven. Those strangers inside, however, have been dealt with. Unfortunately, they had to suffer the consequences of your actions."

Kelf inhaled a single deep breath, mustering what energy he had left, and sprang back up into action. He threw a fist into the tall man's stomach, and then tackled Silith. The two of them flew from the front porch and landed in the dirt in a heap of her black robes. She put both feet to his chest and kicked up to the sky, hurling Kelf into the stairs. He felt something in his leg craaack, and a sharp pain shot up his leg and through his spine. He could feel four pairs of eyes looking down at him.

"You disrespected us, brother," one said, casting back his hood. His hair was white, his nose sharp and eyes beady. Dagoth, the Butcher.

Silith placed a gloved hand on Dagoth’s shoulder. "I told you, Raven, that leaving the Dark Family isn't an option. You wounded your brothers, but the pain that your betrayal caused me was even greater." She stepped forward, placing one laced boot across Kelf’s throat, pinning him to the steps.

"You killed them," Kelf gasped. "You killed them... You killed our baby..." His voice trailed off as his air supply slowly diminished.

"I did what I had to do, Raven. There's no room in the Dark Family for children, nor can we spare one of our own being crippled for so long, unable to perform their duties. You knew our commandments. You knowingly betrayed us all. The punishment is not just death, but agonizing death. We will torture you until you no longer feel.” She paused, bending down to his eye level, and added, "Be thankful that your new family went quick and painless. We allowed you that one mercy, Raven. No more."

She removed her foot from his throat and Dagoth stepped forward and lifted him up from his shoulders. Kelf was too tired to resist. The past years had softened him. He was no match for the Dark Family. All he could think about was Lily and Serena. So young, so innocent. And Mary, whom he'd hid his past from until the day his past had caught up with him and taken her away. They were at peace now, yes, cradled in the arms of merciful Seenath, but they were too young to be at peace. Too young to be gone.

Korth, one of the two who hadn't said a word, removed his hood, nodded at Silith, and then drew a knife etched with runes. The handle was ornately made, a ceremonial weapon. Korth looked Kelf in the eyes and Kelf saw rage. Well contained and controlled rage. Then, Silith gestured at the other silent one--that would be Blithe, Kelf knew--and disappeared back into the house.

Then Kelf hissed through gritted teeth as the ceremonial blade dug deep into his belly. Korth withdrew the knife and wiped the blood on a cloth he produced from beneath his robes. He tossed the cloth at Kelf and spun around, walking away. Kelf fell sideways to the dirt ground. Blood flowed out from beneath him in little rivers, branching off as it tumbled into a rock or root.

"Blithe," Silith said as the thick man emerged from the doorway. "I don't want a single patch of skin not covered in a bruise. Use whatever you want, just make sure it's blunt. Then check to see he is dead before returning home."

"You left me no other alternative," she said, looking down at him. "I do hope you enjoyed what little time you were given with your new family."

Kelf watched as she strolled away, sword dangling at her waist as her hips rocked hypnotically left and right. He hoped Blithe would kill him. He hoped Blithe would end the pain and the suffering. Because if he didn't, Kelf would come for them with a wrath no mortal man has ever seen. He would do things to them that not even the Dark Family could conjure to mind.

As Blithe stood over him, a dark-robed intimidating figure of a man, holding a cudgel to the sky, Kelf closed his eyes and smiled. He would see Lily and Serena and Mary again soon. He would wrap them in his warm embrace and he would never again let them go.
 
Kelf will need to survive this incident. If the main character does perish at the end of this scene, it will alienate readers and, more importantly, agents. There is slightly too much detail at the beginning and the sun beats down on Kelf, not beats down on him from above. Also, once Kelf identifies Silith you do not need "the woman named Silith."

However, it is a compelling opening once the action begins. The pace is better in the second half of the posting. A slight trimming will be fine.

Good luck.
 
Thanks for your advice, Michael! I'll definitely remember your points. Also, for any further readings, he DOES survive this incident. He isn't supposed to, but he does. And so begins a quest for vengeance.
 
Be warned, I have teeth and I think there is work to be done here.

This is the first chapter of my newest book that I'm working on. It's a fantasy revenge story and this is where it all begins. The book's almost done and I decided to post this here to get some feedback and whatnot. It's the first draft but this particular chapter has been revised a couple times.

Any and all advice is welcome. Be cruel, be brutal, and be honest. Thanks guys!

By the way, it's 1500 words in length.

Chapter 1

Breaking the Heart of a Killer


Kelf stood beneath a clear sky with a bright sun beating down on him from above. Where else would it beat down from - tighten. An ax hang hung - tense change otherwiselimply from one hand as he used the other to hold a glass of water to his mouth, gulping it down furiouslywhat does this have to do with the ax? How are these thoughts connected? . Water dripped from his beard as he tossed the glass asidewhy does it only drip down as he tosses the glass away? , and then resumed chopping wood. Inside the house, Mary would be preparing dinner by now while Susan and Lily sat at the table, studying their alchemy books. His wife had insisted they be allowed to take alchemy this year, despite his opposition. Kelf frowned.what does this thought have to do with anything? Why does he think it? It feels like an info dump.

He paused, feeling filter word, which distances us from the characrer the wind on his burned cheeks. He could hear ditto the padded footsteps of something small trying to sound big as it stomped through the leaves. He could hear the grass being disturbed as someone advanced on him from behind. He whirled around and... smiled. Lily was standing there in a blue and yellow dress, her curly hair floating about her head like tiny dark clouds, holding a plate of cookies.

“Hey, Daddy. Momma’ ? Why the '? said you might want a little snack.”

Kelf rubbed one calloused hand through her hair and laughed. “I’ll bet the cookies were your idea, eh sweetie?”

“Yeah,” she said. She looked so much like her mother it thrilled and terrified him at the same time. The same high cheekbones and sparkling pale blue eyes of a Blessed. He’d have his hands full in another six years or so. “She said you might be hungry so I brought you cookies!”

“Well,” he said, snatching one of the cookies from her plate. “You were right, young lady. I was just thinking how delicious a cookie would taste right about now.”

Lily laughed. “You were? Well it’s because i could read your mind!”

Kelf dropped to one knee. “That you did, my young lady. Now hurry back to the house and help your mother finish dinner. Tell your sister she’s spent enough time on that alchemy for one day.” He kissed her forehead.

“Yes, daddy,” she said, scurrying away as quickly as her short legs would carry her. She dropped probably half a dozen cookies before she made it to the house.this was better - but only a small part moved the story on

Kelf smiled and turned back to the pile of wood. He set up another block and brought his axe was ax earlier down, splitting it down the middle with little force. He decided he would finish this pile before heading to the house. He was feeling good. Feeling Strong.


A piercing scream rent the air like a knife through butter. Kelf spun around, looking to the house. He could see filter - and you really don't want one here. He spun. The front door was open. A stranger poked.... So much more active the front door was open and he saw a stranger poke their head outside and then disappear back inside. Kelf took off through the field, running faster than he had ran in nearly a decade. Floating strands from dandelions being carried on the wind caressed his cheeks as he ran, his chest heaving with each gasping breath. He reached the house and stood outside the door. He could hear no screams, not even a whimper. As he planted one boot on the front porch, a knife soared out of the darkness beyond the doorway and lodged itself firmly in his left shoulder.pain?

He staggered back as a figure slowly emerged from that darkness.

"You play a dangerous game, brother. You've avoided our detection for nearly ten years now." The slim figure standing before him was cloaked and hooded, clad in a familiar black and proud. Kelf could just make out her flawless complexion beneath her cowl. A knife dropped from one sleeve and into her hand.

"I would not have taken you for a farmer had I not seen it with my own eyes."

"Silith," Kelf hissed, unbelieving. "Why are you here?"

The woman named Silith laughed. "I am not alone, brother."

Three more figures emerged from the darkness. Similarly cloaked and hooded, though one stood taller than the rest. This one was holding a sword, the thick blade pointed to the ground. Tendrils of crimson ran down the length of the blade, dripping onto the front porch.

Kelf's eyes widened, his jaw dropped. His only thought, It can’t be. He gritted his teeth, and in one fluid motion, ignoring the fire burning in his left shoulder, he leaped to his feet and threw himself at the tall figure. The figure stepped aside with the grace of a cat, it's feet hardly seemed to touch the porch. The figure slammed the flat of its bloody blade down on Kelf's back. He dropped to the ground in a sweaty heap. Another figure stepped forward and kicked a boot into Kelf's ribs. Kelf gasped, struggling for air. The woman called Silith stepped forward and removed her hood, revealing a face fit only for a Goddess. Her thick, red lips formed a smile.see, here you have no filters and it works well.

"You made a grave mistake thinking you could hide from me, Raven."

Kelf spat at the ground, lifting himself to his hands and knees. "My name is Kelf. Raven died with your foul ideology. Where’s my family?"

"Your family," she said, softly, "is right here, Raven. Those strangers inside, however, have been dealt with. Unfortunately, they had to suffer the consequences of your actions."

Kelf inhaled a single deep breath, mustering what energy he had left, and sprang back up into action. He threw a fist into the tall man's stomach, and then tackled Silith. The two of them flew from the front porch and landed in the dirt in a heap of her black robes. She put both feet to his chest and kicked up to the sky, hurling Kelf into the stairs. He felt urgh, back to filtering. How did it feel? something in his leg craaack, and a sharp pain shot up his leg and through his spine. He could feel four pairs of eyes looking down at him.

"again let them go.

Bedtime so I have to leave it there, but I hope it helps!
 
IMO this all points to you trying to be too writerly - you're fretting about little details that are actually irrelevant. I get the feeling that as soon as you start your writing, you keep stopping the prose to insert details that you can visualise, when you would do far better to be brief. Just let it flow, and if you find yourself stopping to insert something, just put that in a side note and continue.

Also, think about your character focus, and try to avoid thinking in terms of us watching a film - unless you are trying to be a screenwriter, rather than a novelist.

But - more importantly - don't sweat any of this stuff during your first draft. You need to get something down before you can work with it. Doesn't matter how flawed you might worry it might be - don't keep picking at the opening, but just get to the end and then do your nit-picking. :)
 
Chapter 1

Breaking the Heart of a Killer


Kelf stood beneath a clear sky with a bright sun beating down on him from above. An ax hang hung limply from one hand as he used the other to hold a glass of water to his mouth, gulping it down furiously. Water dripped from his beard as he tossed the glass aside, and then resumed chopping wood. Inside the house, Mary would be preparing dinner by now while Susan and Lily sat at the table, studying their alchemy books. His wife had insisted they be allowed to take alchemy this year, despite his opposition. Kelf frowned. I think you need a stronger hook in your first paragraph -- in fact nothing much happens at all in the first few paragraphs and that will turn many readers and most agents/publishers right off it. You could try adding a shadow of tension, suggesting this is the calm before the storm.

He paused, feeling words like this distance the reader the wind on his burned cheeks. Better to say The wind caressed his burned cheeks or similar, as it uses a stronger verb. He could hear and again -- filter words: they distance the experience away from the reader. the padded footsteps of something small trying to sound big as it stomped through the leaves. He could hear the grass being disturbed as someone advanced on him from behind. He whirled around and... smiled. Lily was standing there in a blue and yellow dress, her curly hair floating about her head like tiny dark clouds, holding a plate of cookies. I love the description of Lily.

“Hey, Daddy. Momma’ ditch apostraphe said you might want a little snack.”

Kelf rubbed one calloused hand through her hair and laughed. “I’ll bet the cookies were your idea, eh sweetie?”

“Yeah,” she said. She looked so much like her mother it thrilled and terrified him at the same time. Nice. Strong verbs. The same high cheekbones and sparkling pale blue eyes of a Blessed. He’d have his hands full in another six years or so. “She said you might be hungry so I brought you cookies!”

“Well,” he said, snatching one of the cookies from her plate. “You were right, young lady. I was just thinking how delicious a cookie would taste right about now.”

Lily laughed. “You were? Well it’s because i I could read your mind!”

Kelf dropped to one knee. “That you did, my young lady. Now hurry back to the house and help your mother finish dinner. Tell your sister she’s spent enough time on that alchemy for one day.” He kissed her forehead.

“Yes, daddy,” she said, scurrying away as quickly as her short legs would carry her. She dropped probably half a dozen a bit vague -- made me think How many cookies exactly? which drew me out of the story cookies before she made it to the house.

Kelf smiled and turned back to the pile of wood. He set up another block and brought his axe down, splitting it down the middle with little force. He decided he would finish this pile before heading to the house. He was feeling good. Feeling Strong strong.
You're well into this and still nothing has happened. A child brought a man we don't know anything about yet some cookies and we have a hint that there's something special about her -- Blessed. This is nice writing and would be lovely further into the story, but for your first chapter I really think you could do with something much more active that sucks the reader in. It needn't necessarily be action -- tension would do it, and strong hints that all is not as it seems, or that something bad is about to happen. Also I think we need to know Kelf more. We don't get anything yet that makes us care about him or what happens to him.

A piercing scream rent the air like a knife nice. Rather late in the chapter, but nice. through butter. Kelf spun around, looking to the house. He could see filter the front door was open and he saw a stranger poke their head outside and then disappear back inside. Kelf took off through the field, running faster than he had ran in nearly a decade. Floating strands from dandelions being carried on the wind caressed his cheeks as he ran, seriously? You finally give us some action -- Kelf's wife and daughter are in mortal peril and he has time to notice the dandelion seeds? his chest heaving with each gasping breath. He reached the house and stood outside the door.Would he really stand there? He might slow down, trying to control his breathing so as not to give himself away, and try to sneak up, or he might charge straight in, but surely not just stop.He could hear filter no screams, not even a whimper. As he planted one boot on the front porch, a knife soared out of the darkness beyond the doorway and lodged itself firmly in his left shoulder.

He staggered back as a figure slowly emerged from that darkness.

"You play a dangerous game, brother. You've avoided our detection for nearly ten years now." The slim figure standing before him was cloaked and hooded, clad in a familiar black and proud watch your point of view. if you're firmly in Kelf's POV he wouldn't know the figure was proud unless something he saw showed him, like proud bearing, or better still: head held high, and shoulders straight. Kelf could just make out her flawless complexion beneath her cowl. A second? knife dropped from one sleeve and into her hand.

"I would not have taken you for a farmer had I not seen it with my own eyes."

"Silith," Kelf hissed I don't usually like words like hissed as speech tags, but this one works because her name is so sibilant, unbelieving. "Why are you here?"

The woman named Silith laughed. "I am not alone, brother." What effect did her laugh have on Kelf? Did it send shivers down his spine? Or did it remind her of the happy child she had once been? Nice chance to set up a relationship between them and sketch more detail into their characters.

Three more figures emerged from the darkness. Similarlycomma similarly cloaked and hooded, though one stood taller than the rest. This one was holding a sword, the thick blade pointed to the ground. Tendrils of crimson ran down the length of the blade, dripping onto the front porch.

Kelf's eyes widened, his jaw dropped. These are details someone else would see as Kelf's reacton. This scene would be stronger if you gave us it from Kelf's POV, e.g. Kelf's chest constricted. A breath of cold raised goosebumps on his skin -- Lily! Was that Lily's blood? His only thought, It can’t be. He gritted his teeth, and in one fluid motion, ignoring the fire burning in his left shoulder, he leaped to his feet when was he knocked off his feet? You have him staggering above, but not falling.and threw himself at the tall figure. The figure stepped aside with the grace of a cat,comma splice -- a comma where it doesn't fit. Maybe try an m-dash? it's its feet hardly seemed to touch the porch. Or you could re-write the sentence as: The figure stepped aside with the grace of a cat, its feet hardly seeming to touch the porch.The figure slammed the flat of its bloody blade down on Kelf's back. He dropped to the ground in a sweaty heap. Another figure stepped forward and kicked a boot into Kelf's ribs. Kelf gasped, struggling for air. The woman called Silith stepped forward and removed her hood, revealing a face fit only for a Goddess. Her thick not a very sexy adjective!, red lips formed a smile.

"You made a grave mistake thinking you could hide from me, Raven."

Kelf spat at the ground, lifting himself to his hands and knees. "My name is Kelf. Raven died with your foul ideology. Where’s my family?"

"Your family," she said, softly, "is right here, Raven. Those strangers inside, however, have been dealt with. Unfortunately, they had to suffer the consequences of your actions."

Kelf inhaled a single deep breath, mustering what energy he had left, and sprang back up into action cliché. He threw a fist into the tall man's stomach, and then tackled Silith. The two of them flew from the front porch and landed in the dirt in a heap of tangled in her black robes. She put both feet to his chest and kicked up to the sky upwards, hurling Kelf into the stairs. He felt filter something in his leg craaack best to just say crack. less can be more in action scenes., and a sharp pain shot up his leg and through his spine. He could feel filter four pairs of eyes looking down at him.

"You disrespected us, brother," one said, casting back his hood. His hair was white, his nose sharp and eyes beady. Dagoth, the Butcher.

Silith placed a gloved hand on Dagoth’s shoulder. "I told you, Raven, that leaving the Dark Family isn't an option. You wounded your brothers, but the pain that your betrayal caused me was even greater." She stepped forward, placing one laced boot across Kelf’s throat, pinning him to the steps.

"You killed them," Kelf gasped. "You killed them... You killed our baby..." His voice trailed off as his air supply slowly diminished. Yes, but how does he feel as he slowly chokes? We need to choke alongside him, panicking as we gasp and writhe, fingers grasping at Silith's foot as blackness creeps in at the edge of our vision....

"I did what I had to do, Raven. There's no room in the Dark Family for children, nor can we spare one of our own being crippled for so long, unable to perform their duties. You knew our commandments. You knowingly betrayed us all. The punishment is not just death, but agonizing death. We will torture you until you no longer feel.” She paused, bending down to his eye level, and added, "Be thankful that your new family went quick and painless. We allowed you that one mercy, Raven. No more."

She removed her foot from his throat and Dagoth stepped forward and lifted him up from his shoulders. Kelf was too tired to resist. The past years had softened him. He was no match for the Dark Family. All he could think about was Lily and Serena. So young, so innocent. And Mary, whom he'd hid his past from until the day his past had caught up with him and taken her away. They were at peace now, yes, cradled in the arms of merciful Seenath, but they were too young to be at peace. Too young to be gone. His family have just been murdered -- I think his thoughts would be more jumbled and angry, or filled with despair, but not so analytical and carefully telling the reader his backstory.

Korth,be careful having too many characters with names starting with same letter one of the two who hadn't said a word, removed his hood, nodded at Silith, and then drew a knife etched with runes. The handle was ornately made, a ceremonial weapon. Korth looked Kelf in the eyes and Kelf saw rage. Well contained and controlled rage. Then,ditch comma Silith gestured at the other silent one--that would be Blithe, Kelf knew--and disappeared back into the house.

Then Kelf hissed through gritted teeth as the ceremonial blade dug deep into his belly. Korth withdrew the knife and wiped the blood on a cloth he produced from beneath his robes. He tossed the cloth at Kelf and spun around, walking away. Kelf fell sideways to the dirt ground. Blood flowed out from beneath him in little rivers, branching off as it tumbled into a rock or root.

"Blithe," Silith said as the thick man emerged from the doorway. "I don't want a single patch of skin not covered in a bruise. Use whatever you want, just make sure it's blunt. Then check to see he is dead before returning home."

"You left me no other alternative," she said, looking down at him. "I do hope you enjoyed what little time you were given with your new family."

Kelf watched as she strolled away, sword dangling at her waist as her hips rocked hypnotically left and right. He hoped Blithe would kill him. He hoped Blithe would end the pain and the suffering. Because if he didn't, Kelf would come for them with a wrath no mortal man has ever seen. He would do things to them that not even the Dark Family could conjure to mind. This paragraph is a little confused and difficult to read -- consider rewriting it?

As Blithe stood over him, a dark-robed intimidating figure of a man, holding a cudgel to the sky, Kelf closed his eyes and smiled. He would see Lily and Serena and Mary again soon. He would wrap them in his warm embrace and he would never again let them go.

I like this. There's some lovely use of language in there, but it does need tightening up. I think the main thing I missed was character depth. Even by the end I didn't care enough about Kelf to worry if he lived or died, and I should have. i should have been in tears at the thought of his wife and daughter being murdered too, but since Kelf didn't show us his feelings, it made it hard to engage with them too.

Also, watch out for your filter words, like He saw, he heard, he could feel, etc.

Loads of promise. Looking forward to finding out what happens next.


Edit: I started this last night and finished it this morning, so Jo jumped in while I was working on it. Interestingly, she is the person who taught me about character depth and filter words!
 
IMO this all points to you trying to be too writerly - you're fretting about little details that are actually irrelevant. I get the feeling that as soon as you start your writing, you keep stopping the prose to insert details that you can visualise, when you would do far better to be brief. Just let it flow, and if you find yourself stopping to insert something, just put that in a side note and continue.

Also, think about your character focus, and try to avoid thinking in terms of us watching a film - unless you are trying to be a screenwriter, rather than a novelist.

But - more importantly - don't sweat any of this stuff during your first draft. You need to get something down before you can work with it. Doesn't matter how flawed you might worry it might be - don't keep picking at the opening, but just get to the end and then do your nit-picking. :)

You hit my biggest issues right on the head. I have a terrible habit of backtracking every few hundred words, desperately trying to make the writing sound more 'flowery' (for lack of a better term). I think it's just that fear that I'm not a good enough writer that makes me do it. A fear that we all, no doubt, have, and that has a pretty good hold on me.

Also, thanks Kerrybuchanan for your input as well. I've got a lot of work ahead of me.
 
I think it's just that fear that I'm not a good enough writer that makes me do it. A fear that we all, no doubt, have, and that has a pretty good hold on me.

It is utterly normal - and common. I'm making the same mistake in my WIP2... :)
 
Hi this is pretty decent. Just a couple of things for later when editing.

"A piercing scream rent the air like a knife through butter". "Piercing scream" is unoriginal. "Knife through butter" is a cliché. I read a great piece of advice by an award winning author. Rate your metaphors and similes out of ten and ditch any that are less than an eight.

"He staggered back as a figure slowly emerged." If you use an adverb, ask yourself if you really need it, or is there is a better verb you should use? Most writers use adverbs sparingly.

I hope this helps.

Adrian
 
Yep, a bit writery. It's your work, so feel free to delete excess descriptors. ) I dunno... 'Kelf stood beneath a clear sky, bright sun beating down from (purple sky). An ax hUng limply from one hand as e gulped water from a (leathern flask or..) - (as he used the other to hold a glass of water to his mouth, gulping it down furiously.)
The second sentence needs rework as well, but that's where you take over and try to tighten and get it flowing better.
 
Interesting start. Fair play to you for posting. It can be scary. My thoughts? For me it lacks emotional impact and a sense of where and when we are.

The very first line doesn't leap out. All it tells me is a dude is standing still in the sunshine. Yeah, whatever. I'm puzzled. Is he performing a mundane task, or is he in the middle of a battlefield? We find he's chopping wood. So why does he "gulp" water. Why does he throw the glass away? He's at home, surely.

I think you are aiming for the feel of a mundane world suddenly shattered by violence. Which is good but I don't think this version does it. You could better establish Kelf in his world before you shatter it.

I also don't have any clue for the setting. You include a few modernisms - like the kids studying Alchemy "this year" and cookies. I don't know if this is a world that's more Roman, more medieval, more renaissance or even steampunk. Apart from the inclusion of Alchemy in the first para the entire first section could easily be modern day and Kelf could live in a cabin in British Columbia. It begins to feel a bit like a modern world with fantasy tropes. I prefer more immersive and real feeling worlds. I don't get that from this draft.

I agree on the comments on telling us what he feels. I won't repeat them. And on the emotional shock of his family being killed. That's the lynchpin of him starting on a bloody spree of revenge. Go watch Kill Bill or Unforgiven :)
 
I liked it, it's engaging, and a good start to a story. A few comments:

It is a well trod trope (Kill Bill was exactly what I was thinking). But that's not necessarily a bad thing, just something to be aware of, and to try and ensure you distinguish your story from others like it.

I think the comments above about the need to improve the reader's emotional connection with Kelf / Raven are right, and improving this will help to sell the story to the reader.

The setting does need clarifying, and potential anachronisms like 'cookies' don't help...

It also feels short and quick. Feels like you're moving quickly through the story, will it last the length you want it to? Does it matter? I mean, if you're aiming for novel length of ~ 70K words, seems to me you'll need a lot to happen to fill that number of words at the pace your story is moving. If you're happy with the story coming out at the length it comes out at, this isn't a problem.

Finally, you have a lot of phrases I would / might correct, such as
  • "bright sun beating down on him from above" to "sun beats down"
  • "scurrying away as quickly" to "scurrying away"
  • "Floating strands from dandelions being carried on the wind caressed his cheeks" - delete
  • "The woman named Silith" to "Silith"
  • "She stepped forward, placing one laced boot across Kelf’s throat" to "She planted her boot on Kelf's throat"
  • "wiped the blood on a cloth he produced from beneath his robes. He tossed the cloth at Kelf" to "wiped the blood on Kelf's shirt"
  • etc
things I'm sure you'd catch on a thorough scrubbing.

I hope that helps.

ABS
 
Breaking the Heart of a Killer

Kelf stood beneath a clear sky with a bright sun beating down on him from above (Where else would it beat down from? Delete the obvious and make your work tighter). An axe hang(hung) limply from one hand as he used the other to hold a glass of water to his mouth, gulping it down furiously(Adverbs are seen as lazy writing). Water dripped from his beard as he tossed the glass aside, (cut) and then(cut) resumed chopping wood (For me, describing both hands and what they are holding is overkill. I think losing the description of the axe would be okay, because you go on to say that he resumes cutting wood... which implies he has an axe. Who cares where it was? Focus is key. Pick scenes you can create focus from and create powerful mental images. Try not to spread your words thin trying to describe everything going on e.g., his left hand was doing this. His right hand was doing this. Don’t underestimate the reader and spoon feed them every detail.) Inside the house, Mary would be preparing dinner by now while Susan and Lily sat at the table,(cut)studying their alchemy books (Cut because you go on to say they took alchemy, so it’s safe to assume that the previous mention of studying is in ref to alchemy). His wife had insisted they be allowed to take alchemy this year, despite his opposition. Kelf frowned.

He paused, feeling the wind on his burned cheeks. He could hear the padded footsteps of something small trying to sound big as it stomped through the leaves. (Cut and get straight to the action. Also, 80% of the sentances in this paragraph start with ‘he’.) He could hear the grass being disturbed as someone advanced on him from behind. He whirled around and... (cut) smiled. Lily was standing there in a blue and yellow dress, her curly hair floating about her head like tiny dark clouds, holding a plate of cookies.

“Hey, Daddy. Momma’ said you might want a little snack.”

Kelf rubbed one (why say one?) calloused hand through her hair and laughed. “I’ll (Just ‘I’) bet the cookies were your idea, eh(needs comma) sweetie?”

“Yeah,” she said. She looked so much like her mother it thrilled and terrified him at the same time. The same high cheekbones and sparkling pale blue eyes of a Blessed. He’d have his hands full in another six years or so. “She said you might be hungry so I brought you cookies!” (we already know she has cookies, he knows she has cookies, she knows she has cookies. Also, for a fantasy novel, I think that cookies are a very normal and boring thing. The talk of the Blessed and their features was good. The foreshadowing about him having trouble in 6 years was good. I think cookies draw you out of the fantasy you were luring us in to. Also, cookies, wife cooking, daughter bringing food, daddy, man, all seems a bit cliche. Boring?)

“Well,” he said, snatching one of the cookies from her plate (cut). “You were right, young lady. I was just thinking how delicious a cookie would taste right about now.”

Lily laughed. “You were? Well it’s because i (capital) could read your mind!”

Kelf dropped to one knee. “That you did, my young lady. Now hurry back to the house and help your mother finish dinner. Tell your sister she’s spent enough time on that alchemy for one day.” He kissed her forehead.

“Yes, daddy,” she said, scurrying away as quickly as her short legs would carry her(cut as already implied with ‘scurrying’). She dropped probably(eugh... she either did or didn’t drop so many cookies. Being vague comes across as lazy. Just like the use of the adverb. Deleting the word ‘probably’ makes your writing stronger and takes nothing away from the sentence or what you’re trying to say.) half a dozen cookies before she made it to the house.

Kelf smiled and turned back to the pile of wood. He set up another block and brought his axe down, splitting it down the middle with little force. He decided he would finish this pile before heading to the house. He was feeling good. Feeling Strong.(That’s telling not showing. Never tell the reader how a character is feeling because again, this is seen as lazy writing. SHOW your reader. Like you did when your character frowned when talking about alchemy.)


A piercing scream rent the air like a knife through butter(Cliche. Who hasn’t heard that before?) . Kelf spun around, looking to the house. He could see the front door was open and he saw a stranger poke their head outside and then disappear back inside (Maybe cut this. The image of a head popping in and out is more comical than if you leave it with a scream and an open door. More mystery). Kelf took off through the field, running faster than he had ran in nearly a decade. Floating strands from dandelions being carried on the wind caressed his cheeks as he ran(You’re moving into action. The last thing you want to do is slow it down with purple prose. Imagine words are music and the cookies scene was abba, and this scene you’re moving into is slipknot... now reverse the music. Doesn’t fit does it?), his chest heaving with each gasping breath. He reached the house and stood outside the door (I’m telling you now, as a dad, after hearing screams and having ran to the house, there’s no way he would stand outside and have time to listen for more sounds. Just not realistic. He’d be in there, axe in hand, ready to slay a thousand men if he had to). He could hear no screams, not even a whimper. As he planted one boot on the front porch, a knife soared out of the darkness beyond the doorway and lodged itself firmly in his left shoulder. (If you use his eagerness and selfless charge to save his family, this fits well with him being caught off guard and injured.)

He staggered back as a figure slowly (Adverb. Remove and you lose nothing but gain so much more.) emerged from that darkness.

"You play a dangerous game, brother. You've avoided our detection for nearly ten years now(cut. Info dump. Out of place in the action)." The slim figure standing before him was cloaked and hooded, clad in a familiar black and proud. Kelf could just make out her flawless complexion beneath her cowl. A knife dropped from one sleeve and into her hand. (This paragraph doesn’t work for me. It doesn’t flow).

"I would not have taken you for a farmer had I not seen it with my own eyes." (Doesn’t flow either)

"Silith," Kelf hissed, unbelieving(cut). "Why are you here?"

The woman named (Yes, we already figured that out. Underestimating your reader again.) Silith laughed. "I am not alone, brother."

Three more figures emerged from the darkness. Similarly cloaked and hooded, though one stood taller than the rest. This one (This one. That one. Sounds like toys and generic) was holding a sword, the thick blade pointed to the ground. Tendrils of crimson ran down the length of the blade, dripping onto the front porch. (Nice)

Kelf's eyes widened, his jaw dropped. His only thought, It can’t be (Cut). He gritted his teeth, and in one fluid motion, ignoring the fire burning in his left shoulder, he leaped to his feet and threw himself at the tall figure. The figure stepped aside with the grace of a cat, it's feet hardly seemed(weak) to touch the porch. The figure slammed the flat of its bloody blade down on Kelf's back. He dropped to the ground in a sweaty heap. Another figure stepped forward and kicked a boot into Kelf's ribs. Kelf gasped, struggling for air (cut). The woman called(cut) Silith stepped forward and removed her hood, revealing a face fit only for a Goddess (cut and add the following sentance in place of this one on the end). Her thick, red lips formed a smile.

"You made a grave mistake thinking you could hide from me, Raven."

Kelf spat at the ground, lifting himself to his hands and knees. "My name is Kelf. Raven died with your foul ideology. Where’s my family?"

"Your family," she said, softly, "is right here, Raven. Those strangers inside, however, have been dealt with. Unfortunately, they had to suffer the consequences of your actions."

Kelf inhaled a single deep breath, mustering what energy he had left, and sprang back up into action(sprang back into action... looked like a goddess. This makes it feel more like a script than a novel if that makes sense.) . He threw a fist into the tall man's stomach, and then tackled Silith. The two of them flew from the front porch and landed in the dirt in a heap of her black robes. She put both feet to his chest and kicked up to the sky, hurling Kelf into the stairs. He felt something in his leg craaack (Hmmm), and a sharp pain shot up his leg and(cut) through his spine. He could feel four pairs of eyes looking down at him.(Who feels an exact number of eyes. Cut)

"You disrespected us, brother," one said, casting back his hood. His hair was white, his nose sharp and eyes beady. Dagoth, the Butcher. (Maybe you should reveal the identity of the people before the fighting starts, so when the 3 emerge after the woman is revealed. This way it will make it easier for you to describe who’s doing what in the action instead of ‘into the tall man’s stomach’ could be ‘into Dagoth’s stomach’.)

Silith placed a gloved hand on Dagoth’s shoulder. "I told you, Raven, that leaving the Dark Family isn't an option. You wounded your brothers, but the pain that your betrayal caused me was even greater.(Still feels like info dumping)" She stepped forward, placing one laced boot across Kelf’s throat, pinning him to the steps (cut).

"You killed them," Kelf gasped. "You killed them... You killed our baby...(over use of ellipses are a sign of a new writer)" His voice trailed off as his air supply slowly diminished.

"I did what I had to do, Raven. There's no room in the Dark Family for children, nor can we spare one of our own being crippled for so long, unable to perform their duties. You knew our commandments. You knowingly betrayed us all. The punishment is not just death, but agonizing death. We will torture you until you no longer feel.” She paused, bending down to his eye level, and added, "Be thankful that your new family went quick and painless. We allowed you that one mercy, Raven. No more."(So, this is not the first time he’s been told his wife and daughters are dead, and there isn’t a realstic reaction to be seen. In the next paragraph you even go on to to say that he’s too tired to resist. I think you need to rethink how he’s reacting to the death of his family and the situation.)

She removed her foot from his throat and Dagoth stepped forward and lifted him up from his shoulders. Kelf was too tired to resist. The past years had softened him. He was no match for the Dark Family. All he could think about was Lily and Serena. So young, so innocent. And Mary, whom he'd hid his past from until the day his past had caught up with him and taken her away. They were at peace now, yes, cradled in the arms of merciful Seenath, but they were too young to be at peace. Too young to be gone. (Oh woe is me, I’m too weak, my family is dead but I’m too tired... Raven, this ‘Kelf’ needs a slap. I don’t like him at all. He’s wet and weak.)

(So, I chose to stop editing here because this is where I would have stopped reading if I wasn’t editing, and was reading for pleasure. I could not see myself spending time with Kelf and the book. Saying that, I only ever offer help when I see potential and feel like the person has the ability to progress and grow. If you work on Kelf, stop underestimating the reader, tighten your work, stop using adverbs and focus on what we need to know vs what you think we need to know, I think you could create a strong opening chapter. If you need anymore help, or have any questions, feel free to message me.)
 
Other people have covered most of the things that I’d mention, especially some of the clichés in the language. I'd also mention the point of view issue: for instance, in the circumstances, would Kelf notice that Silith's hips rock hypnotically (presumably seductively) at all?

One thing that does strike me is that if this book is about the quest for revenge, we see almost nothing of the people whose deaths are to be avenged. Kelf’s daughter gets a few lines to be adorable and Kelf’s wife isn’t even seen at all. Unless there are going to be considerable flashbacks – which I’d be wary of suggesting – I would put more of them into the story, perhaps a chapter’s worth. At present, I think they run the risk of just being cutouts to justify the revenge, which would be much more powerful if they were characters in their own right.

On the other hand, if you do go for a longer preamble before the killing starts, you’d need (i) to show the family in more detail and (ii) to give them and Kelf something to do while this character-building is going on. As to detail, it would be realistic for them to be something more than just a very happy family so you might want to show them as something more than just all loving each other very much. It would feel realistic if they had flaws or even irritated each other like real family members. As to what would happen: personally, I would have had some mysterious discovery occur that made the family realise that something was wrong, and Kelf realise that, perhaps, his old enemies/comrades had returned. But anyhow, my point is that the killing happens very quickly, before we’ve got enough of a grip on Kelf or his family to really care about them.

And would you torture someone until they could no longer feel? It's certainly got potential, though. I think it's more a matter of tightening the writing, especially if this is a first draft.
 
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