'Bringer Of' intro. (659 words)

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Cory Swanson

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I've been struggling over this one. This is the first little bit of a full story about 77K long. I like the atmosphere I've set but I don't know if I'm giving enough information up front or whether it draws the reader in or alienates them. It is literally the first thing I ever wrote, but have reworked it a couple of times.

As this is my first submission on the critiques, I subject myself to the whims of the wolves. Have at it:

Perhaps our journey began when it felt as if the world was ending. When thousands watched the skies at the moment the millennium began, expecting hellfire and Armageddon. When, instead, the cold January skies kept their steely grayness and carried on just as before. Just as they always had before.

Perhaps we did not know the kinds of hellfire that truly would begin to rain in the coming years. The hellfire of impending decay for a humanity that was only beginning to come to grips with the limitations of its imagination.

Perhaps our journey began earlier, at the dawn of the rise of the great nations. The moment that the flash lit the sky and scorched the earth and we as a species knew collectively that we could never go back. Perhaps the root of all this began in that moment of great evil blinking out of existence and, like fish feeding in a pool, new evils swarmed to occupy that niche. Into the vacuum left by departing fascism flooded the evils of nuclear arms races that gave birth to rockets that could fly to the moon and the sinister need for more and more oil until it choked us and the need sweltered and simmered. And as the earth turned into a giant reverse still, sucking the fresh water from the ground and the sky and dumping it salty and full of fecal sludge into the seas, we prayed for the mercy of another flash in the sky but never saw it coming when it finally came.

And oh, this is a long and lonely journey, hurtling through space, our only salvation the relative emptiness and solitude of our course through the blackness that assures that we never will be be sucked into the births and deaths of stars and galaxies. And oh, how we love our little rock hurtling between rocks. This ship we ride feels and looks so much like Earth itself. It is rocky, our feet stick to the ground, there is air to breathe and pools of water to drink from. Earth itself is sullied by our existence and we, therefore, ride this ship and spread like a virus to another. Only when we have so contaminated our host do we fly like spores to our newest source. Though we can hardly be the ones blamed. We are not the first to arrive on Mars. We may, however, be the first ones to let our grandchildren die there.

As I look into the mirror in the bathroom and contemplate our fate and the origins of mankind's desire to wander from planet to planet, I am filled with self loathing. My dark hair is messy, my face is plump, and the bags under my eyes betray my relative youth. The grey hairs beginning to sprout on my chin and on my head tell the story of stress, uncertainty, and anxiety that have been the hallmark of my thirty two years alive. Am I good enough, smart enough, and disciplined enough to pull off the task that is before me? Can I effectively sift through all of this information and data to divine the origin story of my people? I shake off this thought and run the water over my face. I do not have the luxury of self doubt. I will only be on this ship for a few more months, then we head down to the ground and the real fun begins. When this comes to pass, I will not likely have much time for research and this impending break in productivity horrifies me. I must now return to my work.

There are stories in the archive about the floral awakening. Perhaps the sight of the Chinese riding their own rockets to space and beyond fueled the American desire to begin anew. Getting men in space was not so hard anymore. But to live there would be the key.

I am ahead of myself.
 
The problem for me is that this isn't story, but infodump - explaining the background for the benefit of understanding the story that comes later. As opposed to simply starting the story.

Also, you do the much hated "I looked at myself in a mirror for the benefit of describing myself to the reader". :)
 
Just to second Brian. If you are hoping to go down the agent-publisher route, this will kill any chances of an agent reading on. It's an info dump of back information about a story/person we aren't hooked into yet. The description in the mirror is one of the most hated cliched openings according to agents and will stop the vast majority.

What happens after this section? Could it be posted without reference to this and then we can judge if this information is needed? (Nine times out of ten, it isn't a
- we often believe our readers need more context than they do.)

On a practical writing note:

Watch for filter words 'when it felt like', 'watched the skies', 'as I looked' - they are the killer of immediacy and closeness.
 
Sorry, Cory, but I agree with Brian and Jo. Find the point where something actually happens, perhaps where one of your main characters or someone they care for is put in danger, and begin there. Readers love to think how clever they are at working out the backstory from clues drip-fed into the plot, and they tend to get turned off by being spoon-fed information (info dump).

Put up another crit, as Jo suggests, beginning with something exciting happening.
 
Ok, so this is not a great way to start a book. No one who has read it has reacted well to the intro here. I don't think I even liked it on my read through, but I was too close to be able to tell what I didn't like.

What if this is not an action book? I get that you are telling me to start off with a hook, but what if no one gets hurt for quite a while? Should I start with a flash forward and then jump back? I feel I will give away the concept of the book too soon and the reveal will be ruined.

I added the mirror description after a reader told me that I need to describe my character sooner because she created an image of him based off his voice and hated it when she later found out she was wrong. Clearly I hit on a horrible cliche that I am thankful you pointed out. How do you approach character description and how soon? My first instinct was to drop little clues throughout the book, but that really turned off my reader.
 
I get that you are telling me to start off with a hook, but what if no one gets hurt for quite a while?

A hook is a question you raise for the reader, that makes them want to read more to answer it.

It doesn't have to be action at all - in fact, action can often be the worst way to start a book, because the reader is not emotionally invested in anyone, or anything that happens.

In what you posted, it sounds as though the story itself starts after "I am ahead of myself." IMO it's worth posting a couple of hundred words of that, to see if it does.

Also, these are only our opinions - infodumps may be frowned upon, yet they still keep appearing at the start of new fantasy novels. You do what you feel is right for your story.

As for the character description - you can add as self-reflection of their circumstances. You pretty much do this anyway, by referring to shabby dark hair and grey from anxiety.
 
What if this is not an action book?

It doesn't necessarily have to be an action book as such, but it'd be a pretty boring story if nothing bad happens to any of your characters the whole way through! It could be a bit of bad news (his/her dad/mum/sister/great aunt dies), or something changes in your protagonist's life (change of career/sacked from job), or almost anything really (spacecraft crashed into/unicorn has a stone in its hoof). Whenever that happens, that's your beginning, or thereabouts.

A writer friend of mine always says that the worst thing we can do to our characters is write them into the 'Village of the Happy People'. In other words, we have to put them through hell in some way to make the story interesting. I believe you need to do this from the start in order to catch the attention of an agent/publisher.

Having said this, it's your book and it's your decision. I personally wouldn't be tempted to read further based on this introduction without a stronger hook.
 
Ok. I think I learned more in the last ten minutes than in months of struggling with it by myself. I'm going to post a different possible starting point that is just beyond what I had above. Maybe things will be much clearer
 
An exciting opening is good, but if you don't have a potential crash-bang scene as the opening, don't manufacture one that is clearly just bolted on to the real plot. What you need is to interest and intrigue the reader a little more than you have done at present eg it can't be all plain sailing on this ship (ha!) so would he be involved in solving a problem somewhere, or mediating between two people who are arguing about where the ship should be heading? Ensure it is relevant to the plot and his concerns, though -- again you've got to avoid it feeling as if it's just shoved there to create fake interest. If there isn't anything like that, then it might be you'll have to start with the scene when someone is hurt, not as a flash forward as in a film like Sunset Boulevard, but simply start there and continue and drip in the back story as necessary thereafter.

Without knowing what the concept of the book is, and what the reveal is, it's difficult to know whether your anxieties about showing them are misplaced. Not sure how best to advise you there.

As to description, unless it's vital to know what skin/hair/eye colour he has, I wouldn't let it worry you. Actually, skin colour is easy, as eg he notes the paleness of his skin showing the lack of sunlight, or he needs to take more melanin tablets or whatever. And he can rub his hand across his chin and feel the bristles, across his eyes and feel the bags, he can find his hair is falling out because of lack of whatever, so the dark hair is there on the towel when he's drying his hair.

Just as an aside, your writing isn't at all shabby -- there's a neat turn of phrase here, and evidence that you've thought about what you're doing. And most non-aspiring-writer readers would be happy with everything you've written, so if you were thinking of self-publishing, this opening as a prologue wouldn't hurt your chances unduly. Like any professionals/would-be professionals in any field, we tend to be rather more finickity about things than the general public!


EDIT: no one had replied when I started this -- must type faster! -- so sorry I'm just repeating things!
 
I am certainly interested in a self publish, but I am also interested in getting my readers past the first page. I like what I wrote but I haven't had anyone react well to it. Maybe I just need to reorganize a bit.
 
You write well, Cory. But you take a long time to introduce your main character, and then it's info dump as the others pointed out. I second what Brian said too. Starting with whiz bang action doesn't always work, because we don't know your character yet. Start with him and an immediate problem he is dealing with. Doesn't have to be deadly, just interesting.
 
I like your writing style. For me, the worst part was the mirror scene. It seemed forced and unnecessary. I don't think that the info dumpiness at the beginning is really that bad. Maybe it's just me, but it was a cool setup. I think what it was missing was what followed. Perhaps if you add a bit more to the immediate part of the chapter, to the part that follows the setup, it could really work. Perhaps adding that hook that will intrigue readers and make them want to continue the story.

Good luck.
 
Maybe rewrite it from the viewpoint of a named character, if possible. Slow it down a bit, there's lots of pages waiting to be filled in. 2nd draft could be a whole different story ..* )
 
Putting aside what some others have said here's my reaction to the piece.

The first three paragraphs start with Perhaps. Perhaps this is three too many of those. I think there might be a better way to introduce this; perhaps the word perhaps deflates any excitement.
The forth paragraph has two sentences that begin with And oh,;like there is some offhandedness in the the next few paragraphs and that's when my mind derailed itself and ignored the rest of the writing.

I think if you could get past the perhaps and ohs and bring in some definitive thoughts as if this person has an opinion about what happened; right now it looks like they are floating between suppositions without any definite feeling about what might really have happened.

Lastly the whole perhaps and and oh bring to forefront of my mind those voice-overs in the beginnings of movies. Those seem to work because they keep doing those; but for me I get impatient while waiting for some action to take place in the movie and worse yet I start thinking (when reading a novel) that this writer has been watching too many movies.

But that's just my personal reaction.

I just think it would be much stronger to start:

Our journey began when the world ended.
 
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As a voice over while the world begins to unfold while the opening credits finish rolling up this opening is tight.

I look forward to seeing what you put up next because I felt a little disappointed I couldn't hook into what was going on here.
 
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