Princess Grace of Verceti - Meet the bad girl!

Status
Not open for further replies.

Andrew Lambert

Well-Known Member
Joined
Aug 2, 2016
Messages
157
Location
Birmingham UK
This section introduces the villain of my novel. I’m toying with putting a scene at the end of each of the ten chapters that form Part 1 of the book. Here are the first five scenes.


200 Years Earlier.


Birjjikk strode into the arena. All life on this planet was now underground, the surface made inhabitable untold millennia before, following nuclear and biologic devastation. The amphitheatre shaped cave, carved into the granite rock, was adorned with six giant celestial monoliths spread evenly around the arena, bearing witness to the carnage carried out in this place. Equally spaced between the monoliths were six cages each with inner and outer gates. Five would release the unwilling victims of this gladiatorial showcase. Birjjikk had entered through the sixth as two hundred elders watched on. She stood there defiantly and looked up at them, her view sweeping around expansively. Most of them glanced away to avoid direct eye contact - feigning disinterest.


Today was the biggest day of her young life. Today would decide her future within the Zerot Collective. A poor performance and she would become a lower caste worker warrior - a Grunz - destined for a life of service in the collective, only slightly up from the slave caste. They would be frontline soldiers spearheading planetary violation task forces. That was not going to happen to her. Life with little estivation? A sacrificial soldier? She knew she was destined for better. Of the ten within her academy group, four were prime candidates for Grunz caste. The result of poor breeding over hundreds of years. Birjjikk’s natural parents, though not known personally to her, were said to be two renowned searchers. Better would be expected of her. They may even acknowledge her if she surpassed her potential, but that was of little concern to her.


***


Birjjikk glared around. She was last to go. Blood had already drenched the floor and walls, with chunks of bone and flesh still scattered around. Larger limbs and carcass’s already removed by the Grunz.


My academy comrades have been busy.


To one side up against the wall lay the mutilated body of one of her academy. Left there as a vivid reminder of the danger they faced. The chest plate insignia identical to the one she was wearing was plain to see - a blight on her academy’s performance today. Even decapitated she knew from his large frame it was Garkkikk. She looked down at what was left of him and sneered ‘Turdgutter! Not even worthy of becoming a Grunz’. But whatever kill him - lacerations caused by something akin to a massive bite rather than the clean cut of a blade - would require her careful attention.


***



Birjjikk’s concentration sharpened as the elders began taking their seats and a hush came over the arena.


She needed a strong performance to get into the next phase of training. Warrior caste would then be guaranteed, and her training would continue. The darker arts of killing and mental training would be on the syllabus - she desperately wanted this. And later maybe, she would complete her training and become a searcher, like her natural parents. Or better yet, become a player. Then and only then, would she enjoy the reals benefits of being a high caste Zerot: a longer life filled with estivation - prolonged dormancy - ensuring more time to plot and play the killing game.


***


The arena was now silent. The inner doors to the five pens opened and the combatants were shepherded in from the shadows by unseen Grunz. With the internal doors now closed, Birjjikk had a brief moment to assess her opponents.


In the pen to her immediate left, a pure white beast paced about on all four paws. It stood up on its hind legs to explore the pen; it’s height nearly twice that of her. This must be the creature that decapitated Garkkikk. Its mouth appeared big enough. Glistening blood stains were still evident on the fur around its mouth and long white fangs. The thickness of its fur suggested it was from a cold environment. It would be uncomfortable here in the oppressive heat generated by the planet's core, but no less dangerous.


The next pen held three short and stocky soldiers from a world recently subjected to a visit from her people. Even though their uniforms were faded and dirty they gave her the impression that they were well trained and would work as a team. Each of them carried a small bronze coloured sword and a circular metal shield adorned with a fire breathing dragon.


The pen opposite her contain what appeared to be a family - a male, a female and a juvenile - unremarkable except for the shock of purple hair they all had, vividly contrasting with their snowy white skin colour. The man was the only one armed and then only with a short sword. He took up a stance suggesting he would die protecting his mate and offspring. His stance also told her he wasn’t a fighter. They are primitives; they pose no threat.


In the fourth pen a pack of feline animals - Tagras. Small animals with brilliant red eyes and gleaming yellow teeth, well known for their vicious nature. Black and orange striped fur made these creatures look magnificent as well as menacing. They would be fast and would work as a team.


The last pen had a single warrior. Large build, well armed and with a heavily armoured suit over black chainmail undergarments. Slow, but probably the most dangerous of this off world mix of creatures. Trophies brought back for the entertainment of the Zerot and to train their young. All that remained of long forgotten worlds raped and destroyed over the previous 2000 years.


***


Birjjikk weighed up her options. Individually, each cage would not present a problem to her. Although still not of full adult stature, she was fast and had an excellent grasp of the fighting skills so far taught to her. She was sure, though, that the elders would open the gates to make her work harder. Harder than her academy colleagues - her arrogance not being lost on them. That would mean two or three at a time. Maybe the animals together, or perhaps the warriors. Each option presented a different set of dynamics and dangers. Birjjikk curled up her top lip exposing her pointed teeth in what may have been construed as a smile.


She checked her weapons. Her left hand flicked up to just over her right shoulder, and her three taloned fingers lightly brushed the handle of her sword which was holstered diagonally to her back - wedged between the fourth and fifth protruding vertebrae. She had three sets of triple release throwing knives attached to her torso and in her right hand, she carried a swinging enscicer. The only technology she was allowed was a modulating force field. Unlike a full one, this would modulate through thought activation, switching between various points of her torso and only capable of defending single blows.


She straightened her head guard; a hard, leathery helmet that protected her sensitive hearing orifices on the side of her head and looped over the small horns just above her forehead. Attached to the side of the helmet was a final set of throwing knives. Close knit feathers protruded from the helmet and covered the middle of her back as far as the third vertebrae down.


She took a deep breath. She was ready.
 
Okay, here we go! *Extends fangs*

200 Years Earlier.


Birjjikk strode into the arena. All life on this planet was now underground, the surface made uninhabitable untold (this is unnecessary) millennia before, following nuclear and biologic devastation. The amphitheatre-shaped cave, carved into the granite rock, was adorned with six giant celestial monoliths spread evenly around the arena, bearing witness to the carnage carried out in this place. Equally spaced between the monoliths were six cages, each with inner and outer gates. Five would release the unwilling victims of this gladiatorial showcase. Birjjikk had entered through the sixth as two hundred elders watched on. She stood there defiantly and looked up at them, her view sweeping around expansively (not sure what to use here, but it doesn't feel right). Most of them glanced away to avoid direct eye contact - feigning disinterest.


Today was the biggest day of her young life. Today would decide her future within the Zerot Collective. A poor performance and she would become a lower caste worker warrior (not sure if this should be hyphenated or not) - a Grunz - destined for a life of service in the collective, only slightly up from above the slave caste. They would be frontline soldiers spearheading planetary violation task forces. That was not going to happen to her. Life with little estivation? A sacrificial soldier? She knew she was destined for better. Of the ten within her academy group, four were prime candidates for Grunz caste; the result of poor breeding over hundreds of years. Birjjikk’s natural parents, though not known personally to her, were said to be two renowned searchers (if this is a title then it should probably be capitalized). Better would be expected of her. They may might even acknowledge her if she surpassed her potential, but that was of little concern to her. (I like her internal voice)


***


Birjjikk glared around. She was last to go. Blood had already drenched the floor and walls, with chunks of bone and flesh still scattered around. Larger limbs and carcass’s already removed by the Grunz.


My academy comrades have been busy.


To one side up against the wall lay the mutilated body of one of her academy. Left there as a vivid reminder of the danger they faced. The chest plate insignia, identical to the one she was wearing, (comma break for pacing) was plain to see - a blight on her academy’s performance today. Even decapitated she knew from his large frame it was Garkkikk. She looked down at what was left of him and sneered. (If this is actual dialog, I suggest a paragraph break to emphasize that.) ‘Turdgutter! Not even worthy of becoming a Grunz’. But whatever killed him - lacerations caused by something akin to a massive bite rather than the clean cut of a blade - would require her careful attention.


***



Birjjikk’s concentration sharpened as the elders began taking their seats and a hush came over the arena.


She needed a strong performance to get into the next phase of training. Warrior caste would then be guaranteed, and her training would continue. The darker arts of killing and mental training would be on the syllabus - she desperately wanted this. And later maybe, she would complete her training and become a Searcher, like her natural parents. Or better yet, become a Player. Then and only then, would she enjoy the reals benefits of being a high caste Zerot: a longer life filled with estivation - prolonged dormancy - ensuring more time to plot and play the killing game. (I'm interested. Good hook.)


***


The arena was now silent. The inner doors to the five pens opened and the combatants were shepherded herded in from the shadows by unseen Grunz. With the internal doors now closed, Birjjikk had a brief moment to assess her opponents.


In the pen to her immediate left, a pure white beast paced about on all four paws. It stood up on its hind legs to explore the pen; it’s height nearly twice that of her. This must be the creature that decapitated Garkkikk. Its mouth appeared big enough. Glistening blood stains were was still evident on the fur around its mouth and long white fangs. The thickness of its fur suggested it was from a cold environment. It would be uncomfortable here in the oppressive heat generated by the planet's core, but no less dangerous.


The next pen held three short and stocky soldiers from a world recently subjected to a visit from her people. Even though their uniforms were faded and dirty, they gave her the impression that they were well trained and would work as a team. Each of them carried a small bronze-coloured sword and a circular metal shield adorned with a fire breathing dragon.


The pen opposite her contain what appeared to be a family - a male, a female, and a juvenile - unremarkable except for the shock of purple hair they all had possessed, vividly contrasting with their snowy white skin colour. The man was the only one armed and then he only with a short sword. He took up a stance suggesting he would die protecting his mate and offspring. His stance also told her he wasn’t a fighter. They are primitives; they pose no threat.


In the fourth pen a pack of feline animals - Tagras. Small animals with brilliant red eyes and gleaming yellow teeth, well known for their vicious nature. Black and orange striped fur made these creatures look magnificent as well as menacing. They would be fast and would work as a team.


The last pen had a single warrior. Large build, well armed, and with a heavily armoured suit over black chainmail undergarments. Slow, but probably the most dangerous of this off-world mix of creatures. Trophies brought back for the entertainment of the Zerot and to train their young. All that remained of long forgotten worlds raped and destroyed over the previous 2000 years.


***


Birjjikk weighed up her options. Individually, each cage would not present a problem to her. Although still not of full adult stature, she was fast and had an excellent grasp of the fighting skills so far taught to her. She was sure, though, that the elders would open the gates to make her work harder (the wording here is off, somehow). Harder than her academy colleagues - her arrogance not being lost on them. That would mean two or three at a time. Maybe the animals together, or perhaps the warriors. Each option presented a different set of dynamics and dangers. Birjjikk curled up her top lip exposing her pointed teeth in what may have been construed as a smile.


She checked her weapons. Her left hand flicked up to just over her right shoulder, and her three-taloned fingers lightly brushed the handle of her sword which was holstered diagonally to her back - wedged between the fourth and fifth protruding vertebrae. She had three sets of triple-release throwing knives attached to her torso and in her right hand, she carried a swinging enscicer (I'm not even sure if this is misspelled or not). The only technology she was allowed was a modulating force field. Unlike a full one, this would modulate through thought activation, switching between various points of her torso and only capable of defending single blows.


She straightened her head guard; a hard, leathery helmet that protected her sensitive hearing orifices on the side of her head and looped over the small horns just above her forehead. Attached to the side of the helmet was a final set of throwing knives. Close knit feathers protruded from the helmet and covered the middle of her back as far as the third vertebrae down. (Nice job sneaking in description.)


She took a deep breath. She was ready.

Whew!

First off, I like the level of description you use, and the pace at which you steadily add to the picture. At no point did I become too distracted by my lack of understanding what was going on, as you answered these questions fairly efficiently as they came up.

I appreciate the consistent voice your character has, and it helps develop her well, but I hope there is some more depth to her as the story progresses, or she may become quite shallow.

Obviously, some grammatical and spelling errors (at least to my American eyes), but I've marked what I caught, and it wasn't anything major.

Watch your use of descriptors, especially adverbs (-ly). If not carefully pruned, they can become quite bothersome. While there will always have to be some showing involved, make sure to tell whenever possible.

All in all, a very good effort. I look forward to learning more about Birjjikk.
 
Last edited:
There's a common problem among aspiring writers, especially when they start, of trying to stop the narrative to explain everything, while also ensuring they describe everything. The result is a lack of immediacy and focus, and the story judders and stalls.

And I'm afraid you're doing the same thing here. I'll point out a few things:

200 Years Earlier. As we have no "present" to be "earlier" to, this makes no sense and is unnecessary.


Birjjikk strode into the arena. The opening sentence is fine - it's immediate, shows action, and the promise of tension. All life on this planet was now underground, the surface made inhabitable untold millennia before, following nuclear and biologic devastation. This is you stopping the story to try and explain the context for the reader. This never works - don't kill the story in the second line! The amphitheatre shaped cave, carved into the granite rock, was adorned with six giant celestial monoliths spread evenly around the arena This is all over-describing - you've forgotten about the character in order to describe the surroundings, bearing witness to the carnage carried out in this place this is a classic example of "show don't tell" - you've told us that there's carnage, but you haven't actually shown us anything of that in the description. Equally spaced between the monoliths were six cages each with inner and outer gates. Five would release the unwilling victims of this gladiatorial showcase. Birjjikk had entered through the sixth as two hundred elders watched on. She stood there defiantly and looked up at them, her view sweeping around expansively. Most of them glanced away to avoid direct eye contact - feigning disinterest. Nothing really happening in this section as you objectively describe the surroundings - again. There's a flash of character moment, but all she does is stand there and look good - we have no sense of her inner turmoil or tension that would plunge us into her experience and therefore the story


Today was the biggest day of her young life. Today would decide her future within the Zerot Collective. A poor performance and she would become a lower caste worker warrior - a Grunz - destined for a life of service in the collective, only slightly up from the slave caste. They would be frontline soldiers spearheading planetary violation task forces. That was not going to happen to her. Life with little estivation? A sacrificial soldier? She knew she was destined for better. Of the ten within her academy group, four were prime candidates for Grunz caste. The result of poor breeding over hundreds of years. Birjjikk’s natural parents, though not known personally to her, were said to be two renowned searchers. Better would be expected of her. They may even acknowledge her if she surpassed her potential, but that was of little concern to her.

^ Whoah. I think this paragraph fell out of your world-building notes. It isn't story. Again, trying to explain everything to the reader, rather than just tell the story.


*** You don't need this separator - you're implying that either we're about to change character, or time has passed. Really, you're just using this to underline your world-building dumps.


Birjjikk glared around. She was last to go. Blood had already drenched the floor and walls, with chunks of bone and flesh still scattered around. Larger limbs and carcass’s already removed by the Grunz. Better - you're closer to the character here by showing what's immediately around, rather than telling - cf the point I made earlier when you did this the opposite way around.


My academy comrades have been busy. And a nice bit of character.


To one side up against the wall lay the mutilated body of one of her academy. Left there as a vivid reminder of the danger they faced. The chest plate insignia identical to the one she was wearing was plain to see - a blight on her academy’s performance today. Even decapitated she knew from his large frame it was Garkkikk. She looked down at what was left of him and sneered ‘Turdgutter! Not even worthy of becoming a Grunz’. But whatever kill him - lacerations caused by something akin to a massive bite rather than the clean cut of a blade - would require her careful attention.

^ Clumsy paragraph. Again, you're pushing on describing and telling. If you really need to explain anything about the academy here, do it quickly and succintly - a single sentence should do.


*** Again, you're mis-using these



Birjjikk’s concentration sharpened as the elders began taking their seats and a hush came over the arena.Fine


She needed a strong performance to get into the next phase of training. Warrior caste would then be guaranteed, and her training would continue. The darker arts of killing and mental training would be on the syllabus - she desperately wanted this. And later maybe, she would complete her training and become a searcher, like her natural parents. Or better yet, become a player. Then and only then, would she enjoy the reals benefits of being a high caste Zerot: a longer life filled with estivation - prolonged dormancy - ensuring more time to plot and play the killing game.

^ Infodump again. You are spending more time trying to explain the story than tell it. Again, it's very common when people start writing, so just be aware this is something you need to nip in the bud now.


*** As above


The arena was now silent. The inner doors to the five pens opened and the combatants were shepherded in from the shadows by unseen Grunz. With the internal doors now closed, Birjjikk had a brief moment to assess her opponents.


In the pen to her immediate left, a pure white beast paced about on all four paws. It stood up on its hind legs to explore the pen; it’s height nearly twice that of her. This must be the creature that decapitated Garkkikk. Its mouth appeared big enough. Glistening blood stains were still evident on the fur around its mouth and long white fangs. The thickness of its fur suggested it was from a cold environment. It would be uncomfortable here in the oppressive heat generated by the planet's core, but no less dangerous.


The next pen held three short and stocky soldiers from a world recently subjected to a visit from her people. Even though their uniforms were faded and dirty they gave her the impression that they were well trained and would work as a team. Each of them carried a small bronze coloured sword and a circular metal shield adorned with a fire breathing dragon.


The pen opposite her contain what appeared to be a family - a male, a female and a juvenile - unremarkable except for the shock of purple hair they all had, vividly contrasting with their snowy white skin colour. The man was the only one armed and then only with a short sword. He took up a stance suggesting he would die protecting his mate and offspring. His stance also told her he wasn’t a fighter. They are primitives; they pose no threat.


In the fourth pen a pack of feline animals - Tagras. Small animals with brilliant red eyes and gleaming yellow teeth, well known for their vicious nature. Black and orange striped fur made these creatures look magnificent as well as menacing. They would be fast and would work as a team.


The last pen had a single warrior. Large build, well armed and with a heavily armoured suit over black chainmail undergarments. Slow, but probably the most dangerous of this off world mix of creatures. Trophies brought back for the entertainment of the Zerot and to train their young. All that remained of long forgotten worlds raped and destroyed over the previous 2000 years.

^ *None* of this section is really that necessary? All you're doing is going back to explaining the minutae of the surroundings again


***


Birjjikk weighed up her options. Individually, each cage would not present a problem to her. Although still not of full adult stature, she was fast and had an excellent grasp of the fighting skills so far taught to her. You're telling again instead of showing. She was sure, though, that the elders would open the gates to make her work harder. Harder than her academy colleagues - her arrogance not being lost on them. That would mean two or three at a time. Maybe the animals together, or perhaps the warriors. Each option presented a different set of dynamics and dangers. Birjjikk curled up her top lip exposing her pointed teeth in what may have been construed as a smile. Explaining again


She checked her weapons. Her left hand flicked up to just over her right shoulder, and her three taloned fingers lightly brushed the handle of her sword which was holstered diagonally to her back - wedged between the fourth and fifth protruding vertebrae. She had three sets of triple release throwing knives attached to her torso and in her right hand, she carried a swinging enscicer. The only technology she was allowed was a modulating force field. Unlike a full one, this would modulate through thought activation, switching between various points of her torso and only capable of defending single blows. Telling not showing again. If the reader really needs this information, show it during the combat that follows.


She straightened her head guard; a hard, leathery helmet that protected her sensitive hearing orifices on the side of her head and looped over the small horns just above her forehead. Attached to the side of the helmet was a final set of throwing knives. Close knit feathers protruded from the helmet and covered the middle of her back as far as the third vertebrae down.You're drowning this piece with explanations


She took a deep breath. She was ready.

In just over 1,200 words you've told us that a character has stepped into the arena, but by the end nothing has happened - all we have is the promise that something might actually happen in a moment.

Stripping out all your infodumps, here's your actual basic story:

Birjjikk strode into the arena.

Birjjikk glared around. She was last to go. Blood had already drenched the floor and walls, with chunks of bone and flesh still scattered around. Larger limbs and carcass’s already removed by the Grunz.

My academy comrades have been busy.

Birjjikk’s concentration sharpened as the elders began taking their seats and a hush came over the arena.

She took a deep breath. She was ready.

All your own words, and that's where your story actually is. And it's not bad. Add a couple of words for context, even a sentence as well, and that's all you need.

Do watch for the common pitfall of trying to explain everything for the benefit of the reader, as you have the rest of the story in which to deliver that.

Don't sweat it, though - I'm being harsh, but pretty much every single writer on these boards has done exactly this in the past - it's a necessary stage of the process. So better if you're aware it's a problem now, rather than continue regardless as I once did. :)

 
Last edited:
I think Brian et al mostly have this on the head. It's now about the writing per se but how you're telling the story. At the moment, this is all telling. Instead of giving us this overview, show the fight ahead and filter this information into that scene. Show the man coming out to defend, don't tell us he will. So I think it's a restructuring of the scene that's needed to engage us.
 
I think what I would say has mostly been covered, and I am not an expert like those above :). But here are my two cents:
Right off the bat I was bothered by the second sentence. That needs to be filtered in somewhere else. Adding elements of the third sentence to the first, like cave, we would already realize this is not a common arena.

I like how the story seems to gather momentum, but to keep the pace slow at the start you have used a lot of description that is forced upon us. If you take too much away you might lose the effect of the building momentum, but it is clearly too much. The issue then becomes how to present all this detail to us. Something like her crouching while she waits, looking at the monoliths, then getting up again and walking from side to side and seeing something else?

-The pen opposite her contained.
-To one side, up against the wall, (I'd use commas)
- carcasses is the plural, not carcass's
- IMO, one can't surpass their potential. You can surpass expectations. Potential is what you can reach.
 
Okay, here we go! *Extends fangs*



Whew!

First off, I like the level of description you use, and the pace at which you steadily add to the picture. At no point did I become too distracted by my lack of understanding what was going on, as you answered these questions fairly efficiently as they came up.

I appreciate the consistent voice your character has, and it helps develop her well, but I hope there is some more depth to her as the story progresses, or she may become quite shallow.

Obviously, some grammatical and spelling errors (at least to my American eyes), but I've marked what I caught, and it wasn't anything major.

Watch your use of descriptors, especially adverbs (-ly). If not carefully pruned, they can become quite bothersome. While there will always have to be some showing involved, make sure to tell whenever possible.

All in all, a very good effort. I look forward to learning more about Birjjikk.

Thanks for the critique Steven. I'm glad you feel it shows some promise.
I'll certainly take your comments on board. You picked up on a couple of sentences that I've never been happy with, and where those grammatical errors came from!! Thanks again.
 
There's a common problem among aspiring writers, especially when they start, of trying to stop the narrative to explain everything, while also ensuring they describe everything. The result is a lack of immediacy and focus, and the story judders and stalls.

And I'm afraid you're doing the same thing here. I'll point out a few things:



In just over 1,200 words you've told us that a character has stepped into the arena, but by the end nothing has happened - all we have is the promise that something might actually happen in a moment.

Stripping out all your infodumps, here's your actual basic story:



All your own words, and that's where your story actually is. And it's not bad. Add a couple of words for context, even a sentence as well, and that's all you need.

Do watch for the common pitfall of trying to explain everything for the benefit of the reader, as you have the rest of the story in which to deliver that.

Don't sweat it, though - I'm being harsh, but pretty much every single writer on these boards has done exactly this in the past - it's a necessary stage of the process. So better if you're aware it's a problem now, rather than continue regardless as I once did. :)
Hi, Brian. Thanks for you comments.
I maybe should have made my intro a little clearer.
This storyline is a subplot, with each of the scenes being the last one of the first five chapters. (my intro says I'm considering this, but it's what I'm planning. Should have made that clear). Hence, The 200 years earlier is referenced to the main story line and the asterisks are marking the scene breaks.
The reason I'm doing this is that my first attempt at describing how evil the Zerot are, was pointed out to me as an eight-page info dump. So, I created Birjjikk, intending to tell her story en route to becoming a real nasty piece of work, but also using her to tell the Zerot story. So, the plan is not only narrative, but mini info dumps as well. But I will try and show them rather than tell them - adding what I can to the fight scenes that follow.
I will sharpen up the start of my main story beginning, though, where I've broken up the narrative with unnecessary information. Thanks for that advice.
As you say, first attempt. I do appreciate the help.
Andy
.
 
I think Brian et al mostly have this on the head. It's now about the writing per se but how you're telling the story. At the moment, this is all telling. Instead of giving us this overview, show the fight ahead and filter this information into that scene. Show the man coming out to defend, don't tell us he will. So I think it's a restructuring of the scene that's needed to engage us.
Thanks Jo.
Scene restructuring it is. See my reply to Brian. the next 5 scenes are all fighting, so I'll move stuff to there and try and show.
Andy
 
I think what I would say has mostly been covered, and I am not an expert like those above :). But here are my two cents:
Right off the bat I was bothered by the second sentence. That needs to be filtered in somewhere else. Adding elements of the third sentence to the first, like cave, we would already realize this is not a common arena.

I like how the story seems to gather momentum, but to keep the pace slow at the start you have used a lot of description that is forced upon us. If you take too much away you might lose the effect of the building momentum, but it is clearly too much. The issue then becomes how to present all this detail to us. Something like her crouching while she waits, looking at the monoliths, then getting up again and walking from side to side and seeing something else?

-The pen opposite her contained.
-To one side, up against the wall, (I'd use commas)
- carcasses is the plural, not carcass's
- IMO, one can't surpass their potential. You can surpass expectations. Potential is what you can reach.
Thanks, Thomas.
I can see now that I need to reduce the description. I've loaded the first five scenes, and there is little in the last five.
Grammatic errors note - thanks.
Andy,
ps the spelling of carcasses has been niggling at me for weeks.
 
There's a common problem among aspiring writers, especially when they start, of trying to stop the narrative to explain everything, while also ensuring they describe everything. The result is a lack of immediacy and focus, and the story judders and stalls.

And I'm afraid you're doing the same thing here. I'll point out a few things:



In just over 1,200 words you've told us that a character has stepped into the arena, but by the end nothing has happened - all we have is the promise that something might actually happen in a moment.

Stripping out all your infodumps, here's your actual basic story:



All your own words, and that's where your story actually is. And it's not bad. Add a couple of words for context, even a sentence as well, and that's all you need.

Do watch for the common pitfall of trying to explain everything for the benefit of the reader, as you have the rest of the story in which to deliver that.

Don't sweat it, though - I'm being harsh, but pretty much every single writer on these boards has done exactly this in the past - it's a necessary stage of the process. So better if you're aware it's a problem now, rather than continue regardless as I once did. :)
ps Brian.
It's quite startling when you reduce the story to 5 lines. I'm still trying to get my head around that!
 
Status
Not open for further replies.

Similar threads


Back
Top