My First Critique Post: A Space Fantasy Novella

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Kieran Song

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Hey lovely (and supportive) folks at Chrons, just some context: I posted earlier in the forum with the title: The Beta and ARC reader dilemma. Gist of the post: New author starting out, trying to get those initial Beta and ARC readers.

Recommendation by the @The Judge was to post some words here and see if people enjoy my style enough to want to help make the story/give initial reviews into something better.

So here goes...I'm taking the big plunge and going full kimono!

**************


Obidi Seven dreamt of touching a star one day. It was a beautiful dream, one filled with the promises of space-faring romanticism and intergalactic adventure. The thing about dreams, however, was that sometimes they were implausible.

You see, the stars themselves were luminous balls of radiation and being in close proximity to one would reduce a person into ash instantly.

Obidi also didn’t have a spaceship to reach this star and with the way things were going, probably wouldn’t be able to afford one in this lifetime. He barely had enough credits to pay for the essentials such as food and shelter.

But one could still dream, couldn’t they?

Obidi actually had many wishes and dreams. He wished he had the means to explore the entire galaxy and have himself some grand adventures. He needed that damned spaceship for that.

He also wished that this stupid sixty-three year war was done and over with. It was all a bunch of poppycock, if you asked him. Cymerians were killing Asrai, Asrai were killing Aksu, and the Aksu were killing anyone that breathed.

The war had turned the great beyond into a smorgasbord of death and destruction. At least here on Nexus—the commerce capital of the galaxy—it was safe. No one dared attack this planet. The entire economic landscape of the Universe would simply collapse if they did.

Finally, he wished he could turn back the clocks. He’d have stayed home that day, never setting foot in that mausoleum, and he’d certainly never have taken her with him. How different life would have been now.

Perhaps he’d be serving a greater purpose as oppose to having a thirteen inch blade, rammed down his throat, praying that it would come out just as easily as it went down. With his head fully tilted back, he took one last look at the magnificent night sky, where the deadly stars looked as pretty as gemstones, and grabbed the hilt of the sword.

He slowly pulled the sharp steel from out of his mouth.

“Filthy Nordiscans, they’ll put anything down their throats for money,” one reptilian-like Dromedian ranted. He turned to his son. “You’ll never try that at home.”

Obidi rolled his eyes. It wasn’t easy these days being a street magician, especially if you were a Nordiscan. He never did understand why his race were viewed as lesser beings compared to a Cymerian or an Aksu.

Sure, the skin of the Nordiscan’s were pinker than other races and they were rather short in stature—the tallest recorded Nordiscan clocked in at five-foot eight (Obidi was a healthy five-seven)—and they were known to the galaxy as wanderers; a species without a home. But who cared?

Apparently everyone did, when it came to the hierarchy of aliens and cultures. The Nordiscans were one rung above cockroaches, but barely.

Obidi scanned the rest of tonight’s crowd. A few of his usual doe-eyed groupies were engaged by the show, but the majority of spectators didn’t seem impressed. His routine was getting a little stale, seeing as how he performed it on a nightly base in the middle of the commerce district of the Capital City.

Obidi ran his hands gently over his chestnut-brown hair, tied back into a man bun. It was something he did whenever he was nervous.

“Voila,” he announced to the crowd. “The power of magic has allowed me to successfully swallow the ancient sword of Vey. Rumor has it that this sword once cut down a mighty dragon.”

“From slaying dragons to being shoved down your throat,” one Cymerian businessman jested, “Even relics can fall onto hard times.”

Laughter dispersed throughout the crowd.

Obidid did his best to hide his frown. With the way the crowd was responding, it didn’t look like he was going to earn enough tips for room and board tonight.

He’d end up sleeping on a park bench again, underneath the moon and stars.

“I thought it was an amazing trick!” one girl shouted from the crowd. It was Conseca, a pretty Asrai female with skin the color of milk and long, crème-colored hair that flowed down to her waist.

She was there at every one of his shows, always cheering him on fiercely. Occasionally, she’d give Obidi a lust-filled glance, with the intentions of hanky panky smoldering beneath it.

Thank you Conseca, Obidi thought. He definitely needed some crowd support tonight.

“And that’s all it was: a trick,” the crotchety Dromedian said. “Our lying Nordiscan here has been going around, advertising his show as a spectacle of magic when in reality, he knows nothing of it. Magic, my dear friends, has long been dead.”

No, magic isn’t dead, Obidi thought. He’d seen and heard enough in this lifetime to convince him otherwise. Images from his memories danced through his head like a carousel of pictures displayed before his very eyes. It always ended with the outstretched hand holding the blood red apple, being swallowed up by the dark pool of water.

Magic was very much alive.
 
I think there is too much background being snuck in right at the beginning. And the opening isn't really hooky enough for me, though I did get caught up trying to pronounce the main character's name. Also, "The thing about dreams, however, was that sometimes they were implausible." <-- is not really enough of a profound statement. The vast majority of dreams are arealistic which is why another term for a fantasy is a dream.
 
Hey KS. Yes, I have to agree with sozme. You want to hit the reader between the eyes with your opening chapter. This is all background stuff that can be filtered into the story once you establish where you are going. You could compress what you have down to: Like everyone, Obidi had dreams. But dreams cost money he didn't have and probably never would. Then into the magic show. That way you've cut out a big chunk of blah, blah, and hopefully you can introduce something more to capture your audience. Don't be discouraged, all new writers fall into the same trap of trying to say too much too soon. Yeah, that includes me. Your story is better than some I've seen. Keep at it.
 
The problem to me is that there isn't a clear story here: there's general dreamy stuff about space, then regret for the horrors of war - meanwhile, a sword-swallowing trick.

You're trying to dump in too much explanation in at the beginning, at everytime you do so, it prevents the story from starting - or continuing. This is why writers are advised against infodumps, or to keep them at a minimum.

Also, if you are writing science fiction for an adult audience you may want to avoid explaining what stars are - your audience will know this, and you may be in danger of being seen to write a children's book (presuming you are writing adult SF?).

So what I'd suggest is that you rewrite, taking out any explanations, and just focusing on story. You have the entire manuscript to drip in any information as needed. It takes a degree of bravery to do so, but once you try it, you'll find your story begins to shine through, and you'll probably begin to wonder why you even felt a need to explain so much context so quickly.

2c.
 
I'm a big space fantasy fan, so I'll see what I think. I also have teeth, be warned. Comments in bold within.

Hey lovely (and supportive) folks at Chrons, just some context: I posted earlier in the forum with the title: The Beta and ARC reader dilemma. Gist of the post: New author starting out, trying to get those initial Beta and ARC readers.

Recommendation by the @The Judge was to post some words here and see if people enjoy my style enough to want to help make the story/give initial reviews into something better.

So here goes...I'm taking the big plunge and going full kimono!

**************


Obidi Seven dreamt of touching a star one day. It was a beautiful dream, one filled with the promises of space-faring romanticism and intergalactic adventure. The thing about dreams, however, was that sometimes they were implausible.A little passive as an opening for my taste - also dreams... meh.

You see, the stars themselves were luminous balls of radiation and being in close proximity to one would reduce a person into ash instantly.I know this and so does any self respecting SF reader.

Obidi also didn’t have a spaceship to reach this star and with the way things were going, probably wouldn’t be able to afford one in this lifetime. He barely had enough credits to pay for the essentials such as food and shelter.Hmmm. Waiting for the story to appear.

But one could still dream, couldn’t they?

Obidi actually had many wishes and dreams. Still waiting.... He wished he had the means to explore the entire galaxy and have himself some grand adventures. He needed that damned spaceship for that.

He also wished that this stupid sixty-three year war was done and over with. It was all a bunch of poppycock, if you asked him. Cymerians were killing Asrai, Asrai were killing Aksu, and the Aksu were killing anyone that breathed.And waiting. I don't know the characters or people, so why should I care if they're killing each other...

The war had turned the great beyond into a smorgasbord of death and destruction. At least here on Nexus—the commerce capital of the galaxy—it was safe. No one dared attack this planet. The entire economic landscape of the Universe would simply collapse if they did.

Finally, he wished he could turn back the clocks. He’d have stayed home that day, never setting foot in that mausoleum, and he’d certainly never have taken her with him. How different life would have been now.And here, I'd put it back on the shelf. Sorry. I have no idea what the story is about. I have no idea why I should care about any of this. It's all backstory, and passive with it.

Perhaps he’d be serving a greater purpose as oppose to having a thirteen inch blade, rammed down his throat, praying that it would come out just as easily as it went down. With his head fully tilted back, he took one last look at the magnificent night sky, where the deadly stars looked as pretty as gemstones, and grabbed the hilt of the sword.

He slowly pulled the sharp steel from out of his mouth.And then this bit is cool. Get this into your opening lines.

“Filthy Nordiscans, they’ll put anything down their throats for money,” one reptilian-like Dromedian ranted. He turned to his son. “You’ll never try that at home.”

Obidi rolled his eyes. It wasn’t easy these days being a street magician, especially if you were a Nordiscan. He never did understand why his race were viewed as lesser beings compared to a Cymerian or an Aksu.

Sure, the skin of the Nordiscan’s were pinker than other races and they were rather short in stature—the tallest recorded Nordiscan clocked in at five-foot eight (Obidi was a healthy five-seven)—and they were known to the galaxy as wanderers; a species without a home. But who cared?Ach, darn it, we're back to the info dump and history. I wanna know more about the sword! I like street magicians.

Apparently everyone did, when it came to the hierarchy of aliens and cultures. The Nordiscans were one rung above cockroaches, but barely.

Obidi scanned the rest of tonight’s crowd. A few of his usual doe-eyed groupies were engaged by the show, but the majority of spectators didn’t seem impressed. His routine was getting a little stale, seeing as how he performed it on a nightly base in the middle of the commerce district of the Capital City.

Obidi ran his hands gently over his chestnut-brownWould he really think about the colour of his hair? hair, tied back into a man bun. It was something he did whenever he was nervous.

“Voila,” he announced to the crowd. “The power of magic has allowed me to successfully swallow the ancient sword of Vey. Rumor has it that this sword once cut down a mighty dragon.”

“From slaying dragons to being shoved down your throat,” one Cymerian businessman jested,full stop “Even relics can fall onto hard times.”

Laughter dispersed throughout the crowd.

Obidid did his best to hide his frown. With the way the crowd was responding, it didn’t look like he was going to earn enough tips for room and board tonight.So how does this make him feel? Is he resigned to it, or worried? I need him to guide me as to how important this sort of thing is (a really good book for doing that recently was Ian McDonald's Luna - he set the conflict of survival very, very well)

He’d end up sleeping on a park bench again, underneath the moon and stars.

“I thought it was an amazing trick!” one girl shouted from the crowd. It was Conseca, a pretty Asrai female with skin the color of milk and long, crème-colored hair that flowed down to her waist.

She was there at every one of his shows, always cheering him on fiercely. Occasionally, she’d give Obidi a lust-filled glance, with the intentions of hanky panky doesn't sound like his voice smoldering beneath it.

Thank you Conseca, Obidi thought. He definitely needed some crowd support tonight.

“And that’s all it was: a trick,” the crotchety Dromedian said. “Our lying Nordiscan here has been going around, advertising his show as a spectacle of magic when in reality, he knows nothing of it. Magic, my dear friends, has long been dead.”

No, magic isn’t dead, Obidi thought. He’d seen and heard enough in this lifetime to convince him otherwise. Images from his memories danced through his head like a carousel of pictures displayed before his very eyes. It always ended with the outstretched hand holding the blood red apple, being swallowed up by the dark pool of water.

Magic was very much alive.

Okay, too much backstory but when the real story flashes out it's quite intriguing. I'd cut this by about 2/3 and focus only on the immediate actions and thoughts - we can learn the backstory later. Otherwise, the pov is clean, the grammar is mostly fine (watch that dialogue thing I pointed out, though, if you're not aware it's an error), and the writing flows okay. Just make it punchier and hookier.
 
I agree with everyone else, I'm afraid. There is far too much dumping of backstory here to provide an engaging opening for the book. You really need to concentrate on the here and now -- what is happening, and what he is feeling. By all means reference the backstory obliquely eg "Since the war had reached Bulos, only thirty light years away, the crowds for his shows had shrunk" or something of that kind, since it gives hints of the background which may intrigue the reader. Think of it as food -- you want to get someone to consume the whole book, so you've got to make the first course attractive and tasty, and not too heavy. Light touches of spice, enough to tease the palate, that's all.

Re Brian's comment about this being adult SF, I also wondered if it was going to be a children's book. Not only from the line about what stars are made of (which seemed very odd, to be honest) but also from the simple language and sentence construction of some paragraphs, though sometimes individual words seemed out of place, so I got confused. It occurred to me that this is Obidi's voice coming through, but I wasn't sure how old he was meant to be.

Anyhow, I'm a nit-picker, so I'll pick a few nits from the opening paragraphs as I'm here.
Obidi Seven dreamt [perfectly good English, but potentially confusing to Americans who don't use the -t ending, so "dreamed" might be better since this is the first line, to avoid any US reader immediately putting the book down thinking it's a typo] of touching a star one day. It was [I'd suggest avoiding "It was" and "There was/were" etc as far as possible, since they can give a distancing and passive/boring feel to a line] a beautiful dream, one filled with the promise[s] [if you want the plural, you have to remove the "the"] of space-faring romanticism and intergalactic adventure. The thing about dreams, however, was that sometimes they were implausible. [I think you mean "impossible" though it would be better as something like "rarely came true." An excuse is implausible, since it's unlikely to be true, but a dream is true in itself, that is the dream is there, it's a real dream, it's simply that the wished-for thing is never going to happen in reality. But no matter how expressed, this is rather a trite observation, even for a young boy, I'd have thought. Also to me it reads as you telling us, not Obidi thinking it, so is something of a narrator's intrusion]

You see, [is he narrating this to someone? If not, who is "you"?] the stars themselves were luminous balls of radiation and being in close proximity to one would reduce a person to [into] ash instantly.

Obidi also didn’t have a spaceship to reach this star [this is the kind of line which makes me think this is a children's book, or he is somewhat simple] and with the way things were going, probably wouldn’t be able to afford one in this [if he believes he will have more lives, then this is fine; otherwise, if this is the only life he has, then "his"] lifetime. He barely had enough credits to pay for the essentials such as food and shelter. [we know what essentials are, so defining the word isn't needed. NB One way to make a story sing is to use specifics not generalities, eg "He barely had enough credits to buy a bowl of the wateriest honfid gruel, or to get a flea-infested pallet at the local dosshouse." -- the same overall information but giving a flavour of the place]

But one could still dream, couldn’t they? [if using "one" you have to be consistent within the sentence -- "one could still dream, couldn't one?" -- but does he really think of himself like this? Why not "he could still dream, couldn't he?"?]

Obidi actually had many wishes and dreams. He wished he had the means to explore the entire galaxy and have himself some grand adventures. He needed that damned spaceship for that. [again these sentences seems somewhat simplistic, and the use of "grand" really made me wonder how old he is meant to be]

He also wished that this stupid sixty-three year war was done and over with. [eh?? Describing a 63 yo war, in which presumably billions have died, as "stupid" and "poppycock"?! You don't think this makes him sound a bit lacking in both sense and sensitivity?!] It was all a bunch of poppycock, if you asked him. [again the "you" is intrusive to my mind -- we use these constructions when talking, but in narrative they can stand out so "in his view" or some such would be better I think] Cymerians were killing Asrai, Asrai were killing Aksu, and the Aksu were killing anyone that breathed.

The war had turned the great beyond into a smorgasbord of death and destruction. [this metaphor rather jarred with me. I think it could work, especially if one race could pick its targets at will, and if this were said by a jaded intellectual, but here, in the midst of this rather juvenile-sounding character's thoughts, it didn't come off to my mind] At least here on Nexus—the commerce capital of the galaxy—it was safe. No one dared attack this planet. The entire economic landscape of the Universe would simply collapse if they did. [I'm no economist, but to me this doesn't appear realistic, that one planet can dominate the trade of an entire galaxy let alone however many galaxies there are in the universe -- or is that meant to be teenage hyperbole? I'd also expect such a planet to seem a bit more Canary Wharf than the vaguely medieval vibes I'm getting from this section]
re that final comment, it occurred to me that in all this, there's no description about the space in which he's playing, and the medieval idea came from his show and the dragon stuff. You don't want to overload the scene with description, but a few choice adjectives to give us an idea of where he is and what it looks like would be helpful.

Still in nit-picking mode for the rest of it, I had a few problems with other of your word choices, and I'd suggest you pay a bit of attention to this eg
  • "tips" are gratuities given to someone earning a wage above and beyond payment for goods/services, but he seemed to me to be a self-employed one-man-band, like a busker, dependent on the money he collects -- if he is employed by someone, perhaps this needs to be made clear
  • "Laughter dispersed throughout the crowd" -- "disperse" means to scatter or to dissipate, and really doesn't fit here, and the "throughout" is also not quite right
  • "ranted" -- ranting is usually longer, louder and angrier than this I'd have thought

You also have quite a few typos which need picking up, and which suggest you need to spend a little more time proof-reading eg "as opposed to having a thirteen inch blade[,] rammed" -- no comma there; eg "the skin of the Nordiscan’s were pinker" -- the possessive apostrophe is wrong as it's a simple plural, and it should be "was pinker"; eg "on a nightly base" -- "basis"

Overall, to my mind this opening needs a bit of work to make it the best it can be. I think what you need to do next is to look at this again and take the various lessons eg about info-dumping, eg word choice, and apply them to the rest of the novel. To be honest, I don't think you're quite ready to put this out to beta-readers yet. However, it might be an idea to see if you could join a writing group who could help you progress on a chapter by chapter basis, to make the work shine before it's sent to betas.

Sorry I couldn't be more enthusiastic, but good luck with it.
 
I love the first line. Worthy of Neil Gaiman. Then it turns into summary of this dude's background in a way that's divorced from his experience of things. Kind of like. Terry Pratchet style narrator voice telling you sh!t about sh!t in a rambling way that he pulls off, but I find most other folk don't.

The other commenters have kind of said it already, but honestly the first line had me thinking "wow, this could go anywhere" in a really good away.
 
Hey everyone, thanks for the great comments. I'm going to try and rework this opening based on all the insightful comments.

Cheers and thanks!
 
I agree with everyone else, I'm afraid. There is far too much dumping of backstory here to provide an engaging opening for the book. You really need to concentrate on the here and now -- what is happening, and what he is feeling. By all means reference the backstory obliquely eg "Since the war had reached Bulos, only thirty light years away, the crowds for his shows had shrunk" or something of that kind, since it gives hints of the background which may intrigue the reader. Think of it as food -- you want to get someone to consume the whole book, so you've got to make the first course attractive and tasty, and not too heavy. Light touches of spice, enough to tease the palate, that's all.

Re Brian's comment about this being adult SF, I also wondered if it was going to be a children's book. Not only from the line about what stars are made of (which seemed very odd, to be honest) but also from the simple language and sentence construction of some paragraphs, though sometimes individual words seemed out of place, so I got confused. It occurred to me that this is Obidi's voice coming through, but I wasn't sure how old he was meant to be.

Anyhow, I'm a nit-picker, so I'll pick a few nits from the opening paragraphs as I'm here.re that final comment, it occurred to me that in all this, there's no description about the space in which he's playing, and the medieval idea came from his show and the dragon stuff. You don't want to overload the scene with description, but a few choice adjectives to give us an idea of where he is and what it looks like would be helpful.

Still in nit-picking mode for the rest of it, I had a few problems with other of your word choices, and I'd suggest you pay a bit of attention to this eg
  • "tips" are gratuities given to someone earning a wage above and beyond payment for goods/services, but he seemed to me to be a self-employed one-man-band, like a busker, dependent on the money he collects -- if he is employed by someone, perhaps this needs to be made clear
  • "Laughter dispersed throughout the crowd" -- "disperse" means to scatter or to dissipate, and really doesn't fit here, and the "throughout" is also not quite right
  • "ranted" -- ranting is usually longer, louder and angrier than this I'd have thought

You also have quite a few typos which need picking up, and which suggest you need to spend a little more time proof-reading eg "as opposed to having a thirteen inch blade[,] rammed" -- no comma there; eg "the skin of the Nordiscan’s were pinker" -- the possessive apostrophe is wrong as it's a simple plural, and it should be "was pinker"; eg "on a nightly base" -- "basis"

Overall, to my mind this opening needs a bit of work to make it the best it can be. I think what you need to do next is to look at this again and take the various lessons eg about info-dumping, eg word choice, and apply them to the rest of the novel. To be honest, I don't think you're quite ready to put this out to beta-readers yet. However, it might be an idea to see if you could join a writing group who could help you progress on a chapter by chapter basis, to make the work shine before it's sent to betas.

Sorry I couldn't be more enthusiastic, but good luck with it.

No apologies needed. If it doesn't work, it doesn't work. I'll just need to redo it. I fell into the trap of long exposition *sigh*.

I used to write romance in first person -- not much world building needed. Scifi and fantasy -- plenty of world building. I just need a find a way to weave it in while not losing people to the concepts and science I've created.

P.s. I enjoy bathing in fire. Consider me a sadist...

Thanks once again for brutal honesty which is what all authors need!
 
I love the first line. Worthy of Neil Gaiman. Then it turns into summary of this dude's background in a way that's divorced from his experience of things. Kind of like. Terry Pratchet style narrator voice telling you sh!t about sh!t in a rambling way that he pulls off, but I find most other folk don't.

The other commenters have kind of said it already, but honestly the first line had me thinking "wow, this could go anywhere" in a really good away.


I'm going to work the sh*t out of this so I'm worthy to fart in the same room as Neil.
 
I'm a big space fantasy fan, so I'll see what I think. I also have teeth, be warned. Comments in bold within.



Okay, too much backstory but when the real story flashes out it's quite intriguing. I'd cut this by about 2/3 and focus only on the immediate actions and thoughts - we can learn the backstory later. Otherwise, the pov is clean, the grammar is mostly fine (watch that dialogue thing I pointed out, though, if you're not aware it's an error), and the writing flows okay. Just make it punchier and hookier.

I've taken your comments to heart. I've deleted a chunk of the info dumping and started right at the part with a sword down the man's throat.

Thanks for the insight! I want to polish this until it sparkles.
 
The problem to me is that there isn't a clear story here: there's general dreamy stuff about space, then regret for the horrors of war - meanwhile, a sword-swallowing trick.

You're trying to dump in too much explanation in at the beginning, at everytime you do so, it prevents the story from starting - or continuing. This is why writers are advised against infodumps, or to keep them at a minimum.

Also, if you are writing science fiction for an adult audience you may want to avoid explaining what stars are - your audience will know this, and you may be in danger of being seen to write a children's book (presuming you are writing adult SF?).

So what I'd suggest is that you rewrite, taking out any explanations, and just focusing on story. You have the entire manuscript to drip in any information as needed. It takes a degree of bravery to do so, but once you try it, you'll find your story begins to shine through, and you'll probably begin to wonder why you even felt a need to explain so much context so quickly.

2c.


Yes, I completely agree. I torched the long info session. As well I have the bad habit of adding flavours in my writing with the style of the book I'm currently reading. It's an awful habit.

I was reading the Graveyard Book...thus the mix between adult and kids.
 
Hey KS. Yes, I have to agree with sozme. You want to hit the reader between the eyes with your opening chapter. This is all background stuff that can be filtered into the story once you establish where you are going. You could compress what you have down to: Like everyone, Obidi had dreams. But dreams cost money he didn't have and probably never would. Then into the magic show. That way you've cut out a big chunk of blah, blah, and hopefully you can introduce something more to capture your audience. Don't be discouraged, all new writers fall into the same trap of trying to say too much too soon. Yeah, that includes me. Your story is better than some I've seen. Keep at it.


Thanks for the insight (and kindness after too) lol. Made some significant changes
 
I think there is too much background being snuck in right at the beginning. And the opening isn't really hooky enough for me, though I did get caught up trying to pronounce the main character's name. Also, "The thing about dreams, however, was that sometimes they were implausible." <-- is not really enough of a profound statement. The vast majority of dreams are arealistic which is why another term for a fantasy is a dream.

I agree, I tried to shove a vast world into two paragraphs. I'm awful...
 
All I can really add to the above comments is this. Tell one story at a time. (In fact, it could be argued all stories are really parts of one story, which bring the MAIN story to life.)

Anyway, just write about ONE thing that's happening and secondly, let that one thing be emotionally engaging. Make it matter. Make us care.

Later on, you can tell us about a second thing, either developing the first thing, or an even separate thing (but indirectly expanding the MAIN thing.)

ETA. I'm pretty tired, so typos abound. ;)
 
All I can really add to the above comments is this. Tell one story at a time. (In fact, it could be argued all stories are really parts of one story, which bring the MAIN story to life.)

Anyway, just write about ONE thing that's happening and secondly, let that one thing be emotionally engaging. Make it matter. Make us care.

Later on, you can tell us about a second thing, either developing the first thing, or an even separate thing (but indirectly expanding the MAIN thing.)

ETA. I'm pretty tired, so typos abound. ;)


That's good advice. My day job I manage a portfolio of 60 projects so I'm used to tackling multiple things at once.

Doesn't apply to writing...
 
I'm going to be controversial and difficult and say I actually have no problem with the opening line! It has an old-fashioned, quaint sort of omniscient storyteller-round-the-campfire feel to it. If you can maintain this sort of feel throughout, I don't think that's bad at all. In fact, it'd be quite skilful to do it well.

You see, the stars themselves were luminous balls of radiation and being in close proximity to one would reduce a person into ash instantly.
Um, however. This is one of the weirdest lines I think I've ever come across! Is there a reason you're stating the bleedin' obvious, to quote Basil Fawlty? The first thing I thought was, "Oh, it's some sort of Douglas Adams / Terry Pratchett-type comedy." But I'm not entirely sure that's the case...

Obidi actually had many wishes and dreams. He wished he had the means to explore the entire galaxy and have himself some grand adventures. He needed that damned spaceship for that.

He also wished that this stupid sixty-three year war was done and over with. It was all a bunch of poppycock, if you asked him. Cymerians were killing Asrai, Asrai were killing Aksu, and the Aksu were killing anyone that breathed.
Starting to get a bit waffly now. I'd be getting into the story here.

The war had turned the great beyond into a smorgasbord of death and destruction. At least here on Nexus—the commerce capital of the galaxy—it was safe. No one dared attack this planet. The entire economic landscape of the Universe would simply collapse if they did.
...aaand we're arriving in yawnsville about now. Sorry. But there's a difference between a bit of thematic and tonal set-up, which I think the first line achieves (even if others disagree) and paragraphs of exposition when we've no reason to care (yet).

Finally, he wished he could turn back the clocks. He’d have stayed home that day, never setting foot in that mausoleum, and he’d certainly never have taken her with him. How different life would have been now.
Better! Something that relates to him directly, and with enough of a hook to keep going. Some here will argue that lines like this, where you're witholding critical details from the reader, are "writerly" or aloof, but IMO this is in-keeping with the omni, opening line. I like it.

Perhaps he’d be serving a greater purpose as oppose to having a thirteen inch blade, rammed down his throat, praying that it would come out just as easily as it went down. With his head fully tilted back, he took one last look at the magnificent night sky, where the deadly stars looked as pretty as gemstones, and grabbed the hilt of the sword.
Yes! We're at the story. If you get to this bit quicker I think you're onto something.

The rest of it is good, and definitely has some pull. Others seems to have given it the line-edit treatment so I'll avoid that here, but I hope what I've otherwise said is useful in some way. It does need work, but sometimes you've got to stick with what your vision for your piece is.
 
This is one of the weirdest lines I think I've ever come across! Is there a reason you're stating the bleedin' obvious, to quote Basil Fawlty?

If the character thought it wasn't obvious, it would be a revealing use of character voice. That's what I assumed, but by the end I wasn't sure.

I'll echo what everyone else says about too much background though.
 
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