Immortal Daughter - opening

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Stewart Hotston

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Chapter 1


10 years ago.


A man’s voice woke her up. At first she thought she’d dreamed it. Rebecca couldn’t stop herself from hoping it was her father come home. Without thinking she swung her legs from the bed onto the floor, his name on her lips. The splintered crack of glass breaking made her stop, hold her breath in the darkness, waiting for the next sound. Small fingers grasped bedding.

“Mummy?”

There was the kind of silence that came when people were listening hard.

Her heart beat faster, pulled the rest of her inwards so that all she was echoed in her burning centre.

Heavy feet thumped up the stairs. The door to the bathroom at the top of the landing smashed open. Rebecca jumped. She lifted her feet off the floor. A sudden desire to be as small as possible.

Her bedroom door opened. Rebecca watched with wide eyes as a man entered.

As their gazes met she knew something bad was happening. “Mummy!” Her voice rose high, screaming through the house.

She was swept up into a grasp that allowed her no thought of escape although she kicked and kicked and kicked.

They came down into the kitchen.

“Tell her to be quiet,” said another man’s voice. He was shorter than the one who held her so tightly. It didn’t matter to her, she saw her mum. Ella was stood, hands palm down on the counter, face blank, eyes full of tears.

“Becca,”

“Mummy!” She struggled with renewed energy, desperate to be on the other side of the room, in her mother’s arms.

“Becca.” Ella’s eyes flicked to a third man. He nodded. “Becca!” She shouted.

Rebecca stopped just long enough to see that her mum was as scared as she was. The sight of such terror coming right back at her stilled her legs. She had to tense to stop from wetting herself.

“Good girl,” her mother managed, her voice quavering as she spoke. She didn’t raise her hands from the worktop, she didn’t move at all.

She didn’t want to be held in the air like a doll but her mother’s voice drained her will, left her feeling lost. Without hope.

“These people want you to go live with them.” Ella’s voice was thread through with chords of anguish. All Rebecca could hear was fear. “They’re going to look after you. They’re,” she paused, voice coming to a slow emptiness, her eyes straying towards the man nearest her.

Rebecca couldn’t see his face but watched as he and her mother exchanged a long slow regard for one another.

“They’re good people and want to help you.”

“I don’t want to go,” said Rebecca. “Why are you sending me away? I’m sorry. Whatever it was I’m sorry!” She wished she’d brushed her teeth like she was supposed to instead of just wetting the brush with water.

“It’s not your fault Eccse. I’m not sending you away, Eccse, I’m not. I love you but you’ve got to go with them.”

Rebecca started to cry, her whole body felt as if the world was prodding her from all angles, refusing to let her be, to have a moment to be herself. “Please, don’t cry.”

The man nearest her mother spoke. “Get her a tissue, for God’s sake.”

Rebecca was put tenderly to the ground. She felt like falling over, or running to her mother. Her legs refused to move, so she stood there watching as the bear of a man who’d burst into her bedroom pulled a sheet of kitchen towel from the roll. He held out a huge hand towards her, two sheets dwarfed in his grasp.

“Let me,” said Ella but a hand was placed on her chest when she went to move.

“Rebecca,” said the man who’d stopped her mother from moving. “You’re a big girl now. We’re going to teach you to become a strong woman, to be everything you can be.” His eyes glimmered like onyx under the warm yellow lamp in the middle of the kitchen table. Rebecca felt the weight of his certainty and couldn’t draw her gaze away. “So be a good girl and take the first step for me. Take the tissues and wipe your face. There’s a time for tears but this isn’t it. Dark days are coming when in the dead of night you might be all that stands between us and the monsters. If you cry when a man offers you comfort how will you defeat monsters?”

A sob gulped out of her mother’s throat like a frog leaping clumsily into the air. He ignored her.

Rebecca looked up at the giant before her. She didn’t feel much like crying anymore. So she took the tissue and folded it up as small as she could. “I don’t want to fight monsters. I just want to go to bed. I want cuddles.”

“Why are we wasting time?” Asked one of the others.

Rebecca felt uncertainty edge back into the small bubble of space she’d begun to build around herself. She’d watched TV. She knew her daddy should have been there to keep the bad men away.

“My daddy wouldn’t let you take me away.” She started to cry again. She didn’t understand why.

“Your daddy is why we’re here.” The leader spoke calmly, still looking directly at her, as if she were the only thing in the whole world that mattered right then. “If he’d not left we wouldn’t need to show you how to be a warrior queen.”

“What about my mummy?”

“She’s got to stay here, in case he comes back for you. He won’t know where you are if she comes too.”

Rebecca thought about it. Something didn’t make sense. Why were they wearing masks if they weren’t bad men? Were they friends of her daddy?

“Are you his friends?”

Ella’s face looked like it did when Rebecca had said something funny while being told off.

“We know him really well.”

‘Have you seen him?”

“Not for a very long time. Just like you we want to see him again as soon as possible.”

“He’ll come now,” said Ella.

“He won’t. You’re going to carry on as if all of this is for the best.”

“Why would I do that?” Asked Ella.

The leader shrugged. “It’s irrelevant. You’ve no idea where he is or how to get in contact with him.” He turned away from her, action written across his body. “We’ve spent long enough on this. Time to go.”
 
Be warned - I have teeth. comments in bold.

Chapter 1


10 years ago.


A man’s voice woke her up - drop up for tightness. At first she thought she’d dreamed it. Oooh, a threat of opening on a dream. Risky... :) Rebecca couldn’t stop herself from hoping it was her father come home. Without thinking but she was just thinking in the last sentence she swung her legs from the bed onto the floor, his name on her lips. The splintered crack of glass breaking a bit of a mouthful - tidy up a little? made her stop, hold her breath in the darkness, waiting for the next sound. Small fingers grasped bedding.Hers - if so this is a little distant, maybe show the action, or tell us how the bedding feels?

“Mummy?”

There was the kind of silence that came when people were listening hard.I like this, but the was makes it feel passive.

Her heart beat faster, pulled the rest of her inwards so that all she was echoed in her burning centre.

Heavy feet thumped up the stairs. The door to the bathroom at the top of the landing smashed open. Rebecca jumped. She lifted her feet off the floor. A sudden desire to be as small as possible.Nice last line, but at the moment this all feels a little listy and lacking in character feeling.

Her bedroom door opened. Rebecca watched with wide eyes I know it's an old chestnut, but this lifts us out of point of view - how can she know her own eyes were wide? as a man entered.

As their gazes met she knew something bad was happening.How does she feel? What is her fear? Take me into her mind - at the moment I'm watching her, not being her. “Mummy!” Her voice rose high, screaming through the house.

She was swept up into a grasp that allowed her no thought So it held a thought of escape since she tried it, but possibly no hope or chance of one? of escape although she kicked and kicked and kicked.

They came down into the kitchen.

“Tell her to be quiet,” said another man’s voice. He was shorter than the one who held her so tightly. It didn’t matter to her, she saw her mum. Ellais this her mum? Why would Becca think of her as Ella? wasvery passive stood, hands palm down on the counter, face blank, eyes full of tears.can you put this into a child's thoughts? Would she think face blank, or something else?

“Becca,”

“Mummy!” She struggled with renewed energy, desperate to be on the other side of the room, in her mother’s arms.

“Becca.” Ella’s eyes flicked to a third man. He nodded. “Becca!” She shouted.I have no idea what is happening here. The scene hasn't really been set and I keep being drawn out to new characters.

Rebecca is she Rebecca or Becca - kids tend to have a very good knowledge of their own identity and don't like switching between names. stopped just long enough to see that her mum was as scared as she was. The sight of such terror coming right back at her stilled her legs. She had to tense to stop from wetting herself.How does this feel? Take me closer. Is there a hotness? A little bit of dampness in her jammies? Is she old enough to feel ashamed in front of the men?

“Good girl,” her mother managed, her voice quavering as she spoke. She didn’t raise her hands from the worktop, she didn’t move at all.

She didn’t want to be held in the air like a doll but her mother’s voice drained her will, left her feeling lost. Without hope.

“These people want you to go live with them.” Ella’s voice was thread through with chords of anguish. All Rebecca could hear was fear. “They’re going to look after you. They’re,....” she paused, voice coming to a slow emptiness, her eyes straying towards the man nearest her.

Rebecca couldn’t see his face but watched as he and her mother exchanged a long slow regard for one another.

“They’re good people and want to help you.”I have to say her mother isn't showing much understanding of child psychology here, nor the men if they want Rebecca to go along with them....

“I don’t want to go,” said Rebecca. “Why are you sending me away? I’m sorry. Whatever it was I’m sorry!Better - more in the child's voice.” She wished she’d brushed her teeth like she was supposed to instead of just wetting the brush with water.

“It’s not your faultcomma for a direct address (and now she's Eccse. Poor child must be confused.) Eccse. I’m not sending you away, Eccse, I’m not. I love you but you’ve got to go with them.”

Rebecca started to cry, her whole body felt as if the world was prodding her from all angles, refusing to let her be, to have a moment to be herself. “Please, don’t cry.”I'm stretching to believe a child who seems this young has so much concern for her mother. In my experience, at this age it's all me, me, me and Rebecca would be more concerned about what's happening and why than trying to comfort.

The man nearest her mother spoke. “Get her a tissue, for God’s sake.”

Rebecca was put tenderly to the ground. She felt like falling over, or running to her mother. Her legs refused to move, so she stood there watching as the bear of a man who’d burst into her bedroom pulled a sheet of kitchen towel from the roll. He held out a huge hand towards her, two sheets dwarfed in his grasp.

“Let me,” said Ella but a hand was placed on her chest when she went to move.

“Rebecca,” said the man who’d stopped her mother from moving. “You’re a big girl now. We’re going to teach you to become a strong woman, to be everything you can be.” His eyes glimmered like onyx under the warm yellow lamp in the middle of the kitchen table.Would a child really think that? I doubt my 11 year old knows what onyx is. Rebecca felt the weight of his certainty and again and couldn’t draw her gaze away. “So be a good girl and take the first step for me. Take the tissues and wipe your face. There’s a time for tears but this isn’t it. What!? She's being taken from her mother. Is he an idiot? Dark days are coming when in the dead of night you might be all that stands between us and the monsters. If you cry when a man offers you comfort how will you defeat monsters?”

A sob gulped out of her mother’s throat like a frog leaping clumsily into the air. He ignored her.

Rebecca looked up at the giant before her. She didn’t feel much like crying anymore. Why not? Angry? Despair? Confused? Keep me with you. So she took the tissue and folded it up as small as she could. “I don’t want to fight monsters. I just want to go to bed. I want cuddles.”

“Why are we wasting time?” Asked asked (and above as shouted, too, but I wasn't sure if you meant it there. A ? or ! act as either a comma or period in dialogue) one of the others.

Rebecca felt does this filter word add anything? How does that uncertainty creeping back feel. And why did she ever lose it? My kids are uncertain if I announce they're going on a school trip for 2 days, let alone being taken away from me in the middle of the night. uncertainty edge back into the small bubble of space she’d begun to build around herself. She’d watched TV. She knew her daddy should have been there to keep the bad men away.

“My daddy wouldn’t let you take me away.” She started to cry again. She didn’t understand why.

“Your daddy is why we’re here.” The leader spoke calmly, still looking directly at her, as if she were the only thing in the whole world that mattered right then. “If he’d not left we wouldn’t need to show you how to be a warrior queen.”

“What about my mummy?”Around here, I'd put the book back. sorry. there is no character experience, or very little. The set up is unbelievable in its character interactions. The world is patchy and not fleshed out. And I hate her mother - even if Rebecca does have to go, she's not making it easier for her.

“She’s got to stay here, in case he comes back for you. He won’t know where you are if she comes too.”

Rebecca thought about it. Something didn’t make sense. Why were they wearing masks if they weren’t bad men? Are they? I didn't pick that up. Were they friends of her daddy?

“Are you his friends?”

Ella’s face looked like it did when Rebecca had said something funny while being told off.

“We know him really well.”I can't tell who is saying what to who.

‘Have you seen him?”

“Not for a very long time. Just like you we want to see him again as soon as possible.”

“He’ll come now,” said Ella.

“He won’t. You’re going to carry on as if all of this is for the best.”

“Why would I do that?” Asked Ella.

The leader shrugged. “It’s irrelevant. You’ve no idea where he is or how to get in contact with him.” He turned away from her, action what type of action written across his body. “We’ve spent long enough on this. Time to go.”

Hi, Stewart, sorry it didn't work for me. But! I am an obsessive character reader and others who are less in need of character immersion might be quite happy with it. But, mostly, I think this needs more depth on most levels.
 
Hey Jo,

thanks for that detailed breakdown. There's some nice tightening points here for me. I disagree with your assumptions about how children react but that's an interesting pov because I'm sure others would agree with you as readers. On that I sat down with someone who works with children who've undergone trauma and their responses at the moment of the traumas (including surviving road crashes, witnessing murders and other extreme events) are quite amazing. Not least how they do leap into action for others. Not all by any means but certainly a good number of them. This scene was partly built around one event where a little boy (5) stumbled onto a home invasion and jumped in front of the invaders to try and stop them attacking his dad.

I'll take a look at putting the perspective more into the little girl's pov. I was aiming at patchy world here because it's told partly from the little girl's point of view and she is both young, just awakened and doesn't understand what's going on. I can see that doesn't work for you.
 
The thing is I could be convinced of the child's response (I have kids doing all sorts of outre stuff in my books) if it was more immersive and I was kept with their feelings and knew why they were responding as they were. But I'm presented with a vacuum in terms of that, which means it's much easier for you to lose me.
 
Which I think is totally fair! I think what I've failed to do here is establish the voice of the child properly so the energy of the rest of the scene is lost as a result. Hmmm.
 
Which I think is totally fair! I think what I've failed to do here is establish the voice of the child properly so the energy of the rest of the scene is lost as a result. Hmmm.

I think that's it, really - make the child shine through more and the rest should follow.

the limit is 1500 words, so if a revised passage stays under that you can post it here - if it takes you above the 1500 you can start a new thread, but it's normally preferred if you give some time for more feedback on the first piece.
 
Just a couple of niggles:

Not thinking

^ But she is!

The door to the bathroom at the top of the landing smashed open.

^ Is it really that obvious it's the bathroom?

Her bedroom door opened.

^ If the bathroom door was "smashed open", why does this door simply "open"? Kicked in?

As their gazes met she knew something bad was happening.

^ A visceral reaction after this could help underline her terror, and being us more into her experience.

They came down into the kitchen.

^ Sounds a little abstract. Re-phrase so more in the kid's experience?

her mum. Ella

^ A lot of writers have kids refer to their parents by name, not title. IMO this is a clear sign of the writer at work, and not the character experience - if it's her mum, then it's only her mum and not Ella.

She wished she’d brushed her teeth like she was supposed to instead of just wetting the brush with water.

^ Just wanted to say this is a good piece of character experience

Eccse

^ I'm stumbling to pronounce this - seems to overcomplicate things, especially after her mum called Rebecca "Becca" before. Does your POV character really need 3 forms for her name? :)

“We know him really well.”

^ There's an awful lot of talking going on here. It feels like it's an infodump that's negating the tension, rather than extending it.


It's not bad at all - but one of the main problems with this scene is that Rebecca doesn't really do anything, except feel scared, then listen to adults have a conversation. IMO this is technically wrong, even though we do see this in published fiction (and the same criticism applies equally there).

I'm also tempted to think this is all really just a prologue to provide information, that Becca will be grown up by the next chapter, and that all of this can simply be referenced by a much shorted flashback, or else simply summarised and referenced where appropriate later in the story.

2c.
 
thanks Brian, good points all and chimes with the heart of what Jo said too. You're absolutely right with the direction of the story after this section too.
 
Well it's not an info dump but it does them jump around in terms of time. But the story is a little non-linear with some of it concerning events that occur before the ones told in this chapter.
 
@Brian G Turner you're probably right about the naming of the mother - my kids, following my lead with my own parents, call us by our first names but we get at least one person a week expresses that as a weirdness they don't get/understand/feel comfortable with...
 
@Brian G Turner you're probably right about the naming of the mother - my kids, following my lead with my own parents, call us by our first names but we get at least one person a week expresses that as a weirdness they don't get/understand/feel comfortable with...

Actually I'm ok with that - many kids do use their parents name (my husband does) . What is odd is switching between them
 
Probably for readers - although I tend to switch depending on the emotional mood and context, as do my children. If they want something I'm daddy...if they're just talking it's Stewart :)
 
ok, draft 2...I'm not sure it's there yet but am struggling to find the right sense of agency for the girl. I'm toying with an idea or two but would be interested in your thoughts.


10 years ago.


A man’s voice woke her. At first she thought she’d dreamed it. Rebecca couldn’t stop herself from hoping it was her father come home. She swung her legs from the bed onto the floor, his name on her lips. The crack of breaking glass made her stop, hold her breath in the darkness, waiting for the next sound. Small fingers grasped bedding, the feel of the cotton offering familiarity.

“Mummy?”

There was the kind of silence that came when people were listening hard.

Her heart beat faster, pulled the rest of her inwards so that all she was echoed in her burning centre.

Heavy feet thumped up the stairs. The door to the room next to hers at the top of the landing smashed open. Rebecca jumped. She lifted her feet off the floor with a sudden desire to be as small as possible.

Her bedroom door opened. Rebecca watched as a man wearing a balaclava entered, she wanted to scream but couldn’t find her voice. As their gazes met she knew something bad was happening and all of a sudden she had something to say. “Mummy!” Her voice rose high, screaming through the house.

He swept up into a grasp that allowed her no hope of escape although she kicked and kicked and kicked. Rebecca felt the world closing in around her.

He carried her down the stairs and into the kitchen. The room was full of people but the only light came from the lamp on the dining table. Just like the one who'd grabbed her all their faces were hidden from view.

“Ella. Be a good mother; tell her to be quiet,” said another man’s voice. Twisting her head to see, she saw that he was shorter than the one who held her so tightly. She saw her mum stood, hands palm down on the counter, eyes full of tears. Rebecca didn’t understand why she was crying.

“Eccse,” said her mum. She stared like she did when she wanted to make sure Rebecca was listening.

“Mummy!” She struggled with renewed energy, desperate to be on the other side of the room, in her mother’s arms.

“Eccse.” Rebecca didn't listen, struggling instead to be free. Ella’s eyes flicked to a third man who stared back at her silently. “Eccse!” shouted Ella, her voice breaking like it did when she was really angry.

Rebecca stopped just long enough to see that her mum wasn't angry. Her mum was as scared as she was. The sight of such terror coming right back at her stilled her legs. Unwilling to shame herself in front of them, she concentrated hard on not wetting herself.

“Good girl,” her mother managed, her voice quavering as she spoke. She didn’t raise her hands from the worktop, she didn’t move at all.

Rebecca didn’t want to be held in the air like a doll but her mother’s voice drained her will, left her feeling lost. Without hope.

“These people want you to go live with them.” Ella’s voice was thread through with chords of anguish. Rebecca could only hear fear, her mother didn’t sound like herself at all. “They’re going to look after you. They’re,” she paused, voice coming to a slow emptiness, her eyes straying towards the man nearest her. Her mum looked like Rebecca did in the video of the Thanksgiving play at school. She remembered being all frightened in front of everyone, with the words she’d worked so hard to learn slipping around inside her head like greasy worms.

Rebecca watched as her mother and the leader exchanged a long slow regard for one another.

“They’re good people and want to help you.” Her mother sounded like she was reading from a book.

“I don’t want to go,” said Rebecca. “Why are you sending me away? I’m sorry. Whatever it was I’m sorry!” She wished she’d brushed her teeth like she was supposed to instead of just wetting the brush with water.

“It’s not your fault Eccse. I’m not sending you away, Eccse, I’m not. I love you, but you’ve got to go with them.”

Rebecca started to cry, her whole body felt as if the world was prodding her from all angles, refusing to let her be, to have a moment to be herself. “Please, don’t cry.”

The man nearest her mother spoke. “Get her a tissue, for God’s sake.”

Put tenderly to the ground Rebecca felt like falling over, or running to her mother. Her legs refused to move, so she stood there watching as the bear of a man who’d burst into her bedroom pulled a sheet of kitchen towel from the roll. He held out a huge hand towards her, two sheets dwarfed in his grasp.

“Let me,” said Ella but a hand was placed on her chest when she went to move.

“Rebecca,” said the man who’d stopped her mother from moving. “You’re a big girl now. We’re going to teach you to become a strong woman, to be everything you can be.” His eyes glimmered under the warm yellow lamp in the middle of the kitchen table. Rebecca felt the weight of his certainty, like the police at the airport who never smiled back at her but just gripped their guns. “So be a good girl and take the first step for me. Take the tissues and wipe your face. There’s a time for tears but this isn’t it. Dark days are coming when in the dead of night you might be all that stands between us and the monsters. If you cry when a grown up offers you comfort how will you defeat monsters?”

A sob gulped out of her mother’s throat like a frog leaping clumsily into the air. He ignored her.

Rebecca looked up at the giant before her. She didn’t feel much like crying anymore, she wanted to understand what was happening. If they were giving her tissues when she was upset maybe they weren’t all bad. But why did he want her to fight monsters? She took the tissue and folded it up as small as she could. “I don’t want to fight monsters. I just want to go to bed. I want to stay here.”

“Why are we wasting time?” Asked one of the others. “Just pick her up and go.”

Rebecca felt uncertainty edge back into the small bubble of space she’d begun to build around herself. The leader had spoken to her like she was important. Now that idea was being taken away. It occurred to her that she knew how the story should end. She’d watched TV, even programs for grown-ups her mum didn’t like if the babysitter was over. She knew her daddy should have been there to keep bad men away.

“My daddy wouldn’t let you take me away.” She started to cry again, not sure if she believed her words but hoping desperately he’d come crashing through the door to save them.

“Your daddy is why we’re here.” The leader spoke calmly, still looking directly at her, as if she were the only thing in the whole world that mattered right then. “If he’d not left we wouldn’t need to show you how to be a warrior queen.”

“What about my mummy?” Rebecca looked at her mother. Ella made no effort to wipe the tears from her face.

“She’s got to stay here; in case he comes back for you. He won’t know where you are if she comes too.” The leader’s voice was calm, almost warm. Rebecca thought about what he’d said. Something didn’t make sense. Why were they wearing masks if they weren’t bad men? Were they friends of her daddy?

“Are you his friends?” she asked. Ella’s face looked like it did when Rebecca had said something funny while being told off.

“We know him really well,” said the leader.

“He’ll come now,” said Ella. Rebecca thought she sounded angry.

“He won’t. You’re going to carry on as if all of this is for the best.” He turned away from her. “We’ve spent long enough on this. Time to go.”
 
The crack of breaking glass made her stop

I've just realised - in both versions I originally thought the broken glass was on her bedroom floor - it seemed connected to her putting her feet down. You may or may not want to make it clearer the sound is distant?

Same comments as before, though - I thought it was decently written, but your POV character is passive and exists simply to be told information. Again, this happens in published fiction. But for a chapter 1 this feels like a prologue that serves only as an infodump and can be cut.

If we're going to follow the grown-up character, it would possibly be better to open with them - if that's the character we'll be rooting for. Then you can come back to this either in full, summary, or passing references. Otherwise you're in danger of having a weaker opening than you're capable of delivering IMO.
 
I think you're probably right. Although the story follows two characters, she's one of them. I think that this probably dies completely as I don't see that it's needed later on in the narrative.
 
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