Raw, untitled, 1134 word opening...

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VKALFIERI

From a land down under.
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I literally just wrote this just now. Just looking for a little feedback. It's a reworked idea from a story I started last year.

The hairs on the back of my neck bristled and froze in place. The wind whistled around me buffeting me as, step by harrowing step I made my way through the harsh white landscape. The cold seeped through every layer of my thick insulated snow gear penetrating my bones, sending old aches coursing through my body. Then I saw the cave. A slight overhang in the otherwise formless landscape. Icicles hung from the roof of the cave, their size varying, but mostly large and foreboding. Stumbling, my legs failing me at this last hurdle, I crawled the last few feet to the entrance. My body screamed at me to stop; but this was too important. I had to reach that cave. I had to find the cauldron. I reached around behind me, my hand a shaking, shivering mess, and grabbed determinedly at the pick-axe looped to my utility belt. I’d need it to shatter the large, thick icicles blocking the entrance to the cave.



I wasn’t always such a gung-ho explorer, in fact, I was a slightly overweight office worker when this all began, back when I was just another cube monkey in a world full of cube monkeys. Then the call had come.

It was a Monday, just like any other Monday. I’d ridden to work on my busted up, rusty old, trusty mountain bike, the one I’d ridden to work on for the last ten years, and when I arrived, I parked and locked it to the bike rack at the back of the office building in a tight alleyway, just big enough for the small delivery trucks that serviced our office.

I should say that I work for a company that deals in secrets. Not the kind that you keep from your parents, the petty white lies you tell your better half, nor the kind that have little effect on the natural order of things. No, my company, the one I work for dealt in the big secrets. The ones that mattered. Truly mattered. If these secrets were leaked to anyone, they’d be the kind of world shattering secrets that you can’t come back from.

I worked in the magic, mystical and mythical artefact department. Cube monkey five in a group of ten other cube monkeys that were all supposed to keep records and file manila folders full of highly confidential files into long storage cabinets. These were the hard copy files. There was also the computer backups. No two computers were networked. No computer had access to the internet. No computer had any sort of networking capability whatsoever. You could say They, the collective They, the ones who signed our checks and gave out the orders around here, were paranoid. You could say that, but no-one did. We all knew the consequences of secret sharing.

I’d witnessed it first hand, well, kind of.

Cube monkey four, my ex-neighbour, Peter Qinkaid, had just last month, on a late night bender revealed every secret he knew to an agent of Them. An old and ancient enemy of They, Them had been slowly but surely stealing secrets from They for years. If only to say that They had less secrets than Them.

Anyway, as it turns out, when you go spilling every secret to your corporation’s rival, They don’t take very kindly to that sort of thing. Within a day of Them stealing Peter’s most secret secrets, he had been “taken care of” by the upper management. And everyone knew that meant he’d been sent to The Farm.

What happened at The Farm and what became of the people sent there was unclear. What was clear though, was that no-one ever came back from The Farm and those who were sent there were never heard of again.


And then, on that normal ordinary Monday, as I parked my bike and rounded the alleyway to head into work, Peter Qinkaid, dishevelled and wild-eyed, stood before me in a raggedy torn up duster jacket, a pair of patchy, brown trousers and bare feet.

“Pete, ah, um, hi…?” I said.

I held out my arms in front of me and spoke as calmly and evenly as I could.

“Wh-what are you do…”

Pete laughed, a quick, high pitched scream of a laugh, and reached inside his jacket, his hands moving quicker than I could follow, from inside his torn up duster, he pulled a shiny black can, a can I’d seen before. Every They worker carried the same can. It was a can of Forgetter. Inside of which was a powerful dose of sleeping potion. Strong enough to induce a coma if enough of it was released. It allowed us to defend ourselves from those who would attempt to steal our secrets. No two workers kept the same secrets. Every person had their own personal store of secrets to file and enter into the system.

The mist from Pete’s Forgetter spray fanned out from the plastic cap atop the can and hit me directly in the face. It filtered up through my nostrils and in through my gaping mouth, stinging my pores and hitting my eyes, which instantly began to droop and sting as well. The spray had a nasty taste of stale fish as it hit my tongue and the last thing I recall before waking up hours later in a barn of some sort, is my whole body spasming violently, before abruptly shutting down and slumping forward.

When I woke in the barn, I felt groggy and my vision blurred.

“Welcome to The Farm old chum!” Pete’s voice said from somewhere nearby.

“Pete? What the hell is going on? Why am I here? Why did you come back? How did you come back? No-one comes back from here.”

“Ha! That’s what They tell you! That’s what They want you think. The truth, the crazy, messed up truth, is that The Farm is just a regular old farm. There’s no otherworldly happenings here, nothing out of the ordinary. Just some farm in the middle of nowhere.”

“What about security? Don’t They have guards out here?”

“Oh yes, Joe, They had so many guards, so many,” my vision was clearer now and I could see Pete over to the left of where I was lying half propped up on my elbow. He was shaking his head as he spoke, his hands twitching in sync. “You see, Joe, it took so long, so many guards, so much to do, things to take care of, don’t you see? They had to die, all of them, even the others, the ones who’d been sent here before. I couldn’t let them go, I had to poison them all. Otherwise they’d want to come. Otherwise I couldn’t escape. Otherwise…”

“Come? Come where, Pete? What’s happened? What have you done?”
 
Hi,

This isn't very detailed since im at work,but couple of things:

- There isn't a big info dump per say, but you do use the majority of the first few paragraph to fill the audience in on the backstory. I personally don't mind this, but maybe you could weave this in with the action? Maybe one paragraph to give the reader a basic rundown of the office/what it does, and then right after that start with Pete's confrontation and work in his leak in there. You'll have less time to convey the severity of what he did and the repercussions he's supposed to be facing, but it goes into the action much faster.

- I also got a little thrown off when you used the cube monkeys reference. I mean sure, I get what a cube monkey is ( I am one sadly), but then you tell us that you work in a mystical and mythical artifact department, and that too me sounds really cool, even if it is a clerical position. Having access to top secrets which might change the world also doesn't sound too much like what the typical cube monkey might do.

What this does is confuse me a little about the world. If magic is an accepted/common/everyday thing in your world, then yes, the cube monkey description works, but right now to me, with the hoarding of secrets and all, it feels like magic is a very secretive, fringe thing that the rest of your world has no idea about.

Sorry im ranting, and I think i might have confused myself. Anyhow, its just a small thing really - the cube monkey thing.

Otherwise, I liked this. It took me a bit of time to get hooked (the part where pete, who is supposed to be on the farm shows up and sprays your MC), but i'd say the hook sank quite deep, and I was immediately intrigued. Its a good setup for the rest of the story and I was excited at the possibilities and what your MC discovers on the farm which ultimately leads him to the cave.

Would definitely read on!
 
A lot of aspiring writers construct a scene as follows:

1) introduce the set-up
2) show something happening
3) conclude to push the story forward

Here's a big, big tip - you don't actually need 1) introduce the set-up.

Start a scene at 2), then drop in any details from 1) as necessary, remembering to only do so lightly and to spread it out across the entire book rather than dump it into the one scene.
 
The cube monkey thing is just the character observing that in a city full of cube monkeys he's just another cube monkey, albeit one that works at super secret keeper HQ.

As for the initial setup, that's me setting up a scene to call back to later in the story, challenging myself to make that scene work later on. I believe it's also a great way to set an early hook before telling the 'boring' (more detailed) stuff. It's not me trying to dump the story all in one hit as it were. For me, it's simply a scene to call back to and try to live up to that helps to draw the reader in initially before the back story begins. Kinda like a prologue does.
 
There's a lot of telling rather than showing.

"Then I saw the cave. A slight overhang in the otherwise formless landscape. Icicles hung from the roof of the cave, their size varying, but mostly large and foreboding. Stumbling, my legs failing me at this last hurdle, I crawled the last few feet to the entrance."

A quick example:

As the blizzard slackened the shadowy outline of a small cave came into view. A dark circle against the blanket of white, like the open maw of a giant snarling beast. The numerous fang-like icicles, of varying size, hanging from the frozen ceiling were enough to send shivers down the spine of even the most courageous soul. Stumbling, my legs failing me at this last hurdle, I crawled the last few feet to the entrance.

Also, try removing "I" as much as possible, there's an awful lot of them. :)
 
Also, try removing "I" as much as possible, there's an awful lot of them

That tends to happen when writing in first person...

Thanks for the other tip.

Needs work but good idea.

Care to elaborate on what needs work?

Keep in mind that I posted this roughly five minutes after I had written it.

I haven't been back over it yet and will probably adjust it as needed in the editing stage. Right now am just after feedback for when I do come to edit it, thanks.

This will also probably change before its final iteration
 
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That tends to happen when writing in first person.

Keep in mind that I posted this roughly five minutes after I had written it.

I haven't been back over it yet and will probably adjust it as needed in the editing stage. Right now am just after feedback for when I do come to edit it, thanks.

3 quick thoughts to your rather ungracious reply to those who took time to critique (and I'm very glad I didn't now, having decided you would not appreciate the amount of comments I had)

1. Intrusive 'I' does not tend to happen when writing in first person. It happens when your sentence structure is not sufficiently developed to know the skills to make I unintrusive. It's a very useful comment to get - if a reader notices your pronouns you have a problem.

2. You post 5 minuts after writing it, you take the hit on comments that tell you it needs tidied, edited, whatever. You put it up for critique and you are saying it's ready for critique. Hard luck if you later look at it and decide critters are telling you things you'll fix anyway/should have fixed first. Not the critter's problem - we are not mind readers.

3. If you knew you'd edit why did you waste critters time critting it? I put one up recently knowing it will change but stated why - I wanted to check a specific thing about balance within it (and i did take the time to tidy it first.)
 
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From OP: "I literally just wrote this just now. Just looking for a little feedback. It's a reworked idea from a story I started last year." - I'd have thought that was a clear indication that it was fresh along with the "Raw" in the title...

I don't think I've wasted anyone's time critting it; but if anyone feels that way I truly apologize.

I also don't think I was ungracious. If it came across that way then I think people need a thicker skin.

And lastly isn't the whole point of asking for a critique to get an idea of what needs work and then edit it later? So why wouldn't I post this for a crit if I didn't plan to take the advice on board and then edit it later?

I'm sorry if I've offended anyone with my replies; but they're just my honest responses.

By the way, there's roughly 30 I's in the whole excerpt. I don't think that's an "awful lot", especially in a first person story. Everyone has their own opinion though, and that's just mine.

I appreciate ANY feedback on my work, just so you all know. I've also dealt with much harsher critiques than what can be found here, all with gracious thanks.

I don't think it's terribly unreasonable or ungracious for me to ask for further clarification or to respond to critiques with comments of my own.

To everyone who has given me critiques on these boards thanks for taking time out to read my stuff and leave your thoughts.
 
From OP: "I literally just wrote this just now. Just looking for a little feedback. It's a reworked idea from a story I started last year." - I'd have thought that was a clear indication that it was fresh along with the "Raw" in the title...

Well no, actually - it's not a clear indication at all. Do you know how to show not tell and plan to tidy that up in the end version? What about punctuation that's out? Or is it that you're wondering is there a hook? I have no idea what feedback you're looking for, what you already know what to do, and what is a mistake here or just needs editing, and that you have the skills to do. Nonetheless, I have the draft of the crit I did the other day and I'll dig out. See what's useful.
 
Comments in bold. Be warned, I have teeth.

The hairs on the back of my neck bristled and froze in placeA little cliched for an opening line. The wind whistled around me comma buffeting me as, step by harrowing step comma I made my way through the harsh white landscape. I know you said in another thread you hope for a trad deal - starting with the weather is one of the top-least-liked openers on agents' lists. You put yourself at a disadvantage if you do. The cold seeped through every layer of my thick insulated snow gear penetrating my bones needs punctuated so we know that the snow gear isn't what is penetrating the bones - it pulled me out, sending old aches coursing through my body. getting pretty bored about here. Also, this is mostly all telling, with little show. Which bones ache? What else happens in extreme cold. Next freezing night, pop outside and do an audit of your bodily responses - these can assist with telling. Then I saw the cave. A slight overhang in the otherwise formless landscape. Icicles hung from the roof of the cave, their size varying, but mostly large and forebodinghow foreboding? Show me, don't tell me.. Stumbling, my legs failing me at this last hurdle, I crawled the last few feet to the entrance. My body screamed at me to stop; but this was too important. I had to reach that cave. I had to find the cauldron. I reached around behind me, my hand a shaking, shivering mess, and grabbed determinedly at the pick-axe looped to my utility belt. I’d need it to shatter the large, thick icicles blocking the entrance to the cave.Okay, it didn't grab me. It felt like back story.



I wasn’t always such a gung-ho explorerOh, I missed that he was gung-ho in the slightest. he seemed mostly to be struggling with little agency until the very end., in fact, I was a slightly overweight office worker when this all began, back when I was just another cube monkey in a world full of cube monkeys. Then the call had come.yawn. Back story. I really hate stories that begin with it and make me wonder what it's all about.

It was a Monday, just like any other Monday. So, boring... if your character is bored, so I am. Another thing agents hate, that. I’d ridden to work on my busted up, rusty old, trusty mountain bike, the one I’d ridden to work on for the last ten years, and when I arrived, I parked and locked it to the bike rack at the back of the office building in a tight alleyway, just big enough for the small delivery trucks that serviced our office.A lot of detail - and I'm still waiting to see what this is all about.

I should say that I work for a company that deals in secrets. Not the kind that you keep from your parents, the petty white lies you tell your better half, nor the kind that have little effect on the natural order of things. No, my company, the one I work for dealt he works for them - present - but they dealt in - past - big secrets? Is that deliberate? It's confusing me. in the big secrets. The ones that mattered. Truly mattered. If these secrets were leaked to anyone, they’d be the kind of world shattering secrets that you can’t come back from.And what I really, really hate even more than back story is when a story begins with the point of view character knowing something and deliberately hiding it. It makes me feel like I'm being played with in an authorly fashion.

I worked in the magic, mystical and mythical artefact department. Cube monkey five in a group of ten other cube monkeys that were all supposed to keep records and file manila folders full of highly confidential files into long storage cabinets. These were the hard copy files. There was were also the computer backups. No two computers were networked. No computer had access to the internet. No computer had any sort of networking capability whatsoever. You could say They, the collective They, the ones who signed our checks and gave out the orders around here, were paranoid. You could say that, but no-one did. We all knew the consequences of secret sharing. I'd put this down now. there is no story so far. There are annoying hints about secrets, presumably in the hope the hint would hold my attention, but it doesn't. It just makes me feel that the author doesn't trust themselves to hook me with the real story. Which makes me think it must be pretty boring.

I’d witnessed it first hand, well, kind of.

Cube monkey fourThis phrase feels overused, my ex-neighbour, Peter Qinkaid, had just last month, on a late night bendercomma - this is a parenthesis revealed every secret he knew to an agent of Them. An old and ancient enemy of They, Them had been slowly but surely stealing secrets from They for years. If only to say that They had less secrets than Them.That is very hard to follow.

Anyway, as it turns out, when you go spilling every secret to your corporation’s rival, They don’t take very kindly to that sort of thing. Within a day of Them stealing Peter’s most secret secrets, he had been “taken care of” by the upper management. And everyone knew that meant he’d been sent to The Farm.

What happened at The Farm and what became of the people sent there was unclear. What was clear though, was that no-one ever came back from The Farm and those who were sent there were never heard of again. Really feeling dragged out now.


And then, on that normal ordinary Monday, as I parked my bike and rounded the alleyway to head into work, Peter Qinkaid, dishevelled and wild-eyed, stood before me in a raggedy torn up duster jacket, a pair of patchy, brown trousers and bare feet.Okay, this is cooler. Why not start here?

“Pete, ah, um, hi…?” I said.

I held out my arms in front of me and spoke as calmly and evenly as I could.

“Wh-what are you do…?

Pete laughed, a quick, high pitched scream of a laugh, and reached inside his jacket, his hands moving quicker than I could follow, full stop. from inside his torn up duster, he pulled a shiny black can, a can I’d seen before. Every They worker carried the same can. It was a can of Forgetter. Inside of which was a powerful dose of sleeping potion. Strong enough to induce a coma if enough of it was released. It allowed us to defend ourselves from those who would attempt to steal our secrets. No two workers kept the same secrets. Every person had their own personal store of secrets to file and enter into the system.

The mist from Pete’s Forgetter spray fanned out from the plastic cap atop the can and hit me directly in the face. It filtered up through my nostrils and in through my gaping mouth, stinging my pores and hitting my eyes, which instantly began to droop and sting as well. The spray had a nasty taste of stale fish as it hit my tongue and the last thing I recall before waking up hours later in a barn of some sort, is my whole body spasming violently, before abruptly shutting down and slumping forward.

When I woke in the barn, I feltfilter word - it could go groggy and my vision blurred.

“Welcome to The Farm old chum!” Pete’s voice said from somewhere nearby.

“Pete? What the hell is going on? Why am I here? Why did you come back? How did you come back? No-one comes back from here.”

“Ha! That’s what They tell you! That’s what They want you think. The truth, the crazy, messed up truth, is that The Farm is just a regular old farm. There’s no otherworldly happenings here, nothing out of the ordinary. Just some farm in the middle of nowhere.”

“What about security? Don’t They have guards out here?”

“Oh yes, Joe, They had so many guards, so many,Full stop" My ” my vision was clearer now and I could see another filter - it could go Pete over to the left of where I was lying half propped up on my elbow. He was shaking his head as he spoke, his hands twitching in sync. “You see, Joe, it took so long, so many guards, so much to do, things to take care of, don’t you see? They had to die, all of them, even the others, the ones who’d been sent here before. I couldn’t let them go, I had to poison them all. Otherwise they’d want to come. Otherwise I couldn’t escape. Otherwise…”

“Come? Come where, Pete? What’s happened? What have you done?”

Okay, I did this when it first went up so don't know how much of that has been repeated by others. I found it too long, too slow to get to the point, not close enough in point of view for my taste and, really, not a start that would grab me. Others may, of course, feel differently.
 
Comments in bold. Be warned, I have teeth.



Okay, I did this when it first went up so don't know how much of that has been repeated by others. I found it too long, too slow to get to the point, not close enough in point of view for my taste and, really, not a start that would grab me. Others may, of course, feel differently.

Thanks for the thorough feedback.

Duly noted for consideration in rewrites.

I'll be updating this story soon.

This and all the other feedback will be considered.

Thanks again for taking the time to crit it.

It's late here now and I need sleep, will address your feedback at a later date.

Cheers.
 
Jo's right about not needing so many I references in 1st person. Little example - where you say "my vision was clearer now and I could see Pete over to the left of where I was lying half propped up on my elbow", that can be reworked e.g. My vision was clearer now. Peter was over to the left of where I was lying ...

If you look through it there are bound to be other places where you can do that kind of thing. It also helps to put the reader deeper into the viewpoint. This technique works with close third person also.
 
Jo's right about not needing so many I references in 1st person. Little example - where you say "my vision was clearer now and I could see Pete over to the left of where I was lying half propped up on my elbow", that can be reworked e.g. My vision was clearer now. Peter was over to the left of where I was lying ...

If you look through it there are bound to be other places where you can do that kind of thing. It also helps to put the reader deeper into the viewpoint. This technique works with close third person also.

Thanks.

I'll look into it.

Will have a go at a rewrite tomorrow night for y'all to pick over ;)
 
Jo's right about not needing so many I references in 1st person. Little example - where you say "my vision was clearer now and I could see Pete over to the left of where I was lying half propped up on my elbow", that can be reworked e.g. My vision was clearer now. Peter was over to the left of where I was lying ...

If you look through it there are bound to be other places where you can do that kind of thing. It also helps to put the reader deeper into the viewpoint. This technique works with close third person also.
This also comes under filtering - 'I could see' is the filter. Remove it, as you have, and it becimes so much stronger and closer, too. :)
 
Quick rewrite (I think it fixes some of the issues raised) :


I parked my push bike and rounded the alleyway to head into work, Peter Quincy, dishevelled and wild-eyed, stood before me in a raggedy torn up duster jacket, a pair of patchy, brown trousers and bare feet.

“Pete, ah, um, hi…?” I said.



Pete had been my co-worker until a few months ago, we’d been cubicle neighbours, but then he’d gone on a wild bender and spilled all the secrets he was supposed to keep for the company we worked for to their closest rival, Them. No two workers kept the same secrets. Every person had their own personal store of secrets to file and enter into the system.

They. That’s what the company call themselves. They hoard secrets.

Within a day of Them stealing Peter’s secrets, he had been “taken care of” by the upper management. And everyone knew that meant he’d been sent to The Farm. No-one came back from The Farm, those who were sent there were never heard of again.



I held out my arms in front of me and spoke as calmly and evenly as possible.

“P-Pete, Wh-what are you do…”

Pete laughed, a quick, high-pitched scream of a laugh, and reached inside his jacket, his hands moving quicker than I could follow. From inside his torn up duster, he pulled a shiny black can, a can I’d seen before. Every They worker carried one. Forgetter spray. Strong enough to induce a coma if enough of it was released.

The mist from Pete’s Forgetter spray fanned out from the plastic cap atop the can and hit me directly in the face. It filtered up through my nostrils and in through my gaping mouth, stinging my pores and hitting my eyes, which instantly began to droop and sting as well. The spray had a nasty taste of stale fish as it hit my tongue, my body spasmed violently, before abruptly shutting down.

When I woke my head spun and bile rose in my throat. Trying to get up just made it worse. Through hazy eyes I could make out that I was in a wooden building of some sort. The bile sitting at the back of my throat gushed out and bits Weety Bites and milky white goo now littered floor beside me.

“Welcome to The Farm old chum!” Pete’s voice said from somewhere nearby.

“Pete? What the hell is going on? Why am I here? Why did you come back? How did you come back? No-one comes back from here.”

“Ha! That’s what They tell you! That’s what They want you think. The truth, the crazy, messed up truth, is that The Farm is just a regular old farm. There’s no otherworldly happenings here, nothing out of the ordinary. Just some farm in the middle of nowhere.”

“What about security? Don’t They have guards out here?”

“Oh yes, Joe, They had so many guards, so many.”

My vision was clearer now. Pete sat over to the left. His head twitched as he spoke, his hands shook in sync.

“You see, Joe, it took so long, so many guards, so much to do, things to take care of, don’t you see? They had to die, all of them, even the others, the ones who’d been sent here before. I couldn’t let them go, I had to poison them all. Otherwise they’d want to come. Otherwise I couldn’t escape. Otherwise…”

“Come? Come where, Pete? What’s happened? What have you done?”
 
I think you need a balance between the two - here you've sped things up so much you've lost the original voice (things like cube monkey - that was in his voice, it was just a little overused). There is still more telling and showing and almost nothing visceral to pull me into how Joe is actually feeling. There is also a lot of grammatical and flow stuff within it (missing direct address commas, more adverbs than are needed, just a general lack of tightness).

If I were you I'd park this for now and write on, to get the sense of the character voice more. I think, when you know the nuances of where the story is going you'll make this much stronger.
 
I think you need a balance between the two - here you've sped things up so much you've lost the original voice (things like cube monkey - that was in his voice, it was just a little overused). There is still more telling and showing and almost nothing visceral to pull me into how Joe is actually feeling. There is also a lot of grammatical and flow stuff within it (missing direct address commas, more adverbs than are needed, just a general lack of tightness).

If I were you I'd park this for now and write on, to get the sense of the character voice more. I think, when you know the nuances of where the story is going you'll make this much stronger.


FWIW Shunned is the original from which I'm rewriting. It felt too cliched, and just not right, I dunno, something about it just didn't gel with me when I went to add to it.
 
I think you need a balance between the two - here you've sped things up so much you've lost the original voice (things like cube monkey - that was in his voice, it was just a little overused). There is still more telling and showing and almost nothing visceral to pull me into how Joe is actually feeling. There is also a lot of grammatical and flow stuff within it (missing direct address commas, more adverbs than are needed, just a general lack of tightness).

If I were you I'd park this for now and write on, to get the sense of the character voice more. I think, when you know the nuances of where the story is going you'll make this much stronger.

I made one last adjustment, yesterday's one was done in mad rush before work. I'll post the result soon. I'll just fine tooth comb it with my editor's hat before I post it again. Cheers.
 
Final adjustments done for now, will go back to this at a later stage in its life. Please feel free to leave any crits on this rework and I promise I will consider them.

Here comes the story:


The hairs on the back of my neck bristled and froze.

(Okay, I know you probably don’t really want to read about what the weather was like, but it was really bloody cold).

Wild wind whistled around me, buffeting me; as, step by harrowing step, I made my way through the blasting blizzard. Cold seeped through every layer of my thick, insulated snow gear, penetrating my bones, sending old aches coursing through the spot where I’d busted my wrist years ago. Each laboured breath curled before me in small cloudy puffs, my snotty nose had stopped running, having long ago frozen to the tips of moustache hair below.

The curtain of ice and sleet eased and revealed the shadowy entrance to a frozen over cave. Dagger-like icicles of varying size barred the way through to safety. Beyond, shining from the depths of the cave, came a faint blue-green glow.

Stumbling, my legs failing me at this last hurdle, I crawled the last few feet to the entrance. My body screamed at me to stop; but this was too important. I had to reach that cave. I had to find the cauldron. I reached around behind me, my hand a shaking, shivering mess, and grabbed determinedly at the pick-axe looped to my utility belt. I’d need it to shatter the large, thick icicles.



Sorry about cutting that short, but I need to tell you this in order, fill you in on some of the ‘boring’ backstory. Stick with it, the good bits will come back in no time. Okay, so here comes a quick bit of backstory:

Back before this all happened, I was just another cube monkey in a city full of them.

I’d ride to work on my busted up, rusty old, trusty mountain bike, the one I’d ridden to work on for the last ten years. The company I work for (called They) deals in secrets. Big ones. The ones that matter. Truly matter.

I work in the department of magical secrets. Cube monkey five in a group of ten. We all know the consequences of secret sharing. No two workers keep the same secrets. Every person has their own personal store of secrets to file and enter into the system. Each of us would read the information in our manila folders, decide if the information was useful and either file it or throw it. It was a good, relatively simple existence.

I say was for a very good reason.

Cube monkey four, my ex-neighbour, Peter Quince, had just last month, on a late night bender revealed every secret he knew to an agent of Them. An old and ancient enemy of They; Them had been slowly but surely stealing secrets from They for years. If only to say that They had less secrets than Them. It took them all of one day to have Pete “taken care of”; everyone knew that meant he’d been sent to The Farm.

What happened at The Farm and what became of the people sent there was unclear. What was clear though, was that no-one ever came back from The Farm, and those who were sent there were never heard of again.

(See? That wasn’t so bad was it? It didn’t take long to get back from the backstory part did it?)



And then, Monday happened.

I parked my bike and rounded the alleyway to head into work. A dishevelled and wild-eyed figure stood at the head of the alley, blocking my path. It took me a moment to realise who it was. He was wearing a raggedy torn up duster jacket, a pair of patchy, brown trousers and bare feet. It was Peter Quince.

“Pete, ah, um, hi…?” I said. “Wh-what are you do…”

Pete laughed, a quick, high pitched scream of a laugh, and reached inside his jacket. His hands moved quicker than I could follow, as from his torn up duster, he pulled a shiny black can, a can I’d seen before.

All They staff carried the same can. Forgetter. A powerful dose of sleeping potion. Strong enough to induce a short coma. The mist from Pete’s Forgetter spray fanned out from the plastic cap atop the can and hit me directly in the face. It filtered up through my nostrils and in through my gaping mouth, stinging pores as it made contact with skin.

My eyes drooped instantly. The spray had a nasty taste of stale fish. The last thing I recall is my whole body spasming violently, before abruptly shutting down and slumping forward.



When I woke my head spun and fishy bile rose in my throat. Trying to get up just made it worse. Through hazy eyes I saw I was in a wooden building of some sort. The bile sitting at the back of my throat gushed out and bits of Weety Bites and milky white goo now littered the floor beside me.

“Welcome to The Farm old chum!” Pete’s voice said from somewhere nearby.

“Pete? What the hell is going on? Why am I here? Why did you come back? How did you come back? No-one comes back from here.”

“Ha! That’s what They tell you! That’s what They want you think. The truth, the crazy, messed up truth, is that The Farm is just a regular old farm. There’s no otherworldly happenings here, nothing out of the ordinary. Just some farm in the middle of nowhere.”

“What about security? Don’t they have guards out here?”

“Oh yes, Joe, they had so many guards, so many,” my vision cleared enough to make out more of the building we were in. It was a barn. I was lying on a rectangular bale of hay about a metre and half away from Pete.

Pete sat at a small workbench over to the left. His head quaked spasmodically as he spoke, his hands twitching in sync, beating an unsteady rhythm on the bench in front of him.

“You see, Joe, it took so long. So many guards, so much to do, things to take care of, don’t you see? They had to die, all of them, even the others; the ones who’d been sent here before. I couldn’t let them go; I had to poison them all. Otherwise they’d want to come. Otherwise I couldn’t escape. Otherwise…”

“Come? Come where, Pete? What’s happened? What have you done?”
 
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