Showing character in pain [520 words]

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sozme

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This is the beginning of the character's first POV chapter. I gave him a physical ailment which causes severe central and peripheral neuropathic pain episodes. Any suggestions on how to improve the delivery, particularly the dialogue "ouchs" and whatnot and making it seem more natural/intuitive that the POV is in severe pain. Thanks for your time/help.

POV is Manning, so italicized internal dialogue is his.
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How did they escape? Xavier Manning asked himself for the hundredth time as he peered at the abject wreckage through the viewport.

Some 20,000 feet below, the burning foliage adjoining Long Dock spread out as far as the eye could see. Mile after mile, the landscape was a jagged line of floating ash and billowing flame. The native plants lining the coast were a cacophony of odd shapes, sizes, and colors, but the fire enveloped them all just the same. The Dionisys musciperla, a carnivorous species of gargantuan mushroom-shaped plants were among the inferno. He watched as a fire response chopper jerked sideways to avoid the clam-shaped mouth of one of the burning plants.

Manning tapped the tip of his metal cane on the thick window. “Perhaps they became a meal for this nightmarish botany.”

The man next to him was young, handsome, and dark-skinned, slightly moreso than himself. He wore a fine black suit and tie, a sharp contrast to the windbreaker and slacks that were Manning’s ensemble.

“We can only hope,” Charles Confrey said.

“Do you think they’re still on-world?”

“I doubt it. There are 10,000 JDA canvassing every crevice of the Deep Trails with Neridian guides. They haven't found anyone.”

Manning twisted a crick his neck, feeling a pressure build in his head. “Less than one percent of the planet is dry land. Unless they’re swimming around the acid-laden ocean, they’re… ah…”

He squeezed his eyes shut as a lancinating sensation tore through him. Pain exploded from his spinal column through the front of his skull — an anguish so acute it caused his knees to buckle. His cane clattered to the rubberized floor as he nearly spilled into the viewport.

Confrey reached out and steadied him. “Easy now.”

Sharp pain wracked his small body as his assistant gently guided him towards the conference table in the center of the room. Collapsing into a cushioned chair, he clutched his cranium with both hands, breathing heavy and ragged. It’ll pass, it’ll pass, it’ll pass, it’ll— “Ahhh…”

“That’s the sixth one today,” Confrey said. “Do you want me to call Dr. Corvey?”

“N—No…” he croaked.

After a minute, the paroxysms of pain gave way to a tingling sensation that radiated from his toes to his scalp. A metal taste flooded his mouth, sending waves of nausea through him. This cycle repeated itself several times over two minutes, each successive episode more tolerable than the last. When it had reached a non-agonizing level, he steadied his breathing. Cautiously, he allowed one eye to open, and then the other.

“I know you don’t like the sedation, but you need to take your damn pills,” Confrey said.

Manning wiped cold sweat from his forehead with a handkerchief. “I’m… fine.”

“She gave them to you for a reason.”

“I’m fine,” Manning snarled. “Back to the issue at hand, damn it.”

Confrey eyed him warily, like a concerned son for a father. More like a concerned grand-child for an invalid grandfather.

“What was I saying?” Manning asked.

“The green-skins are gone.”

“Well? Aren’t they?”
 
I think my writing epitaph will be 'writes great torture' - so I'll have a maul at this. I've been known to be picky.

This is the beginning of the character's first POV chapter. I gave him a physical ailment which causes severe central and peripheral neuropathic pain episodes. Any suggestions on how to improve the delivery, particularly the dialogue "ouchs" and whatnot and making it seem more natural/intuitive that the POV is in severe pain. Thanks for your time/help.

POV is Manning, so italicized internal dialogue is his.
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How did they escape? Xavier Manning the full name is an immediate pull out of close point of view. I think of myself as Jo not Jo Zeb... asked himself for the hundredth time as he peered at the abject wreckage through the viewport.

Some 20,000 feet below, the burning foliage adjoining Long Dock spread out as far as the eye could see. Bit of a cliche Mile after mile, the landscape was a jagged line of floating ash and billowing flame.can you make this more immediate? Spots of fire? The cloud of burning ash? Dig just a little deeper. The native plants lining the coast were a cacophony of odd shapes, sizes, and colors, but the fire enveloped them all just the same. The Dionisys musciperla, a carnivorous species of gargantuan mushroom-shaped plants comma were among the inferno. He watched asfiltering - what does it add? Why not change to A fire response chopper.... What would you lose? a fire response chopper jerked sideways to avoid the clam-shaped mouth of one of the burning plants.

Manning tapped the tip of his metal cane on the thick window. “Perhaps they became a meal for this nightmarish botany.”

The man next to him was young, handsome, and dark-skinned, slightly moreso than himself.how? Was he younger more handsome or blacker? Keep a reader clear about the scene. He wore a fine black suit and tie, a sharp contrast to the windbreaker and slacks that were Manning’s ensemble.

“We can only hope,” Charles Confrey putting my teeth on edge now. A. Does your pov character know him - if so, name him above. B. Why the full name? Use the name your pov character uses for him. said.

“Do you think they’re still on-world?”

“I doubt it. There are 10,000 JDA canvassing every crevice of the Deep Trails with Neridian guides. They haven't found anyone.”

Manning twisted a crick his neck, feeling a pressure build in his head.good “Less than one percent of the planet is dry land. Unless they’re swimming around the acid-laden ocean, they’re… ah…”

He squeezed his eyes shut as a lancinating sensation sensation is weak - what is it? tore through him. Pain exploded how. In a dull ache, a sharp pain, a sickening wrench! from his spinal column through the front of his skull — an anguish so acute it caused his knees to buckle. His cane clattered to the rubberized floor as he nearly spilled into the viewport.

Confrey reached out and steadied him. “Easy now.”

Sharp pain wracked his small bodywould he really be thinking of this? In pain the thoughts are channelled and simple. as his assistant who is? gently guided him towards the conference table in the center of the room. Collapsing into a cushioned chair, he clutched his cranium with both hands, breathing heavy and ragged. It’ll pass, it’ll pass, it’ll pass, it’ll— “lose this speech mark Ahhh…”

“That’s the sixth one today,” Confrey said. “Do you want me to call Dr. Corvey?”

“N—No…” he croaked.

After a minute, the paroxysms of pain another cliche - give us the detail. What pain? No need for gratuitous but let us know what and where gave way to a tingling sensation that radiated from his toes to his scalp. A metal taste flooded his mouth, sending waves of nausea through him. This cycle repeated itself several times over two minutes, each successive episode more tolerable than the last.what are his thoughts? Relief that it's wnding? Panic at feeling sick? Fed up? When it had reached a non-agonizing level, he steadied his breathinghow?. Cautiously, he allowed one eye to open, and then the other.

“I know you don’t like the sedation, but you need to take your damn pills,” Confrey said.

Manning wiped cold sweat from his forehead with a handkerchief. “I’m… fine.”

“She gave them to you for a reason.”

“I’m fine,” Manning snarled. “Back to the issue at hand, damn it.”

Confrey eyed him warily, like a concerned son for a father. More like a concerned grand-child for an invalid grandfather.

“What was I saying?” Manning asked.

“The green-skins are gone.”

“Well? Aren’t they?”

Hope it helps. I think you need more specificity.
 
Good scene, enjoyed reading it. :)

Insert = ()
Delete/Change = []

"...coast were a [cacophony] of odd shapes, sizes, and colors..." Cacophony relates to sound. i.e. a cacophony of noise.
"...slightly moreso than himself." (more so)

"He squeezed his eyes shut as a [lancinating] sensation tore through him." (piercing) simple and clear is always best.

"When [it had reached a non-agonizing] level..." (the pain reduced to a more manageable)

“I’m fine(!)” Manning snarled. Back to the issue at hand, damn it(!)He sounds as if he is snapping at Confrey here, so I suggest putting exclamation marks at the end of each sentence to emphasize his irritated tone.


A very interesting and intriguing scene, and I want to know more. :)
 
I liked the premise but I think you have a tendency to get in the way of your prose.

I'm not as strict as some when it comes to show-don't-tell, but there is a lot of telling, and I think you could economise on words quite a bit.

Can wreckage be 'abject', and can the mismatch of plants be honestly described as a 'cacophony'? I appreciate this is a stylistic choice, but I'd be more ready to accept 'cacophony' to describe something like someone wearing loads of clashing colours, as opposed to arrays of plants (for example). I feel the same about your use of 'anguish' to describe agony. Lancinating sounds really awkward, as does paroxysm, and though it is clear what you mean, I wonder if it's a little too self-conscious. And would Manning use these kinds of words, or are they more your choice?

I think you have the idea of the scene, but I would recommend redrafting it with a focus on removing veil words such as 'feeling' and tells, to replace them with his response to his experiencing pain. For example, if he is in pain, imagine how much worse it gets when the fire chopper jerks away from the mushroom plant. Instead of him 'watching as...' maybe consider having him 'scream as the fire chopper...' etc.

Speaking of the plants, I was really intrigued about them, they sound rather cool!

Good luck

pH
 
Thanks for the replies. Just to clarify the so-called wreckage they are viewing was caused by something in a previous chapter, so the reader is already aware that the little island is essentially engulfed in a massive inferno. @Jo Zebedee I used the full names because this is the first appearance for both of these characters. Should I not be doing that?
 
Thanks for the replies. Just to clarify the so-called wreckage they are viewing was caused by something in a previous chapter, so the reader is already aware that the little island is essentially engulfed in a massive inferno. @Jo Zebedee I used the full names because this is the first appearance for both of these characters. Should I not be doing that?

It really depends how close the point of view you're writing is. If you want to be in close, close third, then I think it pulls is out because, let's be honest, if your best mate walked into a room you wouldn't think 'Tom Whoever came in and....', you'd just think 'Tom came in and...' But if you're happy to be a little further removed from point of view, then the full name is fine.

Although, on another thought, I wonder WHY you need it? The extra name is just another thing for the reader to remember when you're laying out a story. It might well be one of those things as an author you need to know but the reader doesn't. Anyhow, I usually try to find a natural point in the story where that information might come out - a formal introduction, perhaps, or a standard joke between characters.
 
Specifically on the pain depiction, I found it quite convincing. I actually liked "lancinating" because it's not a word I've come across before (I had to check you hadn't made it up) but gets across its meaning well. If you wanted to follow PB's advice and remove it, you could always use "lance" as a verb instead.

I won't say it couldn't be improved, but I think it's a good base to work from.
 
Confrey eyed him warily, like a concerned son for a father. More like a concerned grand-child for an invalid grandfather.
It read very well to me, and I thought you conveyed the painful feelings well.
I was unsure where the italic quote originated from. Was this Confrey? Or is it a God's Eye View? I know I should be critiquing and not asking questions.
Reading the other crits, I did like the idea of matching his pain to the sudden movement of the craft.
I'd keep reading.
Andy
 
The criticism I'd give is that you're focused only on the physical experience of the characters, which creates an absence of feeling. Instead, you've dumped everything into dialogue.

For example, Manning gives no reaction to what he sees. He asks "Did they escape?" and a couple of lines later dismisses them as "food for botany", thus nullifying your opening question. He says that he can only hope, but you don't show him feeling it.

I'd like to see more focus on the emotional, rather than physical experience. That we, we can get a sense of character. Obviously, something dramatic has happened, and it would help to get what that actually means from the character's thoughts and feelings.

That way, when you show him in pain, we can sympathise because we're close - but at the moment, we're remote from it.

2c.
 
It read very well to me, and I thought you conveyed the painful feelings well.
I was unsure where the italic quote originated from. Was this Confrey? Or is it a God's Eye View? I know I should be critiquing and not asking questions.
Reading the other crits, I did like the idea of matching his pain to the sudden movement of the craft.
I'd keep reading.
Andy
I'm writing from Manning's POV, its 3rd person limited, so the italicized is internal dialogue/thoughts from him.
 
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