Story opening - 630 words

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MemoryTale

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Several people have seen this opening now, and everyone's had wildly different opinions, especially regarding its suitability as an opening - so I thought I'd stick it on here in the hope of actually getting some sort of consensus.

*********

Derek Lambert of the Southside police leafed through his notes one last time. In truth he didn’t need to reread them, but it gave him something to do. He checked his watch. Five minutes to go.

‘Nervous?’

He glanced to the side. The woman next to him gave a small smile.

‘A little,’ he confessed.

‘I never thought I’d see the day when an Inspector was nervous about talking to schoolchildren.’

He smiled ruefully. ‘I’m not nervous about that. I just hate lying about how safe Southside is these days.’

She made a puzzled frown. ‘Isn’t it? The gangs aren’t fighting on the streets anymore.’

‘Only because The Firm won, more or less. The Northern Front are still kicking around.’ He sighed. ‘And that’s without the serial killer running around.’

‘One person in a city of millions.’ She smiled again. ‘I think you’re doing a good job.’

‘Oh, so you’re the one.’ He flexed his left shoulder and cracked it.

She winced. ‘That sounded nasty.’

‘Sorry, I gotta do that from time to time. Old injury. Rachel wasn’t it?’

She nodded.

‘What do you remember of Southside back when the Firm took over? That was ten years ago, you’d have been… Twelve? Thirteen?’

‘Fifteen… And I don’t. I used to live in Hallestown, before it got hit by the Light.’

He winced. He should have been more careful with his words. Light survivors weren’t that uncommon. ‘Sorry to hear that.’

She crossed her arms and sat back in her chair, facing the far wall. ‘Don’t be. I survived. Plenty didn’t.’

He gave up trying to make conversation. He didn’t know how to vocalise his thoughts anyway, that the current peace wasn’t due to anything the police had accomplished. It was because they had survived being on the losing team.

He flexed his shoulder again and starting thinking about centimetres as the children started being lead in by their teachers. If the bullet that had earned him a desk job had been a centimetre lower, it would have only given him a flesh wound. Maybe even now he’d be on the serial killer case. He would still mean something. Of course if it had been a centimetre higher, he’d have lost the use of his arm. Funny things, centimetres, he mused.

As the children sat the room quickly filled with whispered conversations and excited gossip on such important subjects as what programs they had watched and who fancied whom. Lambert tried to recall when he had last been so carefree.

Poor kids, he thought. They have no idea what’s coming.

He glanced up as Rachel Turner stood up to the podium.

‘I’d just like to say a few words before Inspector. Lambert speaks to you all.’

She briefly outlined the purpose of his visit, then went on to her own propaganda speech, telling the children about a book club she was starting up. Watching her depressed him. At twenty-five, she was the youngest head teacher he’d ever met. In his youth it would have been an inspiration. Now it only highlighted the fact he was coasting to retirement. Then it was his turn to speak.

‘Hello children. I’m Derek Lambert. I’m an Inspector in the Southside Police.’ Brilliant start, he thought. He coughed and shuffled his notes. ‘I’m here to tell you about some of the dangers of life in Southside, what we can do to keep you safe and how you can help us.’

He tried to avoid looking at the kid’s faces. The expressions on the ones he could see seemed to say ‘You’re not telling us anything we didn’t figure out for ourselves. You’re wasting our time.’ Those were the six year olds. He could only imagine how the older children must be looking.
 
Hiya.
Had a little glance through and got a couple of comments :)
It seems a bit info dumpy in opening paragraphs. Esp his name and rank details cos he then repeats verbatim to the kids.
The kids would be 'led' not 'lead' into the classroom.
I'm speculating it's UK due to the use of centimetres, USA would be inches. Therefore the kids would be chattering about programmes not programs.
Finally what age group are the kids? Six year olds are mentioned so primary school age. However I get the impression somehow from the street cred of the kids that there are teens in there also? Secondary school as well?
:)
 
To your prime question I would say 'Yes, this is in general a suitable scene as an opening'.

I would be careful about trying to do too much all at once. There are a large number of concepts in here to battle through as a first time reader. I would perhaps just stick to the core message 'Big tough guy nervous about talking to children' and really try and sink into his psyche. You have a whole first chapter to feed the various plot facts in so I wouldn't try and do it all on the first page.
 
From a reader's point of view, it doesn't grab me by the throat, but I'd read on. The reference to the Light intrigued me, and I'd like to know more about that.

From a more analytical point of view, would a police Inspector express concerns about lawlessness to a near-stranger? Also, I'm not sure that bored six-year-olds would pay enough attention even to think ‘You’re not telling us anything we didn’t figure out for ourselves. You’re wasting our time.’

From a writer's point of view, "Derek Lambert of the Southside police" sounds like omniscient POV. I don't think he'd think of himself so formally.
 
It was an interesting read, but I'm a little concerned about our dear Inspector. Is he supposed to be a coward? Or just one of those "I'm the hero even though I'm scared shitless all the time" types?

I have no idea what this means:
‘Oh, so you’re the one.’
 
Derek Lambert of the Southside

You don't need to "tell" us all the details - you can simply say that Derek leafed through his police notes, allowing it to be more of a "show". You give his second name, and the location as Southside, later in this piece anyway.

As for the overall opening - it's not badly written at all IMO, but there's a potential structural problem in that you don't seem to know where to start. The opening few paragraphs serve only to introduce us to the characters and this world, by telling us about it, rather than showing. If this was part of something actually going on then that could be fine.

But once you've given us those details, you jump to a new scene in front of school children and present a character who seems nervous and unsure where to start. In all honesty, though, it feels like I'm reading an author who feels nervous and isn't sure where to start.

Openings are really, really difficult to do well. Often the writer feels a need to explain details for the benefit of the reader, and this is what always trips them up.

So what I'd suggest is that you forget about all the introductory details and just take us straight into the story. Presumably talking to the school kids is just another way to dump information, so skip past that.

In which case, what happens next? If this is chapter 1, how does chapter 2 start? Often this is where writers begin their actual story, and where a book actually starts.

So, overall, I don't have any problem with your story, but it feels too much like a nervous beginning that you're better skipping so that you can simply plunge the reader into the story proper, instead of thinking you need to ease them into it.

Does that helps at all?
 
I have no idea what this means:
I took it as meaning he is joking about her being the serial killer. It's a nice remark, but I think the shoulder thing, coming right after, throws the reader off a bit?

I agree with @Brian G Turner - it's hard to get a snappy start. This is something I am struggling with myself for the moment so I can't give any better advice than he does.
 
Hi all

Thanks for the comments, especially the bit about looking nervy, it made a lot of sense.

Charles Gull got the meaning I meant about that line - I may change that if only one in three people "get" it - dunno yet.
 
I see it now. Probably just me, I am not always a very observant reader.
 
I think it's the repetition of "one" that especially makes the reader's link between the woman and the serial killer more likely.
 
I can see it now. I guess I would have said something like "Well that makes one." or something like that. Could just have been lack of coffee, too.
 
I would suggest that you might consider starting out mid-way through Derek's presentation, enabling you to catch the reader's attention from the first line and then continuing on with a bit of exposition without giving away the whole store.

Also, if there are six year olds, I would expect them to be more impressed with whatever shiny bits he has on him like his uniform or potential weapon (not as prevalent as here in the US I understand).

My better half has actual work to do on the computer now, so that'll have to do for now.
 
If you are going to start with any of this; my limited opinion suggests::

He flexed his shoulder again and starting thinking about centimetres as the children started being lead in by their teachers. If the bullet that had earned him a desk job had been a centimetre lower, it would have only given him a flesh wound. Maybe even now he’d be on the serial killer case. He would still mean something. Of course if it had been a centimetre higher, he’d have lost the use of his arm. Funny things, centimetres, he mused.
:: This would be where I would come into the story. Even though it seems clever to hold this back for some time, it would work much better as the start of everything and feed the rest in as you may.
 
OK, I've rejigged the opening and included the next scene as well since I moved some of the plot mentions to that - does it work any better?

***************

Inspector Lambert counted to fifty after the hall doors swung shut. When he was sure none of his audience remained to see him, he rammed his notes into his briefcase so hard he broke the compartment.

‘It didn’t go that bad did it?’

He turned to face the speaker. Rachel Turner, headmistress of Dale Road Academy, was watching him with a mixture of concern and amusement.

‘I don’t know why we bother with these school visits,’ he said, and gestured at the door. ‘Those kids know all this stuff already. Even the young ones looked bored!’

‘We’re in a rough neighbourhood. That provides its own education.’

‘Some of the kids in the back were playing cards.’ He slammed the briefcase shut. ‘I hope they don’t think I didn’t notice!’

‘I saw them.’ She shrugged. ‘Those ones are in permanent detention already, I’ve got nothing left to throw at them and they know it. Come on, I’ll walk you to your car.’

Lambert made a non-committal grunt, flexed and popped his shoulder as she started to lead him off.

She winced. ‘That sounded nasty.’

‘Sorry, I gotta do that from time to time. Old injury. Got caught in a shootout between two gangs.’

Of course that was the reason he was here lying to school kids about how safe Southside was these days. If the bullet had been a centimetre lower, maybe he’d be out there trying to crack down on the remaining gangs. Or maybe he’d be on the serial killer case. Maybe he’d still mean something.


As soon as they were outside the building a cigarette appeared between her lips so fast he barely saw her hand move. Finding a light took longer, and he provided one out of sympathy. He paused a second before deciding to have one himself. He was supposed to be quitting, but what the heck. It had been a trying day.

‘For what it’s worth, I think you’re doing a good job,’ Rachel said.

‘Oh, so you’re the one.’

She tutted, but smiled.

‘Don’t be like that!’ she admonished.

He took a quick puff and blew it out in an angry sigh. He couldn't be sure if she was lying to make him feel better or just blind - didn't she remember ten years ago?

‘Look,’ he said. ‘You must remember Southside before The Firm took over. You’d have been…’ She was young, for a headmistress. Depressingly young. He hazarded a guess. ‘What, twelve? Thirteen?’

‘I lived in Hallestown back then.’

‘Ah.’ He mentally kicked himself. ‘I’m sorry.’

She looked away. ‘Don’t be. I survived. Plenty didn’t.’ She crossed her arms and walked back to the school, head lowered.
 
I do like this one better; a certain grittiness to it that makes it stand out.

However a thought hit me: If things are really bad out there I would almost think that he'd have to be in a wheel chair before he'd be pulled off the street. But that might not fit the world--it did make me wonder.
 
Yeah, it works a lot better at pulling me into the story and doesn't seem so info dumpish.
If I'd read that first page or two in a book shop I'd probably want to buy it to see what actually happened at Hallestown (so don't put it in the 'blurb unless it just says "a disaster") and I enjoy a detective yarn :) it's gonna have our hapless plod crossing tracks with the serial killer anyways
 
I like this version much better. I also really really really hope that the pretty young headmistress DOES turn out to be the serial killer in the end.
 
Late I know, but I also thought the second version much better though not sure the 'one' comment comes off as quite as understandable (I didn't have a problem with it in the 1st version)
 
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