No - I didn’t say it did. But the common acceptance is that it’s made of parts, with the idea that those parts work to enable movement, speech, etc, by some technological marvel, not simply by mythical or magical infusion of a lump of wood, or solid metal.
But in this case, the wooden actor from Liezi fits this definition perfectly. Here is my imperfect translation of this passage from Chapter 5. A more professional translation probably exists long ago, but I was too lazy to look for it, so I translated this short passage myself.
When the great King Mu of the Zhou made his royal journey to the western regions, he passed through the Kunlun Mountains but did not reach Mount Yan.
On his way back, before he could enter the Middle Kingdom, he met a certain craftsman called Yanshi.
"What are you good at?" the Great King asked him.
"Let Your Majesty give orders, and Your Majesty will see. However, your humble servant has already made something and hopes Your Majesty will be pleased to see it," Yanshi replied.
"Bring it tomorrow and we will look at it together," the king ordered.
The next day, Yanshi asked King Mu for an audience. He told him to let the master in and asked:
"Who is the man you have brought?"
"Your humble servant made him himself, and he knows how to do things."
King Mu looked at the wooden actor in amazement: he walked like a human being. When the master touched his cheek with his hand, he sang beautifully; when the master clapped his hands, he began to dance. He performed many different tricks - whatever the king wanted.
The king decided that he really was a human being and watched the performance with his closest advisor, Shen Ji, and the noble women.
Towards the end of the show, the wooden actor winked at the concubines surrounding the king and waved them over to him. The jealous king was furious and wanted to execute Yanshi on the spot. But the master, frightened, immediately took the wooden actor to pieces and showed it to the king. The actor was actually made of leather and pieces of wood, glued together, varnished and painted in white, black, red and blue. Inside were liver, spleen, heart, lungs, kidneys, intestines, stomach; outside were muscles, bones, joints, skin, teeth, hair - all artificial, but just like the real thing. When all these parts were put back together, the artificial man was as before. The king tried to take out his heart, and the man couldn't speak. One actor had his liver taken out, and he couldn't see; his kidneys were taken out, and he couldn't walk. The king was very pleased and sighed and said about Yanshi the craftsman:
"So man's art can do what nature can do!"
The author of Liezi probably lived between 450 BCE and 375 BCE, and this passage is very similar to something like 'The Silver Lover' by Tanith Lee.
So it's a pretty old description of a robot in world literature.
But I'm not so sure about Talos. From the description, it looks like he was made of bronze and had a single vein filled with ichor. I don't recall any mention of different "parts".