Extollager
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Here, in several postings, is an article that I wrote some years ago for Beyond Bree. It will appear in J. R. R. Tolkien: Studies in Reception.
When nearly eighty years old Tolkien was asked to name which book or books were his favorites, or most influenced him, as a teenager. He identified one book as his “most treasured volume”: C. A. Johns’ Flowers of the Field, a book about “the flora of the British Isles.”
The author of the original edition of Flowers of the Field was one of those Victorian clergyman-“amateur” naturalists. Charles Alexander Johns (1811-184) took Anglican priestly orders in 1848, but, to judge by the Dictionary of National Biography, did not serve as a parish pastor, occupying himself, rather, with duties as a school headmaster and then as founder of a private school, and as a “miscellaneous writer.” Most of his books – there were more than twenty -- are works of natural history, although he published some sermons. From the title, I would guess his 1849 book Amnesnon the Forgetful and Eustathes the Constant was a specimen of admonitory allegory.
Flowers of the Field appeared in two volumes in 1853. Tolkien’s edition, published over fifty years later, was a single volume, bound in green cloth with floral designs on spine (foxgloves) and front cover (poppies?). The tone of Johns’ introduction retains a somewhat solemn Victorian gravity:
Though the highest claim of this volume is to introduce the lover of Nature to an acquaintance with the common British plants, the author has given to his first chapter the somewhat presuming title of an “Introduction to British Botany,” lest those into whose hands the work may fall should pass over the earlier part of it as a treatise or summary of contents so little connected with what follows, that the perusal of it may be omitted or deferred with safety. So far is this from being the case, that the reader who is unacquainted with the elements of botany will find the body of the work of little use, unless he carefully peruses the earlier pages, and makes himself thoroughly acquainted with the general plan. …. The reader, then, or, inasmuch as even the elementary knowledge of a science can only be attained by study, the student who wishes to make this volume practically useful in enabling him to find out the names of our common wild flowers, is recommended to read with care and attention the following pages, into which the author has introduced nothing but what is essential to the proper understanding of the body of the work, and so to the attainment of his object.
The introduction continues,
Unmeaning and hard to remember they [the “strange names” about to be explained] must appear to him at first, but this will be only as long as they remain mere sounds. When he has gained a knowledge of the things for which they stand, they will lose their formidable appearance, and, hard as they may still be to pronounce, they will very soon become familiar to the mind, if not to the tongue.
Tolkien’s “Most Treasured Volume”:
C. A. Johns’ Flowers of the Field
by Dale Nelson
When nearly eighty years old Tolkien was asked to name which book or books were his favorites, or most influenced him, as a teenager. He identified one book as his “most treasured volume”: C. A. Johns’ Flowers of the Field, a book about “the flora of the British Isles.”
The author of the original edition of Flowers of the Field was one of those Victorian clergyman-“amateur” naturalists. Charles Alexander Johns (1811-184) took Anglican priestly orders in 1848, but, to judge by the Dictionary of National Biography, did not serve as a parish pastor, occupying himself, rather, with duties as a school headmaster and then as founder of a private school, and as a “miscellaneous writer.” Most of his books – there were more than twenty -- are works of natural history, although he published some sermons. From the title, I would guess his 1849 book Amnesnon the Forgetful and Eustathes the Constant was a specimen of admonitory allegory.
Flowers of the Field appeared in two volumes in 1853. Tolkien’s edition, published over fifty years later, was a single volume, bound in green cloth with floral designs on spine (foxgloves) and front cover (poppies?). The tone of Johns’ introduction retains a somewhat solemn Victorian gravity:
Though the highest claim of this volume is to introduce the lover of Nature to an acquaintance with the common British plants, the author has given to his first chapter the somewhat presuming title of an “Introduction to British Botany,” lest those into whose hands the work may fall should pass over the earlier part of it as a treatise or summary of contents so little connected with what follows, that the perusal of it may be omitted or deferred with safety. So far is this from being the case, that the reader who is unacquainted with the elements of botany will find the body of the work of little use, unless he carefully peruses the earlier pages, and makes himself thoroughly acquainted with the general plan. …. The reader, then, or, inasmuch as even the elementary knowledge of a science can only be attained by study, the student who wishes to make this volume practically useful in enabling him to find out the names of our common wild flowers, is recommended to read with care and attention the following pages, into which the author has introduced nothing but what is essential to the proper understanding of the body of the work, and so to the attainment of his object.
The introduction continues,
Unmeaning and hard to remember they [the “strange names” about to be explained] must appear to him at first, but this will be only as long as they remain mere sounds. When he has gained a knowledge of the things for which they stand, they will lose their formidable appearance, and, hard as they may still be to pronounce, they will very soon become familiar to the mind, if not to the tongue.