Al Jackson
Well-Known Member
- Joined
- Jul 28, 2018
- Messages
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New biography of John W Campbell, who almost single handily invented modern science fiction prose.
Astounding: John W. Campbell, Isaac Asimov, Robert A. Heinlein, L. Ron Hubbard, and the Golden Age of Science Fiction
by Alec Nevala-Lee
Campbell's enthusiasm for the contrarian worked fabulously for him in the 1940s but , in the long run, drove away his most famous writers.
I see why Hubbard made the subtitle , I knew he was entwined with Campbell in the 40s, but I did not know the extent to which he and Hubbard worked on Dianetics together.
I also did not know that Heinlein had been that hoodwinked by Hubbard during WWII , at least Heinlein finally saw him as a jerk.
Interesting that Campbell never tried to foist Dianetics on Asimov, I suspect that he knew Asimov was smarter than his other writers. Asimov comes out looking as if the whole Hubbard-Campbell-Dianetics fray was not worth his serious attention. Asimov looks like the one sane man in the whole last half of this story.
I don’t know if there is another ‘unauthorized biography’ of Hubbard, in this account he comes off as a Major Loon , Chucklehead and Odious.
I never liked any of Hubbard’s science fiction , I thought Ol’ Doc Methuselah was awful, on the other hand his fantasy work could be good , Fear and Typewriter in the Sky were outstanding contributions to Unknown.
It is too bad that the attempt to revive Unknown did not work, in 1948, it still stands as the unique fantasy magazine.
One thing about Campbell that had influence on me, Nevala-Lee mentions it in one instance in the book, his eye for art.
He absolutely banished brass bras and BEMs from the cover of ASF. Really noticeable in the 1940s.
I was pulled into science fiction because of the ‘domesticated super science’ , the lived-in fell, the verisimilitude …. I am guessing that Campbell had an eye for it’s realization in art? The Rogers covers in the 40’s may be ‘muddy’ but they are evocative. In the 1950s Kelly Freas and Ed Emshwiller just nailed it. Not only the cover art but the interiors also…. Those black and white illustrations were a realization of the milieu of the best writers in ASF. (I think EMSH gets a little short changed on this, he did great realizations on the cover now and then, but his interior work was better than Freas, and Freas did great work.) There were other artists too, unlike Galaxy and F&SF , who had good work, Campbell’s eye was the best. Campbell should get credit for this.
With all the great artists now days , I still see it, but not often enough, alas.
Astounding: John W. Campbell, Isaac Asimov, Robert A. Heinlein, L. Ron Hubbard, and the Golden Age of Science Fiction
by Alec Nevala-Lee
Campbell's enthusiasm for the contrarian worked fabulously for him in the 1940s but , in the long run, drove away his most famous writers.
I see why Hubbard made the subtitle , I knew he was entwined with Campbell in the 40s, but I did not know the extent to which he and Hubbard worked on Dianetics together.
I also did not know that Heinlein had been that hoodwinked by Hubbard during WWII , at least Heinlein finally saw him as a jerk.
Interesting that Campbell never tried to foist Dianetics on Asimov, I suspect that he knew Asimov was smarter than his other writers. Asimov comes out looking as if the whole Hubbard-Campbell-Dianetics fray was not worth his serious attention. Asimov looks like the one sane man in the whole last half of this story.
I don’t know if there is another ‘unauthorized biography’ of Hubbard, in this account he comes off as a Major Loon , Chucklehead and Odious.
I never liked any of Hubbard’s science fiction , I thought Ol’ Doc Methuselah was awful, on the other hand his fantasy work could be good , Fear and Typewriter in the Sky were outstanding contributions to Unknown.
It is too bad that the attempt to revive Unknown did not work, in 1948, it still stands as the unique fantasy magazine.
One thing about Campbell that had influence on me, Nevala-Lee mentions it in one instance in the book, his eye for art.
He absolutely banished brass bras and BEMs from the cover of ASF. Really noticeable in the 1940s.
I was pulled into science fiction because of the ‘domesticated super science’ , the lived-in fell, the verisimilitude …. I am guessing that Campbell had an eye for it’s realization in art? The Rogers covers in the 40’s may be ‘muddy’ but they are evocative. In the 1950s Kelly Freas and Ed Emshwiller just nailed it. Not only the cover art but the interiors also…. Those black and white illustrations were a realization of the milieu of the best writers in ASF. (I think EMSH gets a little short changed on this, he did great realizations on the cover now and then, but his interior work was better than Freas, and Freas did great work.) There were other artists too, unlike Galaxy and F&SF , who had good work, Campbell’s eye was the best. Campbell should get credit for this.
With all the great artists now days , I still see it, but not often enough, alas.