At the burial

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Toby Frost

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Albrecht is a former mercenary captain. Aline is a former hunter of the undead. They are both about 40 and rather worn-down, and only met a little while ago. They have helped a group of villagers, including Meg and Louis, defeat a band of fanatics (the Forbidders). The danger has passed, but Louis has been killed. Meg, it should be pointed out, is a “wise” older woman who has never married or shown an interest in doing so.

The aim here is to start building up the relationship between Albrecht and Aline, and eventually to get them together (I’ve got quite a few pages to do so). But they are both pretty damaged: Albrecht is recovering from magical damage to his mind, and Aline, whilst kind and good, is very poor at understanding other people. Any thoughts would be welcome, especially regarding the relationship of the two leads.


*​

Louis was buried on a fine spring morning. Albrecht stood beside Aline in the church, and the priest spoke the old Quaestan words as if reciting a spell. Then they carried the coffin outside, lifted the wrapped body from it, and lowered it into the ground.

Albrecht had seen a lot of his own men put into the earth – and plenty of others just abandoned on the battlefield – but Louis’ death felt especially harsh. He hadn’t liked the man, had thought him bitter and coarse, but for some reason it was an effort to stand there, stock-still, watching the proceedings and hoping that it would be finished soon. Albrecht kept his expression level, in what he hoped was the kind of stern sadness that people expected of a man at times like this.

A breeze blew through the trees, setting the leaves rustling. The priest raised his voice, and spoke the last few words. Albrecht wondered if anyone here understood what he’d been saying.

Women escorted Louis’ wife away from the grave. Aline turned and looked at Albrecht: her face was hard and determined, the way he reckoned his must be. She offered him no smile, no friendliness.

Raised voices on the far side of the grave. “What would you know about a husband? Get away from me.” Louis’ wife pointed, and Meg stepped back from the other women, palms raised.

Under her breath, Aline said, “That’s no way to carry on.”

“You never had a man. Never wanted one, you witch –”

If was a low thing to say, Albrecht thought, a spiteful comment born out of grief and best ignored. Best get the fellow buried in peace. But Aline was moving, now, walking around the edge of the grave, going towards the other mourners.

Oh, Hell.

“Aline,” he said, but she wasn’t listening.

“Now look here,” Aline began, “Louis was a good man, and it won’t do to quarrel about it. He was a good friend to Meg and I –”

“You,” said Louis’ wife. “You’re the worst of them. You come here, from your fancy house, telling people what to do. You don’t care what happens, none of your sort ever do. If it wasn’t for you, he’d be alive.”

And then, very carefully and deliberately, she spat at Aline. The spittle hit Aline’s breastplate. Albrecht stepped in quickly, ready to grab Aline and pull her back. But Aline just looked tired. She turned and walked away. Albrecht saw that the threat was over – Louis’ wife was crying again – and he followed Aline back towards the chapel.



They stood behind the church. The grass was thick and springy around their boots. Aline leaned against the stone and crossed her arms. “What a bloody day,” she said. “Think I’d rather be fighting revenants than doing this.”

“Me too,” Albrecht said. “Maybe.”

“You think she was right to say that? About me being the worst of them?”

“Of course not. She’s just grieving, that's all. People say all kinds of things when they’re in that state. Besides, she’s wrong. If you hadn’t come along, Louis would probably have got killed by the Forbidders a long time ago. He had to fight – they all did. The only difference is that you taught him how to fight well.”

“I do care, you know,” she said. “About people. I can’t understand them, but I really do care.” Her eyes became unfocussed, then wet. She reached up and wiped her finger under her left eye, looked at the water on it as if surprised to find it there. “I care too bloody much.”

“I know you do.” Albrecht sighed. “Everyone knows you do. It’s just that – well, she is his wife, after all. Was.”

“Losing people is s**t. Caring about people is s**t too.” She looked away and muttered something that sounded like “How do they do it?”

“How do they do what?”

Aline glanced at him. “What?”

“You said something. ‘How do they do it?’”

“Oh. Well, I meant families, husbands and wives. How they stay together. I mean, God rest his soul, but Louis really was an arsehole most of the time. Who the hell would want to live with that? And yet, from what I’ve heard, he and Anne-Marie back there have been together all their lives. Bickering all the time, apparently, but still together. How do people do that?”

“I don’t know.”

“Were you ever married?”

“No,” he said, but the question had done its work. He thought about Hannah from the old days, her lopsided smile. He remembered the feel of her lying against him, the sensation of her hair on his cheek as they'd lain in her tent, the summer light warming the air and making the tent roof glow. He felt a longing sadness, deep and tranquil, a sense of mourning far stronger than he’d felt at Louis’ grave.

“I had a woman,” he said. “She was one of the camp followers – a laundress. It sounds stupid when I talk about it, but... I meant to marry her, I suppose. I guess people would call her a whore – she was, really, they all were – but she wasn’t, if you see what I mean. I thought I’d marry her and make an honest woman of her. Truth is, she was honest all along.” He turned to Aline, pulling his mind back into the present. “How about you? Were you ever married?”

Aline burst out laughing. She threw her head back and bellowed with laughter. Her gloved hand slapped the stone flank of the church. “Me? Married? God no!”

Her laughter puzzled him, but it was infectious. “I was just asking,” Albrecht said, smiling.

“Well if you’re going to ask, you ought to be down on one knee! You got a ring for me, then?”

Albrecht laughed now. They both stopped laughing. Nobody said anything.

“Come on,” Aline said. “Let’s go and find Meg, make sure she’s all right.”
 
Generally, I thought this was rather good once it got started. That first part describing the actual funeral ceremony felt a bit brief and distant to me, but I suspect you've done that intentionally. The dialogue is strong, but everything else around it is rather underdeveloped. Not necessarily a bad thing if you are wanting the reader to focus on the dialogue.

There is quite a lot of filter words used. "he thought" "he felt" etc. Overall, it could do with being a bit closer PoV maybe. But I seem to be saying that about every critique and start to wonder if it really matters or if I'm just starting to impose my writing style upon others... I think it is because there is very little of the PoV character's own thoughts in this.

I thought it was stretching the believability of the dialogue to go from talking about previous relationships to her joking about him proposing to her. The distance of the laughing bit that followed straight afterwards is very noticeable, because it felt to me like there should be some thoughts accompanying why he started laughing then immediately stopped.
 
Hmmmm, there does seem to be a bit of "you know, Dave, if you hadn't been there, someone else would have come along to fight her instead" going on. I think you could be subtler than that and it woudl be more effective. :)
 
In general, I agree with L.L. and Jo. Overall, it works well but a few specific issues for me:

He hadn’t liked the man, had thought him bitter and coarse, but for some reason it was an effort to stand there, stock-still, watching the proceedings and hoping that it would be finished soon.

The last half of this isn't clear enough to me. I get that he's affected by this despite not liking the man but "standing there, stock still" and "hoping it would be finished soon" could easily be because he doesn't care and wants it over. Clarify his emotions here.

Aline glanced at him. “What?”

“You said something. ‘How do they do it?’”

This is repetitious and unnecessary. I humbly suggest ditchin these lines.

Depending on her overall character, I would also be careful about Aline getting too weepy here. She seems like a tough warrior who has no time for niceties, as demonstrated by confronting Louis' widow (Albrecht's Oh Hell suggests she has a history of being very forthright). If that's how she's portrayed in much of the book, her sudden emotion might seem out of character.

Albrecht's former love having been a prostitute is an old and well-used trope. If that isn't vital to the story, I would suggest altering this.

The jest about proposing didn't work for me. I don't think you need that here. The possible beginnings of a relationship are clear enough without that.
 
Thanks guys. Albrecht's former lover is a tricky one: she's effectively a camp-follower (my book on Renaissance history calls them "Laundresses") that he's semi-contracted to be his girlfriend. I thought it was interesting that he could get to this age and yet have no idea how a functional relationship works. Given the rather nomadic life of a mercenary, it just seemed the most feasible option.

Aline's weepiness is deliberate: I wanted to go down a slightly different route to the grim, hardened killer route, so decided to turn all the emotions up very high. However, as always happens with critiques, I'm wary of excusing myself by just saying "Well, actually, it's meant to be like that".

I agree that the joke ought to go.

Thanks everyone!
 
I enjoyed it. I do have a question though; is this a piece meant to comment about marriage and possibly the relationship between two characters. Or is it meant to highlight the strife between the women? Or both?

Louis was buried on a fine spring morning.
This strikes me as almost trope in nature. And I'm not sure how to escape it except to just leave it off. However if it is meant to set a mood, it might fall short by leaving an opening for ambiguously going one of two ways.
One being:
Louis was buried on an otherwise fine spring morning.
Or:
Louis was buried on a fine spring morning, just right for dancing on the grave if that weren't in such poor form.

Just one of my usual confused and muddled thoughts.

Oh and then:
Laughing at the funeral might be tantamount to dancing on the grave, especially after the altercation.

I realize stranger things have happened; however my clan at least wait until the body is laid to rest and everyone assembles for the wake and meal after.
 
Hi Toby, it's me - You know what to expect:-

Albrecht is a former mercenary captain. Aline is a former hunter of the undead. They are both about 40 and rather worn-down, and only met a little while ago. They have helped a group of villagers, including Meg and Louis, defeat a band of fanatics (the Forbidders). The danger has passed, but Louis has been killed. Meg, it should be pointed out, is a “wise” older woman who has never married or shown an interest in doing so.

The aim here is to start building up the relationship between Albrecht and Aline, and eventually to get them together (I’ve got quite a few pages to do so). But they are both pretty damaged: Albrecht is recovering from magical damage to his mind, and Aline, whilst kind and good, is very poor at understanding other people. Any thoughts would be welcome, especially regarding the relationship of the two leads.


*​

Louis was (but here we are) buried on a fine spring morning. Albrecht stood beside Aline in the church, and the priest spoke the old Quaestan words as if reciting a spell. Then they carried the coffin outside, lifted (I've heard of re-using the handles but..) the wrapped body from it, and lowered it into the ground.

Albrecht had seen a lot of his own men put into the earth – and plenty of others just abandoned on the battlefield – but Louis’ death felt especially harsh. He hadn’t liked the man, had thought him bitter and coarse, but for some reason it was an effort to stand there, stock-still, watching the proceedings and hoping that it would be finished soon. Albrecht kept his expression level, in what he hoped was the kind of stern sadness that people expected of a man at times like this.

A breeze blew through the trees, setting the leaves rustling. The priest raised his voice, and spoke the
last few words (committal maybe? he's already said his bit above - so last few words seems odd). Albrecht wondered if anyone here understood what he’d been saying.

Women escorted Louis’ wife away from the grave. Aline turned and looked at Albrecht: her face was hard and determined, the way he reckoned his must be. She offered him no smile, no friendliness.

Raised voices on the far side of the grave. “What would you know about a husband? Get away from me.” Louis’ wife pointed, and Meg stepped back from the other women, palms raised.

Under her breath, Aline said, “That’s no way to carry on.”
(to who - head switch)

“You never had a man. Never wanted one, you witch –”
(Who's this and to whom. Could be Aline could be Meg)

If was a low thing to say, Albrecht thought, a spiteful comment born out of grief and best ignored. Best get the fellow buried in peace. But Aline was moving, now, walking around the edge of the grave, going towards the other mourners.

Oh, Hell.

“Aline,” he said, but she wasn’t listening.

“Now look here,” Aline began, “Louis was a good man, and it won’t do to quarrel about it. He was a good friend to Meg and I –”
(Again who's who)

“You,” said Louis’ wife. “You’re the worst of them. You come here, from your fancy house, telling people what to do. You don’t care what happens, none of your sort ever do. If it wasn’t for you, he’d be alive.”

And then, very carefully and deliberately, she spat at Aline. The spittle hit Aline’s breastplate. Albrecht stepped in quickly, ready to grab Aline and pull her back. But Aline just looked tired. She turned and walked away. Albrecht saw that the threat was over – Louis’ wife was crying again – and he followed Aline back towards the chapel.



They stood behind the church. The grass was thick and springy around their boots. Aline leaned against the stone and crossed her arms. “What a bloody day,” she said. “Think I’d rather be fighting revenants than doing this.”

“Me too,” Albrecht said. “Maybe.”

“You think she was right to say that? About me being the worst of them?”

“Of course not. She’s just grieving, that's all. People say all kinds of things when they’re in that state. Besides, she’s wrong. If you hadn’t come along, Louis would probably have got killed by the Forbidders a long time ago. He had to fight – they all did. The only difference is that you taught him how to fight well.”

“I do care, you know,” she said. “About people. I can’t understand them, but I really do care.” Her eyes became unfocussed, then wet. She reached up and wiped her finger under her left eye, looked at the water on it as if surprised to find it there. “I care too bloody much.”

“I know you do.” Albrecht sighed. “Everyone knows you do. It’s just that – well, she is his wife, after all. Was.”

“Losing people is s**t. Caring about people is s**t too.” She looked away and muttered something that sounded like “How do they do it?”

“How do they do what?”

Aline glanced at him. “What?”

“You said something. ‘How do they do it?’”

“Oh. Well, I meant families, husbands and wives. How they stay together. I mean, God rest his soul, but Louis really was an arsehole most of the time. Who the hell would want to live with that? And yet, from what I’ve heard, he and Anne-Marie
(a bit late for a name IMO) back there have been together all their lives. Bickering all the time, apparently, but still together. How do people do that?”

“I don’t know.”

“Were you ever married?”

“No,” he said, but the question had done its work. He thought about Hannah from the old days, her lopsided smile. He remembered the feel of her lying against him, the sensation of her hair on his cheek as they'd lain in her tent, the summer light warming the air and making the tent roof glow. He felt a longing sadness, deep and tranquil, a sense of mourning far stronger than he’d felt at Louis’ grave.

“I had a woman,” he said. “She was one of the camp followers – a laundress. It sounds stupid when I talk about it, but... I meant to marry her, I suppose. I guess people would call her a whore – she was, really, they all were – but she wasn’t, if you see what I mean. I thought I’d marry her and make an honest woman of her. Truth is, she was honest all along.” He turned to Aline, pulling his mind back into the present. “How about you? Were you ever married?”
(For the knee business to work I think "Would you ever marry" might be better.)

Aline burst out laughing. She threw her head back and bellowed with laughter. Her gloved hand slapped the stone flank of the church. “Me? Married? God no!”

Her laughter puzzled him, but it was infectious. “I was just asking,” Albrecht said, smiling.

“Well if you’re going to ask, you ought to be down on one knee! You got a ring for me, then?”
(Liked this - sneaky and subtle)

Albrecht laughed now. They both stopped laughing. Nobody said anything.

“Come on,” Aline said. “Let’s go and find Meg, make sure she’s all right.”


I also found it good. A few comments but nothing that couldn'r just be ignored and filed under "Oh Tein's at it again - idiot".

You could add some atmospherics - cold, dawn dew or rain dripping from the coffin just to set the scene more miserable.

All in all, promising stuff.

Hope I helped

Tein.

 
Aline's weepiness is deliberate: I wanted to go down a slightly different route to the grim, hardened killer route, so decided to turn all the emotions up very high.

That's perfectly fine. More power to ya, in fact, for avoiding a stereotype! I don't have a problem with Aline getting upset within the scene.
 
Hi there,

I liked this scene. I felt like it did some groundwork for a future relationship between the MCs. If this scene is planned for the first half of the story I wouldn't worry about the Albrecht-Alina shipping being to subtle.

A few comments from me:

Aline turned and looked at Albrecht: her face was hard and determined, the way he reckoned his must be.
This part confused me. Aline seems to be the POV in this whole sentence. If so, it should be "the way she reckoned".

If was a low thing to say, Albrecht thought, a spiteful comment born out of grief and best ignored. Best get the fellow buried in peace.
This is a personal pet peeves (so feel free to ignore it). The second sentence seems redundant (in part for the repeated best). IMHO, I'd ditch the 2nd sentence.

But Aline was moving, now, walking around the edge of the grave, going towards the other mourners.

Oh, Hell.

“Aline,” he said, but she wasn’t listening
I really liked this part.

Finally, I also didn't like the joke-proposal. I liked the sudden turn for humor were Aline burst out laughing but it felt to me as too much of a stretch to have her flirting specially if she is not good with people. I also liked the humor turning to awkwardness at the end.
 
Louis was buried on a fine spring morning. Albrecht stood beside Aline in the church, and the priest spoke the old Quaestan words as if reciting a spell. Then they carried the coffin outside, lifted the wrapped body from it, and lowered it into the ground.

Albrecht had seen a lot of his own men put into the earth – and plenty of others just abandoned on the battlefield – but Louis’ death felt especially harsh. He hadn’t liked the man, had thought him bitter and coarse, but for some reason it was an effort to stand there, stock-still, watching the proceedings and hoping that it would be finished soon. Albrecht kept his expression level, in what he hoped was the kind of stern sadness that people expected of a man at times like this.

A breeze blew through the trees, setting the leaves rustling. The priest raised his voice, and spoke the last few words. Albrecht wondered if anyone here understood what he’d been saying.

Women escorted Louis’ wife away from the grave. Aline turned and looked at Albrecht: her face was hard and determined, the way he reckoned his must be. She offered him no smile, no friendliness.

Raised voices on the far side of the grave. “What would you know about a husband? Get away from me.” Louis’ wife pointed, and Meg stepped back from the other women, palms raised.

I think this is a bit structurally wrong. You kind of start with the description of the funeral, but you cut off and move to centre the characters into the picture, rather than let the image to develop through the description. Like for example you could have written:

There was still front in the ground at the fine spring morning, when Albrecth stood beside Aline and listened, just like everyone, Quints words. They felt distant, yet so fresh, and so quaintly accurate even though they were recited in the old Quanstan.

He had seen a lot of death, and even buried his own men, but yet Louis' death felt so harsh. Why he had to go? Albrecht had not like the man. He even had thought him bitter and coarse, but for some reason, as he was standing beside the hole in the ground, he felt ackwardly empty. As if something had cut away part of his soul, and there was no way he could ever get it. That was the way of life and death.

As a breeze cut through the trees, rustling the brown leaves around, he noticed that same thing on the others. As if they had all lost something ... someone important. The priest raised his voice, chanting the last words as he throw dirt on the body. Those words, he couldn't hear them correctly, yet he understood that that it was end of Louis and start of something new.

He hoped it was the same to Louis' widow, as he friends escorted her way, while he picked the voices coming from the behind. "What would you know about the husband?" A woman said loudly. "I don't want to answer that right now. It's not right."


It's important that you write the scene as holy, and the interruption as sacrilegious, because that's how it would have felt. When I did my own speech at Viv's funeral, I tried my best to not offend anyone, and yet to stay true to the message, and reciting her life, her wishes. Thing is, not everything about it has to be serious, or sorrowful as the story of the funeral is about celebrating ones life. It's true that the loss hurts, and it hurts for a long time, physically and mentally. But not all of it has to be in the harsh climate.

You can change the atmosphere from serious to normal to even funny and celebratory. You can add all these quirky little things, like for example one of the close church friends came to me, and he said, "My wife said, aren't you going to the funeral? And I said yes. So, she asked: 'Aren't you going to dress up?' and I answered, 'No, because I don't think Bear's going to do that either. He or Viv wouldn't have wanted anyone to dress up, but come as you are...'" And he was right.

People are quirky, and the funerals are times, when these things stand out for some reason. We are not all made from the same way and this these two scenes, you put out, are excellent places to focus on the main characters, and how they see the world.

In the second part after the chapter break, I had a very few issues, and what I wanted to see was you using the pause and tell technique as they reflect the past. Meaning that you should have indicated more of the thought process, before letting out the dialogue, to give them a reflection of true feelings.

What I did find interesting is that you didn't tried to explain past, or him trying to explain Louis' and Anna-Maries relationship through what he knew... instead the dialogue comes out like normal, and not as thoughtful or reflective to the relationship.

Then popping the ring question... Man, it should be a super awkward moment, and it should kind of stop everything, before Aline turns it away. Albrecht should be soiling his trousers, and thinking how he can escape the co*k-up, before Aline turns it back.

I know it might be a bit complicated to write out, but if you rewrite these scenes, try to reflect the real world ackwardness and somewhat nervous rituals that we do in these things to get it absolutely stellar piece of writing. At the moment it's somewhere between meh and good, and I think you know it. Hence you dropped it into the critiques.
 
hi,
The story is very good. The opening about the funeral was distant you have been able to allow us to know the details through their dialogue it was well done. I have found it interesting to read. The way that you have them describe through the details that you have created. You have been able to bring us to know these things through it. I thank you for creating this matter which I have read. Keep up the good work.
 
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