Path of Thorns - Portion of chapter 1 - 1415 words

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Josh K

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Hey guys,

Thought I'd go ahead and post this here. I don't think it needs a lot more for fixes (unless it should be completely removed), but curious what everyone thinks.

Thanks. The section I'm posting is 1415 words

Chapter 1

The land of the Kenthai flows in an endless expanse both north and south, up to the furthest sun-scorched northern reaches to the frigid southern depths. At the center of it all lies the great magical city of Sentathi. Mages both strong and weak practice their arts, elementals are a way of life, and the Eight Great Arbiters rule absolutely.


The small, battered mirror revealed her lightly-furred face, a sight her friends would find mortifying. Alara picked up the small bottle of salve, meant to hide who and what she really was. Full-blooded kenthai didn’t have such short fur, not unless they were a newborn kit, and Alara clearly wasn’t that. Her ear twitched, heavy with the viscous substance, but the salve stayed in place. She inspected her ear and saw it was still too rounded. She ran a claw along the edge, a light stroke that shifted the fur, made it so the pointiness of her ear was more evident. Once satisfied, Alara took a liberal smearing of salve and ran it over nose and cheeks, forehead and neck, sure not to miss a spot. She did the same to her arms and stomach, ran it up past her colorful shirt, followed by her neck, then pulled up her pants and coated the bottoms of her legs. Always best to be careful, her father had said, and she was nothing if not a dutiful daughter.

She put the half-empty container on the nightstand and lowered her ears. That, combined with her short fur, made her look childish. She preferred how she looked when she wasn’t wearing the salve, the way her face was a bit less puffy, how her neck and chin looked sleeker. Of course, leaving her room without the salve had been forbidden. That, and her rounded ears.

Her tail flicked irritably. It didn’t matter how she felt, only how she looked. She inspected the other ear, but it was already complete. Alara growled low in her throat, amber eyes flashing in the morning light. She nurtured her anger at this process, at the injustice of her condition, let it build. Once it had fully formed, she reached inside herself to her nether-core. It sat quietly inside her, gently rocking with power, and then became a chalice overflowing. Nether seeped into her body, attuned to fire, and she concentrated briefly before releasing a small portion from her nether pores. Alara’s ears and body warmed, and she watched the salve distort, then absorb into her fur. Almost instantly, the slimy feeling faded, and hair sprouted across her body like some sort of fast-growing grass.

Alara inspected her work but found no flaws. She now looked like a full-blooded kenthai. Satisfied with the results, she aired out her shirt. It’d begun to get small on her. This was another embarrassment of being half-kenthai. Her shoulders were wide and strong, body built more like a human’s than a proper kenthai. She’d heard the giggles of other merchant’s daughters, the mocking eyes and facetious grins. If only they knew what she was, they’d never talk to her again.

Alara turned from the nightstand. It was a dangerous thought, that. If anyone knew she was a half-breed, it would ruin her family. She looked out the window and realized the sun was starting to rise. She cursed and tucked her amulet into her shirt, then grabbed a large glass vial. Alara was late to breakfast, maybe even to manning the store. Alara passed the study, and then she was in the den.

The family room was painted in pastel hues. It had a low-lying dining table at its center, with mats laid out for sitting. A statue to Thakiri, goddess of the kenthai, stood in the corner of the room. Her face was uplifted in solemn beauty, her ten aspects surrounding her, both dominating and yet subservient to her wishes. A punk had been set to one side of the statue, the end burned with use, and Alara heard the clink of dishes. Mia, their maid since she was a child, was clearing the table, her movements economical and neat, though she moved slower than she used to. When she saw Alara she frowned, ears turned down in disapproval. Alara returned the look with a guilty smile. She’d been up later than she should’ve been.

“Is there anything left?” Alara asked, and Mia harrumphed and held out a plate of dhull cheese and crackers. Alara took some of each, her guilty grin turned to one of pleasure, and Mia shooed her away with mock sternness.

She hurried down the stairs, her boots clumping loudly. The stairs had recently been reinforced, repeating the work done when the building was made, each rune painstakingly replenished by a rune-carver. Her father had chosen a younger man for the job, figuring Magician Earlden’s back wouldn’t be up to the task. He was likely right. Runes of strength and stability flowed across each stair, and the silvery metal glowed with the dim light of nether. Between the sturdy construction of their store and the magic of the runes, they’d little to fear from Roihan’s earthquakes.

She jumped down the last few steps and into their workroom, sputtering a bit from the puff of dust, then stepped through the door to the front of the shop.

Methan, her half brother, was already on the floor. A customer stood by his side, and when he saw her, he threw her a not-so-subtle tail-flick. He seemed irritated, though he didn’t break once in his speech to the customer. Unlike Alara, Methan wore finely made merchant’s clothes. His red vest was embroidered with silver patterns, his long-sleeved white shirt puffing out beneath it. His pants were a dark blue, and an end cap tipped his tail, white with the symbols of the Merchant woven into it. He was lithe and thin, and moved with careful grace, the image of a kenthai merchant. He was everything Alara wasn’t, and she hated it.

She didn’t respond to the insulting flick. Alara leaned heavily on the store’s glass case and finished the crackers and cheese. Methan was born from her father’s first wife, the daughter of a minor noble. She knew little about the woman, except that she was a raging she-demon, and the apple didn’t fall far from the tree. Alara eyed Methan. He would have fit perfectly in court. But here, in Rethan’s Antiques, he was unhappy at best, and a constant pain in her tail at worst.

While Alara watched, the customer shook her head at some vases in the corner, then turned to leave. Methan’s tail curled in frustration, and then the guard, Korthal, opened the door for her. The Lady ignored Korthal and stepped from the building with a sniff. Methan rounded on Alara with an irritated scowl.

“You scared her away, Alara.”

“I did nothing of the sort,” she mumbled, mouth still full of crackers.

Methan wrinkled his nose at her. “Your body speaks for itself,” he said. He gave her a once-over. “You missed a spot. Neck.”

She looked at him in worry. Alara felt at her neck, but she didn’t notice anything. She’d missed spots in the past. The patch never made it obvious what she was, but it did make it look like she was balding.

For a moment, Methan enjoyed her confusion, then made a dismissive gesture. There was a small grin on his face. “I was only teasing,” he said, and Alara flushed. They didn’t talk, let alone joke, about her condition.

“Thakiri-cursed twit,” Alara said under her breath. The words came out before she could stop them. Loud enough for him to hear, and only him.

Methan’s ears twitched, but he said nothing, only stared at Alara with angry eyes. The door closed with a gentle thump, stillness descending on the shop. Korthal shifted and his leather armor creaked. If they were younger, they’d be wrestling each other on the floor, Alara the stronger, Methan the older. Instead, her half-brother turned away.

“You’re an idiot,” he said. He walked to his corner of the store, a cranny with a comfortable chair and a sleek, darkly-grained reading desk. He took a seat, back straight, and Alara glanced at the title of his book. History of the Oran-Ho. She raised an eyebrow in surprise. Methan had always been a voracious reader of romance, and he’d never been one for history, or, nine hells, anything all that practical.
 
I think this is a pretty decent piece - except for the infodump in italics at the start of the chapter, which you don't need, you mostly keep to the point and let the story unfold naturally. There's a sense of intrigue at the opening, and this builds into some form of tension later on.

However, there's a lot of focus on observing physical actions rather than the motivation and emotions behind them, which makes them like they run a little too long. Though you do show some insight in Alara's thinking later, I'd like to see it sooner - perhaps the first few paragraphs could be condensed so there's more impact - though that's a stylistic choice.

Overall, though, I don't think this is a bad piece and I think you've managed to avoid the worst pitfalls. :)
 
The writing is good but, for my taste, it's slow to develop. You give us a lot of detail which, at this point, I don't feel is necessary. It reads a little like you're trying to show off how much world-building you've done, rather than telling the story.

Other readers might not have a problem with that--they might even enjoy it--but the focus on detail combined with a lack of any sense of urgency or significant events made it drag for me. As an example, you tell us a lot about Alara's condition and how others would react to it but it might be more compelling if either she (or Methan) made a mistake (or deliberately let something slip) in front of the customer so we could see her reaction to even a mere hint of Alara's mixed heritage.

On the plus side, your prose is clear and easy to read and you've done a good job of setting up your world and staying in it. There was nothing jarring in the language and nothing that took me out of the story. It is nicely polished!
 
This may sound a bit childish, but I just want to point out that "nethers"/"nether region" is often used as a euphemism for genitals. So when you describe something seeping from her nether pores, it sounds like... Well, you get it. Is there another term you can use for the internal magic/substance that her people have?

Other than that, I think you could cut down on some of the telling:
She’d heard the giggles of other merchant’s daughters, the mocking eyes and facetious grins. If only they knew what she was, they’d never talk to her again.
If anyone knew she was a half-breed, it would ruin her family.
You can show us how half-blooded kenthai are treated instead of telling us this right off the bat as she's masking what she is. She's trying to hide that she's mixed, so we already know that there's at least some discrimination for being mixed without being told.

Also, I'd recommend avoiding cliches that wouldn't exist in Alara's world:
the apple didn’t fall far from the tree


Overall, I think it's pretty good.
 
@CTRandall Thanks for the critique - I've actually pared this down a lot. It was 20-30% longer before I cut it, so I do understand where you're coming from. The first chapter does get more lively (this is only the first ~third of it), and one of the things I'll be really focusing on for draft 3 is to cut everything I can to streamline the writing. I also think things do speed up more as the novel comes along - so by no means does it stay slow. However, I'm definitely looking to write more for the rich, detailed kind of world, but it's a fine line to walk between that and boring the reader. It's one of the things I'll be paying careful attention to as people read my work. One of the things to note - I'm writing things this way because it's what I like to read, and I think there is definitely a market for readers like me who want a slower, fuller novel. I just need to get it in the sweet spot between detail and action.

@OHB - If nether is a problem it will get fixed - nether is actually down or below, which is kind of what this is. The nether pores are those below the skin, and nether is magic that comes from within. It's not an unreasonable word for what I'm describing, but I have gotten about 2-3 comments like yours (out of 10+). So it's something that may/may not need to be changed. My feeling is that it likely won't need a change as it will be quickly understood what I mean, but I can also see your point. If someone reads the complete novel and sees it as a problem it will probably get ctrl + H replaced.

I could show, but the start is already slow. I would have to add a chapter, or at least a portion of a chapter, and because we never interact with these people after that point it would be a poor decision to start from there. I definitely agree that showing is often better, but it's also not a hard and fast rule and showing will almost inevitably slow a story down. I have been working hard to speed this chapter up - going so far as to cut 1.5k words already. The goal here is to set the tone for who Alara and many of the main players are, to set the tone and feel for the world, and then to show where the novel is going (that's the first chapter). If I could show the full chapter on here it might make for a more complete picture, but with only about a third it can be hard.

I like your comment on the cliches - definitely want to come back to that and reconsider the wording.
 
Just in my opinion :-
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Hey guys,

Thought I'd go ahead and post this here. I don't think it needs a lot more for fixes (unless it should be completely removed), but curious what everyone thinks.
Thanks. The section I'm posting is 1415 words

Chapter 1


Oddly for me I do think this helps - a bit long maybe but...
Having read it all - More is needed somewhere and this scetion doesn't suffice.


The land of the Kenthai flows in an endless expanse both north and south, up to the furthest sun-scorched northern reaches to the frigid southern depths. At the center of it all lies the great magical city of Sentathi. Mages both strong and weak practice their arts, elementals are a way of life, and the Eight Great Arbiters rule absolutely.


The small, battered mirror revealed her lightly-furred face, a sight her friends would find mortifying. Alara picked up the small (unless she's a mouse - in which case we need to know then would small bottle cover her whole body?) bottle of salve, meant to hide who and what she really was (again what will not change, if she's a half horse woman she still will be after the salve. If we're talking (As I think we are) her mixed race origins then you need to say that IMO). Full-blooded kenthai didn’t have such short fur, not unless they were a newborn kit, and Alara clearly wasn’t that. Her ear twitched, heavy with the viscous substance, but the salve stayed in place. She inspected her (left) ear (only the one then) and saw it was still too rounded. She ran a claw along the edge, a light stroke that shifted the fur, made it so the pointiness of her ear was more evident. Once satisfied, Alara took a liberal smearing of salve and ran it over nose and cheeks, forehead and neck, sure not to miss a spot. She did the same to her arms and stomach, ran it up past her colorful shirt, followed by her neck, then pulled up her pants and coated the bottoms of her legs. Always best to be careful, her father had said, and she was nothing if not a dutiful daughter. (I just don't see the reason for all his plastic coating stuff so it needs to be explained why she's doing it IMO - I aslo doubt it would actually work. Plus in a land of magic surely there's a better system available we've had it's availability rammed in our faces and yet in the very first paragraph we are going for old fashioned make up)

She put the half-empty container on the nightstand and lowered her ears. That, combined with her short fur (thats just been hidden), made her look childish. She preferred how she looked when she wasn’t wearing the salve, the way her face was a bit less puffy, how her neck and chin looked sleeker. Of course, leaving her room without the salve had been forbidden. That, and her rounded ears. (explain)

Her tail flicked irritably. It didn’t matter how she felt, only how she looked. She inspected the other ear, it was fine but it was already complete. Alara growled low in her throat, amber eyes flashing in the morning light. She nurtured her anger at this process, at the injustice of her condition, let it build. Once it had fully formed, she reached inside herself to her nether-core. It sat quietly inside her, gently rocking with power, and then became a chalice overflowing. Nether seeped into her body, attuned to fire, and she concentrated briefly before releasing a small portion from her nether pores. Alara’s ears and body warmed, and she watched the salve distort, then absorb into her fur. Almost instantly, the slimy feeling faded, and hair sprouted across her body like some sort of fast-growing grass. (Nether is going to cause problems IMO)

Alara inspected her work but found no flaws (already finnished above why are we dragged back). She now looked like a full-blooded kenthai. Satisfied with the results, she aired out her shirt. It’d begun to get small on her. This was another embarrassment of being half-kenthai. Her shoulders were wide and strong, body built more like a human’s than a proper kenthai. She’d heard the giggles of other merchant’s daughters, the mocking eyes and facetious grins. If only they knew what she was, they’d never talk to her again.

Alara turned from the nightstand. It was a dangerous thought, that. If anyone knew she was a half-breed, it would ruin her family. She looked out the window and realized the sun was starting to rise. She cursed and tucked her amulet into her shirt, then grabbed a large glass vial
(for what?). Alara was late to breakfast, maybe even to manning the store. Alara passed the study, and then she was in the den.

The family room was painted in pastel hues. It had a low-lying dining table at its center, with mats laid out for sitting. A statue to Thakiri, goddess of the kenthai, stood in the corner of the room
(so they never have visitors). Her face was uplifted in solemn beauty, her ten aspects surrounding her, both dominating and yet subservient to her wishes. A punk had been set to one side of the statue, the end burned with use, and Alara heard the clink of dishes. Mia, their maid since she was a child, was clearing the table, her movements economical and neat, though she moved slower than she used to. When she saw Alara she frowned, ears turned down in disapproval. Alara returned the look with a guilty smile. She’d was been up later than she should’ve been.

“Is there anything left?” Alara asked, and Mia harrumphed and held out a plate of dhull cheese and crackers. Alara took some of each, her guilty grin turned to one of pleasure, and Mia shooed her away with mock sternness.

She hurried down the stairs, her boots clumping loudly. The stairs had recently been reinforced
(why?), repeating the work done when the building was made, each rune painstakingly replenished by a rune-carver. Her father had chosen a younger man for the job, figuring Magician Earlden’s back wouldn’t be up to the task. He was likely right. Runes of strength and stability flowed across each stair, and the silvery metal glowed with the dim light of nether. Between the sturdy construction of their store and the magic of the runes, they’d little to fear from Roihan’s earthquakes (OK so we now know the why - but against earthquakes? only the stairs?).

She jumped down the last few steps and into their workroom, sputtering a bit from the puff of dust, then stepped through the door to the front of the shop.

Methan, her half brother, was already on the floor. A customer stood by his side, and when he saw her, he threw her a not-so-subtle tail-flick. He seemed irritated, though he didn’t break once in his speech to the customer. Unlike Alara, Methan wore finely made merchant’s clothes. His red vest was embroidered with silver patterns, his long-sleeved white shirt puffing out beneath it. His pants were a dark blue, and an end cap tipped his tail, white with the symbols of the Merchant woven into it. He was lithe and thin, and moved with careful grace, the image of a kenthai merchant. He was everything Alara wasn’t, and she hated it.

She didn’t respond to the insulting flick. Alara leaned heavily on the store’s glass case and finished the crackers and cheese. Methan was born from her father’s first wife, the daughter of a minor noble. She knew little about the woman, except that she was a raging she-demon, and the apple didn’t fall far from the tree. Alara eyed Methan. He would have fit perfectly in court. But here, in Rethan’s Antiques, he was unhappy at best, and a constant pain in her tail at worst.

While Alara watched, the customer shook her head at some vases in the corner, then turned to leave. Methan’s tail curled in frustration, and then the guard, Korthal, opened the door for her. The Lady ignored Korthal and stepped from the building with a sniff. Methan rounded on Alara with an irritated scowl.

“You scared her away, Alara.”

“I did nothing of the sort,” she mumbled, mouth still full of crackers.

Methan wrinkled his nose at her. “Your body speaks for itself,” he said. He gave her a once-over. “You missed a spot. Neck.”

She looked at him in worry. Alara felt at her neck, but she didn’t notice anything. She’d missed spots in the past. The patch never made it obvious what she was, but it did make it look like she was balding.

For a moment, Methan enjoyed her confusion, then made a dismissive gesture. There was a small grin on his face. “I was only teasing,” he said, and Alara flushed
(through the fur). They didn’t talk, let alone joke, about her condition.

“Thakiri-cursed twit,” Alara said under her breath. The words came out before she could stop them. Loud enough for him to hear, and only him.

Methan’s ears twitched, but he said nothing, only stared at Alara with angry eyes. The door closed with a gentle thump, stillness descending on the shop. Korthal shifted and his leather armor creaked. If they were younger, they’d be wrestling each other on the floor, Alara the stronger, Methan the older. Instead, her half-brother turned away.

“You’re an idiot,” he said. He walked to his corner of the store, a cranny with a comfortable chair and a sleek, darkly-grained reading desk. He took a seat, back straight, and Alara glanced at the title of his book. History of the Oran-Ho. She raised an eyebrow in surprise. Methan had always been a voracious reader of romance, and he’d never been one for history, or, nine hells, anything all that practical.

Interesting beginning and shows a good deal of promise - The interactions are good IMO and your scene setting is good.
Obviously some picky comments in there but nothing unfixable. I have trouble recconciling the "secret" with all the people that know about it - the maid the guard etc.

However, I think more dump is needed spattered here and there to fill in what the world is.
Something I wouldn't normally request - but we have an unusual setting and I think we need a bit more explanation as to how this human - kenthain stuff interacts.

Hope I helped

Tein
 
All the previous reviewers have pretty much covered things. There’s only one thing I can contribute: in talking about breakfast, you referred to “dhull cheese”. A casual reader may think you are meaning an uninteresting and bland cheese. So if you really mean a specific flavor (likely), I suggest choosing a name less likely to be confused with an adjective.
 
Ah yea that - I need to add a context comment. Dhull is a beast, kind of like a cow but with some interesting differences.
 
I enjoyed reading this, I like the details that give the characters shape, the specific body language of the Khentai and the introduction of themes, race and society, and the contrast between the examples of family relationships and those with the outside world, and the care the main character has to take in the latter. That is weakened slightly by the use of ‘friends’ in the first paragraph - are they friends, as she is living a sort of double life? Or just people she has to deal with in some context? Otherwise it was easy to get that picture, and an interest in the character and what will happen to her as the story goes on developed naturally. Apart from the points below, the sentences flow very well from one to the next, which keeps the story moving forward, that gave me a sense of wanting to keep reading. Even as I’m writing this I still have an image of the main character in my mind’s eye, so you painted her well.

I thought the text could be connected up more smoothly though. I’m quite new to writing, but one thing I’ve noticed is that I can have a clear idea of what I’m describing in my mind but make assumptions about what the reader will understand from the actual words I use. From feedback I’ve had this can cause some minor confusions that are enough to break up the narrative a bit. An example would be an allusion to how the salve works in the first paragraph that links it more effectively to the later description, as it is I found that I flicked back up to the first paragraph after reading that description to link that myself, it would be better if you as the writer made that link, so that the narrative flows forward without minor interruptions, so the reader can become absorbed in the story.

Another point is the use of nouns/pronouns in the 4th paragraph, I think that could be tidied up a bit as it seems a little bit clumsy.

I also think that the scene in the shop could be rounded out a bit, either rounded out or made more focused, as it is it seems to stutter a bit, as in one thing happens, then another, then another and the links between them could be better. Not that it can’t be understood but it could flow better if the links between the various actions were drawn more clearly.

I hope that is useful!
 
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