Short Investigations - first two chapters

Luiglin

Getting worse one day at a time
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Hi all, below are the first two chapters of something I've got back to looking at recently in an effort to kick start myself off. I had got to 35k words before stuttering to a halt over stupid doubts, faith in writing, ad nauseum, pardon my ancient elf. As such, I'm starting from the start again, editing those 35k in order to refresh how all the characters talk/think/act etc

It's set in the Dark Lord universe and centred on a dwarf private investigator called Skrudournurim “Short” Storsomn as he investigates a serial killer, of sorts, in the floating city of Allswelcome. It's written from his first person, excepting morsels where I take it from the killers point of view as third person.

I've not edited the below, so expect stupid grammar mistakes and stuff. It's been ages since I've posted anything to be looked at but, as before, good/bad/ugly comments are all welcome. I'm looking at peoples thoughts on the pace or how it reads. Cheers, Luiglin.

Why?
Why do they always run?

Feet pummelled the floor as the figure fled. I raised my eyes to the heavens, not to seek any answers from the Gods I didn’t believe in. More as a bad habit I’d picked up from being around humans far too long. I added a heartfelt sigh as the next question popped into my head. It appeared with the same level of welcome as a drunk who gate crashes a funeral… and forgets the beer.

Why do I always ask myself stupid questions?

My quarry disappeared from view, flitting into a side alley, the sound of his passage merging with the background hustle and bustle of the city beyond. I heaved up my pack and headed in the opposite direction at a comfortable jog.

The more pertinent question should be… why do they always run to the same hiding place… and take the long way?

My mind did not offer a reply, it already knew the answer. Even my target should have known the answer. Even the stall holders that filled the square I ended up in, knew the answer.

Ah, the Spice Bazaar. The place was a cacophony of smells that both assaulted and teased my nose. They fought their way up my nostrils like they were a bunch of dwarvern younglings playing king of the hill and wearing their fathers armour. I savoured every second of it before my sense of smell waved its white flag and succumbed to the onslaught.

It was my second favourite place in Allswelcome.

I exchanged nods, greetings and bored knowing looks. As I said, they knew exactly why I was here. I gauged where the chase had begun. Just enough time for a shop.

Three vendors later and a few coins lighter, I ended up at Kial’s neat stall. While others laid out their wares by heat, flavour, region or use, Kial’s spice pots were arranged in shades matching the rainbow. From the deep red of pure, uncut saffron, to the one shade left of black, violet cumin. It looked outstanding and confused all but the hardened spice connoisseur, pardon my elf.

He bobbed a head at a large basket to one side and gave me a bored smile, to which I mouthed a thanks. Kial had only ever used the basket once, a year back, when he had been late to open up and not had time to drop his washing off at Pristine Handkerchiefs, a halfling laundry a few streets away. Since that fateful day, it had remained a permanent feature.

Settling into position across from the stall, I waited, not that long though. My quarry came stumbling around the corner, breathing heavy and bright blue in the face. Without deviation or hesitation, he headed straight to the basket, took the lid off and jumped in. The lid caught the edge, toppling off to roll conveniently over to where I stood.

Catching Kial’s gaze, I shrugged with a grin and strolled over. The sound of laboured breathing came from within. I tapped the edge of the basket and waved the lid in the air over it. My quarry looked up, a grateful thank you on his lips that died before he could even wrap his tongue around the first syllable.

I dropped the leash in the basket and waited for him to do the rest.

Why do I do this job again?

Wakey, wakey
The last nail squeaked free and fell to the floor where it skittered to a stop amidst its fellows. The lid of the sarcophagus slid off with ease, hitting the ancient boards with a dull thump. Salty stale air wafted out from within, a soupcon of death and a dash of preservatives.

A figure, long white cloak trailing on the floor, didn’t look within. Didn’t need to. It knew whose resting place it was. After all, he’d chosen that sarcophagus with care.

Kneeling, White Cloak, unwrapped a small bundle of items to reveal a bottle, a gold disc and a pepper pot in the shape of a novelty elephant with an eyebrow raising suggestive, overlarge trunk.

It is often the case with everyday items brought back from foreign climes as gifts that they all seem to be suggestive. Even if you visited the gift shop in the Sanctity of Naje, in a country where you only had to blink to be accused of a lewd and libidinous act, you would find a teapot in the shape of the Sanctity’s famous dome. The fact that the bestselling gift also looked like a woman’s bare breast and adorned with the words, ‘Greetings from Sanctity of Naje - not too much milk for me’ was just pure chance.

White Cloak gathered the items up, placed them on the rim of the sarcophagus and took a deep breath.

It was now or never.

Opening the bottle, they walked slowly around the sarcophagus, pouring out the contents and muttering words of power. Taking up the elephant pepper pot, White Cloak repeated the circle, dusting the inside of the sarcophagus with emphatic shakes.

He wrapped the bottle and the elephant pepper pot back up before taking the gold disc. With a quick snap, and a powerful mutter, White Cloak broke the disc in two, tossing one end down to where the feet lay and the other half at the head.

Time seemed to paused, almost as if it wanted to get in on the drama.

A creak came from within. Not the creak of a floor board giving or dry hinge complaining at being opened. A creak of some something else, something that should never creak. Not now anyway. White Cloak, stepped back, breath held tight in anticipation. A skeletal hand reached out to grip the rim of the sarcophagus, the bones, lacking any sort of tendon, muscle or flesh and yet still moving as if they had.

The rest of the interred appeared, dressed in mottled blue robes that rasped as new folds were made. A large, dirty white false beard slid off the skull as it sat up, there being no ears with which to keep it in place, although the floppy, pompom ended, hat remained jammed at a jaunty angle.

“Oh, oh, oh,” said the skeletal remains, the jaw bone shifting, teeth clacking together, the words seeming to echo from somewhere else entirely. “Have you been good?” asked the remains dressed as Old Man Winter.
 
It is not really my genre so it is hard for me to speak about the larger elements concretely.

As far as nitpicky stuff, I would not capitalize Gods, especially if the main character does not believe in them.
Also, I would remove the "Ah" from Ah, the Spice Bazaar. and just write "The Spice Bazaar." It is a well-place sentence fragment.

In the Wakey, Wakey section, I was hoping to get a setting in the first paragraph. Something to tell me whether it is night or day, indoors or outdoors, rural or urban, people around or devoid of life. When the sarcophagus lid hit the boards, I was somewhat confused. Is this in a museum or an attic? Also, is it dusty? Are there cobwebs? Everything else seems to be described well, not overly so, just the correct amount so I know what is important about the remains awakening.

Overall, I was hoping for a little more dialog, but I think that is just because we do not have the completed story here.
 
It is not really my genre so it is hard for me to speak about the larger elements concretely.

As far as nitpicky stuff, I would not capitalize Gods, especially if the main character does not believe in them.
Also, I would remove the "Ah" from Ah, the Spice Bazaar. and just write "The Spice Bazaar." It is a well-place sentence fragment.

In the Wakey, Wakey section, I was hoping to get a setting in the first paragraph. Something to tell me whether it is night or day, indoors or outdoors, rural or urban, people around or devoid of life. When the sarcophagus lid hit the boards, I was somewhat confused. Is this in a museum or an attic? Also, is it dusty? Are there cobwebs? Everything else seems to be described well, not overly so, just the correct amount so I know what is important about the remains awakening.

Overall, I was hoping for a little more dialog, but I think that is just because we do not have the completed story here.
Cheers @Jesse Harris, it's a fine line to walk between info dumping and providing enough description. I'm caught somewhat between rock and hard place for the Wakey Wakey scene. I want to keep in deliberately lacking on some of the finer points to save giving anything away. I don't want the reader to know the time of day or the location and there is a reason why there's no cobwebs. However, I agree that I need to emphasise it being inside.
 
It reads mostly well, and you said it hasn’t been edited so i’m sure going over it with a bit more scrutiny will help tidy it up.

It reads to me like The Witcher or something by R A Salvatore, with a bit of Pratchett influenced humour. You write that kind of modern pulp fantasy well, but I’d be careful of coming across as imitating Pratchett at any point. He’s a one-of-a-kind creature and I don’t think people would respond well to seeing clear stylistic influence like the necromancy scene. But that’s just what I got from this.

I also think you could work on the protagonists voice a little. Like, I didn’t get much personality come through - and that’s a hard thing to accomplish I think. Pulpy fantasy often contains big personalities, even if they are cliches.

I also wasn’t too sure what was going on with the guy he was chasing then jumping into the basket... don’t know if i’m being slow or if that was supposed to be a bit enigmatic, something which gets explained later? Why did he look up gratefully after being caught and why did he need to be chased if he was just going to basically catch himself by jumping in the basket? Confused me a bit. But that’s easily done.

I thought the amount of description was otherwise just fine for my taste.
 
It's good to hear you're getting back to working on this, Luiglin! Well done for facing down the stupid doubts!

Right, as to the work. I notice you call these "chapters" but at around 500 words apiece, to my mind they're barely scenes! Not a problem what you call them, of course, but I wonder if it signifies that something is missing that they're so short?

Certainly for my taste Ch1 is lacking in setting and general background. You've had to tell us his name, species and occupation in your intro, which is necessary as there's nothing in the scene to show who or what he is, and I'd like to know who he's working for, why, and what this chap has done that he's chasing him. I don't think you need to be worried about info-dumping. This is first person and comic, so you can push boundaries anyway, but you just need something like "This is the problem being a dwarf PI tracking down mule-herders for double parking offences, the humans you chase all have longer legs. Fortunately, they don't have any brains." (Only better than that.) I think, too, his voice isn't yet coming across clearly -- there's a lack of personality here, perhaps, and as it's first person you need to make it very different from the third person narration.

As to Ch 2, I'd have liked something to make it clear in the very first line that this isn't Storsomn still -- I read on thinking it was just him watching and got rather confused! Perhaps just something like "Meanwhile, on the other side of the city" as an opener. Otherwise, I was happy with the level of description here and didn't feel the need for much else, perhaps because with "sarcophagus" I conjured up my own vision of a crypt/mausoleum and since there was nothing to contradict that, I was able to potter along OK.

I have to confess I didn't much like the italicised inner thoughts in Ch2 -- I guess you're going for Pratchett-type humour (this reminded me of Guards, Guards) but this didn't quite hit the comic element for me, so perhaps either beef up the humour or remove it, whichever is easier. And one thing that confused me was you referred to "they" at one point, so I immediately thought there was at least one other person with White Cloak, but as no one else is shown I'm assuming this was meant to be WC himself -- but you also refer to WC as "it" and "he" so it's doubly odd.

As to which there are a number of errors of grammar and punctuation, but since you'll be going through and editing I'll leave those for the moment.

Anyhow, a good start on which you can build Sorsomn's career! Good luck with it!
 
I quite enjoyed reading this.
It also reminded me strongly of Terry Pratchett... maybe it's good advice to be careful there.
I liked the first part more than the second. I guess you could even put some more background in, so we understand the setting better, but it worked for me. Only thing I didn't like was the second question, "why do I always ask myself stupid questions" mmhhh not sure about that.

The second section was a bit less flowy.
E.g., the first sentence: "The last nail squeaked free and fell to the floor where it skittered to a stop amidst its fellows. The lid of the sarcophagus slid off with ease, hitting the ancient boards with a dull thump. Salty stale air wafted out from within, a soupcon of death and a dash of preservatives. "
I think it's beautifully written, but I had to stop every few words to imagine what that would look/feel like, because the words you use are so specific. Maybe a bit more introduction to the setting would help? Or maybe it's me being not a native speaker, but for me there were a bit too many words there that demanded too much attention.
I also found a few rogue commas in the second section.
 
Too much stuff to read and digest for these poor old eyes while on mobile. Cheers for the answers folks, I'll have a good read of them on desktop at home.
 
Cheers all.

It reads mostly well, and you said it hasn’t been edited so i’m sure going over it with a bit more scrutiny will help tidy it up.

It reads to me like The Witcher or something by R A Salvatore, with a bit of Pratchett influenced humour. You write that kind of modern pulp fantasy well, but I’d be careful of coming across as imitating Pratchett at any point. He’s a one-of-a-kind creature and I don’t think people would respond well to seeing clear stylistic influence like the necromancy scene. But that’s just what I got from this.

I also think you could work on the protagonists voice a little. Like, I didn’t get much personality come through - and that’s a hard thing to accomplish I think. Pulpy fantasy often contains big personalities, even if they are cliches.

I also wasn’t too sure what was going on with the guy he was chasing then jumping into the basket... don’t know if i’m being slow or if that was supposed to be a bit enigmatic, something which gets explained later? Why did he look up gratefully after being caught and why did he need to be chased if he was just going to basically catch himself by jumping in the basket? Confused me a bit. But that’s easily done.

I thought the amount of description was otherwise just fine for my taste.

@Simbelmynë, I've never read the Witcher books (they're on the wishlist) but have read a couple of Salvatore's which I didn't really enjoy. Pratchett is a fave of mine but more so that the humour he writes matches my own. As such, I agree fully that I don't want to imitate him at all. Most of my humour in writing comes from the role playing games I've run since the late 80s and the Carry On film series (some very subtle puns that often get lost).

Rereading it, I agree the starting 'chapter' needs more of the protagonist to force him out of the page and does needing beefing up throughout.

It's good to hear you're getting back to working on this, Luiglin! Well done for facing down the stupid doubts!

Right, as to the work. I notice you call these "chapters" but at around 500 words apiece, to my mind they're barely scenes! Not a problem what you call them, of course, but I wonder if it signifies that something is missing that they're so short?

Certainly for my taste Ch1 is lacking in setting and general background. You've had to tell us his name, species and occupation in your intro, which is necessary as there's nothing in the scene to show who or what he is, and I'd like to know who he's working for, why, and what this chap has done that he's chasing him. I don't think you need to be worried about info-dumping. This is first person and comic, so you can push boundaries anyway, but you just need something like "This is the problem being a dwarf PI tracking down mule-herders for double parking offences, the humans you chase all have longer legs. Fortunately, they don't have any brains." (Only better than that.) I think, too, his voice isn't yet coming across clearly -- there's a lack of personality here, perhaps, and as it's first person you need to make it very different from the third person narration.

As to Ch 2, I'd have liked something to make it clear in the very first line that this isn't Storsomn still -- I read on thinking it was just him watching and got rather confused! Perhaps just something like "Meanwhile, on the other side of the city" as an opener. Otherwise, I was happy with the level of description here and didn't feel the need for much else, perhaps because with "sarcophagus" I conjured up my own vision of a crypt/mausoleum and since there was nothing to contradict that, I was able to potter along OK.

I have to confess I didn't much like the italicised inner thoughts in Ch2 -- I guess you're going for Pratchett-type humour (this reminded me of Guards, Guards) but this didn't quite hit the comic element for me, so perhaps either beef up the humour or remove it, whichever is easier. And one thing that confused me was you referred to "they" at one point, so I immediately thought there was at least one other person with White Cloak, but as no one else is shown I'm assuming this was meant to be WC himself -- but you also refer to WC as "it" and "he" so it's doubly odd.

As to which there are a number of errors of grammar and punctuation, but since you'll be going through and editing I'll leave those for the moment.

Anyhow, a good start on which you can build Sorsomn's career! Good luck with it!

@The Judge, I'm like the proverbial bad smell of an old penny that keeps turning up. Chapters smapters, I'm calling them scenes from now on. To be honest, they're only there so I can navigate quickly through the Word doc using an index (my cheap version of Scrivener :LOL: ).

You pick up the same points as @Simbelmynë with the need to flesh it out more, especially Short's personality. He gets fleshed more in the next 35k words but I do need to get him over straight away. Maybe a few key personal traits, almost like a first impressions count?

The more I look at the italicised asides, the more that I want to keep them but incorporate them into the story rather than a poor Pratchett footnote imitation (not intended but I can see how people could think that). I've already got an idea how this could work and also reinforce a key part of White Cloak's own personality for the reader.

I quite enjoyed reading this.
It also reminded me strongly of Terry Pratchett... maybe it's good advice to be careful there.
I liked the first part more than the second. I guess you could even put some more background in, so we understand the setting better, but it worked for me. Only thing I didn't like was the second question, "why do I always ask myself stupid questions" mmhhh not sure about that.

The second section was a bit less flowy.
E.g., the first sentence: "The last nail squeaked free and fell to the floor where it skittered to a stop amidst its fellows. The lid of the sarcophagus slid off with ease, hitting the ancient boards with a dull thump. Salty stale air wafted out from within, a soupcon of death and a dash of preservatives. "
I think it's beautifully written, but I had to stop every few words to imagine what that would look/feel like, because the words you use are so specific. Maybe a bit more introduction to the setting would help? Or maybe it's me being not a native speaker, but for me there were a bit too many words there that demanded too much attention.
I also found a few rogue commas in the second section.

@Azoraa trying to keep the humour without the Pratchett vibe is going to be hard. Likewise trying to keep the level of humour entwined in a normal plot is even going to be worse :LOL:. Thanks for the comment on those lines and I can see what you mean about being too descriptive for each one. A filler line between each perhaps? Mental breathing space?

I'm in constant awe of anyone who can read or speak another language. Apart from Latin, which is a nearly a dead spoken tongue apart from the Catholic Church, I've always been awful of languages. I tried learning Greek once before a holiday. The waitress laughed at my efforts so much she was in tears, a very sobering and yet funny affair. Therefore, never apologise for having this skill, it's awesome.

Finally, rogue commas, love that idea. I can see the movie title now - "Rogue Commas - A Budding Writer's Story".

Cheers you three, I'll do some editing and see what appears :)
 
cacophony of smells
Sounds, not smells. cacophony refers to sounds only.
Ah, the Spice Bazaar. The place was a cacophony of smells that both assaulted and teased my nose. They fought their way up my nostrils like they were a bunch of dwarvern younglings playing king of the hill and wearing their fathers armour. I savoured every second of it before my sense of smell waved its white flag and succumbed to the onslaught.
Never heard of smells fighting each other. Why would they do that, and what was with the rush to get into his nostrils? Are the smells alive? Was there a punch up? Sounds wrong. Do smells have fathers, and where does armour come from, why is this relevent.
Feet pummelled the floor as the figure fled. I raised my eyes to the heavens, not to seek any answers from the Gods I didn’t believe in.
Why does he raise his eyes, surely he should be watching the figure, or making note of the licence plate, or if he/she had friends, or maybe shouting :stop theif, or something. Sounds unsual someone would react in this manner. And why this sudden just carrying on with his life in the next chapter. Talking about descriptions, not sure if someone on the job would behave like this.
Did the guy double back, why is he so confident this is going to happen.
 
Sounds, not smells. cacophony refers to sounds only.

Never heard of smells fighting each other. Why would they do that, and what was with the rush to get into his nostrils? Are the smells alive? Was there a punch up? Sounds wrong. Do smells have fathers, and where does armour come from, why is this relevent.

Why does he raise his eyes, surely he should be watching the figure, or making note of the licence plate, or if he/she had friends, or maybe shouting :stop theif, or something. Sounds unsual someone would react in this manner. And why this sudden just carrying on with his life in the next chapter. Talking about descriptions, not sure if someone on the job would behave like this.
Did the guy double back, why is he so confident this is going to happen.

Thanks for the reply @john11.

The beauty of the English language is that any word can mean anything if used in the right context. I do sometimes go over the top with my metaphors, especially in work that lean toward humour.

Think, can it now be socially acceptable to say something is bad and mean that it's good? Although that usage is not metaphorical :)

The two scenes are different characters, reflected in the change from first to third person. However, I do need to make it more obvious.
 
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hi,
You have brought to us a man who is pursuing a figure. The figure tried to elude capture. He failed to do this. The man who is in pursuit of him sees him as he dives into a box with which to hide in. The man pulls the figure out. He chastised the figure. He had labored long and hard to do this. the other figure is not in first point of view, This is a description of the murderer as eh walks away. Remembering what he had done, the story is able to allow us to remember what he has done. Thr third person is harder to grasp in your writing style. You should read your work to see where the language should take the words too. Your have a wealth of language that you have illustrated here.
 
Thanks for the feedback @Richard-Allen. It's obvious by the sounds of it that the 3rd person requires more work as he is far from being a murderer :)

There is a deliberate choice in the switch between first and third person. The majority of the tale will be from Short's point of view and has to be first person. However, there are scenes where I need to show the reader the other key character in the tale. This had to be in third person in order to jerk the reader away from Short. These though, will be few and far between.

I have edited the opening scenes since the original post and will post those in-turn... once II complete my college portfolio.

College at 50 years of age is not good fun. Plus COVID-19 has wreaked our prom :LOL:
 

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