The Prisoner - Part I

Elckerlyc

"Philosophy will clip an angel's wings."
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Well, there must be a first for everything. Even for being at the receiving end of Critiques.
So, it it is with some trepidation that I present you with my first serious attempt at writing a short story in English, with the intention to (try to) get it published. It is an extended version of my entry for the 300-worder of January. It starts pretty much as that short version did, but the ending will be very different and, hopefully, surprising.

Part I is 923 words long. The finished story will be somewhere between 3000-4000 words.
I am not certain at the title yet. For the time being it's called The Prisoner.
Do not be put off by me calling the MC Napoleone. There's a reason for that, which will be become clear in Part II.
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The Prisoner- Part I


Napoleone di Buonaparte clutched his tormenting stomach, bended over and vomited his lunch on the turf of Longwood House, Saint Helena. It ended his stroll in gall.

He suspected a serious affliction and blamed - in part - the island; the damp and windswept plain that was now his home was far removed from his beloved Corse. Even Elba was heaven compared to this outhouse of the world.

With some difficulty he straightened up, fighting to ignore the pain stabbing his belly. The betrayal by his own body in public was an additional bad taste in the mouth. Humiliating, even though, in a ironic twist of good fortune, today was one of the very rare days he was left to himself, with most of his entourage on errands away from the House and none of the regiment that guarded the perimeter actively in sight.

Delicately wiping his mouth with a kerchief he unobtrusively eyed his surroundings. The grassy plain on which Longwood House was situated was free of bushes or structures. There was nothing that could be used to approach or leave the House unseen. Which was exactly why it had been chosen as Napoleon’s residence, despite it being unsuitable in numerous ways, not least it’s damp climate.

Above him dark clouds cruised low on the unrelenting trade-wind, promising rain.

That promise almost immediately became actuality. A steady rain began to fall, slanted on the wind and hitting him sideways.

Merde!”

Napoleone pocketed his kerchief, pulled his cloak close and, hunched against rain and wind, hurried back to the House.

---

“Marchand!” he barked as soon as he entered the parlour, then recalled that his valet was lying sick at the back of the House and not in waiting in his service room. Usually someone else would assume his role, but...

“Nobody’s home,” someone called from the salon.

Napoleone froze. The voice, the tone was from a stranger. Yet he had seen no strangers anywhere today. Not for two years, actually. There shouldn’t – nor couldn’t - be anyone in the salon. It was the room where he was used to receive guests, until he began declining to entertain visitors. For entertainment people should attend a soiree, not bothering him.

He rid himself of the dripping cloak, dropped it on the nearest chair he passed and entered the salon. It was sparsely furnished with a few chairs and side-tables. The only other door in the opposite wall lead to the dining-room, two windows in the west wall looked out on bare grassy fields. The stranger was seated in one of the chairs near a window; youngish, outlandishly dressed, peculiar haircut, no discernible notion of etiquette. Napoleone thought the man acted with an intolerable impertinence, while grinning as an imbecile.

He scowled at him while he tried to decide what to prioritise, his anger or curiosity. Unlike his own wet shoes, that left prints on the floor, the man looked dry, top to toe.

“How did you get in?” That had not been a conscious decision.

“By an extraordinary route,” the intruder replied facetiously, ”Directly from the future.”

“I have little patience with fools or waffle,” Napoleone snapped. He suppressed the impulse to clutch his stomach by thrusting his hand in his waistcoat. Getting angry wasn’t going to help his burning guts.

The man opened his mouth, then thought better of it and in stead retrieved a slim device from his pocket. “Better to show you what I mean, I suppose,” he muttered, while fingering the device and pointed it at the blind wall.

A circular object appeared, standing about 7 feet tall, like a huge round shield. It´s opaque surface glistered silvery like water in moonlight.

“This,“ the stranger said in a slightly condescending tone, “is a portal. A kind of door, that leads directly – by that I mean instantaneously - to any place, anywhere, and most importantly, anytime in the world. In short, time-travel.”

He took an abandoned book from the side-table, hesitated for a second, then threw it at the silver disk. It disappeared, leaving small ripples that slowly moved outwards to the rim.

Napoleone suppressed the impulse to inspect where it went and kept scowling at the man. But he did notice the absence of sounds indicating a falling object.

“No worries,” the stranger said, showing some signs of unease under Napoleone’s scowl, “I’m positive one of us will chuck it back in a mo.”

“More waffle.” Losing his patience Napoleone was about to alert the military when suddenly the book flew through the room, hitting the wall with a bang, inches from a window.

“Told ye.”

The visitor walked over, picked it up and removed something that sat attached to it with a strip of sticky and translucent material. He folded it open and proffered the paper to Napoleone.

This is where I come from.”

It was a drawing of a type and texture unlike anything Napoleone had ever seen. The picture was colourful and so finely detailed that it seemed impossible to draw such a thing, no matter the time you invested in it. More than the craftsmanship it would require to create such a thing, was what it depicted that astounded him. It was a group a four man, one of them his visitor. They were all more or less similar dressed, grinning as idiotic as the man standing before him, standing in a room full with objects that were bewildering. Together they held up a board with writing on it; large letters apparently forming a date. 16 November 2203.

End of part I
 
An interesting beginning! As you know I liked your 300 worder and thought it an intriguing idea. The issues I had with the Challenge entry have been dispelled here as you have so much more room, so that's good, too.

I like the arrogance and pride your Buonaparte is showing, and I also like the nonchalance and arrogance of the time-traveller. However, I did wonder if both could be rounded out a little more as characters, and certainly I'd like some more obvious excitement from the traveller -- no matter how jaded he is, this is Buonaparte in the flesh! I also wondered about showing a bit more of Buonaparte's restless energy, though doubtless that's dampened by his ill-health, and also of his resolve to try and escape again and/or his hatred of the British. If you can get those in, all well and good, but I wouldn't want any more introspection front-loaded onto those opening paragraphs which are a tad slow.

As to which, I'd suggest you remove the fourth paragraph, as I don't think it adds enough information to justify its place. I know you want to emphasise that no one could have entered the house without having been seen, but (a) if need be you can add if after he hears the strange voice and (b) it's not as if the mystery of the stranger being there raises any tension. Actually, that is a major problem I had with the story. Buonaparte hears a strange voice and although he then freezes, there is no tension, no real curiosity, there -- it all reads as very flat. The tone is the same throughout, whether he's throwing up, confronting a man who might be an assassin, or seeing a magical portal appear. Clearly, Buonaparte isn't a man to rush around like a headless chicken, but I think there should be something more shown here of unease or wondering how he can use the stranger.

There's also for me a bit too much telling. In a 300 worder it's necessary to get things said in as short a time as possible, so telling is inevitable. Now you've got ten times the length, you can afford to be less immediately obvious and trust to people to get it. For example, the first line "Napoleone di Buonaparte clutched his tormenting stomach, bended over and vomited his lunch on the turf of Longwood House, Saint Helena." is fine for the 300s, but here I'd suggest something more oblique eg "He clutched his stomach, bent over and vomited his lunch onto the thin, Saint Helena grass." ie not naming him and the house, only the island. I'd then perhaps bring in his title in some way, perhaps with a reminder of his former glories, though the mentions of Corse and Elba would be enough to grasp who he is, so not even that is necessary.

Going through I noticed quite a few grammatical and other errors from a commonplace "it's" instead of "its" which lots of people get wrong to things which might be down to a misunderstanding of some of the quirks of English such as "bended over" instead of "bent over". Would it help if I did a nit-pick of some of it?

Anyhow, a useful beginning to what looks to be a clever story. It's good to see your work up here! Good luck with it!
 
An interesting beginning! As you know I liked your 300 worder and thought it an intriguing idea. The issues I had with the Challenge entry have been dispelled here as you have so much more room, so that's good, too.

Going through I noticed quite a few grammatical and other errors. Would it help if I did a nit-pick of some of it?
Thank you for your response and the compliment! You made some valid points, I think. I'll reply to that later.
Regarding your offer to do some nit-picking, please feel free! I can only learn from my mistakes - and I am aware I made a few - if people are willing to point them out to me.
 
I agree, it does need fleshing out more.

I would much rather the story started at the point naps met the time traveller.

Something like: Naps was walking around his house one day when he bumped into a time traveller.

A lot more direct and to the point, plus it provides a hook to pull the reader in. The hook is non-existent in this draft.

Maybe the time traveller should be wearing snazzy clothes to give an indication from which time period he came from or an aspect of his personality, , a little like doctor who.

Some kind of foreboding to add interest, it just seems a little too laid back.

The description should be cut from the beginning, really not needed at this point i can see just from the protags name what i am dealing with here plus for a short story a general impression would be better. Apologies, but for me, a little too much waffle to kick start procedings. Everything should have a place and a meaning, why is stomach ache so important.
 
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I personally like that the opening pulls us into Napoleon's 'normal' before disrupting it with the time traveller, the thing I had a bit of trouble with was that we don't get an idea of WHY the time traveller has decided to come to see Napoleon at that part of his life, what he hopes to accomplish even if he only gives us a part of that motivation with some sort of winking statement. I think the thing that exacerbated that the most for me is that this section ends with "End of Part I" and for me as a reader I want a sense of what is going to change going forward if we've come to the end of a part. The reveal is interesting (even if the time traveller feels somewhat too lackadaisical about the whole thing which is a bit weird). As a reader, I would keep reading. Very engaging story, good narration. Just a few minor flaws, in my opinion.
 
the island; the damp and windswept plain
I don't think St Helena has any plains:

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It ended his stroll in gall.
Is this supposed to be a double entendre?

The betrayal by his own body in public was an additional bad taste in the mouth.
This is two metaphors in one sentence.

Both examples of what I tend to call "clunky language" or "trying to hard". You are working on something that reads in a very literary fashion, but it isn't really working because you aren't quite fluent in that sort of prose. You could be - but you're going to need to work harder at constructing these mini-poems. I'd suggest reading the flowery passages aloud as if you were an 18th century orator. Even the floweryest language should be smooth - not tripping up the reader on once allusion before they have to digest another in rapid succession.

I don't think the piece is necessarily too long or indirect - IF you can nail down the prose to feel more of that time and mindset.
 
Thank you all for the feedback! Much appreciated.
Just a few responses on your remarks:
As to which, I'd suggest you remove the fourth paragraph, as I don't think it adds enough information to justify its place.
I would much rather the story started at the point naps met the time traveller.
Everything should have a place and a meaning, why is stomach ache so important.
I am at the moment rethinking the opening-paragraph. But there is a reason for starting the story as it does, so I want change much. There a few thinks that must be made clear because they will later have a role in the plot.
Regarding his stomach:
a. it's what will kill him, b) defines his mood and c) helps make clear he resents the island. d) for reasons I don't want to divulge here and now :D

Actually, that is a major problem I had with the story. Buonaparte hears a strange voice and although he then freezes, there is no tension, no real curiosity, there -- it all reads as very flat. The tone is the same throughout...
I agree, it does need fleshing out more.
Some kind of foreboding to add interest, it just seems a little too laid back.
Agreed, I'll work on that.

...the thing I had a bit of trouble with was that we don't get an idea of WHY the time traveller has decided to come to see Napoleon at that part of his life, what he hopes to accomplish even if he only gives us a part of that motivation with some sort of winking statement. I think the thing that exacerbated that the most for me is that this section ends with "End of Part I"
The WHY will be made clear in de next few paragraphs, which is a straight continuation from the above. Please ignore the "End of part !"!

I don't think St Helena has any plains:
Well, The plateau on which Longwood House is situated is called a plain on Wikipedia and other sites I looked up.

Is this supposed to be a double entendre?
This is two metaphors in one sentence.
Both examples of what I tend to call "clunky language" or "trying to hard". You are working on something that reads in a very literary fashion, but it isn't really working because you aren't quite fluent in that sort of prose. You could be - but you're going to need to work harder at constructing these mini-poems. I'd suggest reading the flowery passages aloud as if you were an 18th century orator. Even the floweryest language should be smooth - not tripping up the reader on once allusion before they have to digest another in rapid succession.

I don't think the piece is necessarily too long or indirect - IF you can nail down the prose to feel more of that time and mindset.
Guilty. I like that kind of prose, but perhaps I should not try to use it in what's not my first language. Or try harder, more secure.
Anyway, well spotted and thanks for making me aware of it.

Thanks all!
 
It's just that most short stories of such length just get on with it and do not spend much time on scenery descriptions and alluding to details. So if your aim is 4000 words, then i would really be putting my foot on the accelerator, also try to find an angle on the time traveller take.
I would like to see naps getting stabbed in the back, that he is convinced the traveller is here to do some good, but is in fact being used, so that everything he has done, he now has to race back and undo it all, so that once friends become enemies. At the heart of most good short stories that i have read is a startling fact or twist.
I particularly like the one where a man finds a burning mangled alien space craft and is convinced the world is about to be invaded. He knows this by reading the ship's journal, and runs around like a madman trying to convinvce an unbelieving world of what he found. At the end of the story, he gets arrested because it turns out the ship crashed and he got amnesia from the explosion.
 

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