The Scribbling Man
Tenant of the Tower of Flints
I feel like this has a come up a few times on different threads and it's an interesting talking point. Science Fiction is commonly regarded as something that leaves behind characterisation in favour of ideas. I think this is a fair criticism and cardboard cutouts are common. I think it is a hard thing to avoid when the emphasis moves towards the ideas and having them explored thoroughly, though that isn't necessarily a justification.
What are some examples of science fiction that have managed to maintain this balance? I.e. books that manage to explore interesting ideas and maintain good character development without shifting the focus too much way from the "science fiction" (or simply using a sci-fi-esque world as a backdrop for drama).
These two came to my mind recently:
The Demolished Man by Alfred Bester - it's a short book and quite surreal, but the central protagonist a bit of a villain. A despicable character that you nonetheless root for, which immediately makes him intriguing. The concept/plot that is central also revolves around a dream he has, and hints at something very personal.
The Forever War by Joe Haldeman - This explores well the relationship between two characters amidst the backdrop of military science fiction, but the war and the relationship is linked to and heavily impacted by time dilation. I remember finding it surprisingly emotive.
That's just off the top of my head. I can't say I feel like I've read many successful examples, and sometimes I think there are attempts to build relational dynamics that still feel underdeveloped, forced or 2 dimensional (I would give the romance element in The End of Eternity as an example of that, as well as many of Simak's works).
What are some examples of science fiction that have managed to maintain this balance? I.e. books that manage to explore interesting ideas and maintain good character development without shifting the focus too much way from the "science fiction" (or simply using a sci-fi-esque world as a backdrop for drama).
These two came to my mind recently:
The Demolished Man by Alfred Bester - it's a short book and quite surreal, but the central protagonist a bit of a villain. A despicable character that you nonetheless root for, which immediately makes him intriguing. The concept/plot that is central also revolves around a dream he has, and hints at something very personal.
The Forever War by Joe Haldeman - This explores well the relationship between two characters amidst the backdrop of military science fiction, but the war and the relationship is linked to and heavily impacted by time dilation. I remember finding it surprisingly emotive.
That's just off the top of my head. I can't say I feel like I've read many successful examples, and sometimes I think there are attempts to build relational dynamics that still feel underdeveloped, forced or 2 dimensional (I would give the romance element in The End of Eternity as an example of that, as well as many of Simak's works).