Dave Truesdale (editor of Tangent Online) posted this interesting note on his Facebook page, which was picked up by Mike Glyer at File 770:
Over at Locus Online the February Locus Magazine Recommended Reading List for 2020 has been posted. Granting my total count of novellas, novelettes, and short stories might be off by one, it makes no difference to the statistic I am about to reveal.
Of the novellas there are Zero stories from Analog, Asimov’s, or F&SF.
Of the novelettes there are Zero stories from Analog, One story from Asimov’s, and Two stories from F&SF.
Of the short stories there are Zero from Analog, Asimov’s, or F&SF.
Out of 124 stories in three fiction length categories selected by Locus reviewers and a few other outsider recommenders, there are exactly 3 stories selected from what has been traditionally known as the Big Three SF magazines. Offer your own theories as to why this has occurred–and has been occurring with a steady downward slide for a number of years now. They don’t give their fiction away for free is one guess and only a few review copies are sent out to review sites, thus accounting for perhaps fewer number of short fiction recommenders, and although other zines posting online do charge a little bit they are in the distinct minority. So are Locus recommenders reading primarily free magazines, or is there some other reason, maybe one having to do with content? This picture isn’t hanging quite straight and I’d like to know why so miserably few short fiction recommendations coming from Locus have appeared in the pages of Analog, Asimov’s, and F&SF. I’m sure their editors and authors would like to know, too. So if you have any ideas…
It does give pause for thought. The Nerds of a Feather Flock Together annual list similarly ignored the Big 3. There are two unfortunate concerns here: (i) readers are not getting a proper recommendation list, and (ii) it ultimately means stories and editors from the big 3 print magazines get no awards anymore, as they are not so much in the public eye. This will lead to their faster demise. It's also bizarre, as the standard of writing in the big 3 is, I'm quite sure, higher than in the online magazines that scoop up all the recommendations and awards.
Over at Locus Online the February Locus Magazine Recommended Reading List for 2020 has been posted. Granting my total count of novellas, novelettes, and short stories might be off by one, it makes no difference to the statistic I am about to reveal.
Of the novellas there are Zero stories from Analog, Asimov’s, or F&SF.
Of the novelettes there are Zero stories from Analog, One story from Asimov’s, and Two stories from F&SF.
Of the short stories there are Zero from Analog, Asimov’s, or F&SF.
Out of 124 stories in three fiction length categories selected by Locus reviewers and a few other outsider recommenders, there are exactly 3 stories selected from what has been traditionally known as the Big Three SF magazines. Offer your own theories as to why this has occurred–and has been occurring with a steady downward slide for a number of years now. They don’t give their fiction away for free is one guess and only a few review copies are sent out to review sites, thus accounting for perhaps fewer number of short fiction recommenders, and although other zines posting online do charge a little bit they are in the distinct minority. So are Locus recommenders reading primarily free magazines, or is there some other reason, maybe one having to do with content? This picture isn’t hanging quite straight and I’d like to know why so miserably few short fiction recommendations coming from Locus have appeared in the pages of Analog, Asimov’s, and F&SF. I’m sure their editors and authors would like to know, too. So if you have any ideas…
It does give pause for thought. The Nerds of a Feather Flock Together annual list similarly ignored the Big 3. There are two unfortunate concerns here: (i) readers are not getting a proper recommendation list, and (ii) it ultimately means stories and editors from the big 3 print magazines get no awards anymore, as they are not so much in the public eye. This will lead to their faster demise. It's also bizarre, as the standard of writing in the big 3 is, I'm quite sure, higher than in the online magazines that scoop up all the recommendations and awards.