Thought-variant stories from Astounding in the early 1930's

Bick

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In the thread on Astounding/Analog authors through the decades, Extollager mentioned the existence that Nat Schachner wrote some of the "thought-variant" stories in the magazine in the 1930's. This was quite right - in fact Schachner wrote the first such story. I thought maybe I'd go back in time, and read the first issue or two in which these stories featured as an interesting exploration of the stories, seen in context with the regular stories of the time. I hope this may be of interest to some.

Astounding Stories - December 1933
In the early 1930's Astounding Stories was edited by Harry Bates and then F. Orlin Tremaine, and the generally accepted wisdom is that they published a pre-'golden age' magazine of space adventure, that lacked the ideas and thought that would characterise John W. Campbell's editorial impact on the magazines from 1939 onwards. However, once F. Orlin Tremaine took over from Bates in late 1933, he also took steps to advance SF writing and introduce more variety into the stories. At the end of 1933, Tremaine started to publish 'Feature Stories', which he also referred to as Thought-Variant stories.

The idea behind 'thought-variant' stories was to publish works that would each develop an idea that "has been slurred over or passed by in many, many stories". The aim was to shift the focus of the magazine slowly away from action-adventure and space-opera (a pejorative term at the time) and more toward ideas-based speculation - a clear preface to the advances undertaken later by John W. Campbell.

The first of these 'thought variant' stories Tremaine published was Ancestral Voices by Nat Schachner (Dec '33), and the second was Colossus by Donald Wandrei (Jan '34). Tremaine would go on and publish these 'thought-variant' stories for the remainder of his tenure as editor. I thought it would be interesting to read these two issues back-to-back, especially as there is a two-part story by Charles Willlard Diffin published across the two issues.

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Before getting into the stories, an interesting addition to the covers of Astounding during 1933, and seen here, was the logo indicating 'NRA Member'. This has nothing to do with guns, but refers to The National Recovery Administration, set up by President Franklin D. Roosevelt in '33 as part of his 'New Deal', with the aim to encourage industries to get together and write "codes of fair competition."

Land of the Lost - Charles Willard Diffin
Diffin's two-part serial story starts in this issue and was concluded in the following Jan '34 issue. It offers unrelenting adventure, in a plot that's a bit daft, and yet is moderately compelling. This is a 'transportation to another world'-type tale and the first installment is a fun and entertaining read, with quite nice characterisation. I went ahead and read the second part of this serial from the next issue, and found the story, now set on the 'world' surrounding Earth, got sillier in the second part, though it did offer explanation of the set up. The essential idea of another world encircling our own, but with a different set of physical laws and 'neo-atoms' seems quite original. It became less based on character as it went on though and more on hyperbolic drama as the novella progressed. Ray-guns! Daring-do! Giants and pterodactyls! Ultimately it was a bit so-so, with its constant action and unwillingness to draw breath.

The Machine that Knew Too Much - A. T. Locke
This short story was a nice change of pace from Difford's action-packed, serialised novella. An old man in a creepy New England house has a machine that can hear the voices of the past. He employs a young linguist to help him listen in to ancient conversations for clues to the whereabouts of lost historical treasures. It's a nice idea, and the story is well told, with a satisfying conclusion. Locke only ever published 2 SF stories - this one and another in Astounding in 1930 (the third ever issue) - which seems a shame as this was great.

The Invading Blood Stream - Paul Starr
This novelette was the only SF story Starr ever had published. It's quite inventive and fun, as it happens, and like the Locke story, also better then the Diffin serial. A scientist affiliated with the evil Central European Confederacy has invented a method of atomic miniaturisation, and conceives a plan to miniaturise hundreds of thousands of CEC troops and inject them into the blood stream of a few unfortunate hosts, who can then be smuggled into the USA and once there, be brought back to size for invasion. While there are plot holes, and daft coincidences upon which the plot relies, it's nonetheless a neat idea for the time and was rather fun.

The Purple Brain - Hal K. Wells
Harold Wells (1899-1979) wrote twenty or so SF short stories, almost all before the 'golden age'. This is an alien monster story, in which the alien being from the planet Zaas exists as a large, purple parasitic brain. Yes, it is as pulpy as it sounds, and would have made an amusing B-movie monster flick - perhaps it did. There is little if any literary merit to this short story, though it's harmless enough entertainment if you're in the mood for such things.

Ancestral Voices - Nat Schachner (Thought-variant feature story)
And so we come to the first thought-variant feature story F. Orlin Tremaine published in Astounding. Nat Schachner was a prolific author who featured heavily in Astounding between May 1931 and November 1941 (57 stories), and who was one of Isaac Asimov's favourite authors, in his youth. This is a time travel tale, and may be one of the first to look at causality of changing the past. It's also by some margin the most literary and interesting story in this issue so far. Schachner writes well, and there's some depth and humanity here. Schachner quotes Edward Fitzgerald's 1859 translation of the poem The Rubáiyát of Omar Khayyam, refers ironically to the state of the world and prevailing xenophobia and uses an engaging prose structure to spin his yarn. At its heart, the 'thought-variant' here is to challenge the myth of 'racial purity' and in so doing celebrate the mixed heritage we all doubtless share. If Tremaine had a mind to raise the quality of the magazine with the introduction of thought-variant feature stories, he succeeded significantly at the first attempt. The story was illustrated on the cover (illustration by Howard V. Brown, see above)

The Last Sacrifice - J. Gibson Taylor, Jr
This is another story that represents the entire published SF output of the author. I'm not sure that's a bad thing, in this case. This is a fantasy tale - a ghost story really. Set in Haiti, a white immigrant man wakes and becomes invested with the ghost of a Haitian general, who leads a sacrificial voodoo ceremony. The man feels impelled to 'black-up' for the act to look more like the ghost, and kills a young innocent girl. It's not very appealing!

Farewell to Earth - Donald Wandrei
A sequel to Wandrei's novelette A Race Through Time (Astounding Oct '33), this novelette is set in the far future, after the protagonist time travels to the year 1,001,950. This is a dying Earth tale, not one where everything is shiny and improved. Life has been mostly obliterated by natural disaster, and little exists of the old world. The protagonist, Web, finds the descendent of his lost love in the ancient ruins of New York, but does the planet hold any future for them? It's a superior tale, with some '30's style action, but mainly its a somber piece, in which it's proposed that humans are not here forever. Wandrei writes pretty well, and along with Nat Schachner's thought-variant piece, this stands out as a quality story in the issue.

Terror out of Time - Jack Williamson
Williamson was writing frequently for Astounding at this time, and would continue to have work published in its pages for the next 6 decades. In this engaging tale a young man's mind is thrown forward in time to the end of days, though the use of a machine built by his fiancée's father. Four hundred million years in the future he inhabits the mind and body of the last human: a short white-furred pitiful creature, living under the thrall of a tall dark Martian, in a frozen, dying, world under attack from cold, gaseous beings called Ku-Latha. That's bad enough, but things don't go to plan with the experiment either, and the young man loses control and habitation of his present-day body. I'm not sure it makes complete sense, but some latitude generally has to be applied to SF stories of this era if you're to enjoy them.

The Demon of the Flower - Clark Ashton Smith
This short story, by the famed author Clark Ashton Smith, sits here in Astounding Stories as a bit of a misfit. It's written with Smith's dense, wordy, almost archaic language, heavy with other-worldly description, low on action, but steeped in evocative weirdness. If you like Smith, I'm sure it would appeal. Its a fantasy, set on another planet. A king must regularly offer a sacrifice to a demonic flower in his kingdom, but when the next victim is his betrothed he seeks a way out. It's very good, though one does have to switch gears from the pace and style of the preceding stories to enjoy it fully.

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I'll be going on the read the next "thought-variant" story shortly and will post on Wandrei's contribution to the project in due course.
Anyone else have any thoughts on thought-variant stories or the authors and stories here, specifically?
 
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Thank you for a thoughtful and detailed report.

It is indeed odd to see Clark Ashton Smith here instead of, say, Weird Tales. I read a collection of his stuff a while ago -- not including this tale -- and compared it to "drowning in opium-scented perfume." Which may not be a bad thing.

I can't really comment on anything else in this issue. Interesting to see that Astounding offered some fantasy fiction at the time.
 
Great stuff, I really appreciate you posting it. I have to be honest however, I’m still not sure exactly what a thought variant story is. I’m not even sure I would recognize a story dealing with an idea that has regularly been slurred over and passed by. What kind of an idea would be so obscure that there would be a need or demand to elaborate on it? I understand Robert Silverberg’s suggestion to take a well established idea and flip it on its head to tell a compelling story but can’t quite get the thought variant straight in my head. Not saying these ideas don’t exist, just having a little difficulty visualizing them.
 
Great stuff, I really appreciate you posting it. I have to be honest however, I’m still not sure exactly what a thought variant story is. I’m not even sure I would recognize a story dealing with an idea that has regularly been slurred over and passed by. What kind of an idea would be so obscure that there would be a need or demand to elaborate on it? I understand Robert Silverberg’s suggestion to take a well established idea and flip it on its head to tell a compelling story but can’t quite get the thought variant straight in my head. Not saying these ideas don’t exist, just having a little difficulty visualizing them.
I think we have to transport ourselves to 1933. The 'thought-variant' in the Schachner story was to elucidate how mixed we are as races - that "pure races" really didn't exist in the 20th century, and the story makes a point of this. This is not a new idea now, but quite possibly in 1930's sci0fi, it had never been clearly and elegantly addressed as it was here. I think that's what the story project was aiming for: elucidation of ideas ion SF that had perhaps not been dealt with well previously.
 
Thank you for a thoughtful and detailed report.

It is indeed odd to see Clark Ashton Smith here instead of, say, Weird Tales. I read a collection of his stuff a while ago -- not including this tale -- and compared it to "drowning in opium-scented perfume." Which may not be a bad thing.

I can't really comment on anything else in this issue. Interesting to see that Astounding offered some fantasy fiction at the time.

The Vaults of Yoh Vombus by Clark Ashton Smith One my favorite science fiction tales by him. It was one of the inspirations for Alien . Richard Corben did a graphic novel adaptation of it.
 
Thanks Dask. Most of his stuff in magazines is available from PDF archives of the original magazines for free too - links on ISFDB.
 
Great thread, Bick. I'll enjoy your account of the issue with "Colossus," which is one of the two ancient Astoundings I actually own. It seems to me virtually certain that C. S. Lewis read this story by Wandrei, hence must have had his hands on that issue. I'll probably paste here an article I wrote about this (and also a Hamilton story that might have influenced Lewis), but let me wait till you post first. In his short novel The Great Divorce, Lewis wanted to give credit to -- I believe -- the Wandrei, but couldn't remember author or title.
 
Thanks Dask. Most of his stuff in magazines is available from PDF archives of the original magazines for free too - links on ISFDB.

Well done Bick, all of it .:cool:(y)
 
Great thread, Bick. I'll enjoy your account of the issue with "Colossus," which is one of the two ancient Astoundings I actually own. It seems to me virtually certain that C. S. Lewis read this story by Wandrei, hence must have had his hands on that issue. I'll probably paste here an article I wrote about this (and also a Hamilton story that might have influenced Lewis), but let me wait till you post first. In his short novel The Great Divorce, Lewis wanted to give credit to -- I believe -- the Wandrei, but couldn't remember author or title.
I'll be interested in that review Extollager. It may be 4-5 days until I've reviewed the following issue and posted it, so don't feel you have to wait for me. Colossus itself, incidentally, seems to be the story Wandrei is most famous for. A collection of his best work is entitled Colossus: The Collected Science Fiction of Donald Wandrei.

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I'll be interested in that review Extollager. It may be 4-5 days until I've reviewed the following issue and posted it, so don't feel you have to wait for me. Colossus itself, incidentally, seems to be the story Wandrei is most famous for. A collection of his best work is entitled Colossus: The Collected Science Fiction of Donald Wandrei.

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His brother Howard was a writer to.
 
OK, Bick, here's the first part of the article. I think it's pretty cool that CSL was, evidently, quite a fan of Astounding at this time. By the way, his attention to American magazine sf continued; he eventually contributed to F&SF several times. But he evidently started reading Astounding in the period you're discussing.

This article was published some years ago in Pierre Comtois's fanzine Fungi.

C. S. Lewis and American Pulp Science Fiction -- 1


By Dale Nelson


C. S. Lewis, Oxford don and then Cambridge scholar specializing in medieval and Renaissance literature – an impressionable reader of American science fiction pulps?

The inventor of Narnia – indebted to the co-founder of Arkham House?

It seems so. Lewis made no secret of these debts. In The Great Divorce, he refers to two stories that he thinks came from the cheaply-printed pages of the pulps. He was wrong about one of the stories. The story he refers to in the preface has to have been “The Man Who Lived Backwards,” by the forgotten British author Charles Hall and appeared in a British magazine. But apparently Lewis was so deeply read in the American pulps that he just assumed that he’d read the story, which features raindrop like bullets, in one of them. The other story is alluded to in a footnote: “This method of travel also I learned from the ‘scientifictionists’.”

“Colossus,” which first appeared in the January 1934 issue of Astounding, appears to be the story that suggested to Lewis the idea, central to The Great Divorce, of travel from one universe to a much vaster one -- travel during which the vehicle and passenger(s) expand concomitantly so as to “fit“ the new cosmos. The universe -- ours -- that is left behind in Donald Wandrei’s story is but an atom relative to the size of the universe that is entered. Similarly, in The Great Divorce the immense, sprawling city of Hell is an invisible point relative to the vastness of Heaven’s borderland. The spaceship White Bird, piloted by the intrepid Duane Sharon, expands in Wandrei’s story: “According to the law propounded decades ago by Einstein, the White Bird, all its contents, and he, himself, would undergo a change, lengthening in the direction of flight” as they travel thousands of times the speed of light (54, 56/130). The busful of passengers from Hell expands so that, when it emerges from a tiny crack in the celestial soil, the holiday-makers are “to scale.”
 
C. S. Lewis and American Pulp Science Fiction -- 2

Wandrei’s story may also have suggested to Lewis something of the splendor of outer space that Ransom discovers in Out of the Silent Planet. Sharon beholds “[w]hite suns and blue, pale-orange and apple-green stars, colossal tapestry of night blazing with eternal jewels” and an “emerald sun, flaming in the radiant beauty of birth” (Wandrei 58,59/133, 134). Ransom contemplates “planets of unbelievable majesty, and constellations undreamed of: there were celestial sapphires, rubies, emeralds and pin-pricks of burning gold” (Lewis 31); space is not dead but rather is “the womb of worlds” (32).

I wonder if Wandrei ever read The Great Divorce or Out of the Silent Planet. Lewis may have been aware of the small press that Wandrei and August Derleth founded, since a catalog of books from Lewis’s library, prepared a few years after his death, included at least one AH book, Robert Bloch’s The Opener of the Way. But don’t get too excited about the prospect. Likely enough, the book had belonged to Lewis’s wife, Joy, an American.


Now that you’ve had the chance to wrap your head around the idea of Lewis as pulp-mag reader, let’s consider a little historical background. C. S. Lewis’s “On Science Fiction” was read, or was the basis of a talk, at a 1955 session of the Cambridge University English Club (Hooper xix). In this paper, Lewis said that, “some fifteen or twenty years ago,” he “became aware of a bulge in the production” of stories of the type pioneered by H. G. Wells. Lewis said: “In America whole magazines began to be exclusively devoted to them” (“On Science Fiction” 55). This statement nails down the fact that Lewis read American pulp “scientifiction.” Such magazines were readily available to British readers. Richard Kyle recalls “bins of ‘Yank Magazines – Interesting Reading’ in the English Woolworth stores of the middle ‘30s” (Lupoff 92).

Historian of science fiction Mike Ashley regards the “mid-thirties” as the time in which these magazines exhibited a phase of “cosmic sf,” emphasizing stories that dealt with “not just the exploration of space but the nature of time, space and the universe” (231). Along with “Colossus,” a couple of other such stories may have left traces in Lewis’s own science fiction.
 
C. S. Lewis and American Pulp Science Fiction -- 3 & last

Jack Williamson’s “Born of the Sun” (Astounding, March 1934) may have had something do with Weston’s “rind” remarks at the end of Chapter 13 of Perelandra (1943). In the Williamson story, some at least of the solar system’s moons, as well as its planets, are actually spawn or “‘seed of the Sun’” (Asimov 532): huge egg-like objects from which eventually hatch immense monsters (which possess the ability to fly in a vacuum!). When the planet Earth begins to hatch, there ensue apocalyptic consequences for human beings living on the outer surface of the shell. In Lewis’s novel, Weston describes the universe as a globe with a crust of “‘life’” (the crust, however, being time; it’s about seventy years thick for human beings). As one ages, Weston says, one sinks through the crust until he emerges into the dark, deathly “‘reality’” that God Himself does not know (168). In each story, there is the idea of humanity living on a thin surface beneath which is something truly appalling.

OK, maybe that’s a stretch. How about this one? Edmond Hamilton’s “The Accursed Galaxy” (Astounding, July 1935) may have contributed two essential components to Lewis’s Ransom trilogy.

Hamilton’s story proposes that organic life, viewed very Un-Lewisly as a loathsome contagion, originated two billion years ago when one member of a race of immortal “volitient beings of force” was experimenting with matter. He accidentally released “the diseased matter” from his laboratory, and it rapidly spread from world to world. This “experimenter” (Asimov 717) was punished by the other force creatures by being confined in a “shell of frozen force” (719) that eventually descends to the earth. Human beings involuntarily set him free at the climax of the story. In addition to imprisoning the offender, the other force-creatures also caused the primal super-galaxy to break up into millions of galaxies, all the others rushing away from the infected core -- our own Milky Way galaxy. The vast (and increasing) distances of space effect a cosmic quarantine. Central to Out of the Silent Planet (1938), of course, is the idea of the confinement to our earth of its “bent Oyarsa” (the devil), lest he do further damage, having already stricken the moon and Mars ages ago (121). In the first of the Ransom books, and in Perelandra, human beings are the means by which the devil is enabled to threaten Mars and Venus.

Lewis’s eldila are described, in the Ransom trilogy, as appearing as light. For example, in the first chapter of Perelandra, the narrator sees “a rod or pillar of light” of an unnamable color (18). The force-being who appears in “Accursed Galaxy” is a “forty-foot pillar of blazing, blue light, crowned by a disk of light” (Asimov 719). The edila “do not eat [or] suffer natural death” (Perelandra 9), and Williamson’s force-beings are “immortal” and “[need] no nourishment” (Asimov 717).

It’s reasonable to surmise that Lewis was influenced by impressions of Hamilton’s story as he wrote his own “planet books,” but also that he had forgotten “The Accursed Galaxy,” or judged that his “revisions” of elements from Hamilton’s story were so thorough as to make allusion to it not obligatory.

So, was Prof. C. S. Lewis not only a reader of American pulp mag science fiction, but a writer influenced by it? I think so!




Ashley, Mike. The Time Machines: The Story of the Science-Fiction Pulp Magazines

From the Beginning to 1950.
Liverpool: Liverpool University Press, 2000.



Asimov, Isaac (ed.). Before the Golden Age: A Science Fiction Anthology of the 1930s.

Garden City, N. Y.: Doubleday, 1974.



Hooper, Walter. “Preface.” On Stories and Other Essays on Literature by C. S. Lewis.

San Diego: Harcourt Brace, 1982.



Lewis, C. S. The Great Divorce. Glasgow: Fontana, 1972.



----------.“On Science Fiction.” On Stories and Other Essays on Literature. San

Diego: Harcourt Brace, 1982.



- - - - - - - - - -. Out of the Silent Planet. New York: Macmillan, 1973.



- - - - - - - - - -. Perelandra. New York: Macmillan, 1969.



Lupoff, Richard A. and Patricia E. Lupoff. The Best of Xero. San Francisco: Tachyon,

2004. This book is a selection of contributions to a classic fanzine of 1960-1962.



Wandrei, Donald. “Colossus.” Astounding Stories Jan. 1934: 40-72. This story is reprinted, with some changes by the author, in: Colossus: The Collected Science Fiction of Donald Wandrei. Ed. Philip J. Rahman and Dennis E. Weiler. Minneapolis: Fedogan and Bremer, 1989, pages 110-153. “Colossus” does not appear to have been reprinted until 1950 (several years after the composition and publication of The Great Divorce), when it appeared in an anthology, Beyond Time and Space, edited by August Derleth. “Colossus” may also be found in Asimov’s Before the Golden Age anthology.

(c) Dale Nelson 2021; printed originally in Pierre Comtois's magazine Fungi, (c) ca. 2010.
 
Not only for intrinsic interest, then, but also because of Lewis's interest, I'm interested in pointings-out of notable stories from Astounding from this period. Since the magazines may be read online, as Bick has mentioned, I should have many hours of good reading possible!

I wish there was a complete list of the thought variant stories with the issues in which they appeared being cited.

Maybe a cool idea for an anthology -- !
 
Many thanks for the interesting discussion, Extollager. I'll post a more careful response to the CSL references in due course, but for now...

I wish there was a complete list of the thought variant stories with the issues in which they appeared being cited.
That sounds like a project/challenge. I imagine I could work it out and post it here :)
I'll get to work on it next week... I'm off for a w/e break from the PC now.
 

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