Short fantasy story

Capricorn42

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Hi, I set myself the challenge of writing a fantasy story in less than 1000 words and here it is, any feedback would be gratefully received.
I'm not sure about the opening line; I added it as a sort of forward but perhaps it doesn't fit? Perhaps this info should be in the main body?

DEMON​

It is said, especially by wizards who have many demons, that the worth of a wizard may be measured in the number of his demons.

Philias watched the boat chug away across the sluggish blue-grey sea. It would return later, he’d paid a lot to make sure of it.
It was early and the island was thick with shadows, but already he felt the sun’s heat on his neck. He touched the locket at his throat and a breeze swept its hands across him.

She came over the crest of the dunes, her head to one side, watching him.
“Philias?,” she asked, and he nodded.
“You must be Toria,” he said. “Perhaps you could show me the temple of King Lebas?”
The breeze plucked at his shirt.
He followed her over stones and scrub, wheezing and coughing. He had to stop several times to catch his breath.
“You’re very old,” Toria observed.
“I know.”
“Why do you want to see the temple?”
“I like seeing things even older than me.”
Philias sat down on a rock and took some water from his flask.
Toria pointed up the slope and said, “Look there.”

Walls of grimy stone poked up from the scrub. Philias squinted, trying to see order amongst the rubble. He glanced back at Toria, silhouetted and shimmering against the pale sky.
“Are you a wizard?” She asked.
He smiled, despite his weariness. “Yes. A very old one.”
“You can make spells?”
“No. I control demons who work magic for me. Like this.” He touched the locket and focussed.
Beside him, a dust devil spun into life, whirling in a chaos of glittering sand and stones. A second later it was gone, collapsed back into the dirt.
Toria was like a child watching fireworks.

“In here,” Philias said, wheezing slightly, “is a demon named Petrarchus.” He touched the locket once again. “He is both sullen and spiteful, but obedient. His hobby is planning how he will drag me down to hell when I die.”
“Does that not scare you?”
“Not a bit. I have no intention of dying. Anyway, hell does not exist.”
“But if you are a mighty wizard, why do you need me to guide you?”
“Magic requires effort, and I am old and lazy. Letting you guide me is easy.”
Like a child, Toria accepted this. “Now you are here, what do you want?”
“To catch a demon.”
She started. “No.”
Philias stopped her. Her face was a speck of pale, wide-eyed fear. “Toria, I would like you to summon the one who haunts this place. His name is Eparygon.” He waved his hand, his eyes closed and face set hard.

Toria became a frozen moment in time as the breeze gathered strength and a shape began to coalesce before him. A writhing, rolling shape that spilled into the air, tendrils snaking.
Philias opened his eyes to see, among the temple ruins, a hunched figure.

He wore ragged clothes and had an old man’s face, then not. Her face was that of a young, wistful girl, then not. A lizard's snout with tongue fat and red, licking obscenely over its own scales. Shadows fled into the eyes of a fat grinning child with broken and rotting teeth, who blurred into an an old man whose head drooped to one side as a smile crept across the ravaged face. His lips parted, rotten and bleak with death. But now a face dignified, even regal. His head straightened up and he stared calmly at Philias. He wore a crown of gold, the crown of Lebas. His eyes shone, then clouded as if with tears and suddenly became the eyes of a man stricken with appalling terror, pleading silently for help. His mouth sagged open, further and further. A tongue, parched and cracked, flopped out and writhed.

Philias held up a shard of glass and met the gaze of the demon Eparygon who snarled in an ancient language, his words ripe with contempt and lust.
Sunlight splintered on the glass fragment.
The old man's face twisted into anger, then rage. His lips moved but the words were trapped.
Sunlight filtered through the glass and became a solid slab of radiance which crept over the body of the old man, then up to the face of a young girl that was the face of a fat child that was a lizard with black eyes that was an old man, head thrown back and screaming in silent rage.
The figure disappeared without a sound, leaving dust to swirl drearily in the air.
The glass shard fell from lifeless fingers as Philias collapsed to his knees.

The sky was a deeper blue than he remembered. He blinked as pain throbbed like a sullen child.
“Philias? Can you hear me?” A face came into his view. Toria.

Philias sank down onto his rock and drank water while Toria watched him.
“I could not summon Eparygon. I knew that you could, so I used you. And this.” He held up the glass fragment. “It was fired many thousands of years ago by bigger men than me. It’s a prison cell for demons.”
He squinted up at the sun. “You’ve been here long enough, you can go now. It’s time.”
Her eyes wavered. “It’s cold. There.”
“Toria…”
“No one is there. I have to talk to shadows.”
“They’re not shadows. They’re people, like you.”
“You promise?”
He nodded.

He touched the locket at his throat and the breeze swelled, tugging at his clothes and lifting dust on its back.
He let it brush across him as he tucked the glass fragment into his pocket. Only when the air was still did he get to his feet and trudge down to the beach.

End
 
Philias sounds like an interesting character that could lead to a series of sort stories. One thing, and I think you sort of identified it in your comments before the story, was that I did not feel I understood Philias motivation behind his actions. Perhaps the first line could be retrofitted into Philias's thoughts? Another thing is that I felt confused by the conclusion. I wasn't clear why Philias died, it didn't appear that he was ever attacked by Eparygon (or Petrarchus?) nor who brought him back to life, was it Toria or was his body possessed by Eparygon (or Petrarchus?).

This sounds like an interesting character and world and I would probably like to read more about it.
 
Before reading, I was not convinced that it was possible to write a fantasy story (complete with fantasy setting) in less than 1000 words. This one does capture the fantasy atmosphere in few words, and the main character Phi;leas is interesting. Some aspects of it do not work so well.
Toria became a frozen moment in time as the breeze gathered strength and a shape began to coalesce before him. A writhing, rolling shape that spilled into the air, tendrils snaking.
Philias opened his eyes to see, among the temple ruins, a hunched figure.

So Toria summons the demon. How does Philias see the writhing, rolling shape if he has his eyes shut?

The glass shard fell from lifeless fingers as Philias collapsed to his knees. How exactly is the demon absorbed into the shard? And why does Philias die?

He squinted up at the sun. “You’ve been here long enough, you can go now. It’s time.”
Her eyes wavered. “It’s cold. There.”
“Toria…”
“No one is there. I have to talk to shadows.”
“They’re not shadows. They’re people, like you.”
“You promise?”
He nodded.
Where is Toria going to go? Why has she been here all this time? I don't get it.
 
I am new to this so sorry if I cant help much.
I like the setting and the sentence at the start. If you do end up taking it out from there I think it would be nice to at least keep it some where else.
He squinted up at the sun. “You’ve been here long enough, you can go now. It’s time.”
Her eyes wavered. “It’s cold. There.”
“Toria…”
“No one is there. I have to talk to shadows.”
“They’re not shadows. They’re people, like you.”
“You promise?”
He nodded.
I got a bit confused about why she now needs to talk to shadows and who those shadows are, also wasn't she just leaving?
Hoped this helped.
 
Aside:
Before reading, I was not convinced that it was possible to write a fantasy story (complete with fantasy setting) in less than 1000 words.
For very short fiction, you may want to check out Magazine - Kraxon Magazine . These are 1,000 - 1,100 word fantasy and science fiction stories that (I believe) are written and published by chrons members. Usually, there is one story published on the first of the month and an installment on a series published on the fifteenth of the month.
 
DEMON​

It is said, especially by wizards who have many demons, that the worth of a wizard may be measured in the number of his demons. (I'd cut this opening line as it sounds clunky to me, and I think starting with the actual story works better.)

Philias watched the boat chug away across the sluggish blue-grey sea. It would return later, he’d paid a lot to make sure of it.
It was early and the island was thick with shadows, but already he felt the sun’s heat on his neck. He touched the locket at his throat and a breeze swept its hands across him.

She came over the crest of the dunes, her head to one side, watching him. (I thought "she" referred to the boat until you mentioned a head. Maybe say "A woman came over the crest of the dunes" instead of just throwing out a pronoun that has no association yet.)
“Philias?,” she asked, and he nodded.
“You must be Toria,” he said. “Perhaps you could show me the temple of King Lebas?”
The breeze plucked at his shirt. (This sounds awkward when treated as its own paragraph. If you combined it with the sentence that follows--"The breeze plucked at his shirt as he followed her over the stones and scrub..."--I think it would sound better.)
He followed her over stones and scrub, wheezing and coughing. He had to stop several times to catch his breath.
“You’re very old,” Toria observed.
“I know.”
“Why do you want to see the temple?”
“I like seeing things even older than me.”
Philias sat down on a rock and took some water from his flask.
Toria pointed up the slope and said, “Look there.”

(I'm not sure what the blank lines are for since they aren't scene breaks.)
Walls of grimy stone poked up from the scrub. Philias squinted, trying to see order amongst the rubble. He glanced back at Toria, silhouetted and shimmering against the pale sky.
“Are you a wizard?” Sshe asked.
He smiled, despite his weariness. “Yes. A very old one.”
“You can make spells?”
“No. I control demons who work magic for me. Like this.” He touched the locket and focussed.
Beside him, a dust devil spun into life, whirling in a chaos of glittering sand and stones. A second later it was gone, collapsed back into the dirt.
Toria was (I think you can use a stronger verb than "was" here. For example: Toria stared/fixated on it.) like a child watching fireworks.

“In here,” Philias said, wheezing slightly, “is a demon named Petrarchus.” He touched the locket once again. “He is both sullen and spiteful, but obedient. His hobby is planning how he will drag me down to hell when I die.”
“Does that not scare you?”
“Not a bit. I have no intention of dying. Anyway, hell does not exist.”
“But if you are a mighty wizard, why do you need me to guide you?”
“Magic requires effort, and I am old and lazy. Letting you guide me is easy.”
Like a child, (This is the second time you've compared her to a child. I'd recommend adding some variety to the similes you use.) Toria accepted this. “Now you are here, what do you want?”
“To catch a demon.”
She started. “No.” (Short action and short dialog sound awkward when paired together.)
Philias stopped her. (Stopped her from doing what? I thought she just jumped in startlement and said, "No." Was that not what was meant by "She started"?) Her face was a speck of pale, wide-eyed fear. “Toria, I would like you to summon the one who haunts this place. His name is Eparygon.” He waved his hand, his eyes closed and face set hard.

Toria became a frozen moment in time (The wording here is awkward and I'm not sure how to interpret it. Was she literally frozen in time or is this a metaphor?) as the breeze gathered strength and a shape began to coalesce before him. A writhing, rolling shape that spilled into the air, tendrils snaking. (If we're in Philias's head, and his eyes are closed, how are we seeing this shape? Is he envisioning it in his mind?)
Philias opened his eyes to see, among the temple ruins, a hunched figure.

He wore ragged clothes and had an old man’s face, then did not. Her face was that of a young, wistful girl, then not. A lizard's snout with tongue fat and red, licking obscenely over its own scales. (Fragment.) Shadows fled into the eyes of a fat grinning child with broken and rotting teeth, who blurred into an an old man whose head drooped to one side as a smile crept across the his ravaged face. His lips parted, rotten and bleak with death. But now a face dignified, even regal. His head straightened up and he stared calmly at Philias. He wore a crown of gold, the crown of Lebas. His eyes shone, then clouded as if with tears and suddenly became the eyes of a man stricken with appalling terror, pleading silently for help. His mouth sagged open, further and further. A tongue, parched and cracked, flopped out and writhed.

Philias held up a shard of glass and met the gaze of the demon Eparygon who snarled in an ancient language, his words ripe with contempt and lust.
Sunlight splintered on the glass fragment.
The old man's (I'm not sure if this refers to Philias or Eparygon.) face twisted into anger, then rage. His lips moved but the words were trapped.
Sunlight filtered through the glass and became a solid slab of radiance which crept over the body of the old man, then up to the face of a young girl that was the face of a fat child that was a lizard with black eyes that was an old man, head thrown back and screaming in silent rage.
The figure disappeared without a sound, leaving dust to swirl drearily in the air.
The glass shard fell from lifeless fingers (This made me think he died, but after reading on, I see he's still alive.) as Philias collapsed to his knees.

The sky was a deeper blue than he remembered. He blinked as pain throbbed like a sullen child.
“Philias? Can you hear me?” A face came into his view. Toria.

Philias sank down onto his rock and drank water while Toria watched him.
“I could not summon Eparygon. I knew that you could, so I used you. (How exactly? She just stood there.) And this.” He held up the glass fragment. “It was fired many thousands of years ago by bigger men than me. It’s a prison cell for demons.”
He squinted up at the sun. “You’ve been here long enough, you can go now. It’s time.”
Her eyes wavered. “It’s cold. There.”
“Toria…”
“No one is there. I have to talk to shadows.”
“They’re not shadows. They’re people, like you.”
“You promise?”
He nodded.
(I don't know what any of this means. Is she a demon who was trapped and he released her? Is she a human that he used as bait for the demon and trapped her soul in the glass along with it? It's not clear.)

He touched the locket at his throat and the breeze swelled, tugging at his clothes and lifting dust on its (his?) back.
He let it brush across him as he tucked the glass fragment into his pocket. Only when the air was still did he get to his feet and trudge down to the beach.

End
All of my comments and suggestions are in the quote above. Most of the issues I noticed are technical ones that are easy to smooth out, but the ending of the story really confused me and needs a little more clarity. I enjoyed the story overall, though.
 
Apologies for interrupting your critique thread, Capricorn! After the short digression confirming that 1,000 words is indeed enough to provide satisfying fantasy stories -- indeed, the Writing Challenges show that 300 words can be enough! -- I've finally got time to have a good look at your piece.

I liked this. To my mind it needs a little bit of work to fulfill its potential, but I like the idea and your use of language, and how you showed the interaction between Philias, and their characterisation, old and wily against childlike naivety, was economically done.

Like the others, I was confused about certain aspects of the story. For instance, you start by saying that a wizard is measured by his demons (and yes, that opening would, I think, be better coming within the main part of the story) but he refers to a prison cell for Eparygon at the end, which doesn't sit so well with the idea of the demons having worth. And does Philias only have one demon, so he isn't worth much? Though what use are the demons if all Petrarchus does is raise a breeze? Also, I wasn't sure if the figure we see which changes from person to person is the demon itself trying to gain pity from Philias and thereby escape his clutches, or if these are people the demon has killed or captured. And I was also puzzled about Toria -- how does he know about her, how has he contacted her in advance to get her here, and I couldn't work out who/what she is, what she was doing there/her relationship to the demon, and where she's now going and why she's afraid.

Nit-picking-wise I noticed a couple of errors of punctuation, though I imagine these were just typos of the kind we all make, which you would pick up on an edit or revision:
  • It would return later, he’d paid a lot to make sure of it. -- semi-colon required, not a comma
  • “Philias?,” she asked -- the comma shouldn't be there after the question mark
  • “Are you a wizard?” She asked. -- lower case "s" for "she"
I found rather more points of style you might want to think about:
  • It was early and the island was thick with shadows -- when I started writing seriously I was advised to avoid "It was" and "There was" if possible and instead make the sentences more active/interesting eg here perhaps "The early morning light" (I did like "thick with shadows" by the way, which I propose to steal for my own work!)
  • She came over the crest of the dunes -- as this is the first time we see her, the "She" is a tad confusing for a moment, plus it might be an idea to let us know something about her so perhaps something like "The young woman came over..."
  • and took some water from his flask. -- since you've not told us he's carrying anything, this came as something of a surprise. Perhaps give him a back pack or something earlier on. And instead of simply "flask" this would be an ideal spot for a tiny bit of world-building, eg is the flask leather or made of horn or even metal or plastic?
  • Toria pointed up the slope and said, “Look there.” -- no need for "and said" there, as it's clear she's speaking.
  • Her face was a speck of pale, wide-eyed fear. -- I don't think "speck" as imagery works in the idea's favour
  • Toria became a frozen moment in time -- the POV throughout has been Philias's so this jump, giving detail of something he can't see, doesn't feel right. If you want to be in omniscient POV, I'd suggest making that clear early on
  • He wore ragged clothes ... writhed -- this whole paragraph is well written, though as I noted above I couldn't work out exactly what is happening here, but for my taste it went on rather too long, and I'd suggest cutting it and using the word count to add more world-building
  • dust to swirl drearily in the air. -- I'm not sure "drearily" works for dust
  • He blinked as pain throbbed like a sullen child. -- do sullen children throb??
  • Philias sank down onto his rock -- he was on his knees, so this seems odd, as does "his" rock
  • “It was fired many thousands of years ago by bigger men than me. It’s a prison cell for demons.” -- stated baldly like this, it's rather tell-y, as if you the author know you need to get the information out and you can't think of a better way. Having Toria ask would make it less obstrusive
  • the breeze swelled, tugging at his clothes and lifting dust on its back. -- can a breeze have a back?

I hope some of that burbling helps!

By the way, can I be nosy and ask if you have read the first chapter of my current serial for Kraxon, published last month? It's just the idea of a wizard (or sorcerer...) using a shard of glass to capture/imprison a demon (or djinn...) seems awfully familiar... ;)
 
I didn't get the impression that he died. Otherwise, it was well written and the the character looks promising for further and longer stories.
 
Thank you all for brilliant comments, I will reply in more detail a bit later.
For now, I can see it's a bit unclear in places, such as whether Philias dies at the end or not. He doesn't; he faints due to the effort involved in capturing the demon.
Toria is a ghost but in life she had the ability to summon demons and as Philias said, he's lazy. It's easier for him to summon her and force her to summon the demon.
Hi @The Judge I haven't read Kraxon - the idea for the shard of glass came from a story I wrote several years back which was (of all things) a Harry Potter fanfic. The glass came from a window of King Lebas' palace, in which he had trapped a number of demons. But then came an earthquake, the window broke and general bad stuff happened.
More later, thanks again guys.
 
@The Judge : Point taken about punctuation and about the various style issues as well. I would respond to 'do sullen children throb?' by saying yes, I have two and when they sulk, the word 'throb' can be very appropriate :)

@OHB thanks for your insights.
'The breeze plucked at his shirt. (This sounds awkward when treated as its own paragraph. If you combined it with the sentence that follows--"The breeze plucked at his shirt as he followed her over the stones and scrub..."--I think it would sound better.) '
The breeze, here, is a by-product of Philias' demon working some magic of some sort, so in this instance, Philias (through his demon) has summoned Toria and asks her to guide him - the demon steps in and basically forces her to do so, hence the puff of wind.

Thanks again for all the comments. I do wonder if writing 1000 words or less is actually more difficult than 100 words or less. Writing a shorter piece does seem to focus my brain more and stops me wandering and trying to cram too much in.
 
I do wonder if writing 1000 words or less is actually more difficult than 100 words or less. Writing a shorter piece does seem to focus my brain more and stops me wandering and trying to cram too much in.
The challenge with writing to a specific word count is determining which details can be left out. Review the areas that caused reader confusion and where you felt you needed to provide after the fact explanations and reinforce those points. If there is a strong need to stay within the word count, for personal experience or some external driver, then look at other places to reduce verbiage. For example, the boat ride and the walk to the temple could be omitted, though I would prefer to keep those in and instead violate the word count limit.
 
This is a really interesting story.

I can tell you've got some super-creative ideas here, and that's got my attention. It feels just a LITTLE like Ursula Le Guin's world-building, and that's a very good thing.

For me, the one real distraction was your comma splices. :) Here is one:

It would return later, he’d paid a lot to make sure of it.

That shouldn't be a comma! Commas between two phrases require some kind of conjunction (and, or, but, etc.), or it must be a full stop.

Here: this link helped me a LOT when I was learning about these: What Is a Comma Splice? And Why Do Editors Hate Them?

This is the best paragraph in this piece, btw:

He wore ragged clothes and had an old man’s face, then not. Her face was that of a young, wistful girl, then not. A lizard's snout with tongue fat and red, licking obscenely over its own scales. Shadows fled into the eyes of a fat grinning child with broken and rotting teeth, who blurred into an an old man whose head drooped to one side as a smile crept across the ravaged face. His lips parted, rotten and bleak with death. But now a face dignified, even regal.

I feel like you really took your time with this one; this was where I got a real taste of the talent you have, and I'm excited to see you hone it. Keep reading and keep writing!
 

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