Kent Sondaire - Space Gumshoe

The Bloated One

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Hello everyone,

It has been a long time since I was back with this wonderful community! Fantastic to see it's still going strong.

My writing is often described as being too descriptive, too flowery. Why use one adjective when I can use two? It's a battle I am constantly fighting. I am currently working on Book Two of a time travelling trilogy. In this piece I am introducing a new character at the start of the book. Would you be kind enough to let me know your thoughts, bearing in mind the possible over use of flowery language?

Also, I make a solid reference to Mission Impossible. Do I need to change this, or being a parody does it allow me to get away with it?

The piece is meant to be humorous; Hithchikers Guide meets Monty python and Harry Potter. Pitched at Young Adults but adults also enjoy it.

Kent Sondaire - Space Gumshoe

Kent Sondaire sat with Francis Dashwood in the Hellfire Club enjoying fine wine and the attention of several women. Kent was pleased. His plan to get inside the inner workings of the club was working better than expected. As a time travelling private detective, he loved his job. After guffawing and toasting some deity or other, he caught sight of his rotund collaborator, Tratchett Sprall who signalled to him from across the room. Making his excuses, Kent left Dashwood and went to speak with Tratchett.

“The Federation President, Cybele Rain is looking for you. Apparently she has a very urgent assignment that can’t wait. You’ve been pulled,” whispered Tratchett, wiping sweat from his brow.

“Did she say why?” Asked Kent. His eyebrows meshed and the sparkle in his large watery eyes disappeared.

“No, but it must be serious.” Kent nodded, “Okay, we best get going then.

After explaining to Dashwood that he had been called away on urgent Government business, and that his initiation into the Monk’s of Medmenham’s inner circle would have to wait until the next full moon, he joined Tratchett at the cloakroom.

Removing their monks’ habits, they took their coats and, after checking they weren’t being followed, strode from the building. Running across the waterlogged lawn toward a line of outhouses, they left a line of holes where their boots broke through the sod.

“How I detest the dawn,” said Tratchett into his voice recorder, “the grass always looks like it’s been left out all night.”

Reaching the corner of the Orangery, Kent stopped and looked warily around. Visibility was poor as the moon was hidden behind a bank of cloud, and the humid air held a fine mist of rain.

Satisfied no one was watching, he opened the glass door of the Orangery and they went inside. Kent pushed a sequence of buttons on an old TV remote control and 30 meters away an orange Volkswagen camper van, circa 1970, materialized amongst the orange trees in the centre of the building. This was not his usual means of travel, but Kent had affectionately come to know it as the ‘Jaffa’. His pride and joy, a converted DeLorean DMC-12 car, was stolen and crashed by joy riders on a visit to Earth in 1985. The Galactic Insurance Company were playing hardball and wouldn’t pay up, claiming the space ship’s demise was an act of some God or other. He’d managed to get it off Earth, but it had been stored in a Mytherian repair shop ever since. Kent was forced to borrow an old space ship from his cousin’s business, ‘The Orange Paint Company’.

Parked amongst the citrus trees, the orange, retro Volkswagen camper van, emblazoned with the words, ‘To Boldly Go Where No Ones Painted Before’, written in gold down the side, was his. For now.

“Kent Sondaire, space gum shoe, and righteous upholder of the galactic code has left the building,” said Tratchett, presenting a running commentary into his throat recorder as they moved toward the van. “Our super sleuth is embarking on another crusade to save the galaxies from the forces of evil!”

Kent pushed another button and the doors on the van opened. Tratchett looked at Kent.

"With my brains and your looks, we could go places,” he quipped.

Reaching the camper van, a dog, part husky, part sneaky neighbours mutt, came rushing out and launched itself head long at Kent, grabbing his leg, hugging and humping it with gleeful abandon the way dogs do.

“Laika, down girl!” whispered Kent, as loud as he dared while walking stiff legged to the camper van with the grinning dog humping his shin.

“What do you expect,” said Trent, shaking his head and grinning. “Ever since we rescued the Muttnik from that Russian tin can orbiting earth, she’s been saying thank you!”

“I know, but it’s embarrassing. Who’d have thought girl dogs hump!” replied Kent, trying to shake the dog loose.

Tratchett jumped into the van as Kent carefully prized Laika off his leg, tucked her under his arm, and climbed inside.

“So much bigger on the inside,” said Tratchett into his recorder. He wasn’t kidding. Inside the camper van was a large circular room with four doors. In the centre of the room stood a raised platform with two large leather swivel chairs, a dog basket, and two consoles all placed in front of two large monitor screens. Tratchett took the left hand seat. Putting Laika in the basket, Kent smiled as she found her toy, an orange haired, fat humanoid doll that would shout ‘bigly’ and ‘fake’ whenever you squeezed its stomach. She grabbed it with her front paws and, with an inane grin, humped it mercilessly. Kent sat down in the right hand seat and pushed a button on the console. A column of light fizzed, and a metre tall, officious looking holographic figure of a bald man in a dark suit appeared in front of them.

“Good morning Mr Sondaire. Your mission Kent, should you decide to accept it, is to locate…” The hologram spluttered and the man wheezed loudly, before continuing, “two missing historical Earth figures, Leonardo da Vinci and Michel de Nostradame. They are accused of stealing a sedan chair and an amulet that the Federation require. They have been located in Elizabethan England. Further information, including biographies and historical notes pertaining to the mission have been uploaded to your spacecraft. As always, should you or Mr Small be caught or killed, the President will disavow any knowledge of your actions. This hologram will erase itself in five seconds.”

“It’s Sprall, not Small!” shouted Tratchett at the hologram.

Kent opened the attached, mission-briefing file. A concise history of Elizabethan England, and several pictures appeared on their screens. Tratchett checked the planet, year, location and time, then searched for a wormhole. Rather dramatically, the holographic figure exploded in a slow motion dance across the console.

“Good riddance,” murmured Tratchett before turning on his throat recorder. “To save the world, our intrepid super sleuth and his much sought after biographer, Tratchett Thadious, Meryweather, Sprall, are going back to the future!” he roared, pumping his stubby little arms in the air. He turned excitedly to Kent. “This reminds me of the time me and ‘Winst’ wrote that famous speech…” Kent pulled the flight controller wheel toward him, and floored the accelerator.

“Never, in the fields of—aaahhhhhh!” Tratchett’s shrill voice, like the agonizing squeal of a parakeet caught in a speeding mouse wheel, matched the roar of the engine as they disappeared in a cloud of steam and rain from eighteenth century England.

Fifteen minutes into their journey, they reached the end of the wormhole they were travelling down and excited somewhere over the Mediterranean. They had a 30 minute wait until the next wormhole opened.

As they floated, cloaked above the sea, Kent turned to Tratchett.

“You realize we’re going back into the past, not the future?”

“Semantics,” laughed the little man. “Past, future, it’s all the same,” he continued, before opening his voice recorder.

“The old sloop passed Black Rock Beacon, its navigation lights flickered on the still water…”

“What?” Queried Kent, as he checked again, the timing of the opening of the wormhole that would take them on their journey. Tratchett looked up.

“What, what?”

“What were you reading?” Tratchett’s bemused face creased and he grinned.

“It’s the opening paragraph to your autobiography.”

“We’ve never been on a sloop, have we?’

“Of course not, it’s poetic license. Every book needs a strong beginning that captures the imagination and pulls the reader in.”

“I will get to see the draft?’ asked Kent. Tratchett turned toward Kent and smiled,

“Of course you will,” smiled Tratchett, “of course you will.”
 
Hi @The Bloated One, few thoughts on the writing, comments in line and bolded.

Kent Sondaire - Space Gumshoe

Kent Sondaire sat with Francis Dashwood in the Hellfire Club enjoying fine wine and the attention of several women. Kent was pleased. Not sure how much I like these opening sentences, show me what he's doing to enjoy his wine, and you're telling me he has the attention of women but I want to be shown, are they talking to him? Hanging off his arms? Also, show me how Kent was pleased, does he have a grin plastered across his face? Is he quietly pleased? His plan to get inside the inner workings of the club was working better than expected. As a time travelling private detective, he loved his job. Again way too telly, show him checking for clues or something, then introduce he loves his job, perhaps as an internal comment. After guffawing and toasting some deity or other, he caught sight of his rotund collaborator, Tratchett Sprall who signalled to him from across the room. Making his excuses, Kent left Dashwood and went to speak with Tratchett.

“The Federation President, Cybele Rain is looking for you. Apparently she has a very urgent assignment that can’t wait. You’ve been pulled,” whispered Tratchett, wiping sweat from his brow. If his plan was to get inside the inner workings of the club, why is his collaborator there and talking about something completely different?

“Did she say why?” Asked Kent. His eyebrows meshed and the sparkle in his large watery eyes disappeared.

“No, but it must be serious.” Kent nodded, “Okay, we best get going then.

After explaining to Dashwood that he had been called away on urgent Government business, and that his initiation into the Monk’s of Medmenham’s inner circle would have to wait until the next full moon, he joined Tratchett at the cloakroom. I got confused as to why he was sitting with Dashwood and then left to speak to Trachett, and then back. I think that you should have him sitting with Trachett first, and then go over to explain to Dashwood that he needs to leave, then return because it seems like this Dashwood character is not as important right now so he definitely doesn't need to be in the opening line.

Removing their monks’ habits, they were wearing monk's habits? they were in a gentleman's club right? why the monk's habits, it's too quick a intoduction of this they took their coats and, after checking they weren’t being followed, strode from the building. Running across the waterlogged lawn toward a line of outhouses, they left a line of holes where their boots broke through the sod.

“How I detest the dawn,” said Tratchett into his voice recorder, “the grass always looks like it’s been left out all night.” kinda funny, I suppose

Reaching the corner of the Orangery, This came a bit abruptly, I didn't know they were going to an orangery Kent stopped and looked warily around. Visibility was poor as the moon was hidden behind a bank of cloud, and the humid air held a fine mist of rain.

Satisfied no one was watching, he opened the glass door of the Orangery and they went inside. Kent pushed a sequence of buttons on an old TV remote control and 30 meters away an orange Volkswagen camper van, circa 1970, materialized amongst the orange trees in the centre of the building. This was not his usual means of travel, but Kent had affectionately come to know it as the ‘Jaffa’. His pride and joy, a converted DeLorean DMC-12 car, was stolen and crashed by joy riders on a visit to Earth in 1985. nice reference The Galactic Insurance Company were playing hardball and wouldn’t pay up, claiming the space ship’s demise was an act of some God or other. He’d managed to get it off Earth, but it had been stored in a Mytherian repair shop ever since. Kent was forced to borrow an old space ship from his cousin’s business, ‘The Orange Paint Company’.

Parked amongst the citrus trees, the orange, retro Volkswagen camper van, emblazoned with the words, ‘To Boldly Go Where No Ones Painted Before’, written in gold down the side, was his. For now.

“Kent Sondaire, space gum shoe, and righteous upholder of the galactic code has left the building,” said Tratchett, presenting a running commentary into his throat recorder as they moved toward the van. “Our super sleuth is embarking on another crusade to save the galaxies from the forces of evil!”

Kent pushed another button and the doors on the van opened. Tratchett looked at Kent.

"With my brains and your looks, we could go places,” he quipped.

Reaching the camper van, a dog, part husky, part sneaky neighbours mutt, came rushing out and launched itself head long at Kent, grabbing his leg, hugging and humping it with gleeful abandon the way dogs do.

“Laika, down girl!” If it's a girl dog it probably wouldn't be humping his leg, no? I confess I've never had a dog but I don't think they do that. whispered Kent, as loud as he dared while walking stiff legged to the camper van with the grinning dog humping his shin.

“What do you expect,” said Trent, shaking his head and grinning. “Ever since we rescued the Muttnik from that Russian tin can orbiting earth, she’s been saying thank you!”

“I know, but it’s embarrassing. Who’d have thought girl dogs hump!” replied Kent, trying to shake the dog loose. Oh ok you've lampshaded it, that's fine.

Tratchett jumped into the van as Kent carefully prized Laika off his leg, tucked her under his arm, and climbed inside.

“So much bigger on the inside,” said Tratchett into his recorder. He wasn’t kidding. Inside the camper van was a large circular room with four doors. In the centre of the room stood a raised platform with two large leather swivel chairs, a dog basket, and two consoles all placed in front of two large monitor screens. Tratchett took the left hand seat. Putting Laika in the basket, Kent smiled as she found her toy, an orange haired, fat humanoid doll that would shout ‘bigly’ and ‘fake’ whenever you squeezed its stomach. She grabbed it with her front paws and, with an inane grin, humped it mercilessly. Ok this is the first time that I inwardly laughed, it's a good one, though it could become dated Kent sat down in the right hand seat and pushed a button on the console. A column of light fizzed, and a metre tall, officious looking holographic figure of a bald man in a dark suit appeared in front of them.

“Good morning Mr Sondaire. Your mission Kent, should you decide to accept it, is to locate…” The hologram spluttered and the man wheezed loudly, before continuing, “two missing historical Earth figures, Leonardo da Vinci and Michel de Nostradame. They are accused of stealing a sedan chair and an amulet that the Federation require. They have been located in Elizabethan England. Further information, including biographies and historical notes pertaining to the mission have been uploaded to your spacecraft. As always, should you or Mr Small be caught or killed, the President will disavow any knowledge of your actions. This hologram will erase itself in five seconds.”

“It’s Sprall, not Small!” shouted Tratchett at the hologram.

Kent opened the attached, mission-briefing file. A concise history of Elizabethan England, and several pictures appeared on their screens. Tratchett checked the planet, year, location and time, then searched for a wormhole. Rather dramatically, the holographic figure exploded in a slow motion dance across the console.

“Good riddance,” murmured Tratchett before turning on his throat recorder. “To save the world, our intrepid super sleuth and his much sought after biographer, Tratchett Thadious, Meryweather, Sprall, are going back to the future!” he roared, pumping his stubby little arms in the air. He turned excitedly to Kent. “This reminds me of the time me and ‘Winst’ wrote that famous speech…” Kent pulled the flight controller wheel toward him, and floored the accelerator.

“Never, in the fields of—aaahhhhhh!” Tratchett’s shrill voice, like the agonizing squeal of a parakeet caught in a speeding mouse wheel, matched the roar of the engine as they disappeared in a cloud of steam and rain from eighteenth century England.

Fifteen minutes into their journey, they reached the end of the wormhole they were travelling down and excited somewhere over the Mediterranean. They had a 30 minute wait until the next wormhole opened.

As they floated, cloaked above the sea, Kent turned to Tratchett.

“You realize we’re going back into the past, not the future?”

“Semantics,” laughed the little man. “Past, future, it’s all the same,” he continued, before opening his voice recorder.

“The old sloop passed Black Rock Beacon, its navigation lights flickered on the still water…”

“What?” Queried Kent, as he checked again, the timing of the opening of the wormhole that would take them on their journey. Tratchett looked up.

“What, what?”

“What were you reading?” Tratchett’s bemused face creased and he grinned.

“It’s the opening paragraph to your autobiography.”

“We’ve never been on a sloop, have we?’

“Of course not, it’s poetic license. Every book needs a strong beginning that captures the imagination and pulls the reader in.”

“I will get to see the draft?’ asked Kent. Tratchett turned toward Kent and smiled,

“Of course you will,” smiled Tratchett, “of course you will.”

Nice introduction to the characters, I think the opening paragraph lets it down though. I might be inclined to start the story at the part where they go to get the van, add in the dialogue from the club into the walk over. Depends on if the club is important later on or you want to use it for character reasons.

The part about him being a time travelling private detective would be in the blurb, you don't necessarily need to tell us, show us with the van travelling, what do they see and what do they think about it.

You mentioned about you using too flowery language and I didn't notice that it was, sometimes people call me out for the same though so maybe I'm wrong. I noticed I didn't have much of a clear picture of how the characters looked.
 
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Hi Edoc'sil

Thanks for the suggestions, I'll have a go at rejigging the beginning and pop it up soon.

I too was surprised to find that female dogs do indeed 'hump' their owners! Research is a wonderful thing, so I made sure the 'surprise knowledge' was mentioned.

Yes, it was a gentlemen's club founded in 1718;

The Hellfire Club was a name for several exclusive clubs for high-society rakes established in Britain and Ireland in the 18th century. The name is most commonly used to refer to Sir Francis Dashwood's Order of the Friars of St. Francis of Wycombe. Such clubs were rumoured to be the meeting places of "persons of quality" who wished to take part in socially perceived immoral acts, and the members were often involved in politics. Neither the activities nor membership of the club are easy to ascertain. It was infamous as the location of The Hellfire Club, formerly called the Monks of Medmenham.

The idea is that while on a case at the Hellfire Club something far more important comes up and Kent has to leave quickly. It will then become apparent later on that every Tom, Dick and Alien are about to descend on Elizabethan England, and Kent and a shed load of 'good guys' will try and save the day.

Thanks again!
 
You had me at:
Hithchikers Guide meets Monty python and Harry Potter

You got a lot of chuckles out of me. Statements like, "With my brains and your looks, we could go places,” were a really sweet surprise.

I have a suggestion that may seem slightly against the norm here: take your time with this.

You've got some creative world-building, and clearly colorful characters. Your reader WANTS to get to know them. WANTS to taste the world and see it through their eyes. You can actually slow down, and - yes, I mean this - add more words.

Enjoy this ride. I absolutely did, even though it was a little too quick. Keep writing!

P. S. Thanks for explaining the references! You'll have to include that tidbit in the book, either before or after (maybe in place of a map).
 
Hi Thisreidwrites,

Thanks for your comments, really appreciate you stopping by.

You make some interesting points. I'll see what I can add during the rewrite. A description of Kent is a great suggestion from Edoc'sil, so I can play with that. Maybe the interior of the campervan could do with a refresh, and comment on the smell!

If you or anyone else would like a free copy of book one in Epub, Epdf or Mobi as background, PM me and I'll send it through. If you prefere an Audio version you can have that too, but it is over 600mb. I can send via WeTransfer.
 
Kent Sondaire - Space Gumshoe

Kent Sondaire sat with Francis Dashwood in the Hellfire Club enjoying fine wine and the attention of several women. Kent was pleased. His plan to get inside the inner workings of the club was working better than expected. As a time travelling private detective, he loved his job. After guffawing and toasting some deity or other, he caught sight of his rotund collaborator, Tratchett Sprall who signalled to him from across the room. Making his excuses, Kent left Dashwood and went to speak with Tratchett.

“The Federation President, Cybele Rain is looking for you. Apparently she has a very urgent assignment that can’t wait. You’ve been pulled,” whispered Tratchett, wiping sweat from his brow.

“Did she say why?” Asked Kent. His eyebrows meshed and the sparkle in his large watery eyes disappeared.

“No, but it must be serious.” Kent nodded, “Okay, we best get going then.

After explaining to Dashwood that he had been called away on urgent Government business, and that his initiation into the Monk’s of Medmenham’s inner circle would have to wait until the next full moon, he joined Tratchett at the cloakroom.

Removing their monks’ habits, they took their coats and, after checking they weren’t being followed, strode from the building. Running across the waterlogged lawn toward a line of outhouses, they left a line of holes where their boots broke through the sod.

“How I detest the dawn,” said Tratchett into his voice recorder, “the grass always looks like it’s been left out all night.”

Reaching the corner of the Orangery, Kent stopped and looked warily around. Visibility was poor as the moon was hidden behind a bank of cloud, and the humid air held a fine mist of rain.

Satisfied no one was watching, he opened the glass door of the Orangery and they went inside. Kent pushed a sequence of buttons on an old TV remote control and 30 meters away an orange Volkswagen camper van, circa 1970, materialized amongst the orange trees in the centre of the building. This was not his usual means of travel, but Kent had affectionately come to know it as the ‘Jaffa’. His pride and joy, a converted DeLorean DMC-12 car, was stolen and crashed by joy riders on a visit to Earth in 1985. The Galactic Insurance Company were playing hardball and wouldn’t pay up, claiming the space ship’s demise was an act of some God or other. He’d managed to get it off Earth, but it had been stored in a Mytherian repair shop ever since. Kent was forced to borrow an old space ship from his cousin’s business, ‘The Orange Paint Company’.

Parked amongst the citrus trees, the orange, retro Volkswagen camper van, emblazoned with the words, ‘To Boldly Go Where No Ones Painted Before’, written in gold down the side, was his. For now.

“Kent Sondaire, space gum shoe, and righteous upholder of the galactic code has left the building,” said Tratchett, presenting a running commentary into his throat recorder as they moved toward the van. “Our super sleuth is embarking on another crusade to save the galaxies from the forces of evil!”

**could he maybe hum a dramatic tune as well?**


Kent pushed another button and the doors on the van opened. Tratchett looked at Kent.

"With my brains and your looks, we could go places,” he quipped.

Reaching the camper van, a dog, part husky, part sneaky neighbours mutt, came rushing out and launched itself head long at Kent, grabbing his leg, hugging and humping it with gleeful abandon the way dogs do.

“Laika, down girl!” whispered Kent, as loud as he dared while walking stiff legged to the camper van with the grinning dog humping his shin.

“What do you expect,” said Trent, shaking his head and grinning. “Ever since we rescued the Muttnik from that Russian tin can orbiting earth, she’s been saying thank you!”

“I know, but it’s embarrassing. Who’d have thought girl dogs hump!” replied Kent, trying to shake the dog loose.

Tratchett jumped into the van as Kent carefully prized Laika off his leg, tucked her under his arm, and climbed inside.

“So much bigger on the inside,” said Tratchett into his recorder. He wasn’t kidding. Inside the camper van was a large circular room with four doors. In the centre of the room stood a raised platform with two large leather swivel chairs, a dog basket, and two consoles all placed in front of two large monitor screens. Tratchett took the left hand seat. Putting Laika in the basket, Kent smiled as she found her toy, an orange haired, fat humanoid doll that would shout ‘bigly’ and ‘fake’ whenever you squeezed its stomach. She grabbed it with her front paws and, with an inane grin, humped it mercilessly **here insert the doll's noises as it's being humped** . Kent sat down in the right hand seat and pushed a button on the console. A column of light fizzed, and a metre tall, officious looking holographic figure of a bald man in a dark suit appeared in front of them.

“Good morning Mr Sondaire. Your mission Kent, should you decide to accept it, is to locate…” The hologram spluttered and the man wheezed loudly, before continuing, “two missing historical Earth figures, Leonardo da Vinci and Michel de Nostradame. They are accused of stealing a sedan chair and an amulet that the Federation require. They have been located in Elizabethan England. Further information, including biographies and historical notes pertaining to the mission have been uploaded to your spacecraft. As always, should you or Mr Small be caught or killed, the President will disavow any knowledge of your actions. This hologram will erase itself in five seconds.”

“It’s Sprall, not Small!” shouted Tratchett at the hologram.

Kent opened the attached, mission-briefing file. A concise history of Elizabethan England, and several pictures appeared on their screens. Tratchett checked the planet, year, location and time, then searched for a wormhole. Rather dramatically, the holographic figure exploded in a slow motion dance across the console.

“Good riddance,” murmured Tratchett before turning on his throat recorder. “To save the world, our intrepid super sleuth and his much sought after biographer, Tratchett Thadious, Meryweather, Sprall, are going back to the future!” he roared, pumping his stubby little arms in the air. He turned excitedly to Kent. “This reminds me of the time me and ‘Winst’ wrote that famous speech…” Kent pulled the flight controller wheel toward him, and floored the accelerator.

“Never, in the fields of—aaahhhhhh!” Tratchett’s shrill voice, like the agonizing squeal of a parakeet caught in a speeding mouse wheel, matched the roar of the engine as they disappeared in a cloud of steam and rain from eighteenth century England.

Fifteen minutes into their journey, they reached ** I'd be tempted to describe the arrival or journey in some physical way, was it smooth or sudden? Did it feel like tickling or crashing? Car sickness, i can imagine Sprall finding it uncomfortable, in the way the comic sidekick might well do **

the end of the wormhole they were travelling down and excited somewhere over the Mediterranean. They had a 30 minute wait until the next wormhole opened.

As they floated, cloaked above the sea, Kent turned to Tratchett.

“You realize we’re going back into the past, not the future?”

“Semantics,” laughed the little man. “Past, future, it’s all the same,” he continued, before opening his voice recorder.

“The old sloop passed Black Rock Beacon, its navigation lights flickered on the still water…”

“What?” Queried Kent, as he checked again, the timing of the opening of the wormhole that would take them on their journey. Tratchett looked up.

“What, what?”

“What were you reading?” Tratchett’s bemused face creased and he grinned.

“It’s the opening paragraph to your autobiography.”

** maybe make it the closing paragraph of his autobiography, then the next question... **


“We’ve never been on a sloop, have we?’

** ...could become become part of another running joke, that the book is being written in a different order from the order the life it's about is being lived in. Sprall seems to think this is perfectly reasonable but for comic effect Kent can never quite get his head around it? Just a thought! **

“Of course not, it’s poetic license. Every book needs a strong beginning that captures the imagination and pulls the reader in.”

“I will get to see the draft?’ asked Kent. Tratchett turned toward Kent and smiled,

“Of course you will,” smiled Tratchett, “of course you will."

I also caught a load of other references, doctor who, back to the future, star trek...

What I've bolded could just be taken out, what's got ** is a suggestion for adding in.

Personally I think you could make more of the club scene at the start, instead of cutting it .. though like a bond movie make it seem unrelated till the right moment later on (I love a good foreshadowing, me...)

I agree with other critiques, this is funny and definitely has legs. Don't hold back on the absurd!
 
Saiyali,

Thanks for your comments!

There are many references to films, TV series et al. There is also a nod to Film Noire, I wonder if you found it?

I am working through everyone's comments, and trying to use them where I think I should. Stay tuned for a rewrite.

The Bloated One
 
Thanks to everyone with your suggestions. Here is a new draft, taking into consideration your thoughts and suggestions...


Kent Sondaire - Space Gumshoe


Kent Sondaire sat with Francis Dashwood in the amber torch light of the Inner Temple cave of the Hellfire Club. They talked, enjoying fine wine and music from a quintet. Around their table, members and female guests danced on the cave floor, their shadows cavorting grotesquelly with the mythical paintings and phallic symbols on the cave walls. A heady mix of perfume and sweat pervaded the cave.

Kent was pleased. As a time travelling private detective, he loved his job. His latest mission to get accepted into Dashwood’s club, and find the names of the members, was going better than expected. After guffawing and toasting some deity or other he caught sight of his biographer, Tratchett Sprall. Despite being coddled by an over affectionate woman, Sprall signalled to him from across the room. Making his excuses, Kent left Dashwood and went to speak with Tratchett.

Despite his size, ‘Podgy Sprall’ as Kent called him, broke free from his amourous suitor and they quickly found a corner to talk.

“The Federation President, Cybele Rain is looking for you,” said Sprall, dabbing sweat from his brow. “Apparently she has a very urgent assignment that can’t wait. You’ve been pulled.”

“Did she say why?” Asked Kent. His forest of eyebrows meshing.

“No, but it must be serious,” said Sprall, with a wobble of his double chin. “She’s doubling our retainer!” Kent’s brown watery eyes glinted and, with the thought of another adventure and more money, he smirked and rolled the tips of his English moustache.

After explaining to Dashwood that he had been called away on urgent Government business, and that his initiation into the club would have to wait until the next full moon, he joined Tratchett at the exit to the caves.

Removing their habits, all part of the initiation ceremony, they took their coats. They strode along the tunnels, occasionally checking they weren’t being followed, and exited the cave system. Running across the waterlogged lawn toward a line of outhouses, they left a line of holes where their boots broke through the sod.

“How I detest the dawn,” said Tratchett into his voice recorder, “the grass always looks like it’s been left out all night.”

In the distance they could see the Dashwood Mausoleum. Arriving at the entrance, Kent stopped and looked warily around. Visibility was poor as the moon was hidden behind a bank of cloud, and the humid air held a fine mist of rain.

Satisfied no one was watching, he pushed open the oak door and they slipped inside. Kent pushed a sequence of buttons on an old TV remote control and 20 meters away an orange Volkswagen camper van, circa 1970, materialized. This was not his usual means of travel, but Kent had affectionately come to know it as the ‘Jaffa’. His pride and joy, a converted DeLorean DMC-12 car, was stolen and crashed by joy riders on a visit to Earth in 1985. The Galactic Insurance Company were playing hardball and wouldn’t pay up, claiming the space ship’s demise was an act of some God or other. He’d managed to get it off Earth, but it had been in a Mytherian repair shop ever since. Kent was forced to borrow an old space ship from his cousin’s business, ‘The Orange Paint Company’.

Parked amongst the marble burial chambers, the orange retro Volkswagen camper van emblazoned with the words, ‘To Boldly Go Where No Ones Painted Before’, written in gold down the side, was his. For now.

“Kent Sondaire, space gum shoe, and righteous upholder of the galactic code has left the building,” said Tratchett, presenting a running commentary into his throat recorder as they moved toward the van. “Our super sleuth is embarking on another crusade to save the galaxies from the forces of evil!”

Kent pushed another button and the doors opened. Tratchett looked at Kent.

"With my brains and your looks, we could go places,” he quipped.

Reaching the camper van, a dog, part husky, part sneaky neighbours mutt, came rushing out and launched itself head long at Kent, grabbing his leg, hugging and humping it with gleeful abandon the way dogs do.

“Laika, down girl!” whispered Kent, as loud as he dared while walking stiff legged to the camper van with the grinning dog humping his shin.

“What do you expect,” said Trent, shaking his head and grinning. “Ever since we rescued the Muttnik from that Russian tin can orbiting earth, she’s been saying thank you!”

“I know, but it’s embarrassing. Who’d have thought girl dogs hump!” replied Kent, trying to shake the dog loose.

Tratchett jumped into the van as Kent carefully prized Laika off his leg, tucked her under his arm, and climbed inside.

“So much bigger on the inside,” said Tratchett into his recorder. He wasn’t kidding. Inside the camper van was a large circular room with four doors. In the centre of the room stood a raised platform with two large leather swivel chairs, a dog basket, and two consoles all placed in front of two large monitor screens. Tratchett took the left hand seat. Putting Laika in the basket, Kent smiled as she found her toy, an orange haired, fat humanoid doll. She grabbed it with her front paws and, with an inane grin, humped it mercilessly, as it cried ‘bigly’ and ‘fake’. Kent sat down in the right hand seat and pushed a button on the console. A column of light fizzed, and a metre tall, officious looking holographic figure of a bald man in a dark suit appeared in front of them.

“Good morning Mr Sondaire. Your mission Kent, should you decide to accept it, is to locate…” The hologram spluttered and the man wheezed loudly, before continuing, “two missing historical Earth figures, Leonardo da Vinci and Michel de Nostradame. They are accused of stealing a sedan chair and an amulet that the Federation require. They have been located in Elizabethan England. Further information, including biographies and historical notes pertaining to the mission have been uploaded to your spacecraft. As always, should you or Mr Small be caught or killed, the President will disavow any knowledge of your actions. This hologram will erase itself in five seconds.”

“It’s Sprall, not Small!” shouted Tratchett at the hologram.

Kent opened the attached, mission-briefing file. A concise history of Elizabethan England, and several pictures appeared on their screens. Tratchett checked the planet, year, location and time, then searched for a wormhole. Rather dramatically, the holographic figure exploded in a slow motion dance across the console.

“Good riddance,” murmured Tratchett before turning on his throat recorder. “To save the world, our intrepid super sleuth and his much sought after biographer, Tratchett Thadious, Meryweather, Sprall, are going back to the future!” he roared, pumping his stubby little arms in the air. He turned excitedly to Kent. “This reminds me of the time me and ‘Winst’ wrote that famous speech…” Kent pulled the flight control wheel toward him, and pressed the button named ’music to fly by’ before flooring the accelerator.

“Never, in the fields of—aaahhhhhh!” Tratchett’s shrill voice was matched only by the roar of the engine and an earsplitting cacophony of trumpets and strings as they disappeared in a cloud of steam and rain from eighteenth century England.

Fifteen minutes into their journey, they reached the end of the wormhole. As the ship shuddered to an abrupt stop, Sprall’s chair tipped backward and sent him tumbling to the floor, shouting all manner of colourful curses. They had excited the wormhole somewhere over the Mediterranean.

As they floated, cloaked, above the sea Kent managed to help the ‘beached’ Sprall back to his chair.

“You realize we’re going into the past, not the future?”

“Semantics,” said Sprall, clearing his throat. “Past, future, it’s all the same,” he continued, before coughing and opening his voice recorder.

“The old sloop passed Black Rock Beacon, its navigation lights flickered on the still water…”

“What?” Queried Kent, as he checked again, the timing of the opening of the next wormhole that would take them on their journey. Tratchett looked up.

“What, what?”

“What were you reading?” Tratchett’s bemused face creased and he grinned.

“It’s the closing paragraph of your autobiography.”

“We’ve never been on a sloop, have we?

“Of course not, it’s poetic license. Every book needs a strong ending.”

“What about the beginning, and the middle?’ asked Kent, sounding confused.

Sprall turned toward him and left his chair. “Do you trust me?” he asked, smiling as he left the room.
 
Hi! This is my first critique, so apologies if I'm doing it wrong :)

Others have left some great line edits, so I thought I would just share some of my impressions/questions from my reading experience:
  • In the first few paragraphs, I wonder if there are ways to fold some of the telling into the description and action? E.g., "One of the perks of being a time traveling detective was watching luscious Regency women dance in a private club..."
  • I got confused about Tratchett Sprall because he was referred to by both names, and in such a short piece, I hadn't yet solidified who he was.
  • This is personal preference — but "fat" and "sweaty" don't really tell me a lot about Sprall as a character. They're cultural shorthand for "lazy" or "unappealing," that are based on some not so great stereotypes about fat people...
  • This is a sequel, so readers will probably already know Kent, but I wondered if he has any props or strong visual descriptors (trench coat, keys he jangles, fedora, etc)
  • For me, the piece really picks up steam when they get to the car — I start to hear hints of Kent's voice in his description of his automobile woes. The dog is GREAT
  • On the note of voice — right now, the piece feels like it's fairly distant 3rd, with no real access to anyone's internal experience. I might suggest it could be fun to play around with taking that narrative voice into the character's heads, and giving the voice a kind of character of its own (dry, British humor is the vibe I get).
  • You do a great job of telling us everything we need to know about how they time travel without getting into any unnecessary details — well done! The section inside the car (holographic message, wormhole, etc) are very effective worldbuilding!
Hopefully some of this is helpful to consider!
 

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