Space Opera opening, 1300 words

DrStrangelove

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Here are the opening paragraphs of my attempt at a space opera. Compared to the manusript the formatting is a little off due to the fact that I write dialogue as I would in a play (I have no idea if that works or I should just scrap that entirely), other than that - you can fire away the tungsten batteries of criticism. Not being a native means there may be phrases I find flowery, and you will find absurd :D


In the last days of Karnar, as tungsten thundered in the skies, an angel fell to earth.

Ceramic heat shields where their wings, and as they parted from the body, shining orange gave way to a blinding form. Their body was that of a marble statue, their face as unliving as the stone itself. Where their silver armor plates disconnected, bundles of tense muscles bristled from beneath, as if there was no skin to cover the body. As they descended to the ground with a storm of fire, they raised a silver spear, from which a long, purple standard waved in the twilight winds.

Despite their godly nature, the Angel bore the form of a Human, for it was the Human who made them in their image. Perfect in form and total in visage, they were the final realization of the greatest Idea ever to grace the Known Kosmos, the Ur-Idea that raged across the Great Abyss, and where they went, the Idea followed through peace and through war. The Idea called the Empire, the Empire called Porphyr.

As the roaring thunder of their landing shook the castle grounds, the Angel opened their chest cavity, and from within emerged the Human.

***

Enter JOACHIM, FREIHERR EOFOROS

With the internal pumps slowly draining oxidizing fluid from within the amplifier armour’s chest, Joachim woke up with a crimson stream bursting from their lungs. Coughing out the remaining liquid, they pulled out control electrodes from the neck and released the cockpits hatch, slithering from within the machine's abdomen. Out in the open, assault troopers of Porphyr already awaited them with towels and a clean uniform. Rising from the ground, naked body still dripping off the oxidizer, Joachim finally took a deep breath of fresh air.

OFFICER, their voice electronically distorted due to the combat mask

“Welcome to Karnar, Freiherr Eoforos. As above, so below.”

JOACHIM

“We all meet in the Axis.”

One by one, the soldiers gathered in line, raising their hands in a salute, not towards Joachim, but the purple flag held firmly by the amplifier armour. The flag was no ordinary battle standard, as the silver sphynx embroidered upon it was that of Basileos Imperator themselves, the solitary tear dripping from it’s eye one of the oldest and most revered symbols in the Empire. As Joachim returned the greeting, a young soldier started dressing them in the proper undergarments, while another prepared a black, linen thorax breastplate sporting the silver star of the Fleet in the Imperial Presence. Fastening the belt and making sure that everything fit perfectly, the final touch was an honorary, purple semi-caprine symbolizing full immunity only befitting the person of of a diplomat, Basilkios Mandator, Voice to the Idea.

Dressed in the uniform, Joachim felt as if back into their armor, but one far more durable than anything technology could provide. In the uniform, they felt one with Porphyr, and Porphyr was one with them.

OFFICER

“Do not worry at the site of our gear. The atmosphere should be perfectly safe to breath. I understand your body has been prepared?”

JOACHIM

“Anti-microbial shots will suffice?”

OFFICER

“Most certainly.”

JOACHIM

“Good. I am ready to meet the Prophet.”

OFFICER

“I will lead the way.”


***

JOACHIM

“How is the invasion progressing?”

OFFICER

“Fighting in the capital is already at an end. Most of the resistance centers have already been broken.”

JOACHIM

“The Prophets honour guard?”

OFFICER

“The Sacred Band is no more. They withheld the longest.”

JOACHIM

“As Tradition dictates.”

OFFICER

“A shame, really. Good, honest warriors, loyal to the core. Most of us…”

JOACHIM

“Would never stand that long?”

OFFICER

“That is one way to put it, Freiherr. On the other hand, we did stand long enough to break their resistance, orbital support or not. They did fight to the last…”

JOACHIM

“Good. At least some of their values remained true. What about the collateral damage?”

OFFICER

“Several orbital strikes were apparently... miscalculated.”

JOACHIM

“By which you mean…”

OFFICER

“I leave it to your own assessment”

JOACHIM

“If that's the case, I will ask you to fetch me a shuttle when I’m done with the matters at hand.”

OFFICER

“I will, Freiherr Eoforos.”

A long silence commenced as the two closed to the castle grounds, dust storms slowly gathering on the horizon, veiling the red, setting sun. The Prophet’s castle was situated deep into the Karnarian province, an abode as isolated as it’s master. Far from the high imperial standard, the building resembled neither the architecture common to Porphyr’s core nor its outer provinces, clearly founded long before the Empire reached back for the planet. Sharp archways carved in rough, brown stone led through a labyrinthine courtyard devoid of any ornamenta, highly austere for a place clearly intended for some long-gone aristocrat, and now inhabited by a self-proclaimed despot.

OFFICER

“Can I ask you a question, Freiherr?”

JOACHIM

“Of course”

OFFICER

“Do you know anything of the Prophet?”

JOACHIM

“I did… encounter them during my time with the Fleet Magistros. They were their official representative and, later, the strategos themata governing this part of the planet after the second reconquest. We know each other quite well”.

OFFICER

“What... are they like?”,

JOACHIM

“Arrogant, stubborn, full of themselves and too imaginative for their own good, with complete inability to appreciate what they were given.”

As they reached the castle gate, the officer stopped. For a moment Joachim got the unpleasant impression of being cautiously probed , but through the mask doned by the soldier it was impossible to tell.

OFFICER

“As all traitors are, it seems. I will notify the ground forces to delegate a shuttle, Freiherr. I’ve already been provided with your frequency, you will be notified as soon as it arrives. If you will pardon me, I will have to attend to my troops now.”

JOACHIM

“I will contact you as soon as my duties here are finished.”

***

Cold wind whistling amongst the crumbling walls, Joachim stopped to clear their mind and quietly recite the Words, the same Words they painfully rehearsed a hundred times before arrival, the only Words that mattered.

JOACHIM

“By the Tyrian cloak bestowed upon me and with full authority of Basileos Imperator Themselves, I hereby decla…”

Suddenly, both their voice and mind failed them, rejecting the sentence. Was it the castle’s aura that held them from finishing? Was it the slight difference in gravity meddling in their inner sense of stability? Trying to put themselves together and resume the recitation, the diplomat heard a quiet patter coming from the side. Cautiously turning around, they glimpsed a thin, dark silhouette, jumping behind a column. As they slowly stepped towards the courtyard's edge, it occurred to them that the phantasm did not cast any shadow. Before Freiherr managed to call out, they heard a cacophony of grinding gearheads, followed by the high-pitched hiss of opening door. From within, a withered elder emerged, wrapped in a rough, grey robe, silver, geometric accents along it’s folded edges. Their eyes have been subtly emphasized with black ink, as were their inner lips. Entering the courtyard, they unveiled a small orb barely visible in between fingers, and as they waved it in the air, rows of chalices, previously dead, exploded with cold, white fire all around them, illuminating the place in a deathly aura.

With a shallow bow towards Joachim, the elder invited them to the castle, and as they disappeared in its bowels, the courtyard chalices slowly went dark, and as they did, so did the thin phantasm, slowly stepping back into the darkness, fading.
 
Last edited:
In the last days of Karnar, as tungsten thundered in the skies, an angel fell to earth.

Ceramic heat shields where
were
their wings,
This is a bit awkward, it feels backwards: Its wings were ceramic heatshields maybe.
and as they parted from the body, shining orange gave way to a blinding form.
I'm confused - what's happened? Has it exploded?
Their body was that of a marble statue, their face as unliving
Cold / blank / dead? If you mean dead, say dead (y)
as the stone itself. Where their silver armor plates disconnected, bundles of tense muscles bristled from beneath, as if there was no skin to cover the body.
Personally I'm not a fan of There were / There was sentences: unnecessary verbs. As if no skin covered the body.
As they descended to the ground with a storm of fire, they raised a silver spear, from which a long, purple standard waved in the twilight winds.

Despite their godly nature, the Angel bore the form of a Human, for it was the Human who made them in their image. Perfect in form and total in visage, they were the final realization of the greatest Idea ever to grace the Known Kosmos, the Ur-Idea that raged across the Great Abyss, and where they went, the Idea followed through peace and through war. The Idea called the Empire, the Empire called Porphyr.
I think the bit in bold needs unpacking somewhat, preferably in dialogue somewhere later. A physical description of the craft is probably enough at this point.
As the roaring thunder of their landing shook the castle grounds, the Angel opened their chest cavity, and from within emerged the Human.
This use of Their as a pronoun for the angel; personally, I'd use its, but I'm a bit 20th century really.
***

Enter JOACHIM, FREIHERR EOFOROS

With the internal pumps slowly draining oxidizing fluid from within the amplifier armour’s chest, Joachim woke up with a crimson stream bursting from their lungs. Coughing out the remaining liquid, they pulled out control electrodes from the neck and released the cockpits hatch, slithering from within the machine's abdomen. Out in the open, assault troopers of Porphyr already awaited them with towels and a clean uniform. Rising from the ground, naked body still dripping off the oxidizer, Joachim finally took a deep breath of fresh air.

OFFICER, their voice electronically distorted due to the combat mask
Are none of the characters going to be He or She? I'm curious, is there a reason to conceal or dispense with gender descriptors on JOACHIM and FREIHERR EOFOROS?
“Welcome to Karnar, Freiherr Eoforos. As above, so below.”

JOACHIM

“We all meet in the Axis.”

One by one, the soldiers gathered in line, raising their hands in a salute, not towards Joachim, but the purple flag held firmly by the amplifier armour. The flag was no ordinary battle standard, as the silver sphynx embroidered upon it was that of Basileos Imperator themselves, the solitary tear dripping from it’s eye one of the oldest and most revered symbols in the Empire. As Joachim returned the greeting, a young soldier started dressing them in the proper undergarments, while another prepared a black, linen thorax breastplate sporting the silver star of the Fleet in the Imperial Presence. Fastening the belt and making sure that everything fit perfectly, the final touch was an honorary, purple semi-caprine symbolizing full immunity only befitting the person of of a diplomat, Basilkios Mandator, Voice to the Idea.
IMO too much telling/worldbuilding here. I also feel in general there should be shorter sentences because a lot of action and description takes place in only three sentences and it's a bit overwhelming.
Dressed in the uniform, Joachim felt as if back into their armor, but one far more durable than anything technology could provide. In the uniform, they felt one with Porphyr, and Porphyr was one with them.

OFFICER

“Do not worry at the site of our gear. The atmosphere should be perfectly safe to breath. I understand your body has been prepared?”

JOACHIM

“Anti-microbial shots will suffice?”

OFFICER

“Most certainly.”

JOACHIM

“Good. I am ready to meet the Prophet.”

OFFICER

“I will lead the way.”


***

JOACHIM

“How is the invasion progressing?”

OFFICER

“Fighting in the capital is already at an end. Most of the resistance centers have already been broken.”

JOACHIM

“The Prophets honour guard?”

OFFICER

“The Sacred Band is no more. They withheld the longest.”

JOACHIM

“As Tradition dictates.”

OFFICER

“A shame, really. Good, honest warriors, loyal to the core. Most of us…”

JOACHIM

“Would never stand that long?”

OFFICER

“That is one way to put it, Freiherr. On the other hand, we did stand long enough to break their resistance, orbital support or not. They did fight to the last…”

JOACHIM

“Good. At least some of their values remained true. What about the collateral damage?”

OFFICER

“Several orbital strikes were apparently... miscalculated.”

JOACHIM

“By which you mean…”
I like it so far, but...
OFFICER

“I leave it to your own assessment”

JOACHIM

“If that's the case, I will ask you to fetch me a shuttle when I’m done with the matters at hand.”
This feels like a bit of an anticlimax .. I want to know what 'miscalculated' means! Now!
OFFICER

“I will, Freiherr Eoforos.”

A long silence commenced as the two closed to the castle grounds, dust storms slowly gathering on the horizon, veiling the red, setting sun. The Prophet’s castle was situated deep into the Karnarian province, an abode as isolated as it’s master. Far from the high imperial standard, the building resembled neither the architecture common to Porphyr’s core nor its outer provinces, clearly founded long before the Empire reached back for the planet. Sharp archways carved in rough, brown stone led through a labyrinthine courtyard devoid of any ornamenta, highly austere for a place clearly intended for some long-gone aristocrat, and now inhabited by a self-proclaimed despot.
I feel this bit in bold could be set in some kind of dialogue ... instead of there being silence + exposition, have the characters tell us about their world - but carefully! They may discuss a posting, or a new assignment or new accommodation, but it would do what this paragraph does as well as show their characters a little.
OFFICER

“Can I ask you a question, Freiherr?”

JOACHIM

“Of course”

OFFICER

“Do you know anything of the Prophet?”
See - now they're talking! This conversation could have started before...
JOACHIM

“I did… encounter them during my time with the Fleet Magistros. They were their official representative and, later, the strategos themata governing this part of the planet after the second reconquest. We know each other quite well”.

OFFICER

“What... are they like?”,

JOACHIM

“Arrogant, stubborn, full of themselves and too imaginative for their own good, with complete inability to appreciate what they were given.”

As they reached the castle gate, the officer stopped. For a moment Joachim got the unpleasant impression of being cautiously probed , but through the mask doned by the soldier it was impossible to tell.

OFFICER

“As all traitors are, it seems. I will notify the ground forces to delegate a shuttle, Freiherr. I’ve already been provided with your frequency, you will be notified as soon as it arrives. If you will pardon me, I will have to attend to my troops now.”

JOACHIM

“I will contact you as soon as my duties here are finished.”

***

Cold wind whistling amongst the crumbling walls, Joachim stopped to clear their mind and quietly recite the Words, the same Words they painfully rehearsed a hundred times before arrival, the only Words that mattered.

JOACHIM

“By the Tyrian cloak bestowed upon me and with full authority of Basileos Imperator Themselves, I hereby decla…”

Suddenly, both their voice and mind failed them, rejecting the sentence. Was it the castle’s aura that held them from finishing? Was it the slight difference in gravity meddling in their inner sense of stability?
Not keen on these questions, because you don't then answer them!
Trying to put themselves together and resume the recitation, the diplomat heard a quiet patter coming from the side. Cautiously turning around, they glimpsed a thin, dark silhouette, jumping behind a column. As they slowly stepped towards the courtyard's edge, it occurred to them that the phantasm did not cast any shadow. Before Freiherr managed to call out, they heard a cacophony of grinding gearheads, followed by the high-pitched hiss of opening door. From within, a withered elder emerged, wrapped in a rough, grey robe, silver, geometric accents along it’s folded edges. Their eyes have been subtly emphasized with black ink, as were their inner lips. Entering the courtyard, they unveiled a small orb barely visible in between fingers, and as they waved it in the air, rows of chalices, previously dead, exploded with cold, white fire all around them, illuminating the place in a deathly aura.
Again, I feel there are too many actions and descriptions in too few sentences and I'm finding it confusing. Where did the orb come from? This phantasm seems important - I think it needs a paragraph of its own, describing its arrival separately from Freiherr's actions.
With a shallow bow towards Joachim, the elder invited them to the castle, and as they disappeared in its bowels, the courtyard chalices slowly went dark, and as they did, so did the thin phantasm, slowly stepping back into the darkness, fading.
Who is the elder - I mean, why do they not have a name? How do we know they are an 'elder'? And how, after the phantasm, explosions and deathly aura, is everything suddenly OK?

After all that let me say, I feel like this piece is quite gothic and could go somewhere really interesting.
 
@Saiyali oh God, the "Where" part murdered me xD

Thanks for all the comments!

As for some of your remarks:

- First, well, the critique has a 1500 word limit, and several of the points are resolved either further into the story (the whole chapter is around 5400 words). After reading through the critique guideline I decided to post just the beginning. A good example is the "miscalculated" part - I do show the capital as a pivotal part of the plot far later.

- The angel is supposed to be a mecha, just introduced in a more flowery way. Again, that is something that does not make the 1300 word cut.

- The "they/them" part is part of the broader setting. Basically, every political faction views gender differently - Joachim is from Porphyr, which uses both feminine and masculine names interchangably, but only uses one pronun. That is also part of the reason for why I structure dialogue the way I do - besides the aesthetics, it was supposed to clear up situations in which pronouns do not help distinguish the speaker.
 
Rather than provide a line by line review, let me provide my overall reactions as a reader.

It seems that you have a well thought out world, but I felt overwhelmed with the amount of various details being presented in such a short time. For me, I prefer to get the background in small increments so that I have time to digest it.

As for the POV character, I did not get a feel for him or find him interesting as a reader. There is a lack of detail on how Joachim feels and views the world and why he has chosen to visit. One aside, is Joachim intended to be an evil character? I ask because the title Freiherr seems similar to Fuhrer.

I never got a feel for a plot line, the intro text seemed to be written mainly to try to inform me about the world. Without a sense of direction, it felt like a slog to read the world details. I wonder if the start of the story is at the final two paragraphs of this extract?

From a technical writing aspect, I found the use of a stage play style to be distracting. I saw your comment about needing it for dialog, but I suggest that the dialog tags, in whatever style, are unnecessary and could be completely omitted in the current text without reducing clarity.

Also, I found the use of they as a singular, especially when applied to inanimate objects, to be distracting. I found myself constantly going backward in the text trying to determine who the they might reference. I know the use of they as a third person singular is currently popular, but you may want to consider whether that quirk is truly important to the story you want to tell. If so, consider using 'it' for the flying suit or ship, and 'one' or even an invented pronoun when referring to characters.

I felt the environment that you created that has a lot of potential. I would like to have a character or characters that interest me to help explore it and a level of plot to provide a rationale for exploring the world. Consider starting later in the tale and gradually providing details on the world background.
 
I agree with @Wayne Mack. My criticism would boil down to "too much weird stuff too soon". You've got a creation myth that almost certainly isn't literally true, someone referred to as "they" (who, given that this is SF, might be more than one person), the unusual dialogue style that removes a lot of the description, on top of the usual difficulties in knowing what's going on in a sci-fi setting. When I'm starting to read a story in an unfamiliar setting, my mind looks for familiar things to hang ideas on. So, if I see a word like "Axis", my immediate thought is the Nazi/Japanese alliance, rather than a location. I think you need to get rid of some of the peculiarities, or maybe introduce them more gradually. If you look at the start of Dune, you usually have a pretty good idea of what's going on at any time, despite how weird the setting is.
 
One aside, is Joachim intended to be an evil character? I ask because the title Freiherr seems similar to Fuhrer.

Thanks for the feedback @Wayne Mack !

As for the character - Joachim does serve an antagonistic function in parts of the broader story, but the Fuhrer part is not intentional. I wanted a historical noble title with a Prussian finish, and "Freiherr" is the Holy Roman Empire equivalent of Baron.
 
I agree with much of what has already been said, so I'll try not to retread what others have already covered.

My personal reaction to this piece was that it lacked context, specifically about the main character. I felt unconnected from them; I didn't understand their stake in what was happening or even what they expected (or wanted) to happen. I also would have liked slightly more understanding of the setting where the story initially found itself. I think this echoes a lot of what Toby Frost and Wayne Mack said: there just isn't a lot for the reader to grab hold of. For me, it felt that the things you were introducing us to weren't being explained in the context of the story and that created a distance that it was hard for me, as a reader, to cross.

I am usually fine with dialogue that works with very little description or attribution, but the way you framed yours made it feel completely disconnected from the physical world of the story--like the dialogue and the description were interrupting each other, instead of coming together to tell the story in a unified fashion.

Those are my personal thoughts towards this passage. There were some interesting ideas that you broached, especially early on, but for me it seemed that there was a feeling of disconnectedness between much of the passage.

I think your story has a lot of promise. Keep writing.
 
In the last days of Karnar, as tungsten thundered in the skies, an angel fell to earth.

Ceramic heat shields where their wings, and as they parted from the body, shining orange gave way to a blinding form. Their body was that of a marble statue, their face as unliving as the stone itself. Where their silver armor plates disconnected, bundles of tense muscles bristled from beneath, as if there was no skin to cover the body. As they descended to the ground with a storm of fire, they raised a silver spear, from which a long, purple standard waved in the twilight winds.

Despite their godly nature, the Angel bore the form of a Human, for it was the Human who made them in their image. Perfect in form and total in visage, they were the final realization of the greatest Idea ever to grace the Known Kosmos, the Ur-Idea that raged across the Great Abyss, and where they went, the Idea followed through peace and through war. The Idea called the Empire, the Empire called Porphyr.

As the roaring thunder of their landing shook the castle grounds, the Angel opened their chest cavity, and from within emerged the Human.

***

Enter JOACHIM, FREIHERR EOFOROS
That is a great opening line.
After that, I thought the angel was animate till I read your notes.
Where should be were.
Referring to the angel as 'they' is very confusing. If it's a mecha suit it does not have any potential gender IMHO. Initially I assumed this was a woke 'they' and this was a non-gendered being.
The script-like stage directions and dialog are not a good idea IMHO. Readers of space opera are not likely to be looking for any fiction that is overly experimental and are not likely to react well to it.
With the internal pumps slowly draining oxidizing fluid from within the amplifier armour’s chest, Joachim woke up with a crimson stream bursting from their lungs. Coughing out the remaining liquid, they pulled out control electrodes from the neck and released the cockpits hatch, slithering from within the machine's abdomen. Out in the open, assault troopers of Porphyr already awaited them with towels and a clean uniform. Rising from the ground, naked body still dripping off the oxidizer, Joachim finally took a deep breath of fresh air.
Again, Joachim gets the 'they' treatment and I am not convinced that readers of space opera will respond well to this 'wokery'. I gather that you intend Joachim to be a non-gendered being but maybe you need to work on some way of conveying this - perhaps invent your own pronoun and put it in italics.
I felt my interest in the story diminished through the extended dialogue and the final scene. I suppose I didn't care what the M/C was doing there.
I note you live in Poland and would be interested to know whether you are in fact Polish as your command of English is good.
 
That is a great opening line.
After that, I thought the angel was animate till I read your notes.
Where should be were.
Referring to the angel as 'they' is very confusing. If it's a mecha suit it does not have any potential gender IMHO. Initially I assumed this was a woke 'they' and this was a non-gendered being.
The script-like stage directions and dialog are not a good idea IMHO. Readers of space opera are not likely to be looking for any fiction that is overly experimental and are not likely to react well to it.

Again, Joachim gets the 'they' treatment and I am not convinced that readers of space opera will respond well to this 'wokery'. I gather that you intend Joachim to be a non-gendered being but maybe you need to work on some way of conveying this - perhaps invent your own pronoun and put it in italics.
I felt my interest in the story diminished through the extended dialogue and the final scene. I suppose I didn't care what the M/C was doing there.
I note you live in Poland and would be interested to know whether you are in fact Polish as your command of English is good.

Thanks for the feedback! I see that there is a consensus in regards to the dialogue, I will probably rework it towards the classic manuscript structure.

Yes, I'm Polish by birth, most of my language skills come from majoring in political sciences and the fact that KOTOR 2 did not have a proper translation patch at launch.
 
Sorry mate, it didn't work for me. And being brutal, I struggled to finish reading to the end.

Bulky sections heavy with description lacked tension to keep me going. The first four sections were a planetary landing, and that's demanding a lot from a reader to wade through. One paragraph would have done, get the landing done and move on with the story, which is the only reason I will read on.

The dialogue was disassociated from the characters for me, and while your experiment was interesting, it felt choppy to me. This meant I couldn't engage with your characters, so I struggled once again.

Mostly I was lost in description and I have little idea of where you were heading, or what was happening.

On a plus side, I think you have great imagination and ideas that are fizzing which does show in your writing. Learn how to present yourself and your ideas and you'll have my interest. Less is more, and let your characters live and breathe, which you're not doing right now. Temper your enthusiasm and think of the reader more, it's storyline and characters, not imagery which we can find everywhere these days.

In summary.
Writing that buried me in flowery description and imagery.
Great ideas that I honestly liked, but you machine gunned with too much at once.
Keep going, your imagination is something to behold and shows wonderful promise.
 
Excellent images and 'feel' of the passage. It lost me about two-thirds of the way down because it was making me do too much work to understand what was going on. The 'foreign language' glitches were not serious enough to detract from understanding of the piece -- but the 'stage dialogue' sections interfered with the proper flow of the prose narrative. Great imagination, bursting with ideas, which is really the most important thing in SFF writing, imo.
 

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