Fearful Odds (1004 Words)

Deke

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Here is the opening for the novel I am writing (working title). While I would of course appreciate a general critique, I am very interested in-

-Does the main character, Captain Alexander, feel well established and relatable?
-How is the pacing and worldbuilding? Am I throwing too much exposition at the reader too early? Too little?
-Do you find the opening compelling and feel yourself wanting to read more, or is the "hook" not there for you? (if you are not a fan of military s/f or space opera, then do not feel pressure to answer the question)

Chapter 1

Elizabeth stared down at the gleaming blue and green marble that was Earth as her dropship skimmed the massive gun towers and service depots of the Luna Dockyards. The squat, powerful looking dropship cut silently through the inky black void, suspended over the rows of mighty Terran battleships in their docking cradles, massive, deadly looking sentinels sleeping peacefully in their births. Somewhere out here in this steel and graphene jungle of cranes, docks, and service depots was the culmination of decades of ceaseless devotion to a single goal, a ship of her own.

The two marine crew chiefs, imposing in their armored matte black and olive drab flight suits, looked down without comment from behind their wicked looking triple-barreled door guns as they passed over the seemingly endless fleet servicing facility in utter silence. To Elizabeth, they seemed to be carved from stone, like gargoyles one might find on some ancient building. She looked down at her lap, studying her gloved hands and thinking of her own unarmored naval flight suit that seemed flimsy by comparison.

The crew chiefs had, as was their odd tradition, left the cargo doors on either side of the cabin open, exposing them to the vacuum of space. One could ask them to close the doors and pressurize the cabin, but every time she had seen the subject broached on countless flights with different ships, pilots, and crews, like some deviant hive mind they would simply cite some mechanical issue or safety concern and politely but firmly refuse. So they flew on, sealed up in their flight suits, no one bothering to comment on sights they had all seen time and time again on their silent trip across the station.

Elizabeth did her best to temper the nervous energy that coursed through her veins but to no avail. She tapped her foot on the dropships scuffed, matte black steel deck plates, the nervous habit silent in the vacuum. She was lost in thought for a time as she reflected on her journey thus far. Her earliest memories were of reaching up to the sky, trying to take the stars into her hands and pull the ancient secrets from their icy grasp. Her mind was filled with the infinite possibilities of what could or might be. Humanity sat poised on the edge of a razor, ready to take their first trembling steps outside their home solar system. The great mass driver they had launched over two decades prior was less than a year from reaching Alpha Centauri, Earth’s closest neighboring star system, and once the great bridge gates were assembled and activated they would allow instant travel from one system to the next. The human race would then, for the first time, reach out and colonize planets surrounding a foreign star.

All of this flashed through her mind as the dropship’s pilot flew on towards the far edges of Luna Station. While the massive capital ships were clustered around the center of the station, the smaller destroyers and frigates were docked near the edges of the circular fleet servicing facility. Elizabeth was still lost in thought when she felt a hand lightly touch her shoulder. She glanced over to the crew chief that had tapped her, his expression unreadable beneath his helmet’s black, mirrored visor. He cleared his throat over the comm and pointed down.

"There she is ma'am." He pointed down at the hull of the frigate as it slid into view. Elizabeth's breath caught in her throat as she looked down like an adoring mother at her child. Her gaze traveled over the dark blue hull and the golden lettering that stamped out "TRS Horatius" on its bow. The sleek, angular frame gently sloped from the armored bow until it leveled off and flowed gracefully back to the engineering section and its four massive engines. Those technological marvels could provide enough thrust and acceleration to outrun anything the Terran Republic or its rival, the Martian Federation with their loose alliance of pirate city-states spread throughout the various moons of Sol’s outer planets, had ever put to space.

The pilot dipped the dropship to fly down and over the frigate, Elizabeth taking in every glorious detail. There were the rows of point defense cannons, perfectly spaced to provide a three hundred and sixty degree field of fire. The single railgun in its squat, hexagonal turret mounted on the top of the ship. The dozens of neatly arranged missile bay doors, their hatches closed and sealed. As the dropship dipped once more and flew towards the massive hangar bay door, they flew over pair of marine Raiders in their rugged, mechanized combat suits sprinting down the spine of the ship. Elizabeth watched, fascinated, as they nimbly lept over point defense cannons and raced down the length of the frigate.

She drank it all in, unable to tear her eyes away as they banked around the aft of the ship and glided silently towards the hangar bay. The massive bay door slid vertically open, revealing perfect lines of squat, ugly, marine dropships and the nimble, angular navy fighters secured on the deck below. Inside there were sailors and maintenance crews in their blue utility pressure suits working at a frenzied pace in the vacuum securing spacecraft, checking weapon systems, loading ordinance, and performing last minute insections.

The pilots expertly sat the craft down without so much as a bump before cycling the engines down to idle. The crew chief’s disconnected their gunner’s belts and hopped out, snapping to attention and saluting as Elizabeth stepped down. She returned the salute and paused to watch as the massive bay doors slid closed and large armored blast doors iris shut behind them before a great rush of air filled hangar. While in the vacuum the dropships antigrav engines had been a muffle background noise that warranted little thought, but now their piercing wail threatened to overwhelm her helmet's audio dampeners before the pilots completed their post flight checks and cycled them down.

edit: I have thick skin from too many years of abuse in the military, so feel free to let me know how you -really- feel
 
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Thanks @Deke , I enjoyed reading through that. First question -yes, I thought I knew her well enough for the story so far. Second question -the pace of worldbuilding seemed fine, there was a lot in there but I enjoyed reading it as I thought there were some great descriptions, with interesting details (like the cargo door thing). Third question -I'd want to read more, am curious about all the military hardware; I kept wondering what humans had been up to to end up with so many weapons out in space. I think if there wasn't a bit of backstory about this in the next chapter or two I might struggle to stay with it. Take that with a pinch of salt, I'm new to this and might just as easily keep going as the descriptions are so good.
Best of luck
 
Thanks @Deke , I enjoyed reading through that. First question -yes, I thought I knew her well enough for the story so far. Second question -the pace of worldbuilding seemed fine, there was a lot in there but I enjoyed reading it as I thought there were some great descriptions, with interesting details (like the cargo door thing). Third question -I'd want to read more, am curious about all the military hardware; I kept wondering what humans had been up to to end up with so many weapons out in space. I think if there wasn't a bit of backstory about this in the next chapter or two I might struggle to stay with it. Take that with a pinch of salt, I'm new to this and might just as easily keep going as the descriptions are so good.
Best of luck
I do explain that in chapter 2! Over dinner! I won't spoil it for you, since I plan to post the dinner part as well. They certainly have continued our proud human traditions of murdering each other every chance we get!
 
First, I'm not into SF but I enjoy atmospheric music.

What does that have to do with this?

Because I trully felt like hovering over this astonishing landscape you lay out. It was a rather soft and calm journey to then return to a closer look to Elizabeth.

-Does the main character, Captain Alexander, feel well established and relatable?
And this is my main issue. I'd love to know her voice, how she thinks. She seems like a spectator to all of this and I'd like to know, at least a bit, why is this gigantic picture so important and what is the role Elizabeth has in this.
-How is the pacing and worldbuilding? Am I throwing too much exposition at the reader too early? Too little?
The scene is indeed quite slow, but that actually serve this style that feels so atmospheric. Maybe, as I said, give some glimpses on why is all of this important.
-Do you find the opening compelling and feel yourself wanting to read more, or is the "hook" not there for you? (if you are not a fan of military s/f or space opera, then do not feel pressure to answer the question)
I can't feel the hook, mainly because I still can't grasp where is the story going after having such a nice session on the setting, but I enjoyed the descriptions and the style, so I'd actually read more.
 
First, I'm not into SF but I enjoy atmospheric music.

What does that have to do with this?

Because I trully felt like hovering over this astonishing landscape you lay out. It was a rather soft and calm journey to then return to a closer look to Elizabeth.


And this is my main issue. I'd love to know her voice, how she thinks. She seems like a spectator to all of this and I'd like to know, at least a bit, why is this gigantic picture so important and what is the role Elizabeth has in this.

The scene is indeed quite slow, but that actually serve this style that feels so atmospheric. Maybe, as I said, give some glimpses on why is all of this important.

I can't feel the hook, mainly because I still can't grasp where is the story going after having such a nice session on the setting, but I enjoyed the descriptions and the style, so I'd actually read more.
Thank you so much. This is what I am looking for.

Voice is something that is important to me, though I have I haven’t cracked the code to. I’ll keep working though!
 
Thank you for sharing this. I think there is a lot of potential here. I will try to answer your questions to the best of my ability.

1) I don't think that I know Elizabeth well enough to fully relate to her, but the potential is there. I get a very strong sense for her love of these ships and her desire to have one of her own, but I would like a few more distinct notes to flesh her out. Her frustration with the "traditional" but (to her mind?) problematic practice of leaving cargo doors open is a really good example. I might add more bits like that, or at least spend a bit more time in that one, so we get a clearer sense of her personality.

2) For the Genre, I think the pacing is proper. As other readers pointed out, it feels really atmospheric, and sets up the idea that we will be reading this book for a long time. However, I think I would reorder some of the details so that the atmosphere that is more plot forward, so that the descriptions of the other parts make more sense. For example, if we saw Elizabeth look down or past the Alpha Centauri space gate rather than Earth, we would have a clearer understanding of what the gun ships are for and the temporal space of the novel (which, if I am correct about it, is being subtly but effectively set up), and then we might have a stronger reaction to them. Moving from "that's a lot of big scary weapons" to "that is a lot of big scary weapons, and I know what they're going to be used for" can be a big step.

3) I feel like this is about 10-15 pages before the hook is being set. I think people who are more into this might dive in headfirst because it clearly lays out the genre, which is good. I am a bit more agnostic on Space opera, so I think I would need the key plot point to be driven home a bit more. I don't know right now whether I'm supposed to be getting excited about Elizabeth's effort to acquire her ship, the colonizing mission, or something else. I think just a little more clarity on that might help. For example, if Elizabeth's journey is the big deal, move to the "there she is ma'am" paragraph a bit faster. That way she can see the ship, want the ship, and then have the promise of her having the ship hit us really hard, and then the interactions with the crew chiefs would further heighten that experience, because now it's really clear that we are talking about HER ship and her efforts to win the respect of the people aboard it, which may add stakes.

Still, a great start.
 
Thank you for sharing this. I think there is a lot of potential here. I will try to answer your questions to the best of my ability.

1) I don't think that I know Elizabeth well enough to fully relate to her, but the potential is there. I get a very strong sense for her love of these ships and her desire to have one of her own, but I would like a few more distinct notes to flesh her out. Her frustration with the "traditional" but (to her mind?) problematic practice of leaving cargo doors open is a really good example. I might add more bits like that, or at least spend a bit more time in that one, so we get a clearer sense of her personality.

2) For the Genre, I think the pacing is proper. As other readers pointed out, it feels really atmospheric, and sets up the idea that we will be reading this book for a long time. However, I think I would reorder some of the details so that the atmosphere that is more plot forward, so that the descriptions of the other parts make more sense. For example, if we saw Elizabeth look down or past the Alpha Centauri space gate rather than Earth, we would have a clearer understanding of what the gun ships are for and the temporal space of the novel (which, if I am correct about it, is being subtly but effectively set up), and then we might have a stronger reaction to them. Moving from "that's a lot of big scary weapons" to "that is a lot of big scary weapons, and I know what they're going to be used for" can be a big step.

3) I feel like this is about 10-15 pages before the hook is being set. I think people who are more into this might dive in headfirst because it clearly lays out the genre, which is good. I am a bit more agnostic on Space opera, so I think I would need the key plot point to be driven home a bit more. I don't know right now whether I'm supposed to be getting excited about Elizabeth's effort to acquire her ship, the colonizing mission, or something else. I think just a little more clarity on that might help. For example, if Elizabeth's journey is the big deal, move to the "there she is ma'am" paragraph a bit faster. That way she can see the ship, want the ship, and then have the promise of her having the ship hit us really hard, and then the interactions with the crew chiefs would further heighten that experience, because now it's really clear that we are talking about HER ship and her efforts to win the respect of the people aboard it, which may add stakes.

Still, a great start.
Thank you once again, all of your posts are water to the desert of a thirsty soul.
 
I feel there are a lot of good ideas rattling around in your head that will lead to an exciting tale. I feel, though, those ideas need to be more explicitly stated for the reader.

No where is it stated that Elizabeth is Captain Alexander, nor that she is with (I assume) the Terran Republic. This could be alleviated simply by fully identifying her at the very start, "Captain Elizabeth Alexander of the Terran Republic (Space Force?) ..." It should also be explicitly stated that she is getting command of a ship, the current wording is ambiguous and could be read that she is purchasing a ship.

Some nits to consider:
Elizabeth stared down at the gleaming blue and green marble that was Earth as her dropship skimmed the massive gun towers and service depots of the Luna Dockyards.
This read as a contradiction. She is looking down at Earth, yet the ship is skimming over the surface of the moon. The description of how she was looking also came late. If she is looking out open bay doors, the reader needs to know that before hearing what is outside.

Consider deferring the section on Alpha Centauri. This did not seem to be what would be on the mind of a new captain taking on her first command. Instead, this might be a good place to have her express her worries and doubts about command or a brief mention of her most recent assignment. That might provide a better hook to describe the Martian Federation, rather than jamming that onto the end of the ship description.

Those technological marvels could provide enough thrust and acceleration to outrun anything the Terran Republic or its rival, the Martian Federation
I would expect a military captain to compare the ship with the enemy fleet not her own. There would not be tactical reason for her to be interested in outrunning her support team. Also, consider either greatly reducing the capabilities of the TRS Horatius or provide an explanation why the captain's first command would be a top of the line, elite ship.

I think you have set up an interesting world with a lot of potential for conflict. Currently, though, Elizabeth feels like only a name to me. Give her some strengths and weaknesses, some desires and some concerns. I would guess a first command would generate a lot of mixed emotion inside her, yet she seems quite bored. Let me see what's going on inside her head. Then get her on the ship, have her meet her crew, and jump into battle.
 

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