- Joined
- Jan 22, 2008
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I've been trying to write a space opera at least partially set in a pleasant and optimistic future society, and it's not easy! I don't think any of the following is political, but apologies if it's sneaked in...
Part of the problem is that you have to say what constitutes "good". Almost everyone in the world would say that the 1984 setting is horrible, but many of them wouldn't go for Orwell's idea of a democratic/Socialist/patriotic/rural country. Likewise, living in Iain M Banks' Culture is probably very pleasant, but there are people who would object to it in principle, probably on the grounds that there's a lot of state/computer interference. Apparently, Duke Leto in Dune rules with the consent of the ruled, whatever that means, but in practice he seems to be an absolute monarch, just a friendly one. A lot of older "nice" settings feel like the 1950s in space (Asimov) or are presented not so much as an ideal as something to think about (Starship Troopers' Federation).
I think you've got to do away with scarcity - at least in large part - and the sort of desperate struggling-to-survive living that happens when people are truly poor. People might have jobs as hobbies or for a bit of extra cash: robots might do the rest. There might be some kind of religion or culture that glorifies hobbies as giving meaning to life. People would have to have the opportunity to do things that made their lives worthwhile, which means that very little would be forbidden unless it was harming others (and in extreme cases, the individual).
My suspicion is that, because humans like such a range of things, you'd end up with different planets or places being dedicated to different things. One planet might be like an endless Club 18-30 holiday, while another might be full of libraries and gardens. Travel between planets would be available and fairly easy. There would have to be a military to protect this society from enemies (autocrats and dictators would hate it on principle), and probably a secret service, both of which people could join in some way. And beyond that, I'd probably keep it conveniently vague...
Part of the problem is that you have to say what constitutes "good". Almost everyone in the world would say that the 1984 setting is horrible, but many of them wouldn't go for Orwell's idea of a democratic/Socialist/patriotic/rural country. Likewise, living in Iain M Banks' Culture is probably very pleasant, but there are people who would object to it in principle, probably on the grounds that there's a lot of state/computer interference. Apparently, Duke Leto in Dune rules with the consent of the ruled, whatever that means, but in practice he seems to be an absolute monarch, just a friendly one. A lot of older "nice" settings feel like the 1950s in space (Asimov) or are presented not so much as an ideal as something to think about (Starship Troopers' Federation).
I think you've got to do away with scarcity - at least in large part - and the sort of desperate struggling-to-survive living that happens when people are truly poor. People might have jobs as hobbies or for a bit of extra cash: robots might do the rest. There might be some kind of religion or culture that glorifies hobbies as giving meaning to life. People would have to have the opportunity to do things that made their lives worthwhile, which means that very little would be forbidden unless it was harming others (and in extreme cases, the individual).
My suspicion is that, because humans like such a range of things, you'd end up with different planets or places being dedicated to different things. One planet might be like an endless Club 18-30 holiday, while another might be full of libraries and gardens. Travel between planets would be available and fairly easy. There would have to be a military to protect this society from enemies (autocrats and dictators would hate it on principle), and probably a secret service, both of which people could join in some way. And beyond that, I'd probably keep it conveniently vague...