The End of Future Days First Five Pages (1497 words)

Cli-Fi

John J. Falco
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This is the first five pages of my WIP, a military SciFi story with heavy time travel elements I have been writing for a long time. Some of you have read some of my ideas for this story in the past. I changed some things around and finally decided on a beginning.

Chapter One:​

“Warning. Radiation exposure at maximum levels. Hearing degradation down to 32%. Chaotic brainwaves detected.”

What was that? Juliet Carpenter’s thoughts begged for answers as the muffled words blasted into her eardrums like a very extreme hangover she hadn’t experienced in ages. Everything was foggy as her eyes blinked rapidly and her ears became hot. The smell of burnt flesh tickled her nostrils, and her head began to swim. She couldn’t see. Everything hurt as she tried to move her arms to ensure that all her um… assets were intact, but she couldn't.

“Warning. Radiation exposure at above maximum levels. Hearing degradation down to 29%. Chaotic brainwaves detected.” The warning became more apparent as she got her bearings and the voice recognizable. The fog was lifting, and she could see the little square window above her head. Movement returned slowly but painfully. As she wiggled her toes and fingers, she could feel a film-like milky substance sloshing around below her. Then she felt something round and moist to the touch around her no longer manicured fingertips. Gross! She almost threw up right then as she picked it up. It smelled rancid, and she chucked it away. The goo trickled down chipped nail polish as she shook off the remnants of whatever that was. Ew! Why did she pick that up?

That was almost definitely some hard chunky bodily fluids that she’d rather not think about. Where was she? This wasn’t exactly part of the brochure. As lost as she was. She did know, one thing. That this wasn’t a good sign. How often do people wake up in strange tube-like storage containers full of poop, unable to see, hear, or move? She could only think of fictional occurrences from old movies, like The Matrix or Star Wars? Wait, no, that was a garbage pit.

“Warning. Radiation exposure at above maximum levels. Hearing degradation down to 25%. Brainwaves stabilizing.”

OK, at least this wasn’t The Matrix. She thought to herself as she noted the supposed progress her brainwaves and memory were making, but why was her hearing still degrading?

“Warning. Radiation exposure at above maximum levels. Hearing degradation down to 20%. Brainwaves stabilized.” Henry, is that you? She questioned the automatic message even though she was pretty sure it was a computer that just had the likeness of Henry Wilson’s voice, her one-time mentor who got me this far. However far, this was certainly not in her playbook. Playbook…the word suddenly triggered a longing to return to the office. To her work. To the Temporal Consortium. Oh God, what had happened?

“Brain activity normal. Edupod #77 engaging reeducation protocols.”

“sh*t.” She tried and failed to say in English, but all that came out of her mouth was muffled gibberish. Of course, as soon as she finally recalled who the voice belonged to, the damn computer was threatening to wipe her memory! This was definitely not good. She desperately felt around the small enclosure, searching for a way out. With one hand, she banged on the top of the lid of the pod and flailed around for some time before she knew what she had to do. It would be gross, but she had to dip her fingers in there once again.

Within moments of hatching her plan, her mind was flooded with images. She knew what was happening. The system prepared her mind to access an unlimited stream of “educational” content from the Edupod Learning Network. It’s more like propaganda from the big tech networks, but she had more pressing matters to deal with. She quickly made a slit in the tough Velcro wire protector that snaked around the bed. This protected the feed wire and the quantum light transmissions, which helped bring information directly into the brain. With difficulty, she dug into the mush and fished out the wire so that it was inches from her mouth. She nearly gagged as she snipped it apart. It surprisingly tasted like ham. She threw the mush back. Instantly a strong electrical current sparked after she placed the chewed-up wire inches in front of the small latch between the window and the curvature of the pod.

“Starting reeducation proceed—.” A bright light filled the open window as it snapped open. From the way her nose was clogged, the way her skin felt oily between her fingers, and the skin-tight leotard thing she was wearing, the effects of the direct sunlight hitting her eyelids for the first time seemed a little underwhelming. Her body was getting used to the shock of the unknown.

It was still painful to move as she lifted her head to see more of the area that she was in. She inhaled fresh air as she ripped the hose thing out of her nostrils. Ow. Ow. Ow. Ow. Ow. It hurt like a motherf—but at least she could breathe now. She sighed as she took a look at her surroundings; rows, and rows of black coated edupods, each with private glass enclosures, lined the extremely tall room, but that was about it. She sighed. Of course, opening the hatch didn’t reveal much. Opening hatches has been a letdown since the classic TV show Lost did it first. She gathered that this was probably a common standard blue-collar pod, a far cry from the upper-class luxury she had expected and had demanded in her ‘will.’ What the hell was going on here? It looked like nothing had changed, and did any time go by when she was in there? She swiveled her head to something shiny and pointy out of the corner of her eye. No. It can’t be.

But it was. There for all the comatose bodies to see, was the sign for the USS Wilson. Beaming down on them like some religious statute. The sign was about as large as a forty-six-inch flat panel. Now she at least had the where she was part down in her mind. sh*t. This really isn’t good. She understood the where, but she didn’t understand the how? As a politician who dealt with time dilations and temporal disputes for most of her career, the how always interested Juliet. Mostly so that she could figure out a way to use it for some political advantage, but this was something new. This was something she had never even thought of before. No one had ever thought of this before. This was something both genius and evil at the same time. If she were on the same side of whoever thought this up, she would call them national heroes. But it was clear that she was not. Or was it?

A glimpse of the reflection in the glass freaked her out. It made no sense, and yet there she was. The bob of salt and pepper hair was gone, replaced by long shiny shoulder-length hair. The drooping of the wrinkles had been tightened, she looked down at her fingers, and they were indeed as smooth as a baby’s bottom, and was that pink nail polish?? The eyebrows and eyelashes were prepped, the breasts perky and firm. Juliet felt her butt and legs fit and toned through the tight um wet suit? She was still unsure what to call the thing she was wearing, but she was now shaking with horror after realizing that she was young!

What the f*ck am I supposed to do with this? Juliet thought to herself as the frail person she barely recognized as a younger version of herself at some point in history mouthed the words back at her.

“THERE!” Suddenly her hearing had returned to normal. That was good, but ow—my god. Shut up, man. She told to the voice that echoed throughout the glasslike spiral room while rubbing her temples. Movement felt easier now, too, that she had opened the pod. The lights flickered, and the faint light turned blue, which sparked in pulsating increments. In between the flashes, she could now see the dull ceiling of Israel Falls Nursing Home, which seemed like it was miles above her head with its crisscrossing metal beams indicating the floor levels. What was going on out there?

A bunch of soldiers in an unrecognizable military uniform ran past her pod’s lookout point. She sluggishly made her way over to the glass panel and banged on it to make as much noise as possible to get their attention.

The bullet-proof semi-transparent square glass would have revealed her green eyes and blonde-reddish hair to anybody that bothered to look in the direction of Pod #77. Strangely no one had. Anybody underneath would see her bare feet.

But the soldiers seemed more interested in the machine throwing blue sparks all over the place. She couldn’t help but notice a stack of crates on the opposite side of the room. As she peered through her viewer, things came more into focus.

“Warning: Radioactive Live Specimens.” Oh great, now what? She thought to herself. The notification system alerted them.
 
I suppose that since she's not thinking straight, it's natural for the beginning to be a bit chaotic. And then she still hasn't gotten her bearings. It might be my personal preference to not start a story that's told from a confused perspective. I'd give it a few more pages, but I'd expect some sort of explanation soon. I'd definitely want to know why there's a turd in her capsule when she's not naked.

Did she spontaneously get done nails as she was struggling to escape, or were they just painted pink and chipped? I think being aware of her manicure may or may not be a top priority, but the mind focuses on funny things when it's not working right.

her one-time mentor who got me this far

The sign was about as large as a forty-six-inch flat panel.

Just give us the measurements or find something that's a consistent size. Maybe it's the size of a bus stop.

but she was now shaking with horror after realizing that she was young!

What sort of old lady is concerned with her breasts? Or was she a cougar?

Juliet thought to herself as the frail person she barely recognized as a younger version of herself at some point in history mouthed the words back at her.

Maybe shorten this sentence?

She told to the voice that echoed throughout the glasslike spiral room while rubbing her temples.

And this one could be broken up as well.
 
I like the use of sensory description. Touch, smell, taste are all used which is great.

As soon as you described her younger body though i tuned out. The reader can fill in what a younger body is without being told specifically what they look like.
 
Having a protagonist wake up in a strange environment is always an interesting start and should engage the reader with a sense of discovery along with the protagonist. For me, however, I never felt any level of disorientation from the main character; this did not feel like someone waking up. One of the first things that I would expect the character to notice would be an oxygen tube in her nostrils. As noted, this character seems to be inordinately concerned with her appearance; one of the first things she does is check her 'assets.'

I never understood the size of the room where the character awoke, not the character's orientation; standing, lying down, seated?

The count down scenario failed to bring any tension. The character's hearing seemed to be fine in that she was able to hear clearly. As it turns out, the real threat to the character was a mindwipe. That would have presented far more peril to the character than hearing loss.

The middle section seemed to be an info dump and implied the character was thinking very clearly. For me, this disrupted any feeling of ongoing discovery with the character. I felt these details would be far better deferred, perhaps for several chapters. This seemed to eliminate an area of potential intrigue.

Lastly, the ending, having soldiers chase something does not seem to follow through on the open about hearing loss. It seems that the announcement was something being broadcast externally to the room the protagonist woke up in, so wouldn't it be announcing the threat that the soldiers are facing?

I suggest engaging the reader by focusing on having the protagonist awaking and slowly becoming aware of her surrounds. Start with what is immediately around her and slowly extended her senses outward. I felt the story seemed to be in too much of a rush to explain things and move on to the next section. I feel just having the character awake, become aware of the the threat of being reprogrammed, and escaping would easily fill the first 1,500 words and perhaps more. Discovering the soldiers and the external threat could be pushed to a following chapter and the discovery of her background and the situation could occur much later.
 
This is great but one small stylistic feature spoils it for me: there is too much distance between me and the character. Everything you write is very evocative and immediate, but there is an over-intrusion of the word "she". This is easily fixable in the second draft by removing phrases such as "Juliet thought to herself."

Also, when waking up in a fog, I don't think I (or anyone else) would think of my name. I don't get up in the morning thinking "My name is ..." I get up with external concerns - where is it, what time is it, what's happening etc. So the name could come later, as a break in events, where the character has a moment to self-reflect.

Also, if this person has been in this pod for a while, I don't think they would have solid excrement, since they, presumably, are being fed liquified nutrients. I guess some indigestible filler could be added to keep the gut working properly.

Keep on!
 

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