Hooke's Law

Christine Wheelwright

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A post in another thread made me think of this novel that I wrote several years ago. I'm thinking of giving it a tidy-up and putting it back out there. It is historical fiction, not sff, but I'd be glad to hear any comments. This is the opening:

Hooke's Law

Chapter 1​

It was that b**tard Vane who once said to me that there are but two conditions in which to kill a man; either cold sober or blind drunk. The former when a fight is needed, and the latter when it is to be simple slaughter. Nothing in between will do, he had said, laughing and slapping me hard on the back. And he was a man who knew plenty about slaughter, although less than you may think about fighting. But these past two years I had thought little enough of Vane, at least until that still November night in Port Royal when his words returned to me. I knew there to be wisdom in them, you see, and I resolved to seek out a tavern lest I go mad sitting in my room, staring at the walls until dawn. And indeed I had almost reached the door of The Swan and could taste the first sip of rum on my lips when Lieutenant Charles Johnson’s voice pierced the evening air behind me.

“Mr Hooke! My dear Henry! Wait one moment!”

I turned to face him as he approached, noting that he had a companion; a small, stout, red-faced older man struggling to keep pace beside him.

“This is well met! And what a fine evening, Hal,” he said. “I see you plan to drink your fill tonight; perhaps a wise course for a man with such duties to carry out in the morning.”

“Will you not join me Lieutenant?” I asked, reluctantly. For he was right; I had meant to turn myself half insensible with rum and perhaps find a wench to make the night’s smaller hours pass less painfully.

“Indeed not. And while I enjoy your company, Hal, a more amusing excursion presents itself tonight. But I forget myself! This is Dr Calver, physician to Governor Lawes. Dr Calver, I assume Mr Hooke’s reputation precedes him.”

Johnson waited while his companion and I exchanged pleasantries before continuing, “No Hal, the good Doctor and I are off to pay our respects to Rackham at the gaol. It should be fine sport, don’t you think? But wait! You should join us of course. No doubt you need to size him up, eh?”

I looked at him icily.

“I am to hang him, Lieutenant, not make him a casket.”

“Ha! Of course Hal. But I insist. I think the evening will be jollier with you along, and rum is being sent for. Good rum, not the slops you will find in there,” and he waved his hand dismissively at the door of The Swan. “Surely Rackham will be encouraged to see a familiar face, even if it is that of his executioner.”

“I do not know the man,” I said, calmly. It was a lie I had often repeated, and now it was so familiar that I was able to pretend it to be true and state it almost as a fact. Practice makes perfect they say, and never more so than in the art of the lie. But that devil Johnson stared with scepticism into my eyes as I spoke.

“Yes, very well Hal. If you say so. What would it matter anyway? All are pardoned now, are they not? Save those who sailed this last voyage with Rackham and now languish in irons, awaiting their fates.”

The Lieutenant took my arm, giving me no opportunity to protest, and turned me away from The Swan. He led the way across the dusty street towards the harbour, past the master’s house, within sight of the quays where British naval ships could be seen unloading. Further away there were slave ships at anchor and, still further, sloops resting on sandy beaches, their underbellies exposed for careening. Men moved around them like ants, even at this late hour, labouring on their hulls by the flickering light of torches. Port Royal was a much-changed town in those last twenty years; no longer the ‘Sodom of the New World’. For sure, there had been a time when every resident was either innkeeper, pirate or whore. But God had taken his terrible revenge, destroying the town with tremors and causing it to be reclaimed by the sea, not even sparing the few meagre churches. After that, the Navy arrived along with judges, clergymen and God-fearing governors, and those that would prefer a life of crime and debauchery, away from the prying eyes of authority, moved on to Nassau. Not that the odd thief or whore could never be found in Port Royal - those, after all, are the oldest and most resilient of professions.
 
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Overall very well written, interesting and enjoyable, would definitely read on. I thought the dialog was particularly well fashioned.

One little nitpick:
I knew there to be wisdom in them, you see…
I wasn’t too keen on the “you see” here, it felt to me like breaking the proverbial fourth wall and didn’t quite fit with the tone of the rest of the narrative.

Based on what I’ve read so far I vote for the tidy-up and let it fly!
 
It's well-written and you handle the first-person well. (I'm not bothered by the "you see" -- it confirms the piece as a written account with an audience in mind, and with first-person I always feel more comfortable getting a sense that the story is actually being related somehow in the character's world, rather than just existing in their brain.)

My only comment is regarding getting a quick feel for period. It's C18 (I think), but "Hal" and "wenches" I associate (maybe too restrictively) with Medieval.

BTW, Henry Hook is a famous British soldier (from the siege of Rourke's Drift and the film Zulu), in case you weren't aware. Not that it means anything necessarily.
 
BTW, Henry Hook is a famous British soldier (from the siege of Rourke's Drift and the film Zulu), in case you weren't aware. Not that it means anything necessarily.

I'm aware of Rourke's Drift, but the characters name similarity never occurred to me. The Hooke of my story is an illegitimate son of Robert Hooke the scientist (the one with the springs and weights). I originally considered Newton, but he was famously asexual and I couldn't imagine him fathering a child with one of his maids. And Hooke was a tempting name for a pirate (after Peter Pan). The timing allows me to have my character experience the entire Golden Age of Piracy from Henry Avery to Calico Jack Rackham (whose hanging begins the story). I was certainly influenced by the Flashman novels in that regard.
 
I like it. Your world building is nuanced and realistic and pulls the reader in right away. Intelligent writing.
 
Well written, but if I am brutal in my honesty I wouldn't read much more. Here's the why.

You have one of the best opening lines I've seen in some time and you were off to a flying start.

The rest of the first section was over worked for me and could have been more to the point, but I liked the premise.

We then have a large section of dialogue, good to be fair, but not broken up with placement (the Swan, was it dark and dank, or a modern disco bar, none of this was given), or much in the way of character emotion or general description. The reason for nipping out for a quick pint was never really fully explained, which was disappointing - hinted at heavily, but never fully given. Who was to be hanged, a friend or just an unlucky soldier?

Then we leave the Swan and have a big lump of description, which on it's own was good if over long for me, and is part of the problem.

It's a introduction, then dialogue in the Swan and then off into the port. The movement from each of these sections was abrupt, as in very noticeable instead of flowing unnoticed from one section to the next. If the rest of your writing was as jarring I would not read on.

For me, I think you need to mix all the writing tools in as you go and not switch gears so suddenly.

To finish, my apologies for being so blunt, but I do think you're very talented indeed. The general flow was not there for me, the changes were far too abrupt to me. I think the writer has to work really hard for the reader to do nothing, other than to sit back and enjoy the story we spin. That soft landing was not there for me, and is why I would not read on.

Sorry... but this is what I think.
 
Thanks for your comments Bowler1. Much appreciated as usual. I am going to push back a little on a couple of your points though:

The reason for nipping out for a quick pint was never really fully explained, which was disappointing - hinted at heavily, but never fully given. Who was to be hanged, a friend or just an unlucky soldier?

This snippet is a small part of Chapter 1, and Chapter 1 is a small part of the book. The extract is not intended to stand alone as a complete story. Much becomes clear by the end of the chapter, but other insights are only available later in the book. The man being executed is named as Rackham, and at the end of the excerpt the characters are on their way to see him. So things are about to become clearer. The history books say only that the notorious pirate Calico Jack Rackham was 'hung'. But piracy was one of the most serious crimes of the era and I suspect he was partially hung, taken down while very much alive and diembowled before finally being hung to death. That sentence would have been available to judges in the early 1700s. We know for sure his body was 'gibbeted' - put in a cage or wrapped in chains to keep it in one piece for a year or two while on display as a warning to others. Quite how the protagonist Hooke gets involved in all this is not explained until much later. But clearly he felt he needed a drink before the big event. And he admits to the reader that he is lying when he tells Johnson that he does not know Rackham.
I think the writer has to work really hard for the reader to do nothing, other than to sit back and enjoy the story we spin. That soft landing was not there for me, and is why I would not read on.
I agree there are some great novels that wash over the reader as you describe, transferring the story seemlessly into the conciousness. But other stories do require more work on the part of the reader, and I think this would be one of them. Certainly not all the details of the story are handed over easily. Sometimes they are implied. Sometimes the reader has to wait for the second piece in a puzzle to be revealed later in the book.

Anyway, I do appreciate your comments (in spite of the minor push back on a couple of them). I do agree there is a problem with the flow in a couple of places. That ls something I will need to take a look at.
 
I think you're writing is lovely and the whole piece held my interest. The place sounds real and fantastic. There's a mystery.

I turned to face him as he approached, noting that he had a companion; a small, stout, red-faced older man struggling to keep pace beside him.
I'm asking, because this struck me as off at first, but then I read everything and I'm not so sure it isn't 100% what you intended.

Clearly, this sentence could have read:
I turned at his approach, noting at his side the old, small, stout, and ruddy companion who struggled to keep pace.
Are you choosing a wordier, more separated writing style to suit the language of the time, the pacing, the character's speech? Or is it a little wordier than intended?
 
I like it! Good, classic histfic voice. The only thing I wanted a tiny bit more of was a smidge extra sense of place alongside the dialogue. You have some after it but it did read a little "here is the dialogue section, and here is the description bit." I like to get a subtle sense of the world as the characters move and act in it, not only before or after. But a great voice - precisely the reason this genre is my favourite after sff.
 
I think you're writing is lovely and the whole piece held my interest. The place sounds real and fantastic. There's a mystery.


I'm asking, because this struck me as off at first, but then I read everything and I'm not so sure it isn't 100% what you intended.

Clearly, this sentence could have read:

Are you choosing a wordier, more separated writing style to suit the language of the time, the pacing, the character's speech? Or is it a little wordier than intended?
Yes I think that sentence is a little off. Perhaps one too many descriptors (small, stout, red-faced, older).
 
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