Dark Matter, by Michelle Paver, is the story of Jack, a depressed, 1930s Londoner trying to escape the tedium of his life. He joins an Arctic expedition put on by his social betters, and will serve as the expedition's wireless operator.
This is a beautifully written ghost story; it's a fairly short book at 256 pages, and there is a real and intense sense of dread that the author creates slowly throughout the first 100 pages. I thought the denouement was a bit weak, mainly because the explanation of what was happening seemed a little slapdash, compared to what I expected from the well-crafted layerings of dread. I enjoyed the author's Wakenhyrst more (Wakenhyrst was written nine years later, and I thought was a more mature work). Still happy to have read this, and will definitely read anything new by this author. (I say 'read', but I only do Audible now. Dark Matter had excellent narration provided by the actor Jeremy Northam; really added to the spooky atmosphere.)
Devil House, by John Darnielle. Darnielle is a musician/author - he's the creative force of the band Mountain Goats. This is his newest novel, and I've read his earlier works Wolf In White Van and Universal Harvester. His books, I think, are somehow lumped into the horror genre (maybe things need to be categorized to be sold?), but they aren't really horror, as I define it. His stories are slow and pensive, full of gorgeous melancholy (especially Universal Harvester, my favorite of his books), and are very wise about the world, and the sense of loss and loneliness so many of us feel. Devil House tells the story of Gage Chandler, a moderately successful writer of true crime books (writing on somewhat-known, infamous murders, I guess kind of like Capote's In Cold Blood). He begins a new book that will delve deeply into the murders of a realtor and a prospective buyer of a building where the brutal murders will occur.
Gage loses himself in the research for the book, loses his Self, really, and the book is a sort of non-linear trip through these murders, the people involved in the murders, and some big events in his own past.
I love how this author writes, and the sense of melancholy in all of his books really speaks to me, but I thought this book was a bit muddled, and that its middle third took some tangents that did the storytelling no favors. The ending was terrific, though, and really surprised me, so I would recommend the book. But if anyone is interested in this author, I would try Universal Harvester; I don't think these books would appeal to a wide audience, but there are some people who might love the best of them, as I do.
Oh, the author reads his own novels, and this can be both good and bad - he has a fine voice (he's a singer), and of course should best know how his characters would speak, and the rhythms/pacing that are best for the dramatic purposes of his works, but he fairly often uses unusual line readings that are a bit distracting, so it's a good reading of the story, but not always the most technically perfect rendering of the words of the novel.