This laurel-resting complacency was in stark contrast with the boldness of Barbie and Oppenheimer. One of these films flitted between time periods as it examined why the human race was determined to destroy itself. The other used a children's doll to mock the patriarchy, and finished with a visit to a gynaecologist. David Fear at Rolling Stone called Barbie "the most subversive blockbuster of the 21st Century". And Disney? The Mouse House was selling more of the same old stuff, and audiences weren't buying it.
lol They are saying that the public wants social engineering politics, not adventure escapism. I don't believe that for a split second. They thought the same in the late 1960s.
People did not want their choices limited to Guess Who's Coming To Dinner and In the Heat of the Night.
It's like saying people only want one flavor of ice cream.
The Flash and Mission Impossible didn't do so well either and like Indiana Jones--the concepts are tired and the hero is old.
It's not that they are doing the same old concepts--they are experimenting--putting a 70-year-old as the star of an action film with big $$$ technological aid is cutting-edge experimental not "tried and true."
"There have been 60? 70? years of hospital, legal and police shows on TV, and longer if you include film, and people keep watching."
*I think there's a difference with that--because it is a real-life situation and the drama of it--or the appeal of the actors and characters carry the show. Human interest stories.
Star Wars has a bigger hill to climb because the concept is make-believe with little real world structures and superheroes are too unearthly to be comparable to cops or nurses or cowboys. A single character being shot might make for the whole drama and suspense.
An entire planet can be destroyed in a SW movie and no one thinks twice about it.
It's like the Wild Wild West lasted for 4 seasons while Star Trek quit after 3--and had the same producer in the last season--but the requirements for each show are so different.
The WWW was limited to the same desert and town and only had two characters--while ST could be set on a planet or the ship--they are not any episodes of the WWW set on the train.