Is a Wizard of Earthsea indicative of Le Guins writing style? What next?

SilentRoamer

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I read A Wizard of Earthsea recently. I really enjoyed the book. The prose was lovely - very archaic and flowed in a unique style. It reminded me of Roger Zelazny Princes in Amber for some reason.

Is this indicative of Le Guins wider work or is this particular voice just for the Earthsea books?

I would like to read more Le Guin - at home I have: The Left Hand of Darkness, The Dispossessed and Malafrena - which of those would people reccomend?
 
I don't remember The Left Hand of Darkness or The Dispossessed having quite the same style of writing, but they are both very good and worth a look. I don't know anything about Malafrena, I'm afraid.
 
The Left Hand of Darkness -- very different from the Earthsea books in style and tone, I'd have said, but the best of the three you've got in my view -- it's also an adventure story, with some exciting moments. Some of my thoughts on it when I read it about 10 years ago:

Well written, with some touches I loved, but like in The Dispossessed, she sets up two contrasting and antipathetic systems of politics/government which seemed a little schematic to me – perhaps an inevitable preoccupation during the Cold War. I've read that it was seen as a feminist novel, since the world she writes about, Gethen, is comprised of hermaphrodites/androgynes, and therefore lacking the male/female dominant/subservient roles of our own societies. To me, though, it felt that she was writing about men all the time, albeit ones who had semi-feminine body shapes and a lack of upper body strength. I was also far from convinced by the main character, Genly Ai, who is a kind of ambassador for first contact situations, and whose job is to persuade Gethen to join an inter-planetary union. In the very first chapter he leaps to a conclusion about the motives of the other main character, Estraven, which is so irrational and without context that I never recovered from thinking he was a complete prat, which I'm pretty sure isn't the reaction I was intended to have.​

I'd read The Dispossessed a few months before that, and it's is very much a political novel. My thoughts at the time:

That was a thought-provoking book, and one I can admire for its writing and world-building, but I can't say I actually liked it. The physics, of which there was a great deal, was utterly beyond me, and the talk about the various socio-economic systems, of which there was a great deal more, wasn't quite as impactful as it might have been when it was first written, and the so-called utopia of the anarchist society repelled me.​

Malafrena I tried about 4 years ago and couldn't get even half-way through before giving up. It's set in an analogue of a Mitteleuropa country in the equivalent of our C19th with all the political and social upheavals of the time, and it does feel like a C19th novel, with all the heft and revolutionary thought and endless bloody talking. My comment at the time:

Turgid.​
:LOL:
 
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Tehanu and `the `farthest Shore ate novels within the Earthsea universe taht are well up to standard as they explore the relationship with dragons, And there are several short stories that fit within the Earthsea history. None are as astringent as some of her other novels etc.
 
I thought the Tombs of Atuan was the best of the Ged books with possibly Tehanu following. But you really have to read them in order or they don't make sense.
So.
A wizard of Earthsea
The Tombs of Atuan
The Furthest Shore
Tehanu
Tales from Earthsea
The Other Wind.
Her other books, which are mostly based in what she calls the Hainish Ekumen (Planets which have humanoid people on), you can read in almost any order, but I think Baylor's right. Rocannon's World and The Planet of Exile, which are published together in one volume isn't a bad place to start. The style of these books is different from the Earthsea books.
The Lathe of Heaven is pretty much on its own, not really being a Hainish novel.
I really liked the Dispossessed and even more the Left Hand of Darkness, which I would say is a feminist novel, presenting as it does a case for sexual equality. She says, however that she didn't really write it as such, even if she's happy people have found that aspect in it.

She also wrote a lot of excellent short stories.
Read The Ones Who Walk Away From Omelas if you read nothing else.
 
Thanks to all in here for providing something for me to think of.

I think i am likely to go and grab the rest of the Earthsea books and read those - I really just enjoyed Le Guins voice. Lines like this just really speak to me:

"Good," said the boy, for he had no wish to tell the secret to his playmates, liking to know and do what they knew not and could not.
 
One of the overlooked strengths of Le Guin is her specificity and compression in the short story form. You want to know what she's capable of? Try a handful of her short stories. She ranges from fantasy to s.f. to something even close to horror, the tone and texture of her writing changing as needed, but I believe always identifiable as Le Guin. And her essays, even when I disagree with her, always entertain me and often display a sense of humor I wish she'd employed in more of the fiction I've read by her.

And, of course, I should take my own advice, since I've only chipped away at a small proportion of the stories she left behind.
 

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