Wanderings of Bhaask: The Portal

Draven Vertigo

Aspiring writer.
Joined
Feb 21, 2022
Messages
35
Location
Los Angeles CA
Hello all this is the story i have been working on for some time now. Its the one I told Baylor about awhile ago, Ive taken writing classes before and was told the easiest way I can convey its theme is "Conan the Barbarian in Space."

Since this is the 1st time I'm sharing this with you all here is some background on the overall story:

Different universe, Earth-like world orbiting a binary star. Its the post-apocalypse, A bitter civil war is happening on a continent called Giisan between the "Old Landers" and the "Loyalists." Imagine greek/roman culture/aesthetics merged with the Spanish conquistadors + they have Magic/Superpowers. The excerpt is about a Character named Gavitra who is on a harrowing journey aboard a Trireme traversing the Shattered Sea to reach Pan-Kohn, the home continent of the Untadar a type one civilization whose fall is responsible for the Apocalypse. The 2 forces are engaged in an arms race to acquire the technologically advanced weapons of their ancestors and win the war.

Does the story hook the reader?
Thoughts on Gavitra as a character?
What genre is it?
Thoughts on it in general?
Thank you.
*****************************************
"Tagmatar, you called for me?" Asks Gavitra.

"Have a seat Gavitra"

He calmly takes a seat on the chair in front of the Tagmatar's desk.

"Are you a pious man, Gavitra?"

"Absolutely my Tagmatar."

"That is good. Because we will soon be approaching the last ice fields before the portal and all of us who are in command should ask our goddess for her blessing in what lay ahead."

"Yes, Tagmatar."

"Let us forgo the titles, you may call me Brutos, for now we are all but men about to enter the jaws of the almighty."

Gavitra notices his superior's fingers holding the scroll on the desk gently trembling. A man that has seen over two dozen of the fiercest battles of the war and now commands the allegiances and respect of a fleet that once carried five hundred men; still shaken by the instant losses of men he was responsible for.

"Did you ever think you’d be out somewhere like this in your life? To have ****ing monsters to contend with on top of however in the hell many more of our former brothers are left. How many more of them do you think are waiting for us over there, Gavitra?"

"Not too many more than us, I was told that our victory in the Ayreach evened our numbers."

"Did any of your family abandon you to uphold the old ways?"

"Yes, I have cousins in the Loyalist ranks... Do you, Brutos?"

"I killed my uncle on the fields of Parsos... it was during their southern advance, me and my men caught a small group of them trying to reunite with the rest of their legion, I put a bolt right through his chest... I didn't know it was him."

"My condolences, Tagmatar."

"f*ck em' I felt nothing, after the reformation he joined in on the cleansing. No piece of sh*t like that can be of my blood. He was still alive when I approached and I watched the life leave his eyes... I watched him realize his folly and I knew at that moment that we were going to win this war."

Gavitra stays silent. The thought of encountering his own family among the enemy crossed his mind often as it did for many others.

“Forgive my lack of hatred of our former kin, the reformation only revealed who among my family were weak minded and refused to grow, they never inflicted violence on one another.”

“Then consider yourself lucky, Gavitra… because any mention of the Kai Orma within my family was met with instant violence and persecution, we were to remain Loyalists to tradition or removed entirely from practicing anything else including our lives.”

“May the Old Lands reveal the truth.” Says Gavitra

“Ever always her will guides.” Says Brutos.

Suddenly they hear a horn blowing from outside.

“It is time, Gavitra let us guide the infidels into the abyss!”

The two leave the cabin and look around. The sounds of loud knocking comes from the water as small chunks of floating ice bump into the ship. Gavitra rushes over to his seat and grabs his silver armor and weapons which consist of a spear and a long curved saber. Below decks a large movement of people is taking place as the previous rowers are replaced by those men and women who are now well rested in preparation for the coming ordeal.

A massive front of Mammatus clouds flows over head in the dawn, the clouds morphing and twisting erratically. In the path ahead Brutos sees the The sky darken into a sickened green color more by the minute as streaks of lightning backlight the frantic swirling clouds. Suddenly a bolt of lightning strikes the top of the mast. Brutos doesn't even flinch as he stares deadpan into the wall of chaos in the distance. He counts at least forty water spouts on the horizon. Each hurling icebergs in all directions. Brutos can tell that some of the bergs are nearly the size of the ship. There are the flashes of explosions among the bedlam followed by the curling prominence's of fire out from the water and ice.

"Brutos?!" Shouts Gavitra over the roar of the wind as it gets louder.

"Surely we are not driving the fleet into that!"

Brutos stays silent and drives his hand forward to signal his helmsman to continue on course at full speed.

The oars swung heavy into the waters and five men stood a few meters away from the sails and sycronise their command of monad to force the random gusts of wind into a directional burst to the sails that push the trireme to over thirty knots through the icy waters. The other ships follow at the same speed. As the ship gets closer. Suddenly a thick front of fog covers the ships. A fog so thick it seems to devour the light.

"Tagmatar! We cannot see in this! What are your orders?"

"Stand at the ready up top! We have just entered the portal!" Shouts Brutos.

The other crews in the fleet maintain their course sounding their distant shouts in the distance. The fog gently lifts revealing a vast swath of calm waters
Gavitra looks up to see the light from the suns comes through a formation of clouds resembling a chasm in the sky. The sheer rock cliffs he had sailed between as a lad back on the Isles of Giisan Walls replaced by cloud walls. On the other side of the fog is the chaotic storm and pure unnatural violence. Many of the explosions behind the clouds are muffled but some manage to get through.

"Everyone! Drop!" Shouts Brutus as a cascade of explosions from within the cloud walls pepper the sides of the ship with icy shrapnel that sticks to the wood like thousands of daggers. Two men aren't fast enough and take some shards to the face killing one of them instantly.

"Dammit! Get them below, quickly!"

Brutos watches four men carry down the wounded when something dark catches his peripheral. Something massive pierces through the clouds and into the water followed by another, each the width of a skyscraper the length of a chain of mountains. Its sheer size was more intimidating by the titanic groaning and hollow metal stressing sounds that echo thunderously through the cloudy corridor of the portal.
Gavitra looks far into the distance on left and sees another megalith but it is not turning as fast as its twin and as a result more explosive debris showers that side of the portal. The sheer magnificence of the wonder created by their ancestors.

“Look Gavitra! If ol’ Untadar could craft ships that can trap such chaos, imagine what their weapons can do!” Shouts Brutos.

Suddenly out from the mist four ships appear, each flying the colors of the loyalist crimson spear battalion.

A horn sounds from the ship furthest back away from the lead.

Brutos looks back and sees the enemy closing the distance at speed.

"Battle formation!" He shouts and immediately each man knows his place and takes their positions all along the sides each looking outwards shields and spears in hand forming a tight wall around the center of the deck.

"Give those fuckers a volley!" Shouts Brutos signaling with his right arm towards the furthest ship in the rear of the fleet's V formation. Signal men communicate the order via flags and hand signals.
 
The real story seems to start here and if you would delete everything above I think I could say that I would be interested in reading on.
Even so, it needs some work. I will get back to this, but first I want to explain why everything above this kills the whole thing for me.

A massive front of Mammatus clouds flows over head in the dawn, the clouds morphing and twisting erratically. In the path ahead Brutos sees the The sky darken into a sickened green color more by the minute as streaks of lightning backlight the frantic swirling clouds. Suddenly a bolt of lightning strikes the top of the mast. Brutos doesn't even flinch as he stares deadpan into the wall of chaos in the distance. He counts at least forty water spouts on the horizon. Each hurling icebergs in all directions. Brutos can tell that some of the bergs are nearly the size of the ship. There are the flashes of explosions among the bedlam followed by the curling prominence's of fire out from the water and ice.

"Brutos?!" Shouts Gavitra over the roar of the wind as it gets louder.

"Surely we are not driving the fleet into that!"

Brutos stays silent and drives his hand forward to signal his helmsman to continue on course at full speed.

The oars swung heavy into the waters and five men stood a few meters away from the sails and sycronise their command of monad to force the random gusts of wind into a directional burst to the sails that push the trireme to over thirty knots through the icy waters. The other ships follow at the same speed. As the ship gets closer. Suddenly a thick front of fog covers the ships. A fog so thick it seems to devour the light.

"Tagmatar! We cannot see in this! What are your orders?"

"Stand at the ready up top! We have just entered the portal!" Shouts Brutos.

The other crews in the fleet maintain their course sounding their distant shouts in the distance. The fog gently lifts revealing a vast swath of calm waters
Gavitra looks up to see the light from the suns comes through a formation of clouds resembling a chasm in the sky. The sheer rock cliffs he had sailed between as a lad back on the Isles of Giisan Walls replaced by cloud walls. On the other side of the fog is the chaotic storm and pure unnatural violence. Many of the explosions behind the clouds are muffled but some manage to get through.

"Everyone! Drop!" Shouts Brutus as a cascade of explosions from within the cloud walls pepper the sides of the ship with icy shrapnel that sticks to the wood like thousands of daggers. Two men aren't fast enough and take some shards to the face killing one of them instantly.

"Dammit! Get them below, quickly!"

Brutos watches four men carry down the wounded when something dark catches his peripheral. Something massive pierces through the clouds and into the water followed by another, each the width of a skyscraper the length of a chain of mountains. Its sheer size was more intimidating by the titanic groaning and hollow metal stressing sounds that echo thunderously through the cloudy corridor of the portal.
Gavitra looks far into the distance on left and sees another megalith but it is not turning as fast as its twin and as a result more explosive debris showers that side of the portal. The sheer magnificence of the wonder created by their ancestors.

“Look Gavitra! If ol’ Untadar could craft ships that can trap such chaos, imagine what their weapons can do!” Shouts Brutos.

Suddenly out from the mist four ships appear, each flying the colors of the loyalist crimson spear battalion.

A horn sounds from the ship furthest back away from the lead.

Brutos looks back and sees the enemy closing the distance at speed.

"Battle formation!" He shouts and immediately each man knows his place and takes their positions all along the sides each looking outwards shields and spears in hand forming a tight wall around the center of the deck.

"Give those fuckers a volley!" Shouts Brutos signaling with his right arm towards the furthest ship in the rear of the fleet's V formation. Signal men communicate the order via flags and hand signals.

I imagine that the first half of this has a purpose and I'm guessing it is to introduce the characters and some small bits about world building.
However, it mostly amounts to a lot of dialogue that is infodump that really doesn't do anything to drive the story.

If you really need to have that part in there I would suggest that you find a POV character and dig into their head and put some of there five senses to work in setting the stage and actually engage the reader in the lives of these people.
Right now this is rather distant and sterile.

Of the part I like this...
A massive front of Mammatus clouds flows over head in the dawn, the clouds morphing and twisting erratically. In the path ahead Brutos sees the The sky darken into a sickened green color more by the minute as streaks of lightning backlight the frantic swirling clouds. Suddenly a bolt of lightning strikes the top of the mast. Brutos doesn't even flinch as he stares deadpan into the wall of chaos in the distance. He counts at least forty water spouts on the horizon. Each hurling icebergs in all directions. Brutos can tell that some of the bergs are nearly the size of the ship. There are the flashes of explosions among the bedlam followed by the curling prominence's of fire out from the water and ice.
...seems to be in Brutos POV--or at least could be.
We see what he sees, and that's a start-=-It wouldn't hurt to add to that and feel what he feels--smell the fear of those around him--taste his own fear.

This(POV and the five senses)is what needs to be added to the section above.
First we need context--Why did Brutos call for Gavitra and what is he thinking or why does he need to have this conversation.
How does he feel about Gavitra, is he like a son or a comrade or just another grunt. Why does he care enough about him to ask his opinion or reaction to what they are headed into. If we do this from Brutos' point of view these are things that will engage the reader.

If we were to go with Gavitra then we might wonder what he thinks and feels about being dragged into the old man's presence before battle.
What is Brutos to him? Is he excited and ready to fight or is he respectfully fearful and cautious.

The point I'm making is that you have some purpose for this conversation that eludes me other than to introduce the characters; If you mean to introduce them then do it with some feeling some real engaging information about the characters from the characters.

How does the POV see the other character--what do they feel about them and what do the gather from their demeanor that colors the way the react to them.

Right now the POV is a remote camera that doesn't seem to see much and a microphone that captures dialogue without much context.

Examine your reason for the first half and decide whether it needs to be there and then do it again--once more with feeling from the five senses of a POV.

Keep writing...there are more opinions to come I am sure and you should wait till they come in before reacting.

I"m not the best of authors, but in case you wonder what I mean by putting feeling into the story here is a snippit from my first book when I wanted to hit the reader with info-dump and backstory.



I WAKE UP WITH a start. That’s not unusual. But what is unusual is I don’t feel the discomfort. Pain has been a constant companion for what might be several weeks. I’ve lost track of time because of it. I haven’t yet grown inured. I just withdraw when possible and in a twisted way I accept my condition. I believe it’s known as survivor guilt, and maybe that’s why I’ve resigned myself to my fate.

It’s a rightful punishment for someone who should have died.

A sudden rush of anxiety seizes me. If I can’t feel anything maybe I’m dead. Panic is as absurd as the lack of pain. The greater portion of wakeful moments is spent wishing I was dead, before losing consciousness. Passing out has gotten more difficult. I wonder if the more someone wants—no needs—to do something, if it becomes more difficult for them to accomplish.

Funny thing about panic, the heart races and roars in the ears like waves against a shore. Beach sounds, as I recall, are calming. This isn’t. It’s heart-wrenching pain that makes me feel alive, but not soothed.

Life is tense moments of waiting. Waking time isn’t pleasant—alert with expectations of commencement of endless nightmare.

Something is missing.

However, as of late, I’ve trouble wrapping my mind around simple things. Confusion is a norm. I don’t feel quite right. As usual I refrain from opening my eyes. A new reflex, learned to suppress a natural inclination. It’s no use trying to see things; when I do open them everything’s a haze. The afterimage of a bright flash of explosion is the one thing I see, over and over, out of focus; though the one time my vision cleared I couldn’t trust it.

That time two lovely ladies, my apparent tormentors, came into view. They aren’t unattractive. Keep in mind I’m mostly blind. It was a mistake to display awareness, because my responsiveness brought on more torture and they gave me reason to keep my eyes shut.

A finger jabs to the eye for staring. Then they proceed to explain the triviality of such punishment by comparative illustration.

Worse than torture is the inability to remember what they want. They’d first inundated me with questions, so many I can’t recall them or my answers for that matter. They’ve since ceased, long ago, as though their game of torment supersedes everything.

From first waking moment to last, till a brief pleasant time when a grateful darkness overcomes me, they gleefully work. When blackness wraps me in its cocoon, there’s still no rest—only fitful moments punctuated by total oblivion, but it’s much better than being awake. The persecution stops when they think I’m unconscious. If they knew I have a slight awareness of being, they’d likely continue to abuse.

That’s what’s missing!
 
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I agree with Tinkerdan. I had actually given up reading but I glanced at his critique and decide to press on to the part he mentions, and I think it's a good action sequence there to serve as an opening "hook," and a creative setting. Expand description beyond the visual and maybe decide if you are going in the head of either character to let us know what they are thinking.

The dialogue opening as written frustrated me because there was just no context at all. Not apparent what the relationship between the character is, no POV. It seems like these characters are on a war campaign..but they are at a desk, and they are planning to cross ice fields, which made me think like tundra and they're in a tent, but no maybe it's a ship, but is it a spaceship and they are approaching like an icy meteor field, or a sailing ship..or I just gave up guessing when they stopped being formal and started swearing.
 
I'm struggling with the opening dialogue and with the grammatical choices. You use the present tense and separate the dialogue tag from the dialogue -- e.g. Says Brutos. At first, I was wondering if it was intentional, if you were giving the conversation a terse staccato cadence, but I'm not sure if that's the case. I am sure that it is challenging to read and takes me out of the scene.

I agree with both Tinkerdan and Yozh on the POV, hook and action -- but hard agree with Yozh on the lack of context for the conversation. The fix doesn't need to be crazy -- if they're in a tent, or a ship/boat/land boat/whatever, something like the wind howling as they close the door/tent flap, etc.
 
Thanks for the feedback guys, its all really helpful. TinkerDan you were spot on with your guesses. This chapter is from Gavitras Perspective. He is Brutos' second in command of the Armada. This chapter is in its first draft but its finished. Because we are only allowed 1300 words I was unsure where exactly in the chapter to begin the excerpt. What is the rule of thumb of where in a chapter to begin Excerpts?
In the beginning bit that was omitted features all of Gavitras feelings and perspective of the voyage.
 
The opening creates one kind of atmosphere: these guys are getting ready to go into battle with an enemy. The enemy is drawn from close kin, so it's some kind of civil war. This creates extra tension. I found this well done.

But then we run into some kind of magical weather and we get bombarded by flying icebergs and there is talk of portals. Then we are attacked from behind by our enemies but not only do we not get to the combat, but the combat seems to be long range. This spoils the setup we have at the start.

So, I would suggest either get rid of the setup, or, for this scene, make it all about close combat between the factions which is made very tense because we know they may be fighting kin.

Nit: To Indian ears (mine) Gavitra sounds like a female name. This may not matter at all, but just something to consider.

Suddenly they hear a horn blowing from outside.
Nit: I don't know about this present tense business. Why not just write in past tense?


five men stood a few meters away from the sails and sycronise their command of monad to force the random gusts of wind into a directional burst to the sails that push the trireme
This sounds like some kind of magic, but without explanation, I'm left guessing in a bad way.

each the width of a skyscraper the length of a chain of mountains
Mixing a modern metaphor with an old worldy fantasy metaphor does not work for me.

I liked the writing. I think the structure of the scene can be improved. Keep writing!
 
The opening creates one kind of atmosphere: these guys are getting ready to go into battle with an enemy. The enemy is drawn from close kin, so it's some kind of civil war. This creates extra tension. I found this well done.

But then we run into some kind of magical weather and we get bombarded by flying icebergs and there is talk of portals. Then we are attacked from behind by our enemies but not only do we not get to the combat, but the combat seems to be long range. This spoils the setup we have at the start.

So, I would suggest either get rid of the setup, or, for this scene, make it all about close combat between the factions which is made very tense because we know they may be fighting kin.

Nit: To Indian ears (mine) Gavitra sounds like a female name. This may not matter at all, but just something to consider.


Nit: I don't know about this present tense business. Why not just write in past tense?



This sounds like some kind of magic, but without explanation, I'm left guessing in a bad way.


Mixing a modern metaphor with an old worldy fantasy metaphor does not work for me.

I liked the writing. I think the structure of the scene can be improved. Keep writing!
His full name is Horshel de Gavitra but being in the military and all they call him by rank or his sir name.

The entire book is going to be in present tense with exception to the occasional flash back. Reason being I'm attempting something different.

There is what WE would consider magic in this world, its ubiquitous throughout the story, so ubiquitous in fact the people of this world consider its absence to be unnatural.

Will reevaluate the use of modern metaphor with fantasy elements. might prove tricky though The story contains a blends of genres, The megalith mentioned in the excerpt is a massive terraforming machine built by a dead type one civilization whose technology was used to harness and enhance the "Magic" of their world.

Thanks for your input :)
 
"Conan the Barbarian in Space." I don't agree with this assessment. Why? Because I read nothing describing them as barbarians. In fact, I don't recall anything describing them as anything. What I really missed was bulging muscles. I don't know about other readers, but when I read barbarians I think bulging muscles and battle worn weapons.

At the end, I didn't know who they were and/or what they were and what they were doing.

It may help you to remember the 5 Ws: who, what, where, when, and why. You may find that you don't need all the 5 Ws, but it would be a good idea to think about them.
 
The entire book is going to be in present tense with exception to the occasional flash back. Reason being I'm attempting something different.

Interesting-- there's lots of great classics (Jane Eyre, Bleak House) and YA (Hunger Games, Divergent) written in present tense and it can lend a superb sense of urgency to the narrative. OTOH, it's highly limiting and easy to fall into, X is doing this and now doing this and sees Y is doing this, pitfalls. The swaps between present simple and perfect/perfect progressive can be really challenging to both writer and reader.

Good luck!
 
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