Time jumps can be jarring for the reader if you don't handle transitions well ... or if you keep skipping them altogether.
Say you left off with a group of characters as they were starting a journey to a distant city at the end of one chapter, and now with the next chapter they are arriving at that city. Nothing of interest happened on the way, you didn't want to invent something just so that something would occur if it wouldn't even be relevant to the plot, you aren't a fan of big lumps of worldbuilding slowing things down, so you want to simply cut to the chase and show the party just as they reach the city gates.
Nevertheless, you could well afford a paragraph or so to smooth out the time jump, to provide an actual sense of time passing, and to give the destination a little more dimension than a stage backdrop that's been whisked into place at the last moment. Something like:
The weather had turned bad with snow and sleet and hail slowing their journey. Progress was difficult, with many stops along the way. But now, finally, they approached the city. Travellers had increased on the road. Ahead, a pall of coal smoke lay heavy on the horizon. And when they came to the gates, they found a long line of carts, horseback riders, and even pedestrians, waiting for admittance.
If you are already doing this sort of thing (although, one hopes, with more grace and skill than the above example produced off the top of my head), then I don't see that there is a problem. Or if there is, it's not the quality of the writing, as such, but the fact that skipping abruptly ahead so many times is a habit that has worn out its welcome with your readers.
If you've been consistently leaving out this sort of transition, then I suggest that you look at the beginnings of some of your chapters and devise something appropriate to your characters and their situation. Like I said, a simple paragraph or two should be enough to avoid jerking readers suddenly into a new situation, without slowing things down or boring them with too much worldbuilding.
On the other hand, if your characters haven't gone anywhere during the time gap, then, as HareBrain says, you don't want to give the impression that they've been in stasis all that time. Say they are waiting for someone else to arrive, or to receive news, before doing whatever comes next. Then you might write a few sentences describing their edgy impatience while they wait, or saying how anticipation makes the time seem to stretch on forever (or both). You might devote a sentence to some of the activities that fill their time, or how they break out into quarrels when the smallest things go wrong. If you choose the right details to describe, it will have the added advantage of revealing your character's personalities and filling out their backgrounds just a little.
The idea being that you use the transitions to do more than just smooth out the passage of time, but also to accomplish other important things. Sure, you might be planning to accomplish some of those same things in other ways later in the chapter, but this way you manage to do two or more things at the same time, briefly and effectively.
