Boaz
Happy Easter!
- Joined
- Jul 14, 2005
- Messages
- 6,588
Back in 2005-2006, I was working on a theory to solve all prophecy, to decipher the Faith of the Seven, to recognize Azor Ahai reborn, and know the origins of humanity. It did not work. I could not make it all fit... not even with all the mental hurdles I like to jump.
My basic thought was that the prophecies and religions of Westeros, Essos, the First Men, the Children, the Valyrians, et al. all stem from a common source. Some long misremembered event and people were important to the resolution of the racial/supernatural conflict of ice and fire. The northmen say "Then North remembers"... but they don't remember as well as the wildlings to the north of them. The Dothraki say "It is known".... as if that ends all questions on a topic.
I thought that all of the religions of ASOIAF had prophecies that remembered the last great supernatural conflict and that they were aimed to solve the next event in the supernatural conflict. I wondered if AAR, the Stallion who mounts the world, and the Prince that was promised referred to the same person or people. My mind wanted to make the Targaryen family be the culmination of these.... especially by making Aerys II, the Mad King, the father of seven children (the seven faces of the Faith) and for these children to fulfill the prophecies.
In working on this, I was using my Christian faith, my knowledge of Tolkien, Lewis, and tradtional medieval fairy tales and fantasy tropes and imposing them upon GRRM. He's obviously inspired by Tolkien, fairty tales, and fantasy tropes.... and yet is determined to set them upon their heads in order to shock us and to make a great story. Martin is an atheist and so does not recognize a Creator who orders the universe and wants to work things out for good. I've had to try and get on board with comprehending his theology. This leads him to writing outstanding morally grey characters.
All that to say, I don't know how this story will end. I don't know how close to fruition these prophecies will come. Since they're not guided by a Creator, they are created by men.... and may or may not come true. I just don't know how to tie up these prophetic ideas.
Azor Ahai Reborn. AAR is the prophecy of the Lord of Light who will defeat The Other. He is tied to a magic sword, Lightbringer. He will kill his dearest love with his sword. The dearest love is associated with water.
The Prince that was Promised. TPTWP is a Targaryen (maybe even Valyrian) prophecy of a king to fight the darkness. Targs are associated with dragons. Dragons are associated with light and fire. TPTWP is associated with the song of ice and fire. This may be why the Valyrians first went to Dragonstone. It may be why Aegon the Conqueror conquered the Seven Kingdoms. It was a matter of deep study for Maester Aemon. It may be Rhaegar's entire raison d'etre.
The Stallion who Mounts the World. The Stallion is the Dothraki prophecy of conquest. Or at least they take it as conquest, it may be a conquest of evil.... or dragons. Dothraki men are associated with the sun.... fire and light. Dothraki women are associated with the moon. Dany's maids discount a tale that there used to be two moons... when one caught fire, it erupted with dragons.
The Dragon has Three Heads. The three heads seems to refer to the Targaryen royal right to rule and a formula for their success. It may be a way for them to ensure the spread of their genetics in a specific line in order to produce TPTWP.... or to continue to produce dragons.... or at least the martial strategy to conquer. Aegon, Visenya, and Rhaenyra were the original conquerors. I wonder if this concept of the three heads goes back to the founding of Valyria. By having multiple wives, maybe this is how they try and overcome the genetics of incest.
The Seven faces of god. The Faith of the Andals features seven gods... or more precisely one god with seven aspects. It is a practical application of god's understanding of humanity. Father, Smith, Warrior, Mother, Maid, Crone, and Stranger are all easily understood. Life, relationships, employment, love, and death apply. Every person in Westeros can be defined by one of the aspects.
Valar Morghulis. The Faceless Men of the House of Black and White of Braavos acknowledge only one god.... death. They deliver death when paid.... or when threatened. They are associated with weirwood... blood and water.
The Old Gods. Weirwood. Blood. Water. Blood. Blood. They may all be physically connected. They seem to be able to be used by powerful telepathic people. So there are not gods behind them.... it's just the Children or telepaths like Brynden Rivers and Bran Stark.
The Ironborn and water. They worship the Drowned God. What is dead cannot die, but rises again harder and stronger. They ritually drown each other and perform CPR to resurrect them. Their religious focus is under the sea. This is the most associated religion with water. I don't know that their religion is real, but people drown (actually and metaphorically) all the time in the story. Actual drownings include Patchface, Aeron, all of Aeron's disciples, some Ironborn, Davos, Tyrion, Dunk, Melara, Talbert Serry, King Robert's parents, Stannis' fleet, and more.... some of these are resurrected. Almost drownings include Jaime, Moqorro, Sam, Metaphorical drownings include most of the Ironborn, Mikken, Chayle, Tyrion (multiple times), Jon (numerous times), Egg, Symon Silvertongue, Edric Storm, Theon, Arya, Robb, the Blackfish, the Stone Men, etc. Many bodies are dumped in water.... Catelyn, Stark men at the Twins, Mandon Moore, Davos' sons, Hoster Tully, and others. Then there are "dead things in the water" at Hardhome. I don't know what to do with all of this.... but I think it's important. Does Martin like the Noah story? Does he like the Moses story? Is Martin mocking Christian baptism? Does he like the tactile experience of water in baptism? Is he recognizing water's place in life? Is under the sea like the upside down in Stranger Things? Is it the other side? Is water life or death? Is it both? Many big decisions and life changes are made crossing water or while in the rain, both symbolizing drowning.
There are now more peoples and religions in Martin's supporting works to ASOIAF.
I don't know about a unified theory anymore. I do know that Ice and Fire are major themes, but so are Water, Light, Darkness, Iron, and Blood. Father/Light, Smith/Iron, Warrior/Fire, Mother/Water, Maid/Blood, Crone/Ice, and Stranger/Darkness. I'd love to confindently state a solution.
Many people claim solutions based upon GRRM's other works. I don't see it. I read Tuf Voyaging and Fevre Dream. I think Martin is not going to give nearly as satisfying an ending as Fevre Dream where the good guys win. Well, they win but at great cost. Tuf wins in his story arc. But he definitely goes against the grain. He forces solutions with a very heavy hand. He wins, but does he do right? He does what he sees as right. He forces logical solutions on passionate peoples. If I apply those to ASOIAF, then Davos and Tyrion will win... sort of like Marsh and York in FD. They are broken and older and wiser, but they definitely did away with the evil villain. I don't even know that any evil villain (except for Ramsay and Craster) has been identified yet in ASOIAF. Or maybe telepathic Bran can force a solution upon everyone like Tuf did.
I think my failure to unify everything not only stems from a lack of information, but also from Martin's lack of a villain. Are the Others evil or just a branch of humanity trying to survive? We know they're a threat, but we don't have enough information to know that they're villains. Is Melisandre evil, delusional, or misinformed? Jaime is a villain because of incest and infant defenestration, yet his potential redemption makes him infinitely more likeable than Robert and Tywin. Because Robb is a Stark... young, handsome, rich, well educated, well cultured, a king, and has a kick ass pet direwolf.... on a mission to avenge his father, well, we tend to give him some slack while we don't give as much to Sansa, a child. Sansa's crimes? Loyalty to her betrothed crown prince instead of her bratty sister.... and continued loyalty to the Crown instead of her overbearing father. Robb's crimes? He married for love.... how sweet and true were his actions. That marriage, not Edmure's, Arnolf's, nor Catelyn's actions, lost the war and killed thousands upon thousands.
This greyness of Martin's characters define the direction of the story. I don't know where he's going. I'm hopeful that it will be interesting and engaging.
My basic thought was that the prophecies and religions of Westeros, Essos, the First Men, the Children, the Valyrians, et al. all stem from a common source. Some long misremembered event and people were important to the resolution of the racial/supernatural conflict of ice and fire. The northmen say "Then North remembers"... but they don't remember as well as the wildlings to the north of them. The Dothraki say "It is known".... as if that ends all questions on a topic.
I thought that all of the religions of ASOIAF had prophecies that remembered the last great supernatural conflict and that they were aimed to solve the next event in the supernatural conflict. I wondered if AAR, the Stallion who mounts the world, and the Prince that was promised referred to the same person or people. My mind wanted to make the Targaryen family be the culmination of these.... especially by making Aerys II, the Mad King, the father of seven children (the seven faces of the Faith) and for these children to fulfill the prophecies.
In working on this, I was using my Christian faith, my knowledge of Tolkien, Lewis, and tradtional medieval fairy tales and fantasy tropes and imposing them upon GRRM. He's obviously inspired by Tolkien, fairty tales, and fantasy tropes.... and yet is determined to set them upon their heads in order to shock us and to make a great story. Martin is an atheist and so does not recognize a Creator who orders the universe and wants to work things out for good. I've had to try and get on board with comprehending his theology. This leads him to writing outstanding morally grey characters.
All that to say, I don't know how this story will end. I don't know how close to fruition these prophecies will come. Since they're not guided by a Creator, they are created by men.... and may or may not come true. I just don't know how to tie up these prophetic ideas.
Azor Ahai Reborn. AAR is the prophecy of the Lord of Light who will defeat The Other. He is tied to a magic sword, Lightbringer. He will kill his dearest love with his sword. The dearest love is associated with water.
The Prince that was Promised. TPTWP is a Targaryen (maybe even Valyrian) prophecy of a king to fight the darkness. Targs are associated with dragons. Dragons are associated with light and fire. TPTWP is associated with the song of ice and fire. This may be why the Valyrians first went to Dragonstone. It may be why Aegon the Conqueror conquered the Seven Kingdoms. It was a matter of deep study for Maester Aemon. It may be Rhaegar's entire raison d'etre.
The Stallion who Mounts the World. The Stallion is the Dothraki prophecy of conquest. Or at least they take it as conquest, it may be a conquest of evil.... or dragons. Dothraki men are associated with the sun.... fire and light. Dothraki women are associated with the moon. Dany's maids discount a tale that there used to be two moons... when one caught fire, it erupted with dragons.
The Dragon has Three Heads. The three heads seems to refer to the Targaryen royal right to rule and a formula for their success. It may be a way for them to ensure the spread of their genetics in a specific line in order to produce TPTWP.... or to continue to produce dragons.... or at least the martial strategy to conquer. Aegon, Visenya, and Rhaenyra were the original conquerors. I wonder if this concept of the three heads goes back to the founding of Valyria. By having multiple wives, maybe this is how they try and overcome the genetics of incest.
The Seven faces of god. The Faith of the Andals features seven gods... or more precisely one god with seven aspects. It is a practical application of god's understanding of humanity. Father, Smith, Warrior, Mother, Maid, Crone, and Stranger are all easily understood. Life, relationships, employment, love, and death apply. Every person in Westeros can be defined by one of the aspects.
Valar Morghulis. The Faceless Men of the House of Black and White of Braavos acknowledge only one god.... death. They deliver death when paid.... or when threatened. They are associated with weirwood... blood and water.
The Old Gods. Weirwood. Blood. Water. Blood. Blood. They may all be physically connected. They seem to be able to be used by powerful telepathic people. So there are not gods behind them.... it's just the Children or telepaths like Brynden Rivers and Bran Stark.
The Ironborn and water. They worship the Drowned God. What is dead cannot die, but rises again harder and stronger. They ritually drown each other and perform CPR to resurrect them. Their religious focus is under the sea. This is the most associated religion with water. I don't know that their religion is real, but people drown (actually and metaphorically) all the time in the story. Actual drownings include Patchface, Aeron, all of Aeron's disciples, some Ironborn, Davos, Tyrion, Dunk, Melara, Talbert Serry, King Robert's parents, Stannis' fleet, and more.... some of these are resurrected. Almost drownings include Jaime, Moqorro, Sam, Metaphorical drownings include most of the Ironborn, Mikken, Chayle, Tyrion (multiple times), Jon (numerous times), Egg, Symon Silvertongue, Edric Storm, Theon, Arya, Robb, the Blackfish, the Stone Men, etc. Many bodies are dumped in water.... Catelyn, Stark men at the Twins, Mandon Moore, Davos' sons, Hoster Tully, and others. Then there are "dead things in the water" at Hardhome. I don't know what to do with all of this.... but I think it's important. Does Martin like the Noah story? Does he like the Moses story? Is Martin mocking Christian baptism? Does he like the tactile experience of water in baptism? Is he recognizing water's place in life? Is under the sea like the upside down in Stranger Things? Is it the other side? Is water life or death? Is it both? Many big decisions and life changes are made crossing water or while in the rain, both symbolizing drowning.
There are now more peoples and religions in Martin's supporting works to ASOIAF.
I don't know about a unified theory anymore. I do know that Ice and Fire are major themes, but so are Water, Light, Darkness, Iron, and Blood. Father/Light, Smith/Iron, Warrior/Fire, Mother/Water, Maid/Blood, Crone/Ice, and Stranger/Darkness. I'd love to confindently state a solution.
Many people claim solutions based upon GRRM's other works. I don't see it. I read Tuf Voyaging and Fevre Dream. I think Martin is not going to give nearly as satisfying an ending as Fevre Dream where the good guys win. Well, they win but at great cost. Tuf wins in his story arc. But he definitely goes against the grain. He forces solutions with a very heavy hand. He wins, but does he do right? He does what he sees as right. He forces logical solutions on passionate peoples. If I apply those to ASOIAF, then Davos and Tyrion will win... sort of like Marsh and York in FD. They are broken and older and wiser, but they definitely did away with the evil villain. I don't even know that any evil villain (except for Ramsay and Craster) has been identified yet in ASOIAF. Or maybe telepathic Bran can force a solution upon everyone like Tuf did.
I think my failure to unify everything not only stems from a lack of information, but also from Martin's lack of a villain. Are the Others evil or just a branch of humanity trying to survive? We know they're a threat, but we don't have enough information to know that they're villains. Is Melisandre evil, delusional, or misinformed? Jaime is a villain because of incest and infant defenestration, yet his potential redemption makes him infinitely more likeable than Robert and Tywin. Because Robb is a Stark... young, handsome, rich, well educated, well cultured, a king, and has a kick ass pet direwolf.... on a mission to avenge his father, well, we tend to give him some slack while we don't give as much to Sansa, a child. Sansa's crimes? Loyalty to her betrothed crown prince instead of her bratty sister.... and continued loyalty to the Crown instead of her overbearing father. Robb's crimes? He married for love.... how sweet and true were his actions. That marriage, not Edmure's, Arnolf's, nor Catelyn's actions, lost the war and killed thousands upon thousands.
This greyness of Martin's characters define the direction of the story. I don't know where he's going. I'm hopeful that it will be interesting and engaging.