You may not need to cut anything. Just read back through it and see if it can't be split into two chapters instead if you feel it is too long
Yeah, I think that's a good way to frame it. (Terminology check, Scene: a defined interaction that deepens the reader's engagement with the plot or character(s). Chapter: A set of connected scenes)
One useful tool is to play scene / paragraph / sentence / clause Jenga: If i pull
this out, does the greater unit work? It collapsed? Ok: add it back in. It stayed standing? Great, move on.
There's also a lot of advice out there (Save the Cat, Story Grid, etc.) that harp on each chapter having a shift in emotion, interior stakes or exterior stakes. Story Grid advocates using a spreadsheet to break out scenes and IIRC using a scale of ++, +, =, -, -- to map it out and give yourself touch points.
Example: Harry wakes up to his touch-hole cousin's birthday, is miserable/sad, goes to zoo and talks to the snake who terrorizes Dudley and makes Harry smile. Chapter starts as negative emotion with an exterior stake of Harry's miserable family life and ends with a positive emotion and Harry gaining some confidence via interior stake growth.
Done poorly, it comes off as a bit trite--like someone is trying to play with my emotions. Done well, it's invisible and draws the reader in with micro changes to emotions, stakes and engagement. It can also help define when and where to end a chapter. I haven't used that kind of system in real time, but i've used it as part of editing and found it broadly helpful.