First Chapter of my fantasy novel (1.2k words)

Flaviosky

Well-Known Member
Supporter
Joined
Jul 14, 2021
Messages
196
Location
Chile
Hello dear community,

I've managed to build some courage to share a maniscript after a while, mostly due to that (don't know how common) insecurity derived from a seemingly endless editing process, and overly re-reading my work to see if I notice anything odd.

I wanted to share the first 1.4k words of the first chapter of my WIP; medieval fantasy novel. The whole chapter is more than 5k words long (is that too much?).

My main issues are: 1) Is the opening engaging at all? 2) I'm struggling with the incorporation of tags for thoughts, juggling between clarity or redundance and 3) I fear my story may be relying too much on dialogue.

Thanks in advance.

-----------------------------------------------------------------------------------​

The thunderous beat of her armored boots echoed through the cold, stone corridors of the ancient Royal Palace. The Commander of the Royal Guard raced forward, her chest heaving with exertion as her rapid breathing mingled with the frantic steps of the guards flanking her. Flickering candles cast fleeting rays of light on her sweat-drenched face, revealing the fierce resolve in her silver eyes. Time felt like an elusive specter slipping through her grasp, and fate loomed like a cruel witness, eager to write the next chapter in the history of the Kingdom of Clysse.

Her bushy brown wolf tail remained stiff as she pushed onward, the urgency of her task driving her forward. She took a sharp right turn, her retinue following closely, their boots leaving a trail on the dusty tiles. Suddenly, she halted, her brown wolf ears twitching as she raised her nose to sniff the air, then turned her gaze to the left, toward the main gate.

He’s coming. He’s really coming.

The dim flames of the chandeliers flickered weakly, casting eerie shadows across the grand hall. Candles burned low, their wicks nearly consumed, and wax dripped down ancient bronze fixtures marked with rust and tarnish. A guard stepped forward and unlocked a small door that creaked upon opening, allowing the Commander to enter the Hall Royale.

As she crossed the threshold, she gulped nervously.

This is all there is…

The Queen and the King stood, looking at each other with more doubts than certainty. More guards arrived to hold their positions.

“Long live the Valdenne dynasty!” they shouted.

The small retinue of guards looked focused, their steel armor gleaming over the distinctive dark green clothes of the Guard. Their shields were up, though their weapons remained sheathed.

“Commander Navallet! The gate is locked!” A young man shouted with determination.

“Very good! Keep the hall secured!” she commanded, joining the formation around the Queen.

The Commander of the Royal Guard stood ready. Her normally stoic face flinched, betraying unease, but she quickly hardened her expression and sniffed the air again.

The dim stench of blood from outside. We’re just a step away from civil war.

Across the room, the hint of death was palpable.

This is it, Sophie. Until the end.

She approached the short, chubby King who paced back and forth, head down and red-faced, hands clasped behind him. His feet drew anxious circles on the dusty tiles.

“Albert, stop pacing! We’ll deal with him here! Guards are securing the area,” the Queen yelled, her grayish hair tousling slightly.

The commander’s breathing was slow and deep, her eyes fixed on the massive gate at the end of the hall.

He’s not coming to talk anymore.

She walked forward, her voice steady. “My king, my queen! It’s time to go!”

The King mumbled, his chin trembling, “Thanks, Sophie. Don’t worry, Irene. I’ll... I’ll greet Daniel myself. This is absurd.”

“Are you out of your mind, Albert? Let’s deal with him together! After all our councils and meetings, he has never had the audacity to come here without advance notice!” the Queen yelled.

Sophie gulped.

That’s right, and that’s why we shouldn’t be here in the first place.

The King’s face turned even redder. “I just cannot accept more tantrums from this General!”

The Commander’s wolf ears twitched as she heard steps and closing doors. She turned and saw a woman entering the throne room from another hallway.

Why is the princess alone? Where’s Natalie?

The woman entered the hall. “It’s not a tantrum if he has the whole army behind him! Where is the rest of the Royal Guard?!”

Her fine armored boots echoed around the hall as she stepped in, walking slowly and firmly. The King and Queen’s faces turned white as they saw the orange waves of their daughter’s hair drawing closer. The princess’ blue eyes shone with determination.

“Diane! What are you doing here? It’s too dangerous!” the Queen yelled, but the princess didn’t share her mother’s fear.

“Mother! I must confirm the rumors about the Scarlet Order marching towards the palace myself!” Diane said.

More guards arrived and joined the formation, but one voice stood out among them. “My princess, there you are! Stop acting so rashly! We must leave at once!” she yelled.

The Queen’s eyes widened and she frowned. Her face turned redder, watching the princess’ personal guard stride clumsily into the hall.

The commander’s wolf ears stiffened, and her tail fluffed up. “Natalie, there you are! How could you leave the princess alone at a time like this?”

A burst echoed from outside. Men and women screamed on the other side of the gates, their grunts merging with the sound of metal clashing against metal. Sophie’s ears twitched.

That must be him.

Diane stepped forward. “Mother, Father, don’t be afraid! We have faced more dire circumstances.”

No, princess. We haven’t.

Sophie gritted her teeth. “Natalie, take the heirs out of the palace! I thought you had that already clear!”

Natalie frowned uneasily, her pink eyes darting around as she stood before the commander. “Ye... Yes, commander! But Diane...” She glanced at the princess, who stood resolutely next to the King.

“Enough, commander. The guard is already assembled. I don’t think the General will do anything stupid,” the Queen said.

“Stupid like what?” Diane asked.

Like taking over the kingdom.

Sophie sighed, “We must get out of here!”

Making the princess follow orders is easier said than done.

“Diane, this is the worst moment to get stubborn, come on!” Natalie’s brow furrowed with frustration.

Her words dissolved into a thunderous noise that gradually filled the air. Hundreds of synchronized steps grew louder by the second until they became almost deafening. The sound halted dead just outside the main gates at the end of the hall. Steel clanged against steel, and grunts and screams resonated beyond the tall, carved doors.

It’s mayhem outside.

Then, silence.

A droplet of sweat fell from Sophie’s tanned face, echoing as it hit the tiles. The King was gasping for air, his breathing echoing in the sordid silence of the hall. He turned his face and stared at the Queen with glassy eyes.

“Irene…” he whispered.

**Screeeeeeech!**

A loud slash cut through the gates from ceiling to floor, shattering the inner bars locking the entrance. Light from outside burst in abruptly, forcing everyone to shield their eyes—everyone except Sophie, as a polished blade reflected the rays of the sun into the darkened hall.

“That curved and thin blade can only belong to one man…” she muttered.

Daniel Heart-Eguisse.

His black and burgundy coat waved with the wind that entered the hall as he walked inside with his army behind him. His short auburn hair seemed more reddish than usual, and his icy pale blue eyes were fixed on the throne. The scent of blood from the chaos outside the gates filled the air inside the Hall Royale, casting twisted shadows on the dusty chandeliers.

My fallen comrades...

“Your majesty, I must apologize. The Scarlet Order will cover this unfortunate wreckage, but I shall be your guest for a while, for urgent matters,” his voice was warmer than his gaze.

You don’t fool me, Daniel.

Diane’s face reddened with tension as she frowned. “What is the meaning of this, General?! Sword in hand, forcing your way into the palace!” She stepped forward to face Daniel alone.

Sophie unsheathed her sword and rushed to stand before the princess. The myriad guards followed her lead, weapons drawn.

What is this girl doing?!

King Albert suddenly walked forward, his embroidered shirt heavy and drenched in sweat.

“Diane, step back! I’ll take care of this!” The King’s steps didn’t match the firmness of his words.

Queen Irene, Natalie, Sophie, and the guards moved swiftly to follow him. Sophie’s heart pounded fast.

Has the King gone mad?!

Daniel sighed as he walked, his shoulders relaxed. “I’m afraid my presence before you wouldn’t be necessary if you had honored our agreement, Your Majesty.”

Maybe, maybe not.

Queen Irene quickened her pace. “You are exceeding your authority by a large margin, General! This is absolutely barbaric and unnecessary!”

Daniel is not the barbaric one. Where is Arck Meier?

Sophie scanned her surroundings, but didn’t find the man she was looking for. She tightened her grip on her sword and moved forward next to the Queen. She glanced down and noticed the King’s trembling hands.

We shouldn’t be here.
 
Great job on getting your novel finished! I think everyone is a little afraid of showing their work, it just means you put yourself into the work!

Over all comments:

I didn't think the dialog was excessive, but the writing did not flow so well. I am interested in the story but I'm put off by the writing mechanics. I think this is very fixable with editing and practice and more reading. I'm not experienced enough to identify the exact thing that is off. Perhaps the paragraphs are too short and disjointed.

Things that I could identify are as follows
  1. Pace. I think it's a bit slow. This may be made worse by the short paragraphs which give the writing a staccato feel.
  2. Point of view. After a while (when Daniel makes his appearance) I could not tell whose head we were in. This needs to be made clearer or stronger
  3. Too much telling for an adult audience. I'll point out an example or two below, but if this is aimed at an adult audience there is too much explaining of how characters feel. If this is YA maybe that is what the genre expects.
However, even with these fixed I think there is something that is too jerky about the writing flow but I think more experience and careful editing will help with that.

Keep writing!


The thunderous beat of her armored boots
This put me in the mind of horses rather people.

Flickering candles cast fleeting rays of light on her sweat-drenched face, revealing the fierce resolve in her silver eyes.
I like to write sentences with lots of adjectives and adverbs but I think that makes for hard to read sentences.

Time felt like an elusive specter slipping through her grasp, and fate loomed like a cruel witness
This was great! You could do more of this, but not too much more, as that could be a drag too.

Her bushy brown wolf tail remained stiff as she pushed onward,
I wonder if there is a better way to introduce a non-human character. I found this vaguely comical.

bronze fixtures marked with rust
Does bronze rust? In any case that I worry about this suggests I'm not pulled into the story enough.

he has never had the audacity to come here without advance notice
I found the royal's dialog a bit out of place. They don't speak royally enough. Perhaps this is the intent.

but the princess didn’t share her mother’s fear.
This is an example of where you both show and tell something, and it should be done carefully.


The Scarlet Order will cover this unfortunate wreckage
It took a moment for me to figure out he meant "pay for the damages"
 
I wouldn't worry too much about whether this works as an opening, as it's not unusual for the finished product to start somewhere else entirely. So I'm going to approach it as just a scene.

Excerpts are hard for me because I'm not invested in the characters at all, or in the situation. So, I understand we're in the midst of a crisis, but I don't know who these people are. If this remains as the opening, that *might* work against you. Somewhat related, we have several characters in play, which means you have multiple characters to try to portray very quickly, in order to get us to care about what's happening.

You know the backstory on all these people, so maybe there's a way to give us just a glimpse of who they are and what's at stake for each of them.

Speaking of stakes, I do like the line, we should not be here. But why? Does the MC mean tactically, in this particular room? Or be in this situation? What is the actual threat? Civil war, but that's general. Have the king and queen decided to make a stand here, or have they been taken by surprise?

There is a POV problem. We start with the MC, but toward the end we get bits from the perspective of other people in the room. I don't think any of them are needed. Let the Commander see what is happening and have her react.

You drop us into the midst of an action scene. I would save much of the descriptive material for a different scene. Do we really need to know the color of the queen's hair at just this moment? OTOH, a droplet of sweat does add something. Take another look at your descriptions (Adjective Watch!) and ask which ones are doing work that needs doing here, now.

I don't think there's too much dialog either. These are tense moments. People are going to speak up. And they aren't going to do so in speeches. You keep the exchanges short and punchy. All good there.

This is certainly a scene that rests on solid foundations. To quote msstice, keep writing!
 
Minor point. A common but annoying mistake that fantasy writers make over and over again is capitalizing rank. It should be the king, the queen, the princess. Not the King, the Queen etc. Even if the readers know their names it's still lowner case. When you use their name with their title, then it is uppercase.

'the crowd was waiting for the king'
'the crowd was waiting for King Brian.'
 
Like @msstice said, too intermittent and vague as to who the MC is at times, especially with the thoughts.

His black and burgundy coat waved with the wind that entered the hall as he walked inside with his army behind him. His short auburn hair seemed more reddish than usual, and his icy pale blue eyes were fixed on the throne. The scent of blood from the chaos outside the gates filled the air inside the Hall Royale, casting twisted shadows on the dusty chandeliers.

My fallen comrades...

“Your majesty, I must apologize. The Scarlet Order will cover this unfortunate wreckage, but I shall be your guest for a while, for urgent matters,” his voice was warmer than his gaze.

You don’t fool me, Daniel.

Diane’s face reddened with tension as she frowned. “What is the meaning of this, General?! Sword in hand, forcing your way into the palace!” She stepped forward to face Daniel alone.

Sophie unsheathed her sword and rushed to stand before the princess. The myriad guards followed her lead, weapons drawn.

What is this girl doing?!

King Albert suddenly walked forward, his embroidered shirt heavy and drenched in sweat.

“Diane, step back! I’ll take care of this!” The King’s steps didn’t match the firmness of his words.

Queen Irene, Natalie, Sophie, and the guards moved swiftly to follow him. Sophie’s heart pounded fast.

Has the King gone mad?!

Daniel sighed as he walked, his shoulders relaxed. “I’m afraid my presence before you wouldn’t be necessary if you had honored our agreement, Your Majesty.”

Maybe, maybe not.

Queen Irene quickened her pace. “You are exceeding your authority by a large margin, General! This is absolutely barbaric and unnecessary!”

Daniel is not the barbaric one. Where is Arck Meier?

Sophie scanned her surroundings, but didn’t find the man she was looking for. She tightened her grip on her sword and moved forward next to the Queen. She glanced down and noticed the King’s trembling hands.

We shouldn’t be here.
Looking over it, it appears that the thoughts are Diane's, so the italic thought would work better if the story was told from the first person from her point of view, otherwise, I wouldn't use the Italic at all. Also, it would read better if you put some of the sentences together to form a short paragraph followed by Diane's thought perhaps:

Diane’s face reddened with tension as she frowned. “What is the meaning of this, General?! Sword in hand, forcing your way into the palace!” She stepped forward to face Daniel alone.

Sophie unsheathed her sword and rushed to stand before the princess. The myriad guards followed her lead, weapons drawn.

What is this girl doing?!
-------

1st person from Diane's POV

My face reddened as I frowned. “What is the meaning of this, General?! Sword in hand, forcing your way into the palace!” I demanded as I nervously stepped forward to face Daniel alone. Suddenly, Sophie stood in front of me with her unsheathed sword in hand with the myriads of guards following her lead with weapons drawn.

What is this girl doing?!
Or if in the 3ed person narrative:

Diane’s face reddened with tension as she frowned. “What is the meaning of this, General?! Sword in hand, forcing your way into the palace!” She nervously stepped forward to face Daniel alone. Without hesitation, Sophie suddenly unsheathed her sword and rushed to stand before the princess, the myriads of guards following her lead with weapons drawn as well.

What is this girl doing?! Thought a slightly distracted Diane.
or with the Italic
What is this girl doing?! Thought a slightly distracted Diane.


Just my opinion as there are many ways you can do either. :)

Keep playing with it and don't worry; trial and error are a part of storytelling!
Have you thought of getting an Emotion Thesaurus? I have one that I use often by A, Ackerman & B, Puglisi from Amazon. Very helpful.
 
Minor point. A common but annoying mistake that fantasy writers make over and over again is capitalizing rank. It should be the king, the queen, the princess. Not the King, the Queen etc. Even if the readers know their names it's still lowner case. When you use their name with their title, then it is uppercase.

'the crowd was waiting for the king'
'the crowd was waiting for King Brian.'
I'm not sure about this.

"King Edward VII reviewed the troops - the regiment marched past the King"
"King Edward VII reviewed the troops - the regiment marched past the king"

First one looks 'more correct' to me.

I'm reading a book about the pre-WWI naval race between Britain and Germany at the moment - it's a matter of mild annoyance to me that it refers to Edward VII as 'the King', but to Wilhelm II as 'the kaiser'.
 
When you come back to edit this I would definitely ensure you've read up on POV use first, and ensure you're in a character's experience, because at the moment you're making the classic beginner mistake of writing an audio description for a film - so you give us plenty of visual cues to open the scene, but it's all very over-described, and then you simply drop into describing dialogue like it's a screenplay. You need to think more about making your sentences more natural and make less effort to sound "writerly".
 
I'm not sure about this.

"King Edward VII reviewed the troops - the regiment marched past the King"
"King Edward VII reviewed the troops - the regiment marched past the king"

First one looks 'more correct' to me.

I'm reading a book about the pre-WWI naval race between Britain and Germany at the moment - it's a matter of mild annoyance to me that it refers to Edward VII as 'the King', but to Wilhelm II as 'the kaiser'.

The word king is a noun like any other. You wouldn't write 'sea' with a uppercase S every time. Only when referring to (and specifying) a particular chunk of water.

The seas parted
The parting of the Red Sea

Cnut was king at the time.
At the time of King Cnut

If you argue that you'd capitalize king because you were specifly referring to Cnut even when you didn't name him what happens when you group him with other monarchs?

'Cnut was a King and one of many things the Kings of his era had to do was...'

That is just silly.
 
Last edited:
You also get into murky territory quickly. King is comparatively easy, but what about a duke, a count, a margrave, a bey, a caliph? Pope again seems easy but what about archbishop or bishop, priest, abbot, deacon? For that matter, how about knight (unless you're Green)?

OK, OK (but not Oklahoma), then we transition into fantasy titles. Wizard. Necomancer. Not to overlook rings, staves, or hats.

The general rule of noun versus Proper Noun is not foolproof, but it is serviceable.
 
Time felt like an elusive specter slipping through her grasp, and fate loomed like a cruel witness, eager to write the next chapter in the history of the Kingdom of Clysse.
Wordy wordy. Metaphor, at the very least, use less space than simile: "Time was an elusive spector, slipping through her grasp as fate loomed; a cruel witness the next chapter of the Kingdom of Clysse." That sentence is still a little much, but at least it is more readable and has a structure other than being a list.

As she crossed the threshold, she gulped nervously.
Why does using "she" twice in one sentence work better than one? Does either gulping or crossing further the story or character?

These are wordsmithing problems. Each sentence should be a tight and interesting on its own.



In general, not much happens in your passage. All the italic thoughts are like Cliff Notes - telling us what we should be catching from context or the reaction of other characters. Get rid of them (or at least most of them), or make them more meaningful. But the biggest problem is that the reader has to keep restarting a new paragraph to not really receive much more narrative, and at the end of a rather lengthy period of reading - a man arrives.

You could write two 80 word paragraphs describing the preparations and behavior of the characters, then have Daniel walk in with the first dialogue, and it would have more impact.



I think the idea of the scene is solid - the king's family quaking in their boots over someone that should be their servant, lots of reactions in all directions, ramping up with unwise boldness, etc. But it reads too much like a list right now, and there are too many extra words that slow it down.
 
Hello dear community,

I've managed to build some courage to share a maniscript after a while, mostly due to that (don't know how common) insecurity derived from a seemingly endless editing process, and overly re-reading my work to see if I notice anything odd.

I wanted to share the first 1.4k words of the first chapter of my WIP; medieval fantasy novel. The whole chapter is more than 5k words long (is that too much?).

My main issues are: 1) Is the opening engaging at all? 2) I'm struggling with the incorporation of tags for thoughts, juggling between clarity or redundance and 3) I fear my story may be relying too much on dialogue.

Thanks in advance.

-----------------------------------------------------------------------------------​

The thunderous beat of her armored boots echoed through the cold, stone corridors of the ancient Royal Palace. The Commander of the Royal Guard raced forward, her chest heaving with exertion as her rapid breathing mingled with the frantic steps of the guards flanking her. Flickering candles cast fleeting rays of light on her sweat-drenched face, revealing the fierce resolve in her silver eyes. Time felt like an elusive specter slipping through her grasp, and fate loomed like a cruel witness, eager to write the next chapter in the history of the Kingdom of Clysse.

Her bushy brown wolf tail remained stiff as she pushed onward, the urgency of her task driving her forward. She took a sharp right turn, her retinue following closely, their boots leaving a trail on the dusty tiles. Suddenly, she halted, her brown wolf ears twitching as she raised her nose to sniff the air, then turned her gaze to the left, toward the main gate.

He’s coming. He’s really coming.

The dim flames of the chandeliers flickered weakly, casting eerie shadows across the grand hall. Candles burned low, their wicks nearly consumed, and wax dripped down ancient bronze fixtures marked with rust and tarnish. A guard stepped forward and unlocked a small door that creaked upon opening, allowing the Commander to enter the Hall Royale.

As she crossed the threshold, she gulped nervously.

This is all there is…

The Queen and the King stood, looking at each other with more doubts than certainty. More guards arrived to hold their positions.

“Long live the Valdenne dynasty!” they shouted.

The small retinue of guards looked focused, their steel armor gleaming over the distinctive dark green clothes of the Guard. Their shields were up, though their weapons remained sheathed.

“Commander Navallet! The gate is locked!” A young man shouted with determination.

“Very good! Keep the hall secured!” she commanded, joining the formation around the Queen.

The Commander of the Royal Guard stood ready. Her normally stoic face flinched, betraying unease, but she quickly hardened her expression and sniffed the air again.

The dim stench of blood from outside. We’re just a step away from civil war.

Across the room, the hint of death was palpable.

This is it, Sophie. Until the end.

She approached the short, chubby King who paced back and forth, head down and red-faced, hands clasped behind him. His feet drew anxious circles on the dusty tiles.

“Albert, stop pacing! We’ll deal with him here! Guards are securing the area,” the Queen yelled, her grayish hair tousling slightly.

The commander’s breathing was slow and deep, her eyes fixed on the massive gate at the end of the hall.

He’s not coming to talk anymore.

She walked forward, her voice steady. “My king, my queen! It’s time to go!”

The King mumbled, his chin trembling, “Thanks, Sophie. Don’t worry, Irene. I’ll... I’ll greet Daniel myself. This is absurd.”

“Are you out of your mind, Albert? Let’s deal with him together! After all our councils and meetings, he has never had the audacity to come here without advance notice!” the Queen yelled.

Sophie gulped.

That’s right, and that’s why we shouldn’t be here in the first place.

The King’s face turned even redder. “I just cannot accept more tantrums from this General!”

The Commander’s wolf ears twitched as she heard steps and closing doors. She turned and saw a woman entering the throne room from another hallway.

Why is the princess alone? Where’s Natalie?

The woman entered the hall. “It’s not a tantrum if he has the whole army behind him! Where is the rest of the Royal Guard?!”

Her fine armored boots echoed around the hall as she stepped in, walking slowly and firmly. The King and Queen’s faces turned white as they saw the orange waves of their daughter’s hair drawing closer. The princess’ blue eyes shone with determination.

“Diane! What are you doing here? It’s too dangerous!” the Queen yelled, but the princess didn’t share her mother’s fear.

“Mother! I must confirm the rumors about the Scarlet Order marching towards the palace myself!” Diane said.

More guards arrived and joined the formation, but one voice stood out among them. “My princess, there you are! Stop acting so rashly! We must leave at once!” she yelled.

The Queen’s eyes widened and she frowned. Her face turned redder, watching the princess’ personal guard stride clumsily into the hall.

The commander’s wolf ears stiffened, and her tail fluffed up. “Natalie, there you are! How could you leave the princess alone at a time like this?”

A burst echoed from outside. Men and women screamed on the other side of the gates, their grunts merging with the sound of metal clashing against metal. Sophie’s ears twitched.

That must be him.

Diane stepped forward. “Mother, Father, don’t be afraid! We have faced more dire circumstances.”

No, princess. We haven’t.

Sophie gritted her teeth. “Natalie, take the heirs out of the palace! I thought you had that already clear!”

Natalie frowned uneasily, her pink eyes darting around as she stood before the commander. “Ye... Yes, commander! But Diane...” She glanced at the princess, who stood resolutely next to the King.

“Enough, commander. The guard is already assembled. I don’t think the General will do anything stupid,” the Queen said.

“Stupid like what?” Diane asked.

Like taking over the kingdom.

Sophie sighed, “We must get out of here!”

Making the princess follow orders is easier said than done.

“Diane, this is the worst moment to get stubborn, come on!” Natalie’s brow furrowed with frustration.

Her words dissolved into a thunderous noise that gradually filled the air. Hundreds of synchronized steps grew louder by the second until they became almost deafening. The sound halted dead just outside the main gates at the end of the hall. Steel clanged against steel, and grunts and screams resonated beyond the tall, carved doors.

It’s mayhem outside.

Then, silence.

A droplet of sweat fell from Sophie’s tanned face, echoing as it hit the tiles. The King was gasping for air, his breathing echoing in the sordid silence of the hall. He turned his face and stared at the Queen with glassy eyes.

“Irene…” he whispered.

**Screeeeeeech!**

A loud slash cut through the gates from ceiling to floor, shattering the inner bars locking the entrance. Light from outside burst in abruptly, forcing everyone to shield their eyes—everyone except Sophie, as a polished blade reflected the rays of the sun into the darkened hall.

“That curved and thin blade can only belong to one man…” she muttered.

Daniel Heart-Eguisse.

His black and burgundy coat waved with the wind that entered the hall as he walked inside with his army behind him. His short auburn hair seemed more reddish than usual, and his icy pale blue eyes were fixed on the throne. The scent of blood from the chaos outside the gates filled the air inside the Hall Royale, casting twisted shadows on the dusty chandeliers.

My fallen comrades...

“Your majesty, I must apologize. The Scarlet Order will cover this unfortunate wreckage, but I shall be your guest for a while, for urgent matters,” his voice was warmer than his gaze.

You don’t fool me, Daniel.

Diane’s face reddened with tension as she frowned. “What is the meaning of this, General?! Sword in hand, forcing your way into the palace!” She stepped forward to face Daniel alone.

Sophie unsheathed her sword and rushed to stand before the princess. The myriad guards followed her lead, weapons drawn.

What is this girl doing?!

King Albert suddenly walked forward, his embroidered shirt heavy and drenched in sweat.

“Diane, step back! I’ll take care of this!” The King’s steps didn’t match the firmness of his words.

Queen Irene, Natalie, Sophie, and the guards moved swiftly to follow him. Sophie’s heart pounded fast.

Has the King gone mad?!

Daniel sighed as he walked, his shoulders relaxed. “I’m afraid my presence before you wouldn’t be necessary if you had honored our agreement, Your Majesty.”

Maybe, maybe not.

Queen Irene quickened her pace. “You are exceeding your authority by a large margin, General! This is absolutely barbaric and unnecessary!”

Daniel is not the barbaric one. Where is Arck Meier?

Sophie scanned her surroundings, but didn’t find the man she was looking for. She tightened her grip on her sword and moved forward next to the Queen. She glanced down and noticed the King’s trembling hands.

We shouldn’t be here.
There is tension, and I always wanted to know what was going to happen. This is all good for me. Much has already been said.

I'll add that one line completely took me out of the scene.
The dim stench of blood from outside. We’re just a step away from civil war.

If there is the dim stench of blood from outside -- how are they not in a civil war? If they are "a step away" from civil war shouldn't she be smelling something other than the "dim stench of blood from outside?"

Or perhaps this is a kingdom where people murder each other constantly in which case why wouldn't the "dim stench of blood" just be another regular scent and not remarkable at all?

Anyway, that internal monologue took me out of the story in an uncomfortable way.
 
One more thing. I really like the way that in the first few lines you establish that the king we are about to meet is incompetent. He can't or won't manage his own household what must life for his people be like -- certainly less concerned for by this king than his own house?

The thunderous beat of her armored boots echoed through the cold, stone corridors of the ancient Royal Palace. The Commander of the Royal Guard raced forward, her chest heaving with exertion as her rapid breathing mingled with the frantic steps of the guards flanking her.
She is definitely running within the building

She took a sharp right turn, her retinue following closely, their boots leaving a trail on the dusty tiles.
Yet the floors have "dusty tiles" -- this king can't or won't even keep his own house swept and mopped.

The dim flames of the chandeliers flickered weakly, casting eerie shadows across the grand hall. Candles burned low, their wicks nearly consumed, and wax dripped down ancient bronze fixtures marked with rust and tarnish. A guard stepped forward and unlocked a small door that creaked upon opening, allowing the Commander to enter the Hall Royale.
And here we find out that the door creeks -- another sign of poor maintenance - even for a rarely used door. This is very poor maintenance indeed.

And, they may have been in the room for some time, depends on the type of candle they use - 6 hours? 8 hours? But still we learn two things
A. The candles are not being replaced in a responsible manner
B. the "ancient bronze fixtures marked with rust and tarnish" are a sign that we are observing the reign of pure incompetence (or indifference) - someone who simple does not care about maintaining his home, let alone his kingdom, for future generations.

Very impressive use of sparce images to introduce a truly horrible ruler.
 
Minor point. A common but annoying mistake that fantasy writers make over and over again is capitalizing rank. It should be the king, the queen, the princess. Not the King, the Queen etc. Even if the readers know their names it's still lowner case. When you use their name with their title, then it is uppercase.
It's not a mistake to capitalize a title following the article "the." It's a choice of which style to use, the more modern style commonly in use now, or an older style, considered old-fashioned but not incorrect.* Sometimes writers choose it because it is old-fashioned, because it fits with the atmosphere or tone they are trying to create.

If a writer plans to self-publish, they can make such choices for themselves—just so long as they are consistent in applying whichever rule they decide to follow. If they trad publish, it may be a different story, it may come down to whether the publishing house they sell their manuscript to asks their editors to apply a house style across a wide range of unrelated books by different authors (which not all of the big houses do—or at least they didn't back in my day), or if it is short fiction submitted to a magazine or anthology, it does make sense to apply the same style guide to all the stories in a single publication.

______

*If it was a mistake made by foolish fantasy writers, then why did generations of professional copy-editors allow it? I speak of a time when copy-editors were so careful and thorough they made individual style guides for every book they worked on.
 
Sorry to intrude on your Critique thread, Flaviovsky, but to continue the noun/Proper Noun debate...

From the Court Circular for 17 July:

The King, accompanied by The Queen, travelled in State to the Palace of Westminster today to open the Session of Parliament.​

Note that not only are "King" and "Queen" given a capital letter, but so has "The" which should, technically, be used for the royal family, and also for important people and certain Events eg

Mrs. Marjorie Glasgow (His Majesty's Lord-Lieutenant of Oxfordshire) was present at Royal Air Force Brize Norton this morning upon the Arrivals of The President of Romania, The President of Ukraine and The President of the French Republic and welcomed Their Excellencies on behalf of The King. [my bolding]

but not for lesser people/ranks:

Their Majesties returned to Buckingham Palace and were received by the Lord Chamberlain and the Vice-Chamberlain of the Household. [my bolding]


Personally I wouldn't bother with the capitalised "The" in my work, not unless I was eg showing the equivalent of the Court Circular, but I reserve the right to have capitals for job titles if I'm referring to one specific person, using the title in place of the name eg "The Colonel was there" if we know there's only one and he's previously been mentioned, otherwise eg "Various colonels were there." As Teresa says, the important thing is to be consistent within the work and if there are style guides for a publication, abide by them.
 
There is a POV problem. We start with the MC, but toward the end we get bits from the perspective of other people in the room. I don't think any of them are needed. Let the Commander see what is happening and have her react.
This comment alone pointed out a structural issue, but maybe it's because of what is yet to be said in the chapter. The story does not begin with the MC as a POV, but introduced like, a page later? Maybe this is not the best course of action as I don't have the experience to execute it properly yet. I'll shift the POV to the MC of the story since the beginning to make it easier to follow.
Perhaps the paragraphs are too short and disjointed.
Maybe my eagerness to make the scene fast-paced led me to follow this structure, but @Swank pointed out that the scene felt slow, so the issue there is the over-describing on the scene so the final paragraphs don't end up wasting words. I'll work on the mechanics so it flows better.

What is this girl doing?! Thought a slightly distracted Diane.
Would you consider these tags for thoughts helpful, instead of redundant? I fear ending up pointing the obvious and distracting the reader.
One more thing. I really like the way that in the first few lines you establish that the king we are about to meet is incompetent.
I'm glad to see that I'm conveying that idea in a somewhat effective manner.

Thank you very much for your assistance and time.
 
Would you consider these tags for thoughts helpful, instead of redundant? I fear ending up pointing the obvious and distracting the reader.
If used in the right timing and not overdone, they are helpful in getting into the MCs head and bringing the reader closer to the MCs thoughts and emotions.

Many authors use them to varying degrees in their works, so if there is an author you like that uses italics for characters thoughts, go back and see how they used them. Then try it in your own writing and see how if it works for you.
 
It's not a mistake to capitalize a title following the article "the." It's a choice of which style to use, the more modern style commonly in use now, or an older style, considered old-fashioned but not incorrect.* Sometimes writers choose it because it is old-fashioned, because it fits with the atmosphere or tone they are trying to create.

If a writer plans to self-publish, they can make such choices for themselves—just so long as they are consistent in applying whichever rule they decide to follow. If they trad publish, it may be a different story, it may come down to whether the publishing house they sell their manuscript to asks their editors to apply a house style across a wide range of unrelated books by different authors (which not all of the big houses do—or at least they didn't back in my day), or if it is short fiction submitted to a magazine or anthology, it does make sense to apply the same style guide to all the stories in a single publication.

______

*If it was a mistake made by foolish fantasy writers, then why did generations of professional copy-editors allow it? I speak of a time when copy-editors were so careful and thorough they made individual style guides for every book they worked on.

Let's all just agree it's a can of worms. And like most cans of worms best left unopened. The simplest way to do that it would seem to me would be to treat all nouns of rank and title the same as any other nouns. The novice writer has enough to cope with as it is without struggling with unnecessary minefields like this. Keep it simple and spend your energy on getting the story told without confusing or annoying the reader would be my pennyworth. If, as Teresa says, the publishing house asks for editors to apply a house style to your prose then change things but I would have thought the path of least annoyance would be the one to follow.

I'm currently reading a dreadful 1950s 'boy's' book* and on the page I'm at nasty Nazis, with names like 'von Rothstein' (which sounds strangely Jewish for a high-ranking Nazi) are falling into our plucky heroes' trap. 'General', 'Commandant' and 'Lieutenant' are capitalised 'able-seaman', 'midshipman', 'leading-seaman and 'commander' aren't. It looks like a dog's breakfast.



* It says so in the title; it's called, "Our Boy's Best of All".
 
Sharing is scary--but great job taking the leap. And congrats on finishing a draft--that's a huge milestone and don't sleep on that as an achievement.

I may be an outlier, but I felt like I needed more grounding in the physical--mainly bc the primary POV character has a tail and wolf ears, but also hands with opposable thumbs that can hold a sword and feet that can wear boots? And a human mouth and hairless face capable of blushing and showing blushes? Is everyone like this? Are only some people like this and others straight up human? Are there others who are more wolf--or more another hybrid?

I like the incompetent king and the tension and immediate stakes but agree the pacing drags in places--get me in and tell my why i care/why this is a turning point/important.

Other nits to pick
  • The queen yells a lot and some variance might work better-- shrilled or keened or whined, etc. Someone who only shouts feels like Anime
  • Overall, the royal dialogue felt too normal? There's a distinct lack of a noble style -- in flourish, formality, fantasy or form. You could tell us more about the characters with variable tags and different word choice.
    • To be clear, I'm not suggesting anything in the thee/thou branch, but over-educated, or, overly verbose or choosing a 5 syllable word when a 2 syllable word would suffice.
  • There's lots of blushing for a high tension scene. Are they blushing or flushing?
    • I normally think of blushing as embarrassment and flushing as anger, fear or anxiety, but that might be me?
Dig it and enjoy the edit!
 

Similar threads


Back
Top