Can you visualize this?

yorelm

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Intro for an older story that I pulled back out to update. I wanted to know if this revision is coming through the way I'm trying to portray it.
Can you "see" it? Any other observations are welcome also. The narrator is an NYU educated Jamaican, so there's a few odd words here and there, despite his Americanization.

I killed the engine at the lookout on Weatherly, where Fairbanks Luxury Community cut across thirty acres of prime real estate. Usually the place was swimming with high-end rides--buffed Benzes, Maseratis--all the ones that would smirk at my budget. I stopped because something felt off, like that uneasy quiet before a Kingston storm.

The air changed first, feeling heavier and taking on a stale, almost coppery bite. A darkness like no other crept in. Natural darkness filled spaces predictably; this slithered with deliberation. Nothing like sunset, nah—this was hungry in its stealth.

The entrance gate started to...shift. Subtle at first, like somebody adjusting a universal contrast. The gold-plated "Fairbanks" lettering began to dull, tarnish inching across it. Security guard's booth emptied out while I watched, like the man just...dissolved, leaving nothing but an abandoned cup of coffee still steaming on his desk.

Those pruned shrubs—the type the HOA spent more on than my annual salary—started losing their perfect shape. Branch by branch, leaf by leaf, they withered, turning into a weed-choked mess. And the bark of the trees, mostly oaks and elms, peeled away in long strips, like somebody slowly skinning them alive. They twisted, the branches becoming tangled and brittle, ready to break if you looked at them cross-eyed.

The paint of the condos dimmed, and the windows darkened to vacant holes. It wasn’t a luxury community anymore. It was a dead-man’s yard in the making.

"Rahtid!" I sucked in air too fast and forced a few slowed-down breaths to steady my shaking. Logic and rationale usually kept me grounded, but didn't cut it after facing the impossible. I sat there, my hands tight on the wheel, watching paradise turn to purgatory in slow motion. I squeezed my eyes shut and forced a few more slow breaths, then opened them...

No change.
 
I don't understand the character's voice. You have 'nah' and 'rides' and '...shift' and "Security" are all attempts at a casual drawl, which completely fail with the verbose content of the sentence that follows.

Word choice is slightly off as well "dimmed" would be better "faded", for paint.
I sucked in air too fast and forced a few slowed-down breaths to steady my shaking.
Too fast then slowed down, but the sentence is about shaking. Whiplash.

Logic and rationale usually kept me grounded, but didn't cut it after facing the impossible.
"but that didn't cut it"? Cut it is another out-of-place colloquialism.
Branch by branch, leaf by leaf, they withered, turning into a weed-choked mess.
Why would withering lead to weed growth?

The air changed first, feeling heavier and taking on a stale, almost coppery bite.
The phrasing of this sounds like a pensive wine review, not an immediate and shocking change. "Almost" is the problem, but this sentence is indicative of the uneven tone.



You can clearly write well, but the variable voice and some word choices distract from painting a picture. If you want to immerse the reader in a vision, they can't get caught on the style or vocabulary. Which doesn't mean it needs to be terse or simple - just consistent and composed of sentences that are internally matched.
 
Yeah, I sort of expected things like that. This is a complete story from about two years ago, before I improved to my present state. My process when updating an old story is generally 3 steps:

1. Update the imagery and sensory details because I was poor at it back then.
2. Update the narrative to match.
3. Finally check for voice consistency once everything else is in place. Esp in the case of dialects (Southern, Old West, college educated Jamaican here), and also in when in 1st POV.

So none of what you noticed is a surprise, but there's still a few gems in there to watch for on the latter two stages.
I should have stuck to my OP title which is really what I was looking for since this is the "imagery stage."
But nothing wrong with having things pointed out for the other later stages either. I get a good jump on them.
Thanks Swank.
 
This is a quickie fix. I realized it was unfair of me to ask for opinions on a piece when it had a distracting mix-match of old Sam (my real name), and current Sam. It read like a see-saw ride (thx Swank). So I paused from the dreaded task of adding details, and temporarily switched to stage 2. I love everything about writing new stories, where I'm free to have too much, then prune down. But updating old stories usually means I don't have enough and have to add material. Don't like that one bit!

Anywho, the quick fix (It's just that. Not final):
I killed the engine at the weatherly lookout, where Fairbanks Luxury Community sprawled across thirty acres of prime real estate. Usually, this spot was a car show for the one percent--buffed Benzes and Maseratis bouncing back the sun. I stopped because of a sudden stillness, reminding me of Kingston's pre-storm hush.

I rolled down the window and felt the air itself had thickened, pressing down, and taking on a stale, almost coppery bite in the back of my throat. Then darkness oozed in. Not the natural kind that filled spaces predictably, but something deliberate, hungry in its stealth.

I squinted, focusing on the entrance gate. It started to look...wrong. Subtle at first, like somebody adjusting a universal contrast. The gold-plated "Fairbanks" lettering began to dull, tarnish inching across it like mold. The security guard's booth emptied while I watched. The man just...dissolved, leaving nothing but an abandoned cup of coffee still steaming on his desk.

The pruned shrubs started losing their perfect shape, drooping at first, while their leaves browned at the edges. Branch by branch, leaf by leaf, they withered and dried into a choked mass. And the fresh smell of the lawn turned to musty decay.

The elms and oaks weren't spared. Their bark peeled away in long, ragged strips, like skin being flayed. Then they twisted like toffee, causing the branches to become tousled knots.

Even the paint on the condos faded, and the windows darkened to void-of-life holes. It wasn’t a luxury community anymore. It was a duppy yard in the making. Right in front of me.

"Rahtid!" I sucked in air too fast and forced a few slowed breaths to steady my shaking. Logic and rationale usually kept me grounded, but faced with this...this was beyond reason. My hands death-gripped the wheel as I watched paradise turn to purgatory in slow motion. I squeezed my eyes shut and forced a few more slow breaths, then opened them...

No change.
 
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I restarted the Camry. Even the street paving had shifted. One second I'm driving on clean suburban asphalt, next I'm bouncing over dirt and loose gravel of a country backroad. The car shuddered as I yanked the wheel left, tires spitting rocks.

"Jah," I whispered, but Muma's voice crowded into my head: "Obeah-man can mek concrete tun to dust, him can mek yuh see tings weh nuh deh dere, an' blind yuh to tings weh right in front yuh face." She'd say it just like that, stirring her Sunday callaloo, dead serious while I'd pretend to listen.
 
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Thank you, Brian. Thank goodness I was made aware of how off-kilter it was at first.
Observations like that keep me on the right track.
 

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