Before the film rescued it. Before the awful TV series ruined it. There were comics!
I never actually bought the comics, but I did recently buy back my 1969 Space Family Robinson Annual from a jumble sale. I know it was mine, it had my name in it twenty years and two hundred miles from when and where I threw it away!
The sixties was when man was just starting to get to grips with shunting man into space. Marvel were launching the Silver age of comics with Spiderman and the X-Men, with DC lumbering hard on their heels, reinventing Superman for the third time. Up pops a new kid on the block, in the shape of West US based, Gold Key Comics, with a real Sci/Fi comic, if based upon a somewhat older work by Robert Louis Stephenson:- Space Family Robinson, the combined product of editor/writer Gaylord DuBois and artist Dan Spiegle.
Spiegle in particular obviously loved creating the unique look of Space Family Robinson. He displayed a distinctive style for rendering futuristic settings which, in the '60s set him apart from most of his East Coast peers in the industry. Despite the typical "comic book" scientific inaccuracies and gosh-wow "Buck Rogers-isms" that often crept in to mar SFR scripts, Spiegle's space hardware and alien architecture showed a particular 'feeling' for realistic differences.
They were quite novel and convincing when compared with the dated designs of most of the other established comic artists of the time: here were alien cities that looked alien, instead of those interminable Flash Gordonesque depictions of alien worlds as something like a outlandish hybrid of all the World's Fairs held between the turn of the century and 1940. And while the Robinsons' own technology was quite streamlined and almost advanced enough to blend in with the hardware of many of the alien races they encountered, Spiegle didn't shrink from the challenge of differentiating the alien guest stars' buildings and vehicles by clever design. Even if it was simply by either creating something looking just a bit more exotic, or by going to the other extreme and using something even more plain. Spiegle's 1960s designs, while dated in some ways, are still worthy of study after three decades.
Even the ship the Robinsons' were marooned upon is/was different to the television and film. No dull saucers. They were for some of the other races. The Robinsons vessel was a marvelous flying square 'H'.
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