The Silver Chalice - Final Version

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Mark Robson

Dragon Writer
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Aug 31, 2004
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Daventry - England
Here it is after I finished messing with it:

‘Just leave it on the table, Jack. The money will be in your bank account by nine tomorrow.’

‘Don’t you even want to see it before I go, Mr. Solaris?’ he replied. ‘That’s very trusting of you considering we’ve never met.’

Neil Solaris looked up from his computer screen. The businessman’s lips twisted into a grin. ‘No need,’ he said glibly. ‘It’s a fake, Jack. Why would I need to look at a fake?’

For a moment, the thief was speechless. The quiet sound of Solaris laughing could barely be heard above the rain drumming on the glass wall of the twelfth floor office. However, the fury of the howling wind and driving rain was but a pale reflection of the rage brewing within his employee’s gut.

‘A fake! You had me rob Don Verrido of a fake?’ he hissed. ‘Why?’

Images flashed through his mind as he pictured entering the Don’s mansion: a single drip of sweat running down his temple as he hacked into the system that electrified Don Verrido’s outer perimeter fence; the surge of panic as his clothing tangled on the fence wire; the fear twisting his belly when he realised the guards were armed with semi-automatic weapons. Then, the chalice was in his hands. Despite the odds he had got it, and all he had to do was to get away. All he had to do. The words mocked him as details of the flight from Don Verrido’s residence sprang into his mind.

‘You there! Halt, or I fire.’

Jack hadn’t stopped to think. He launched into a sprint across the lawn. Bullets ripped through the air around him as he zigzagged in a random pattern, ducking and weaving all the way to his hole in the fence. He dived through, pushing the bundle containing the chalice ahead of him. The cut wire caught his trousers, tearing his skin as he ripped himself free. Scrambling to his feet he was running again, oblivious to the pain.

More gunfire. A bullet grazed his arm. He clamped his free hand over the line of pain and glanced down as he ran. Blood welled between his fingers. Whining projectiles ricocheted from branches and thudded into tree trunks as he made it to the relative safety of the woods. But that wasn’t the worst of it. No, the terror had only just begun.

It was not far to Jack’s car, but it was far enough for the guards to get there ahead of him. As soon as the alarm had been raised, groups of armed guards had left the Don’s residence in 4 x 4’s. The Don was clearly not inclined to let intruders get away easily. They had found his car quickly and were waiting for him as he came racing through the trees. Before Jack knew what was happening, bullets were coming at him from all angles. Whether it was luck on his part, or the bad aim of the hunters that saved him being hit again, Jack would never know. Still running hard, he veered away from his car and plunged deeper into the woods.

Rain made the ground treacherous. His feet slipped with every stride, but it was as much of an inconvenience to the hunters as it was to Jack. He skidded and stumbled along at a breakneck pace, his breath ragged as he fought to stay ahead of his pursuers. Then – a moment of sheer terror. He burst through a screen of bushes only to have the ground drop away from under his feet. Jack’s slide into the ravine, smashing against rocks and tree trunks seemed to last forever. All the way to the bottom he used his body to shield the bag containing the chalice, for fear of damaging it. What a farce!

‘Why, Solaris?’ he repeated. ‘Why did you send me to steal the fake?’

Neil Solaris turned for a moment and looked out over the city at the miserable evening weather. ‘Because you’re the best, Jack,’ he replied. ‘Everyone says so. And because I didn’t want Don Verrido to realise he didn’t have the genuine chalice. The Don would never expect me to pay your fee to go after a fake. Naturally he would assume he had the real chalice. To be honest, I didn’t fancy your chances, but you’ve lived up to your reputation, Jack. You really are the best.’

‘So if that’s a fake, then where’s the real one?’

‘It’s not even locked away,’ Solaris laughed. ‘It’s in my drinks cabinet over there.’

‘May I have a look?’

‘Why not? Go ahead.’

Sure enough, there in the cabinet was a silver chalice identical to the one in the bag. He lifted it out reverently and turned to face Solaris.

It took a second for the smug businessman to register the gun.

‘What the hell is going on, Jack?’ Solaris yelled, standing up behind his desk, his face a mask of outrage.

‘Your chalice isn’t the only fake here,’ he replied, his own smile far more chilling than that of Solaris. ‘Jack Ferret died trying to escape with the chalice. I killed him. He fell into a ravine and I put him out of his misery. Don Verrido sent me here to pass on his compliments.’

The rain pounding on the glass wall drowned out the spitting sound of three silenced bullets fired in quick succession. The man walked forward to inspect the body. Taking a handkerchief from his pocket, he picked up the phone and dialled a number using the muzzle of his pistol.

‘Boss? Yeah, it’s me. It’s done. Hey, and you’ll never guess what …’
 
Hi Mark,

I thought this was very well written, except for one niggle - unfortunately, it's a large one!

The only part that really jarred with me - to the extent that it had me looking back over the story to see if I'd missed something - was the fact of Jack's demise. It's a POV thing: you tell us about Jack's escape, from a perspective that smacks of being pretty tightly inside his head; then we find out he's dead! The elements that really drive this impression are sections like, for example: 'the terror had only just begun'; 'Before Jack knew what was happening', and 'What a farce!'.

The neutral POV works fine for the rest of the story, incidentally; it's just tha specific element. The problem is that it's absolutely integral to the story's punch, and needs to be watertight, or you kind of don't have a story, if you know what I mean.

Maybe it's just me being dim (there's every chance!), but this really did trip me up mentally.
 
Yes, captaintripps has a solid point there. I can't work out why I didn't see that the first time I read your story, and it looks like a real toughy to solve.
Unless you remove the idea that it was Jack Ferret that died (and I think it would be a shame to lose that) would be to make some subtle changes to the flash back... things like...

"Images flashed through his mind as he pictured the swift entrance into Don’s mansion: a single drip of sweat trickled down, the system was hacked..."

Now, I don't particularly like the way I reworded that, but hopefully you get my drift. Fool the reader into thinking this is a personal flashback, when in actual fact he's imagining what Jack Ferret went through. Then when the reader says "ooh, hang on" and re-reads it, they'll see that it doesn't necessarily have to be that man's personal experience.
It means altering all the personal references though which has a danger of sapping the drama, but it could work. Other than that, I'm not sure what to suggest.
 
But that's the whole point, guys. The point of view IS neutral throughout:

'the terror had only just begun'; 'Before Jack knew what was happening', and 'What a farce!'.

All of these statements are neutral - yes, you're supposed to think that Jack is thinking them, but if you read each of them carefully, you will see that an observer could equally say these things.

Images flashed through his mind as he pictured the swift entrance into Don’s mansion: a single drip of sweat trickled down, the system was hacked..."

This doesn't change the point of view from the original - look:

Images flashed through his mind as he pictured entering the Don’s mansion: a single drip of sweat running down his temple as he hacked into the ...

The crucial verb here is 'pictured'. For pictured you could read 'imagined', but this would make it too obvious.

Maybe I'm too close to this and cannot see the wood from the trees.
 
Mark Robson said:
But that's the whole point, guys. The point of view IS neutral throughout:
I don't think it can be neutral when you use words like "his" and also describe feelings of fear that the person is having.

Mark Robson said:
"Images flashed through his mind as he pictured entering the Don’s mansion: a single drip of sweat running down his temple...


What you're doing is changing the POV between each "his" and this just doesn't work for me.
I think this would work better if you started with this line:

"Images flashed through his mind as he pictured entering the Don’s mansion" but then started a new paragraph saying "Jack..."
If the reader then wants to assume that Jack in the new paragraph is the same guy that's talking to Solaris, then they've fallen for it. But to change the POV mid sentence when you've already defined who "he" is, doesn't feel quite right.

Whatever though, it's still a great piece of work.
 
I understand what you're trying to do here, Mark, but I have to say basically what everyone else said. You're point of view is too close before you admit this fellow's dead. You're creating sympathy for a character that doesn't exist.
Unfortunatly, I can't think of how to fix it and paradox's suggestion confuses me. (The whole 'confused' thing has been happening a lot lately.)
It's well written though. And a cool idea. What was the insparation for it?
 
Hi again Mark,

I've re-read this a couple of times, and I have to agree that the POV is neutral - strictly speaking. However, we do ge the impression of it being from Jack's POV, and I think that may be enough to throw things out of kilter. As i've already said, it's probably just me being dim!!
 
Right, let me try again:

Images flashed through his mind as he pictured entering the Don’s mansion...

This is the false Jack IMAGINING what it would have been like to enter the mansion.

From this point:

‘You there! Halt, or I fire.’

Jack hadn’t stopped to think. He launched ...


We are seeing the real Jack escaping from a neutral point of view. It could be said to be the viewpoint of the false Jack, though he would have to be filling in some imagined detail for this to hold true.

I think from the responses that I've tried to be too clever with this piece. If you haven't got it by now, then I guess I missed the mark. Not to worry. It was an interesting challenge.

CaptainTripps said:
I've re-read this a couple of times, and I have to agree that the POV is neutral - strictly speaking. However, we do ge the impression of it being from Jack's POV...

This is EXACTLY what I was trying to achieve. I wanted to fool the reader into thinking they were seeing things through Jack's eyes. It makes the twist all the more powerful.

Edit: Sorry FelineEyes, I didn't spot the question at first. The inspiration was desperation! I had to come up with something to use as a demonstration short story using the same prompts I had given the young people. This was my effort.
 
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Yes, I do see what you're trying to do, and I think the idea is brilliant, if not very difficult to pull off.
I don't think that you've missed the mark, Mark :)D ), or that you've tried to be too clever either.
This is most likely a case of Paradox Dementia causing my addled brain to get itself confusilated.:D

As I'd said, it's still a great short story - something that I haven't attempted to try yet.
 
Sorry Mark, I get the impression I'm infuriating you ( not that I blame you!!). I'm going to leave this alone as I think your judgment is certainly better than mine anyways!!

Cheers!
 
No, CaptainTripps, not annoying me - concentrating my mind. With good reason too. I eventually (once I'd had a chance to step back a bit) noticed that this sentence cannot hold true to the point of view:

Then – a moment of sheer terror.

Why would anyone but Jack feel terror? However, if I change it to:

Then - an unexpected surprise.

Surprise could be felt equally by the hunters, so the point of view would not be compromised.
 
Yes, that would work better! I just spotted your original thread where you posted the initial versions of this. Have you done the class yet, and if so how did it go?
 
Yes, I've done the class and it went very well. I did another one the following day and set a competition to find my 'deliberate point of view error'! There are probably a few more that will crawl out of the woodwork now. :D At least I'll get the piece polished for future classes.
 
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