Locksmith
I also mend shoes
I've almost finished reading the First Chronicles trilogy and one thing that struck me was the gradual deterioration in the point of view from which the stories are told. Unfortunately, for me this undermined the whole premise of the first book (that Covenant does not believe the world is real), which made the book interesting and different.
In the first book, we only ever see the story from the POV of Covenant. This is consistent with the fact that we have no idea whether the other characters exist outside Covenant's imagination. By the end of the book, when he ends up back home, you still aren't sure whether the Land was real or not.
In the second book, Donaldson clearly wanted to split his party into two, with Troy in one party and Covenant in the other. This means that he is forced to give us a second POV, that of Troy, which affirms Troy's existence. By the third book, Donaldson has abandoned any pretence that the land might be imaginary and we get told the story from a large number of POV. Near the end of the third book, Donaldson seems to remember that the land may be imaginary (which is where I'm now up to, about 100 pages from the end).
What attracted me to the books in the first place was the idea that the Land may be imaginary or real, you just don't know. This POV problem spoiled things a little, though in honesty I never really felt that Donaldson made enough out of the possible non-existence of the Land for my liking.
In the first book, we only ever see the story from the POV of Covenant. This is consistent with the fact that we have no idea whether the other characters exist outside Covenant's imagination. By the end of the book, when he ends up back home, you still aren't sure whether the Land was real or not.
In the second book, Donaldson clearly wanted to split his party into two, with Troy in one party and Covenant in the other. This means that he is forced to give us a second POV, that of Troy, which affirms Troy's existence. By the third book, Donaldson has abandoned any pretence that the land might be imaginary and we get told the story from a large number of POV. Near the end of the third book, Donaldson seems to remember that the land may be imaginary (which is where I'm now up to, about 100 pages from the end).
What attracted me to the books in the first place was the idea that the Land may be imaginary or real, you just don't know. This POV problem spoiled things a little, though in honesty I never really felt that Donaldson made enough out of the possible non-existence of the Land for my liking.