Originally posted by OzScaper
cool
I'm not really an anime fan so I guess that explains why I haven't seen, it
and anime fan would give it a good review while anti anime people would diss it. Makes sense now
SCIFI WIRE -- Warner Brothers will produce a live-action, English-language remake of Japan's anime classic Akira, Variety reported. Blade director Stephen Norrington, who has just wrapped The League of Extraordinary Gentlemen, has reteamed with League screenwriter James Robinson to develop the project. Jon Peters will produce, the trade paper reported.
Released in 1988, Akira was directed by Katsuhiro Otomo, who also wrote the comic from which it stemmed. The remake will tell the story of a bike-gang leader who must rescue his younger brother from his involvement in Akira, a secret government project. In the process, the biker must battle anti-government activists, greedy politicians and irresponsible scientists, the trade paper reported.
Original review from www.play.com - refers to new DVD edition
The Masterpiece Returns!
In 1988, the landmark Anime film Akira, by director Katsuhiro Otomo, defined the cutting edge of Anime around the world. By today's standards, Akira remains a landmark achievement in cel animation and retains the explosive impact of its highly detailed animation and its intensely violent saga of power and corruption. Pioneer Entertainment proudly presents this classic film, completely restored and digitally re-mastered.
Childhood friends Tetsuo and Kaneda's motorcycle gang encounters a military operation to retrieve an escaped experimental subject. The military captures Tetsuo and conducts experiments on him that unleash his latent psychic ability, but when these new powers rage out of control, Tetsuo lashes out at the world that has oppressed him!
Original review from www.amazon.co.uk
Artist-writer Katsuhiro Omoto began telling the story of Akira as a comic book series in 1982 but took a break from 1986 to 1988 to write, direct, supervise and design this animated film version. Set in 2019, the film richly imagines the new metropolis of Neo-Tokyo, which is designed from huge buildings down to the smallest details of passing vehicles or police uniforms. Two disaffected orphan teenagers--slight, resentful Tetsuo and confident, breezy Kanada--run with a biker gang, but trouble grows when Tetsuo start to resent the way Kanada always has to rescue him. Meanwhile, a group of scientists, military men and politicians wonder what to do with a collection of withered children who possess enormous psychic powers, especially the mysterious, rarely seen Akira, whose awakening might well have caused the end of the old world. Tetsuo is visited by the children, who trigger the growth of psychic and physical powers that might make him a superman or a super-monster.
As befits a distillation of 1,318 pages of the story so far, Akira is overstuffed with character, incident and detail. However, it piles up astonishing set pieces: the chases and shoot-outs (amazingly kinetic, amazingly bloody) benefit from minute cartoon detail that extends to the surprised or shocked faces of the tiniest extra; the Tetsuo monster alternately looks like a billion-gallon scrotal sac or a Tex Avery mutation of the monster from The Quatermass Experiment; and the finale--which combines flashbacks to more innocent days with a destruction of Neo City and the creation of a new universe--is one of the most mind bending in all sci-fi cinema. --Kim Newman
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